Announcing the Lucayan Archipelago Residency

Fresh Milk in partnership with Poinciana Paper Press and supported by the Panta Rhea Foundation are delighted to announce an 8-week Lucayan Archipelago Residency which will take place in The Bahamas between September and November 2024.

In response to the critical need for exchange across creative and environmental ecosystems, this residency brings together a writer and a visual artist from the Caribbean to imagine and co-create a critical cultural dialogue with the environment and resources in The Bahamas through the crafts of book arts. Our two residents are Ark Ramsay (Barbados) and Jocmarys Viruet Feliciano (Puerto Rico).

 

Ark Ramsay (Bridgetown, 1994), is a non-binary writer based in Barbados. Their work has appeared in or is forthcoming from The A-Line: Journal of Progressive Thought, Small Axe, Gertrude Press, Meridian, Adda, The Rumpus, Passages North, and The Gulf Coast. They have been a finalist for the Inaugural Story Foundation Prize through Story Magazine, an honorable mention in Ninth Letter’s 2021 Literary Award for Nonfiction, and shortlisted for the 2024 Commonwealth Short Story Award. They have received an MFA from The Ohio State University.

 

Puerto Rican-based Jocmarys Viruet Feliciano, a visual artist from Puerto Rico focuses on hand papermaking and book arts. She holds a bachelor’s degree in Fine Arts from the University of Puerto Rico, Mayagüez Campus and a master’s degree from the University of Iowa, Center of the Book. Jocmarys worked as an intern at the Morgan Conservatory in Cleveland, Ohio and has been an assistant at the Rare Book School at the University of Virginia. Her first experience with handmade paper was in 2014 as an exchange student in South Korea. Jocmarys has taught several bookbinding and handmade paper workshops in Puerto Rico and in the United States. Her artist’s books are part of special collections such as University of Miami, University of Iowa, Yale University, University of Pennsylvania and Stanford University. 

 

Together, Ark and Joko while based in Nassau will explore some of the family islands of this 700-coral island archipelago, meet with contemporary visual artists and writers, ecologists, and environmentalists to understand the ecological reality of the Lucayan Archipelago that sits within the Atlatnic Ocean. We can hardly wait to see what emerges from this collaboration!


 

About Fresh Milk:

Fresh Milk is an artist-led, non-profit organisation founded in 2011 and based in Barbados. It is a platform which supports excellence in the visual arts through residencies and programmes that provide Caribbean artists with opportunities for development, fostering a thriving art community. Fresh Milk offers professional support to artists from the Caribbean and further afield and seeks to stimulate critical thinking in contemporary visual art. Its goal is to nurture artists, raise regional awareness about contemporary arts and provide Caribbean artists with opportunities for growth, excellence and success.


About Poinciana Paper Press:

Located in the capital of the archipelagic nation of The Bahamas, Poinciana Paper Press provides opportunities to engage with books and their allied crafts to empower people to share their narratives in a region that has historically erased, marginalized, and exploited the culture and lived experiences of its inhabitants.

Bahamian writer and artist Sonia Farmer created Poinciana Paper Press as an independent book publisher in 2010, releasing handmade limited-edition chapbooks and artists’ books of Caribbean poetry, short stories, and experimental writing. Her vision is to advance the diversity of narratives and publishing modalities in The Caribbean.

In 2022, she established Poinciana Paper Press as the first Center for Writing, Book Arts & Publishing in The Bahamas—arguably, in the wider Caribbean—to expand this vision, developing visibility in the literary and book arts from within the Caribbean cultural ecosystem.

A major collaborator in the literary and visual arts communities in the region, Poinciana Paper Press facilitates programming aligned with its mission by providing opportunities to engage with the form of the book and its allied crafts of writing, bookbinding, letterpress printing, handmade paper, printmaking, book design, and calligraphy. This includes workshops, community outreach and engagement, exhibitions, publications, and residencies.


About Panta Rhea Foundation:

Mission: To catalyze a just and sustainable world through food sovereignty, community power building, and grassroots liberation around the globe.

The Panta Rhea Foundation (PRF) was established in 2001 as a private foundation devoted to researching issues and analyzing the operations, goals and potential of organizations committed to building a more just and sustainable world. The Foundation advises individual donors and other charitable entities on grantmaking strategies and specific grants.

We believe that lasting, authentic change must come from the grassroots; from the organized efforts of people and organizations to enliven the social imagination and envision a better future, to experiment with new ideas, and to hold elected leaders and corporations accountable to the communities they serve.

Our foundation name, Panta Rhea, is inspired by Ancient Greek philosopher Heraclitus. It roughly translates to “You never step into the same river twice” or “All things change, all things flow”—suggesting both inherent constancy and change as a fundamental of life itself. 

Amanda T. McIntyre selected for Tilting Axis Fellowship 2025

In 2019 Nieuwe Instituut joined forces with Tilting Axis to offer a Fellowship to an applicant based in the Caribbean. We are delighted to announce that Amanda T. McIntyre (Trinidad and Tobago) has been selected as the fifth Tilting Axis / Nieuwe Instituut Fellow. Amanda will begin her Fellowship at the Nieuwe Instituut in Rotterdam starting February 2025 and continuing research and activities through July 2025.

Read this announcement on the Tilting Axis website here.

Amanda T. McIntyre is a Trinidadian writer and artist. She is Creative Director and Lead Designer at Dolly Mas Visual and Performing Arts Company. Her work experiments with harmonising architectural and textile cultures of the Caribbean. She was previously an Art Administrator at New Local Space (NLS), an art studio and gallery based in Kingston, Jamaica. In 2020 McIntyre was part of the faculty for La Pràctica Artists Residency, Puerto Rico, and an advisor for the NLS, Curatorial, and Art Writing Fellowship. In 2021, she was awarded a Futuress Coding Resistance Fellowship for her project Mapping Queer Carnival. In 2023 she was longlisted for the prestigious Queen Mary Wasafiri New Writing Prize.

Project Brief

Present Continuous is a practice-based research project that applies digital intervention towards archiving the materiality and intellectual properties of contemporary Caribbean masquerade cultures, with corresponding designs including architectural elements from the nineteenth and twentieth centuries when masquerade emerged in the Caribbean. The project also assesses non-extractive material considerations in this era of climate emergency attempting to answer the question: Can Caribbean Carnivals be sustained materially? And if so, what are the ways that would best serve the planet and the communities that exist within Caribbean Carnival ecosystems?

Comments on the Selected Proposal

Amanda’s project Present Continuous brings new and fresh ideas, presented in her application with an inviting approach that pulls you into the project, addressing urgent themes. Amanda’s project, centered on festival culture and waste, specifically through the lens of Dolly Mass, offers innovative solutions for archiving costumes. Her research on the Baby Doll, focusing on its representation and parody of women in early Caribbean masquerades historically performed by men, is particularly compelling. The jury felt the proposal which linked architecture, mas, queer studies, and climate justice further raised critical questions about the future of these costumes with an emphasis on non-extractive material focuses.

The jury was compelled by Amanda’s ambitious submission concentrating on urgent themes approached with sensitivity, seriousness, and interdisciplinary approaches. Amanda’s ability to think through carnival culture and the determination to archive these traditions and practices by future-proofing them highlights the importance of documenting the fluid migrations and influences within this culture including its evolution in two other Caribbean islands. Although the proposal had a clear focus, the jury was also impressed by Amanda’s willingness to remain curious, flexible, and open to exchange with partners on ways of archiving. Moving into the fellowship period, the jury suggested further research into deadstock materials from Jamaica and Martinique to enhance her project.

General Comments

Members of the jury were impressed by the wide range of themes approached by the projects, as well as the relevance and timeliness. Fifteen applicants submitted a wide cross-section of projects from all four linguistic territories of the Caribbean. This year’s submissions were strong, competitive, and transgressive, indicative of the Fellowship’s growing profile over the past eight-year period. Proposals were concerned with topical themes such as new pedagogies, maroonage, anti-colonialism, embodied and ancestral knowledge, speculative fiction, myth-making, the circular economy, climate justice, cartographies, vernacular architectures, marine, and spiritual ecosystems, ceremony, and shared rituals of masquerade. The projects demonstrate the creativity and power of practitioners living and working across the Caribbean, highlighting the importance of continued collaborations with those in the region.

Procedure

This Fellowship is supported by lead host partner, Nieuwe Instituut and its collaborators including the Amsterdam Museum, De Appel, Stedelijk Museum Amsterdam, and Kunstinstituut Melly. Between the announcement of the open call on May 30th, 2024, and the deadline on June 30th, 2024, Nieuwe Instituut and Tilting Axis received 15 eligible entries in response to the open call from eight countries across the Anglophone, Francophone, Hispanophone, and Dutch Caribbean region including Barbados, Cuba, Curacao, Haiti, Jamaica, Puerto Rico, Trinidad and Tobago and St. Vincent and the Grenadines.

The proposals were reviewed by a committee composed of the following members:

  • Tijn van de Wijdeven, program manager, Nieuwe Instituut

  • Holly Bynoe, ARC Magazine, Sour Grass and Tilting Axis co-founder

  • Annalee Davis, Visual Artist, Founding Director of Fresh Milk, Sour Grass, and Tilting Axis co-founder

  • Jessy Koeiman, Curator of Collective Learning, Kunstinstituut Melly

  • Mark Raymond, Director of the Graduate School of Architecture at the University of Johannesburg in South Africa

  • Lara Khaldi, Director at De Appel

  • Imara Limon, Curator, Amsterdam Museum & Silke Kamp, Curator-in-Training, Amsterdam Museum

  • Charl Landvreugd, Head of Research and Curatorial Practice, Stedelijk Museum Amsterdam

The meeting was chaired and moderated by Nieuwe Instituut researcher Federica Notari.

Proposals were evaluated based on their research proposal, methodological approach and connection to the disciplines of architecture, design, or digital culture; and their interest in working with the hosting partners. Four candidates were shortlisted and invited to an online interview with members of the selection committee on July 11th, 2024. Following the interviews, the committee selected Amanda T. McIntyre (Trinidad and Tobago)  as the recipient of the Fellowship. The other shortlisted candidates were Lucia Piedra Galarraga (Cuba), Alex Martínez Suaréz (Dominican Republic ), and Johanna Castillo (Dominican Republic).

Meet the Jury – TENDER: A Caribbean Arts Regranting Initiative

The Fresh Milk Art Platform, with the generous support of the US-based Andrew W. Mellon Foundation and the National Cultural Foundation (NCF), is currently accepting submissions from Caribbean-based contemporary artists, art-focused organisations, curators and art historians/writers/researchers/ for the inaugural edition of TENDER: A Caribbean Arts Regranting Initiative. The deadline for submissions is September 6th 2024.

Learn more about the programme, levels of funding available, and how to submit your application through our online form HERE!

Applications will be independently reviewed by a 3-member jury comprising one Barbadian, one Caribbean, and one international jury member, each of whom is an expert in their field and familiar with contemporary art practice in the Caribbean.


Meet our esteemed jury members now!

  • Dr. Therese Hadchity, Art historian and professor in Cultural Studies at The University of the West Indies Cave Hill Campus, Barbados


  • Tirzo Martha, Visual artist and co-founder of the Instituto Buena Bista, Curaçao


  • María Elena Ortiz, Curator at the Modern Art Museum of Fort Worth, Texas, USA

TVE 2024 – Caribbean Virtual Community Roundtable

The Fresh Milk Art Platform (Barbados) and the Centre for Culture in Lublin (Poland) as part of Lublin’s bid for the European Capital of Culture 2029 title are thrilled to invite our creative communities to the curatorial roundtables for the fifth edition of Transoceanic Visual Exchange (TVE)!

We’re showcasing an exciting selection of film and video works – video art, new media, and expanded cinema – from contemporary artists in the Caribbean, Poland, and Ukraine, made within the last 5 years. This year’s TVE will have screenings in Barbados and Lublin, with an accompanying digital exhibition.

The heart of TVE lies in the collection of recent artists’ film and video works, and employs a community of curatorial practice shaped by an open conversation process to engage and promote discussion within our creative communities. 

Join us for an online roundtable facilitated by Fresh Milk via Zoom on Saturday, August 17th at 11:00 AM (AST) to discuss contemporary film and new media art in the Caribbean. This forum is open to the public, and we invite those based in the Caribbean and its diaspora with an interest in regional video-based works to participate. 

Save the date and join the discussion on Zoom here!

Ahead of the roundtable, we’re sharing a public survey about film and video art in the region. Your input will add valuable insight to our community session.

Click here to fill out the #askTVE form and share your thoughts!

The Caribbean roundtable will be hosted in English, however you are welcome to fill in the #askTVE form in whichever language you are most comfortable writing in. 

For more on the programme and the first four editions, visit the TVE website here.