The Colleen Lewis Research/Writing Residency 2019 – Deadline Extended

Thanks to the support of a generous donor, Fresh Milk is pleased to offer a Barbadian-based writer, scholar, researcher, curator or art historian a one-month residency at Fresh Milk!

 

Proposals must demonstrate interest in engaging with the material in the Colleen Lewis Reading Room (CLRR) as a critical resource, articulating the value of the residency opportunity in a retreat-like location as a time for research, production of new writing or scholarship and expansion of references & knowledge.

The CLRR offers resource materials which may be used for research purposes and as a source of inspiration. The selected resident will be asked to share informal reviews or responses to CLRR publications as a way to activate the collection and interface with the public. At the end of the residency, they will have the opportunity to share their research outcomes or new writings with the local community.

About Colleen Lewis

Colleen Heather Lewis (nee Shaw) was born on July 12th 1962 in Canada. She died in Barbados on September 6th 2006.  Many of the books in this reading room have come from Colleen’s own collection of books which she acquired while doing an art history degree in Toronto and her Masters in Cultural Studies at Cave Hill, reflecting her interest in and love for the arts. The Colleen Lewis Reading Room collection has been established in her name to keep her memory alive and reflects the generosity of her spirit.

Duration of Residency:  4 weeks

Fresh Milk will provide:

– A $1,000.00 BBD stipend to the resident
– Wireless internet
– A 15.5 x 14 ft research space
– A wide expanse of rural land
– Access to the Colleen Lewis Reading Room on-site
– A varied network of creatives to connect with
– The option of professional mentorship is available if desired
– Fresh Milk will facilitate public activities during the residency such as a presentation of the resident’s research/writing in a public event or the hosting of critical discussions

Eligibility criteria:

– Applicants must be Barbadian residents, living and working in Barbados
– Applicants must be able to work independently, be highly motivated, self-directed individuals
–  The resident must not have taken part in an on-site Fresh Milk Residency within the last 2 years.

Expectations of the Resident:

–  The Resident must come out to the studio a minimum of four days per week between Monday and Friday. Studio access is between 8 am and 6 pm.
–  As a form of public outreach and as a way to activate the content in the reading room, the resident must be willing to share reviews or responses to some of the material in the library during their residency (see examples of previous reviews/reflections on our Fresh Milk Books platform)
–  The resident will be required to keep a weekly blog of their activities and processes, and submit a report to Fresh Milk at the conclusion of the residency

Application Process:

To be considered, please submit the following to freshmilkbarbados@gmail.com with the subject line ‘Colleen Lewis Research/Writing Residency 2019 Proposal’:

–   The completed application form which can be downloaded here (includes applicant’s contact information, statement about their practice, and full residency proposal)
–  An up to date Curriculum Vitae (CV)
–  A selection of writing samples that offer a strong representation of your practice or current research focus
– We seek proposals that will actively engage with the CLRR collection

Incomplete applications will not be considered.

The deadline for submission has been extended until April 12th, 2019. The residency will take place between June 10th – July 5th, 2019.

Tilting Axis 5 – Beyond Trends: Decolonisation and Art Criticism

The fifth convening of Tilting Axis is set to take place in Pointe-à-Pitre, Guadeloupe in collaboration with Mémorial ACTe, Guadeloupe, a contemporary museum offering historical exhibits on the Caribbean’s slave & indigenous people from May 30th – June 1st, 2019 coinciding with Guadeloupe’s anniversary of the abolition of slavery in the last week of May.

Tilting Axis 5 “Beyond Trends: Decolonisation and Art Criticism” will explore the theme of decolonisation to think beyond its currently popular usage as cultural and institutional critique. Unlike its application to specific sites and processes, has decolonisation been a constant and ubiquitous practice in the Caribbean? This gathering will re-consider the currency of these discourses, identifying site-specificity within the Caribbean. For example, what does it mean for art institutions to negotiate decolonisation after postcoloniality? What different approaches can be deployed in decolonizing discourses-specifically in relation to art criticism–and made more visible in spaces where their prevalence renders them invisible?

Examining the roles of artists, curators, educators, arts managers, scholars, art writers and critics, arts managers and policy writers, etc., we will consider how to strategically involve discourses on decolonization that are useful for the Caribbean’s cultural sector.

With limited space, please confirm your interest in attending by emailing tiltingaxis@gmail.com no later than the extended deadline of Friday, March 15th 2019.

Tilting Axis delegates are required to pay a registration fee of USD$75.
Registration fee is waived for local delegates.