Cherise Ward’s Residency – Week 4 Report

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Final Week

Week 4, the final week of the residency, was spent experimenting with mold making and casting, and working on the puppet.

While making the molds, I was anxious to see how they would turn out. I poured the molds, and let them stay overnight. The next day they were turned from liquid to rubber, and I was happy with how they came out.

I was excited to pour the first cast. This did not turn out as well as I would have liked, so I tried again. I was able to make 3 casts of the girl and rooster, plus one made with the very last of the liquid plastic. These are to be wall hangings, and I’m looking forward to painting them.

I also made 5 bunny casts. The shape for the bunny was a simple design, keeping in mind that I wanted to make a simple mold. These can be painted in any way, and I gave one to Annalee, and one to Katherine, to see what ideas they come up with.

I painted one using acrylic paint, and started a second one.

I enjoyed the time spent at Fresh Milk during the 4 weeks of the residency. I would like to thank Annalee and Katherine for their support during these 4 weeks. The residency allowed me to work on ideas that I had not had time to explore in the past. It gave me the opportunity to try new things, and watch initial ideas develop into concepts I had not considered before. Through the residency I was able to meet Juliana, and through her feedback, I have new ideas that I’m looking forward to exploring. I’m happy I made the decision to do a local residency, and I’m pleased with what I have taken away from my experience at Fresh Milk.

I will be doing a Puppet Building Workshop on May 20th as the community outreach portion of the residency. I will be teaching primary school students about puppets, and puppet building, so I will update the blog with images from the workshop.

Follow Cherise on Tumblr for more updates on her residency & practice.

Wangechi Mutu’s Family Tree – #CCF

Wangechi Mutu, Try Dismantling the Little Empire Inside You, Ink, Mylar, pigment, photocollage with mixed media on Mylar and wall, 95 1/2 x 104”, 2007

Wangechi Mutu, Try Dismantling the Little Empire Inside You, Ink, Mylar, pigment, photocollage with mixed media on Mylar and wall, 95 1/2 x 104”, 2007

Definitions have always been my go-to method for gathering my thoughts; when you define something, it becomes clear and finite, manageable and straightforward. It creates a singular approach to a topic. After reading Kristine Stiles’ essay Wangechi Mutu’s Family Tree in the stunning exhibition catalogue for ‘Wangechi Mutu: A Fantastic Journey’, I felt saturated by the full sensory experience- from Stiles’ words, to Mutu’s salient images, to the gorgeous, smooth matte cover of the book. So, I retreated to my comfort zone of definitions to decompress. The corner I managed to back myself into with this, is that seeking a tidy, singular trajectory for something which in itself embodies plurality felt inadequate, especially with the much wiser and nuanced voices in the essay colouring my interpretations.

The above excerpt is from Katherine Kennedy’s review of the essay ‘Wangechi Mutu’s Family Tree’ by Kristine Stiles in the exhibition catalogue Wangechi Mutu: A Fantastic Journey, this week’s addition to the Fresh Milk Books Tumblr – the online space inviting interaction with our collection in the Colleen Lewis Reading Room.

For new Critical. Creative. Fresh reviews every week, look out for our #CCF Tuesdays  and see the good reads we have available at Fresh Milk!

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Cherise Ward’s Residency – Week 3 Report

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Puppet Beginnings

The first day of Week 3 of the residency was spent completing the clay sculpture I started last week.

On Tuesday, I began building a rod puppet, using air-drying clay. I cut wooden dowel sticks for the arms, and next week I will work to complete it.

On Wednesday, Juliana Inniss came to visit the studio. It was great to meet her in person. She was able to see the sculptures I made, and gave helpful feedback, as well as tips for future projects.

The mold making and casting kit I ordered arrived last week. This week I started developing ideas for what I will create with this, and I’m looking forward to experimenting with it.

Follow Cherise on Tumblr for more updates on her residency & practice.

The Cyprus Dossier 00 – #CCF

cyprus dossier compilation

…By the time I reached the end of the journal’s 39 pages, I was floored. Cyprus, I thought, how can this be somewhere I know nothing about? While concepts such as enosis (union with Greece) and takism (in relation to Turkish support of partition e.g. separate Turkish state) are embolic of Cyprus space, these themes and motifs look all too familiar: an island divided between two nations (e.g. Haiti & the Dominican Republic and Sint Maarten & Saint-Marteen), identity crisis, colonialism, imperialism, corrupt politics, arts/cultural activism, historical brainwashing, the cultural memory of physical spaces, white supremacist ideology…nationalism.

The above excerpt is from Amanda Domalene Haynes’ review of The Cyprus Dossier Issue 1: Towards Free Thinking Cyprus,  this week’s addition to the Fresh Milk Books Tumblr, the online space inviting interaction with our collection in the Colleen Lewis Reading Room.

For new Critical. Creative. Fresh reviews every week, look out for our #CCF Tuesdays  and see the good reads we have available at Fresh Milk!

cyprus compilation

Thanks to the Cyprus Dossier for donating a selection of their issues to Fresh Milk as we approach the International Artist Initiated Project being organised by the David Gale Gallery in Scotland, in which both entities will participate. The event will be a part of the Glasgow 2014 Cultural Programme corresponding with the Commonwealth Games this summer.

Cherise Ward’s Residency – Week 2 Report

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Experiments with Clay

Week 2 of the residency was the beginning of my sculptural explorations. I wanted to explore the idea of building functional sculptures inspired by my illustration concepts, so I spent this week experimenting with clay. Growing up, I was always making things with my hands, and clay was something my mother would buy for me to sculpt with. The last time I sculpted anything with clay was about 3 or 4 years ago and I was very excited to use this time to work with it again, and learn more about ceramics.

During the first week, Annalee introduced me to Juliana Innis, a local Artist. Juliana gave me many tips, sharing information about her own work and firing technique, as well as information about mixing glazes.

Over the weekend I bought some local clay. I spent the first day brainstorming, sketching ideas, and doing research.  In The Colleen Lewis Reading Room, I found two very interesting books on ceramics. One called Japanese Ceramics Today, which had a lot of interesting information and images; and the second book, Handbuilt Ceramics, included techniques such as pinching and coiling.

When I started sculpting, I had an idea of what I wanted to make based on my sketches. I worked through the initial uncertainty, and enjoyed the process and the exploration. As I continued working, the initial idea evolved.

The first finished piece is a vase.

I’ve started a second piece, and I’m excited to see what the finished product will look like.

On Saturday, I went on a family excursion to Chalky Mount, St. Andrew, where we had the opportunity to meet the potter John Springer. John spoke about our local clay, and demonstrated the use of the potter’s wheel. He also showed us his kiln, and explained how it functioned.

Follow Cherise on Tumblr for more updates on her residency & practice.