Caribbean Linked II Artist Blogs: Shirley Rufin

Martinican artist Shirley Rufin shares her blog post about the Caribbean Linked II residency programme at Ateliers ’89, Aruba. Rufin refers to the experience as one of discovery, finding similarity between her new space and her home country while also reveling in the differences. She harnessed this idea of making new connections and linkages in her work – stemming from interactions with her fellow artists and taking inspiration from the Aruban landscape, her final pieces for exhibition interweave organic elements from nature to recreate the human figure.

All images courtesy of the artist.

Shirley Rufin- New works created for Caribbean Linked II. From the series MartinAruba.

Shirley Rufin – New works created for Caribbean Linked II. From the series MartinAruba.

Caribbean Linked II was a beautiful experience full of meetings, good moments, laughter, dance and especially complicities and creation. The two weeks spent on the island of Aruba at the Ateliers ’89 studios were two weeks of madness and pure happiness. This opportunity allowed me to meet Elvis Lopez, the director of the Ateliers ‘89 and an artist, but before any of that a magnificent person full of kindness. I also had the opportunity to meet local contemporary artists; Nelson Gonzalez, Ciro Abath and his wife, Glenda Heyliger, Osaira Muyale, Ryan Oduber and Alydia Wever, and within that the great gift to also connect with nine very talented artists who splendidly represent their countries and media.

The stay on “One Happy Island” was very enriching because this island is very familiar and close to Martinique due to its climate and population, but still very different in its weather, vegetation, customs and especially the language. I was the French artist of the group, and as I discovered the space, I was able to let go of what I know and remembered to learn to see everything with a new eye full of curiosity.

The day after we arrived we were able to preview a retrospective of Elvis Lopez titled “ISLA” and Nelson Gonzales’ “Identity Pill’ which placed us directly in a bathing pool of curiosity and creation. During our walks exploring the capital of Oranjestad I was able to discover this new place together with Sofia aka Miss Porto Rico, Mark aka Mister Barbados, Rodell aka Mister Trinidad and Tobago, Omar aka Mister Curacao aka Shaggy, and Veronica aka Miss Bahamas aka Scooby. This allowed me to see things which inspired and pleased me. Later that day we welcomed the arrival of Dhiradj aka Mister Suriname, Robin aka Miss Aruba, and finally Germille and Kevin aka Misters Aruba. This led to the completion of the artsts who would comprise the meetings and discovery which is crucial for human and artistic connection on every level. Each of us knew how to encourage and support himself/herself by being interested in the work of each other. The sharing of long breakfasts and lunches, along with improvised dinners and dance parties, solified the connection and provided an outline of the mode of life for each artist.

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On our first Thursday we visited the carnival of San Nicolaas and the nightclub run by Bushi. Thanks to Glenda who accompanied us, we were able to have unforgettable moments of laughter with her dance moves amplifying the night. It was a real pleasure to be able to share points of view and ideas with each of the artists present during this residency.

To represent my entire stay I decided to make a proposal motivated by this notion of connection, and what to me was the strongest visual connection; the island’s bare trees that are full of branches that move and twist in every sense and direction. The words creation, link, connection, representation, tree, life, interaction, resemblance, difference, contribution, opportunity, meeting, culture, expansion and many others allowed me to concentrate on a photographic proposal which consisted of four images presenting something organic with fragments of nature ordered to recreate a human figure.  The roots used evoke the notion of earth and ground, of implanting and relation in a certain place.

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I wanted to work with the on-the-spot and present elements and within the supporting media, but some challenges came into play and I was aware of some uncertainties with editions, but the end result was very enriching and rewarding. This kind of working was governed by the cohesion of the group and with the collective inspiration and support that everyone lent. With this capacity of emulation I realized that it was something that it is necessary to maintain and to keep forever in order to rise to higher levels in my creative process and to progress.

Shirley Rufin - New works created for Caribbean Linked II. From the series MartinAruba.

Shirley Rufin – New works created for Caribbean Linked II. From the series MartinAruba.

About Shirley Rufin:

Shirley Rufin is an emerging plastic artist from Martinique. She was born in Paris in 1985 and lives and works in Fort de France, Martinique. Her primary medium is photography, which she utilizes to question the body’s relation to abstraction in ways that offer a reconfigured look at female representation.

CARIBBEAN LINKED II is a residency programme and exhibition organized by Ateliers ’89 Foundation in collaboration with ARC Inc. and The Fresh Milk Art Platform Inc. and funded by the Mondriaan Foundation. The programme took place from August 25th through September 6th, 2013 in Oranjestad, Aruba.

Caribbean Linked II Artist Blogs: Omar Kuwas

Curaçaoan artist Omar Kuwas shares his experience with the Caribbean Linked II residency programme at Ateliers ’89, Aruba. He speaks about his misadventures leading up to his arrival in Aruba, and how his misfortune led to an unexpected form of bonding with his fellow resident artists. This led him to conclude that although each island in the Caribbean may take pride in their differences, there are some fundamental similarities which continue to ‘link’ us together.

All images courtesy of the artist.

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Traveling to Aruba for Caribbean Linked II would mark the second time I’ve traveled to the country. It is a trip that I’ve only done once before about three years ago despite having lived for more than 20 years on neighboring Curacao hardly 20 minutes away by plane. As such I was looking forward to the trip knowing that this time around I would have more time to explore the island; as last time I was here for barely three days.

This trip would also be both the first time that I participate in any kind of residency program and an exhibition supporting Caribbean works. I’m quite familiar with the workings of both, yet normally from the side of the facilitator being an employee of the Instituto Buena Bista (IBB) on Curacao.

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I knew from the get go that by extension of my line of work –analog pinhole photography– there would be some possibilities for things to go slightly askew based on what was planned. What I didn’t expect though, was for these deviations to start before I left Curacao. Due to a pretty interesting accumulation of unfortunate events, which included me forgetting my passport for the first time ever, and one of the local aviation companies going bankrupt the weekend before the North Sea Jazz Festival, one of the largest on the island and no mention of a check-in time anywhere on my ticket (or online for that matter), led to the loosing of my scheduled flight to Aruba.

A nice conversation with the company representative resulted in a rescheduled flight,  this was postponed to the last flight of the day as all of the earlier flights were fully booked with stranded travelers trying to get to their destinations and connecting flights.

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Taking this situation in good stride, I decided to make good use of my free day to relax, have a nice Colombian lunch, nap and dispatch of as many clay pigeons as I could find time for. All of which were welcomed activities after a couple of intense weeks rushing to have all my work done in time for Aruba, while also managing the projects that I would be absent for at the IBB as the new school year started on the 2nd of September. At the end of the laxed day I showed up on time with my passport and boarded a surprisingly short flight to Aruba for Caribbean Linked II.

Little did I know that my misadventures with air travel to Aruba wouldn’t be a unique experience. It marked the start of a whole lot of similarities between the different islands that we would figure out during our increasingly longer nightly “linkings”.

If there is one single thing that I will take away from this experience, it’s that while there is great diversity and much pride among the islands in the Caribbean for not being the same as each other, we are more alike than I’m afraid we will ever be comfortable admitting.

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About Omar Kuwas:

Born on June 28, 1985. Graduated in 2009 with a degree in Communication & Multimedia Design with minors in software engineering and photography from The Hague University of applied sciences in The Netherlands. Has been involved with ArteSwa and Instituto Buena Bista since 2007 and been working there full time doing IT, design and teaching (analog) photography since 2009.

CARIBBEAN LINKED II is a residency programme and exhibition organized by Ateliers ’89 Foundation in collaboration with ARC Inc. and The Fresh Milk Art Platform Inc. and funded by the Mondriaan Foundation. The programme takes place from August 25th through September 6th, 2013 in Oranjestad, Aruba.

Caribbean Linked II Artist Blogs: Rodell Warner

Trinidadian artist Rodell Warner shares his experience with the Caribbean Linked II residency programme at Ateliers ’89, Aruba. Warner has taken this opportunity of being in a new environment, surrounded by new people who have inspired him in ways he could not have foreseen, to explore the unknown and the element of surprise in his work. To convey this, he has shared all of his tweets from the last week, describing Twitter as a ‘Thought Bank’, an honest account of people’s up-to-the minute thoughts about what strikes them that day.

All images courtesy of the artist.

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Recently what I’m most interested in is the unknown – all the things I don’t see when I’m looking; the source of pure surprise, forever keeping things interesting. Recently I’m convinced that everything is perfect, and that even what seems imperfect is actually perfectly imperfect, allowing all the contrast and variation I never know I really want; reminding me that, surprisingly, I haven’t actually seen it all.

Recently I’ve been trying to keep this in mind, that there’s always everything I don’t know, and to leave room for realizing it; taking coincidences, accidents, misunderstandings as hints to other ways to view things or doors to possible surprise. During the last week at the Caribbean Linked II residency in Aruba, this practice has been happening in a completely new environment with some beautiful new people, while making work I want to know is not separate from all of it.

Recently I’ve been using twitter a lot. Twitter is a straight up Thought Bank and lots of peoples’ precious savings are dropped into accounts that everyone has access to. It’s a beautiful thing. Most of what I save is the thoughts I’m surprised I’m having, which are usually the product of flirting with some coincidence, some mistake, some difficult question. This is my favorite record. An hour ago some odd thought I was surprised to be having suggested that all my tweets from the last week are actually the coolest summary of my time here so far, and I agree. So while sharing some images with you of the process of the experiment I’ve been working on over the last week, please enjoy also these thoughts that happened during the same time, starting with the most recent.

Also, thanks to Dhiradj and Mark for helping with test shooting last night. Both were kind enough to pose and play. Dhiradj appears in the colourful image below.

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02SEP

• eyeline / horizon
• nowever
• unofficially legit
• all process
• say the right thing by accident
• as you die your life flashes before your eyes but from everyone else’s perspective – everything you never saw
• the only reason i’m a mirror is you

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01SEP

• when u catch the fish and they’re out of the water it’s the sun they’re going crazy over
• crazy-strong
• u mean im in the world right now?
• i like the idea of sleep
• god is my twin sister

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31AUG

• superpower nap
• triangle sun
• sleep naked, u deserve it
• referred to myself as ‘my love’ in my head while brushing my teeth. excellent example of the kind of improvement we like to see around here.

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30AUG

• eyes kissing
• aerosol cigarette
• more forever
• how many things are taking care of you?
• a broom is a walking stick and many others
• gravity motor
• you’re probably more used to my voice than i am
• being cool is awesome
• trust me and i am trustworthy
• accepted thousand-year deep space exploration residency; thought i was tired of earth/ppl but turns out no i like. not a lot of art art here
• u ride this wind like a warship. is that what a hurricane is? there’s a spot in my chest with a small breeze, put your ear and be very quiet
• spent all my money feelin bad with u. feelin bad doesnt feel good for long enough to pay that much for. touch my face instead or laugh at me
• feeling killed
• r u expensive
• betray me, internet
• grow me up easy
• human question
• how to show you a truth again this truth; how to keep it myself
• love or love
• “synchronised  twitching”
• kiss and die! kiss and die!!

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29AUG

• oracle for company
• “share your breath”
• eyelid/horizon

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• want to RT your bio
• before making art from it asking is it already art
• with the right amount of energy i could love you forever
• remembering to breathe slow when suddenly alarmed and raking the orgasm of that. hair wet and is a world i dont know. listening to sun sound
• im amazing at your straight abilities in this trilly-nilly sunset

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27AUG

• if you’re almost drowning in the toilet water I will save you
• what’s not an illusion?
• thank it
• only unconditionally
• numbers didn’t always have names
• ever discover a truer laugh
• use it to recognise it
• only take it cus it’s for you

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26AUG

• working together in the mirror
• cameras are mirrors and still water does that. in the past people will make selfies at serene ponds and post them to their fondest memories.
• i’m probably not chilling out unwittingly intentionally
• i think my heart feels it belongs to everything in this room and is beating accordingly to pump blood to all of it
• givup thenkng
• often fabourite parts ar when i giv up thnkng
• the plural of still life is still lifes
• die right into it, die in

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 25AUG
• bless up allyuh self

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About Rodell Warner:

Rodell Warner is a multi-disciplinary artist from Trinidad whose most recent works use interactive animated GIF installations to explore ideas of Oneness.

Two of Rodell’s experimental photo projects have been published in ‘Pictures from Paradise – A Survey of Contemporary Caribbean Photography’ (Robert & Christopher, 2012) and his work has been shown in really fun exhibitions in Johannesburg, New York, Port of Spain, Bridgetown, Toronto, Kingston and London.

Rodell is a 2011 recipient of the Commonwealth Foundation’s Commonwealth Connections Residency and often updates.

CARIBBEAN LINKED II is a residency programme and exhibition organized by Ateliers ’89 Foundation in collaboration with ARC Inc. and The Fresh Milk Art Platform Inc. and funded by the Mondriaan Foundation. The programme takes place from August 25th through September 6th, 2013 in Oranjestad, Aruba.

Caribbean Linked II Artist Blogs – Dhiradj Ramsamoedj

Surinamese artist Dhiradj Ramsamoedj shares his experience with the Caribbean Linked II residency programme at Ateliers ’89, Aruba. He gives us insight into his thought process since arriving and tells us about The Flexible Man Project, which explores the identity of a Caribbean citizen in the present day, rather than an identity rooted in the region’s weighted history. Being in Aruba with his fellow residents, as well as visits with local artists, has inspired him to conceptualize a performance piece with the suits.

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I arrived on “One Happy Island” feeling like I was going to have an adventurous and rewarding experience with my art. Elvis Lopéz picked me up at the airport with the blue Ateliers ‘89 bus, and I was warmly welcomed at Ateliers ’89 by fellow resident artists. After having some coffee, it was time to enter the black box and do a presentation about my artwork. Since I intended to work with four Flexible Man suits, I gave a presentation only about my Flexible Man Project. Other artworks etc. were not shown, otherwise the presentation would be too long and the audience could lose concentration – which is not my intention on this Happy Island!

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The Flexible Man Project is about the present identity of a Caribbean citizen. Our ancestors came from different places with different cultures all over the world. Over time we have blended these cultures into something which is our own; we have created our own Identity. I did not really know what my performance with the suits would look like. Lying on my bed during our first night, I wondered how to proceed. The second day all of the artists drove down in the bed of a Ford Bronco tuck to a hardware store. We started a fun, lighthearted conversation, and then the idea arose for me to do a film with the Flexible Man suits in the bed of the Bronco. I started to work out what this would be like. The idea of doing a fun safari tour through the city was great, but I had to find a reason for me to do it in the city.

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That day I also met Aruban based artist Ciro Abath on a studio visit. Interestingly, even Ciro gives the present identity of the Caribbean man more importance, exploring the current state of being rather than simply being eager to going back to his roots. Later on the day we went to Ciro’s studio where he has a glass blowing workplace, which inspired to execute my plan of building a glass workplace in Suriname. That night while thinking about my performance concept, I was wondering why the city, why not the landscape where the safari jeeps are intended to drive?

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A studio visit of visual artist Osaira Muyale was productive in the sense that I received getting constructive criticism about my project in Aruba. She suggested going into the city and doing the performance with the people. As a group of resident artists at the Ateliers ’89, we had the privilege of taking a look at her works for an upcoming show in her gallery, which is located in front of her home. That night we went for a party at the Local Store. While drinking my beer, I thought about holding the performance with the suits near the beach, as there are also lots of people there. The next day we went to visit Aruban artist Glenda Heyliger. I was quite impressed when she gave us an explanation about one of her works, which was inspired by similar sources to those I use for the Flexible Man Project. After the studio visit we went out with Glenda to explore San Nicolaas during a carnival celebration. We went to Buchie’s place for a drink, where we had a lot of fun with Buchie and the artists. That inspired me to have fun in the suits and let that be filmed, even if it is in a white space…for the opening day, maybe I will do a performance with the suits.

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About Dhiradj Ramsamoedj:

Dhiradj Ramsamoedj is born in Paramaribo, Suriname on March 24th 1986.  He enrolled at the Nola Hatterman Art Institute in 2000 and graduated in 2004 with Honors. Ordinary Surinamese people, the cultures that sustain them and the difficult circumstances in which many people in Suriname find themselves today were the theme of his first solo exhibition in 2006. Now his work revolves around memories from his past and the nature of man. He created several 3-D works which were environmentally inspired. In 2009 he spent three months at the Gerrit Rietveld Academy in Amsterdam. In 2010, as part of a large art event in Suriname called Paramaribo SPAN he exhibited in his grandmother’s home with a series of carefully conceptualized, modern art installations based on childhood memories. In 2011 he shares a number of new contemporary creations with the public.

CARIBBEAN LINKED II is a residency programme and exhibition organized by Ateliers ’89 Foundation in collaboration with ARC Inc. and The Fresh Milk Art Platform Inc. and funded by the Mondriaan Foundation. The programme takes place from August 25th through September 6th, 2013 in Oranjestad, Aruba.

NLS presents ‘in’ an online conversation with Caribbean Linked

For those of you who missed it live, you can watch NLS’ third iteration of “in” here.

“in” is a series of live online conversations on Youtube and Google Hangouts with visual artists, art organisers and curators.

In this video, NLS director Deborah Anzinger talks about the intra-Caribbean residency program Caribbean Linked, with Holly Bynoe of ARC Magazine, Annalee Davis of Fresh Milk, Elvis Lopez of Ateliers ’89 and participating artist Sofia Maldonado.