Announcing the 2nd Edition of the Lucayan Archipelago Residency

Fresh Milk in partnership with Poinciana Paper Press and supported by the Panta Rhea Foundation are delighted to announce our second edition of the Lucayan Archipelago Residency which will commence in The Bahamas in January 2026.

In response to the critical need for exchange across creative and environmental ecosystems, this residency brings together creatives from the Caribbean to imagine and co-create a critical cultural dialogue with the environment and resources in The Bahamas through art and writing. Our two residents are Tracy Assing (Trinidad & Tobago) and Carol Sorhaindo (Dominica).

Tracy Assing is a writer, editor, filmmaker. She has spent several years working in various forms of media, and as a communications strategist. As a member of Trinidad’s indigenous community, working mainly in non-fiction, her work is aligned with sustainable ways of living and green strategies for survival. Assing produced, wrote and directed the first film on the subject of indigenous survival in the English speaking Caribbean, The Amerindians. Her essay, Unaccounted for, was the only non-fiction essay included in the Commonwealth Writers anthology, So Many Islands. 

Assing has a passion for magazine and zine culture and has been involved in the development of several publications. She is also a poet, who uses photography in her work.

 

Carol Sorhaindo is a freelance visual artist with an MA in Creative Practice from Leeds College of Art, UK. Her diverse portfolio career includes interior design, community education and project development. The success of her art practice is built on a strong belief in the value of creative expression, nature and heritage awareness on mental wellbeing.

Inspiration is drawn from landscapes with a focus on Caribbean plants of economic and ethnobotanical interest. Carol lives in Dominica after many years of residing in the UK. Her migration story and entangled roots inform her reflective Art practice. Research is centrally contextualized through mindful exploration of natural plant-based dyes and earth pigments on textiles, drawing, painting, print making, installation and  journaling.   

 

Together, Tracy and Carol while based in Nassau will explore some of the family islands of this 700-coral island archipelago, meet with contemporary visual artists and writers, ecologists, and environmentalists to understand the ecological reality of the Lucayan Archipelago that sits within the Atlantic Ocean. We can hardly wait to see what emerges from this collaboration!


 

About Fresh Milk:

Fresh Milk is an artist-led, non-profit organisation founded in 2011 and based in Barbados. It is a platform which supports excellence in the visual arts through residencies and programmes that provide Caribbean artists with opportunities for development, fostering a thriving art community. Fresh Milk offers professional support to artists from the Caribbean and further afield and seeks to stimulate critical thinking in contemporary visual art. Its goal is to nurture artists, raise regional awareness about contemporary arts and provide Caribbean artists with opportunities for growth, excellence and success.


About Poinciana Paper Press:

Located in the capital of the archipelagic nation of The Bahamas, Poinciana Paper Press provides opportunities to engage with books and their allied crafts to empower people to share their narratives in a region that has historically erased, marginalized, and exploited the culture and lived experiences of its inhabitants.

Bahamian writer and artist Sonia Farmer created Poinciana Paper Press as an independent book publisher in 2010, releasing handmade limited-edition chapbooks and artists’ books of Caribbean poetry, short stories, and experimental writing. Her vision is to advance the diversity of narratives and publishing modalities in The Caribbean.

In 2022, she established Poinciana Paper Press as the first Center for Writing, Book Arts & Publishing in The Bahamas—arguably, in the wider Caribbean—to expand this vision, developing visibility in the literary and book arts from within the Caribbean cultural ecosystem.

A major collaborator in the literary and visual arts communities in the region, Poinciana Paper Press facilitates programming aligned with its mission by providing opportunities to engage with the form of the book and its allied crafts of writing, bookbinding, letterpress printing, handmade paper, printmaking, book design, and calligraphy. This includes workshops, community outreach and engagement, exhibitions, publications, and residencies.


 

 

 

About Panta Rhea Foundation:

Mission: To catalyze a just and sustainable world through food sovereignty, community power building, and grassroots liberation around the globe.

The Panta Rhea Foundation (PRF) was established in 2001 as a private foundation devoted to researching issues and analyzing the operations, goals and potential of organizations committed to building a more just and sustainable world. The Foundation advises individual donors and other charitable entities on grantmaking strategies and specific grants.

We believe that lasting, authentic change must come from the grassroots; from the organized efforts of people and organizations to enliven the social imagination and envision a better future, to experiment with new ideas, and to hold elected leaders and corporations accountable to the communities they serve.

Our foundation name, Panta Rhea, is inspired by Ancient Greek philosopher Heraclitus. It roughly translates to “You never step into the same river twice” or “All things change, all things flow”—suggesting both inherent constancy and change as a fundamental of life itself. 

Round 3: TENDER 2024 Grantee Interviews!

In 2024, Fresh Milk in partnership with the National Cultural Foundation, Barbados initiated the first iteration of TENDER: A Caribbean Arts Re-Granting Programme. The quality and variety of submissions was astounding, indicating an exciting future for the visual arts ecosystem emerging across all linguistic areas of the Caribbean.

We are excited to share the profiles and reflections from the twenty one successful TENDER 2024 grantees. These come in the form of written interviews, audio recordings or video logs – all available to view in full on our website.

Today we continue with the next three profiles in this interview series: Shari Phoenix, Jasmine Thomas-Girvan and Elsa María Meléndez!


Read Shari’s Full Interview here!

Read Jasmine’s Full Interview here!

Read Elsa’s Full Interview here!

 

Announcing TENDER Grantees for 2024!

After a thorough evaluation process of the 164 eligible submissions from 27 countries, Fresh Milk is over the moon to announce the recipients of our first unrestricted grant programme – TENDER. As a gesture of generosity, faith and care, these grants represent an effort to support the artists working in the region’s contemporary visual arts sector. When thinking about the cultural ecosystem in the Caribbean, how can we encourage a positive shift in expectations and practice around security and tangible support of our artists, art writers, researchers, organisations and curators?

We want to extend a huge thank you to everyone who took the time to apply; as mentioned in the jury report, the quality of the profiles shared made for a difficult decision-making process. For their lengthy work in reviewing these submissions, we are very appreciative of their thoughtfulness, attention and collaboration.

Read the full jury report here!

Thank you to the Mellon Foundation for making this new chapter of activity at Fresh Milk possible, and to the National Cultural Foundation for their huge contribution in making the scope of this grant programme so wide ranging.

Join us in extending a big congratulations to the following grantees! We will be sharing more about each of them and their work in the coming weeks.


Barbadian recent graduates – USD $1,500.00 each


Caribbean recent graduates – USD $1,500.00 each


Barbadian emerging/mid-career artists – USD $3,500.00 each


Caribbean emerging/mid-career artists – USD $3,500.00 each


Barbadian established artist – USD $7,500.00


Caribbean established artists – USD $7,500.00 each


Caribbean Organisation – USD $3,500.00


Barbadian curator – USD $3,500.00


Caribbean curator – USD $3,500.00

Caribbean Linked partners with The Biennale Internationale d’Art Contemporain

Caribbean Linked is pleased to partner with BIAC-Réseaux, a project supported by the EU funds Interreg Caraïbes, the Collectivité Territoriale de Martinique (CTM) and Campus Caraïbéen des Arts (CCA) on an intra-Caribbean residency supporting four artists who will each embark on a 4-week residency either in Martinique or Aruba.

The jury comprising representatives from Ateliers ‘89 Punto di Beyas Arte Aruba, BIAC-Réseaux, CCA and Fresh Milk reviewed the open calls and collectively selected Franz Caba (Dominican Republic), Taisha Carrington (Barbados), Chamika Germain (St. Martin) and Brice Lautric (Guadeloupe).

Caba and Carrington are alumni of the Caribbean Linked residency programme which was established in 2012 and has supported over 60 artists, writers and curators hosted by Ateliers ‘89, while Germain and Lautric are artists with diploma issued by the CCA.

Caribbean Linked is a regional residency and exhibition organised by Ateliers ’89 in collaboration with ARC Inc. and The Fresh Milk Art Platform Inc. It is a crucial space for building awareness across disparate creative communities by bringing together emerging artists from Anglophone, Francophone, Hispanic and Dutch Antillean Caribbean islands. This partnership with Martinique-based partners provides ongoing support to the Caribbean Linked alumni by building opportunities with our colleagues in the Francophone region.

The BIAC-Réseaux project aims to strengthen cultural networks across the Caribbean through training and a chain of artistic events culminating with the BIAC, which will take place in Martinique from October to December 2023. Curated by the South African curator Tumelo Mosaka, the show will bring together renowned Martinican, Caribbean and international artists and emerging practitioners.

Announcing Selected Artists from the Second Fresh Milk/Healing Arts Initiative Open Call!

The Fresh Milk Art PlatformFuture Centre TrustEnviron Ltd (Adopt A Stop Barbados) and The Healing Arts Initiative in partnership with CULTURUNNERS as part of the World Health Organization are pleased to announce the Barbadian artists, selected by jury members across each participating entity, who will design new works to be incorporated into bus shelters placed in rural, underserved communities around the island.

Joshua Clarke, Versia Harris and Amelia Rouse will provide artwork for the bus shelters. Congratulations to the artists, and in early 2023 we look forward to launching all of the artworks from both Phase 1 and Phase 2 of this collaborative venture!

Learn more about the artists and see previews of their proposed artworks below.


About Joshua Clarke:

Joshua Clarke is a graduate of the Barbados Community College with a BFA in Graphic Design. He has worked in game development as a character, environment and concept artist (Le Loupgarou), as sequential artist on graphic novels (Power in the Blood GreenBook Comics 2020) was a semifinalist in the Kingstoon Pitch Competition(Junkyard Dragon 2019) and is the winner of the first Black Celebration in the Future art contest(2020). A childhood spent reading has given him a lifelong love of storytelling and an inability to put the pencil down has drawn him inexorably to his career in illustration and concept art. A student of culture and history he attempts to capture that same joy and wonder of the stories that inspire him while ensuring representation of the fullness of Blackness in his work. His work shows a particular focus on Afrofuturism and Afrofantasy as he seeks to claim space of diasporic Afro Caribbean identity in the stories that shape our collective imagination.

Excerpt from his proposal for the bus shelter:

Afrofuturism, Solarpunk and Caribbean identity. These are the three pillars I hope to explore
and illustrate with the work. As a piece of public art that exists to be pored over repeatedly
I’d like to create a multilayered work that the viewer can find a bit of respite and enjoyment in
every time they see it anew … In the move toward resilience in the face of climate change education is vital, there are many facets to education but with illustration comes imagination, it’s one thing to conceive of implementation of green technology, it’s another to see it incorporated in a unique and appealing way – water tanks, reforestation, solar panels, wind turbines, vertical gardening etc. A visually dynamic piece that captures the embrace of potential for the possible. I myself have felt futility and despair as I think of a small island’s role in the face of climate change. Paying the debt to nature of an industrial world is a daunting one, and one need only watch the news to see the first signs of what’s to come. But we are still here, we are still alive, and while we live there are concrete steps we can take to prepare to survive and thrive in the face of what is to come.


About Versia Harris:

Barbadian artist Versia Harris received her BFA in Studio Art in 2012. She has done a number of residences in the Caribbean and North and South America and has exhibited in London, China, Nigeria, Moscow, Michigan and Aruba. She was awarded a Fulbright Laspau Scholarship in 2017 and received her MFA at Cranbrook Academy of Art, Michigan USA in May, 2019, where she also earned a Mercedes-Benz Financial Services New Beginnings Award. In 2022, Versia took part in Documenta15 with Alice Yard and exhibited in Grimmwelt Museum in Kassel, Germany. She continues to exhibit internationally, while teaching at The Barbados Community College.

Excerpt from her proposal for the bus shelter:

Human beings and nature are inextricably linked, as our well being and mental health is supported by the outdoors and green spaces. The pandemic and the volcanic eruption, that forced us indoors, darkened our lives and our skies, was inevitably going to create a sour period of time and recovery. The isolation caused by social distancing, left cold, many physical connections often taken for granted and the volcanic eruption exacerbated the separation by forcing us to close our windows … The work I am submitting for this project is about going through the layers and portals of the mind, that is also the mirror to the outer scape. A journey that can seem like turmoil, as if being in a hole deep in the earth, looking up at an unreachable sky, or being overwhelmed by a a great wave; to constantly look up and out for hope and light. What do we see and feel when we look up? What do we see when we look in. With what what eyes do we look out? I hope that my bench will be a place of wonder and refection for the sitters. To see the portals of their own mind reflected back at them as an invitation to stay reverent to the outdoors while connected to the call and lure of their mysterious inner worlds.


About Amelia Rouse:

Amelia Rouse is a self-taught artist from Barbados. Her practice incorporates drawing and digital collage. She likes to explore nature, humans, technology and urban decay in her art, and is inspired by sci-fi, surrealism, afrofuturism and life in Barbados by the sea.

Excerpt from her proposal for the bus shelter:

Although I have always loved the beach, swimming and diving, I enjoy hiking, parks and gardens and feel many persons around Barbados do too. I would like to spread my love for nature and the plants within it by combining nostalgic stories and ink illustrations. When I go hiking, I like to take as many pictures as possible of the plants and animals I see. But recently I have just been going out into my garden to take photos of trees, fruits, bees, anything in the natural world that interests me that day. I think documenting the nature around me helps me to engage with it more … I decided to illustrate two pieces, depicting in the outdoors using an old poem and a story I heard from several friends and my parents. To pay tribute to many tropical plants, fruit and flowers we enjoy here in Barbados, I collected references and took photos to use as part of the illustrations. I hope these pieces inspire persons of all ages to go outside more, hike, picnic and enjoy the benefits of Barbados flora and fauna.


ABOUT THE Project PARTNERS:

CULTURUNNERS produces cross-cultural campaigns, exhibitions and journeys, promoting peace-building & sustainable development through art. Launching at MIT in 2014, CULTURUNNERS’ first project was a multi-year artists’ road-trip broadcasting between the United States and the Middle East. It has since grown to encompass large-scale cultural exchange and diplomacy projects, an artist-led media platform, artists’ spaces and partnerships with institutions around the world.


Fresh Milk is an artist-led, non-profit organisation founded in 2011 and based in Barbados. It is a platform which supports excellence in the visual arts through residencies and programmes that provide Caribbean artists with opportunities for development, fostering a thriving art community.

Fresh Milk offers professional support to artists from the Caribbean and further afield and seeks to stimulate critical thinking in contemporary visual art. Its goal is to nurture artists, raise regional awareness about contemporary arts and provide Caribbean artists with opportunities for growth, excellence and success.


 

The Future Centre Trust is a non-governmental organisation focused on raising awareness of environmental impacts to Barbados and the planet with a vision to be “a catalyst for sustainable living today and tomorrow”.  It is the main executing entity for the Barbados Trailway Project – a paved bicycle and pedestrian path located primarily on right-of-way lands of the former Barbados Railway.

This network of multi-purpose walking, hiking, running and cycling trails will provide year round recreational access for both locals and visitors, considerably expanding much needed public green space on the island.


For the past 25 years, Adopt A Stop has provided regional and international companies with a unique opportunity to display their products and services on bus shelters and benches in Barbados. The concept for Adopt A Stop was created by Barbadian Barney Gibbs while studying at Cambridge University. The project was then introduced to the island in 1993 as a socially-conscious way to provide a much-needed amenity. The priority was tropical designs constructed with local materials, placed at prime locations to give maximum impact.

The traveling public has embraced the project. The medium provides popular seating and shade for users; while increasing traffic rates mean drivers and passengers are frequently stopped in front of sponsor’s signage.