Open Call: Digital Public Art Projects

The Fresh Milk Art Platform, with support from the Cultural Industries Development Fund of the National Cultural Foundation of Barbados, shares an open call for Barbadian visual artists to submit digital pieces* for consideration for three exciting public art projects:

(i) the Fresh Milk ArtBoard;
(ii) a Fresh Stops bus stop bench and shelter at St. George’s Primary school and;
(iii) a mural at St. George’s Primary school.

One artist will be selected for each project, and each successful applicant will receive a fee of $1,100.00 BBD!

For the purposes of this call, “digital” work can also include drawing, painting and other two dimensional media, once the artworks can be photographed or scanned at a high enough resolution to be printed at good quality at the sizes outlined for each project.

Submissions for all three projects will be reviewed by the Fresh Milk Team and an independent jury member. The application requirements are as follows:

 

(i) The Fresh Milk ArtBoard

  • Artists must be Barbadian and Barbados-based;
  • 2-3 concept sketches/work samples must be sent as digital files (JPG, PNG, PDF, TIF or PSD);
  • The concept sketches/work samples and a Word document/PDF containing a statement about the proposed work (no more than 350 words), a bio (no more than 250 words) and contact information (full name, preferred artist name, phone number, WhatsApp contact, address, social media handles and website if applicable) should be sent to freshmilkbarbados@gmail.com. This can also be done via WeTransfer;
  • If chosen, the final digital artwork must be very high resolution, and able to be printed clearly at the size 90” w x 90” h.

(ii) A Fresh Stops Bus Shelter

  • Artists must be Barbadian and Barbados-based;
  • 2-3 concept sketches/work samples for three pieces of work (one for the back of the bench and the other 2 for the two sides of shelter’s side panel) must be sent as digital files (JPG, PNG, PDF, TIF or PSD);
  • The concept sketches/work samples and a Word document/PDF containing a statement about the proposed work (no more than 350 words), a bio (no more than 250 words) and contact information (full name, preferred artist name, phone number, WhatsApp contact, address, social media handles and website if applicable) should be sent to
  • freshmilkbarbados@gmail.com. This can also be done via WeTransfer;
  • If chosen, the final digital artworks must be very high resolution, and able to be printed clearly at 82” w x 24” h (back of bench) and 24” w x 48” h (shelter side panel). Wherever possible, supply the original Illustrator or Photoshop file. Please view the dimensions guide for the shelter here for clarity.

(iii) Digital Mural at St. George Primary School

  • Artists must be Barbadian and Barbados-based;
  • 2-3 concept sketches/work samples must be sent as digital files (JPG, PNG, PDF, TIF or PSD);
  • The setting of the artwork at a public primary school should be considered in the design of the work. The St. George Primary School students referred to themselves as “lions”, reflecting their enviable position as national athletic champions as well as their excellence in Latin and ballroom dancing. Proposals reflecting the school’s continual striving for excellence will be welcomed;
  • The concept sketches/work samples and a Word document/PDF containing a statement about the proposed work (no more than 350 words), a bio (no more than 250 words) and contact information (full name, preferred artist name, phone number, WhatsApp contact, address, social media handles and website if applicable) should be sent to
  • freshmilkbarbados@gmail.com. This can also be done via WeTransfer;
  • If chosen, the final digital artwork must be very high resolution, and able to be printed clearly at the size 96” w x 30” h.

Selected artists will receive their $1,100.00 BBD fee in two instalments, a 40% deposit on selection and 60% on installation of the work. Once selected, all three artists will be asked to submit supporting images of their work and process, as well as a brief video message (no more than 90 seconds) which will be included in promotional material to be shared on the Fresh Milk and NCF website and social media platforms. 


Deadline for all submissions: April 16th, 2021

Successful applicants will be notified by April 26th, 2021, and the completed artwork must be submitted by May 15th, 2021 for printing and installation.


This project is made possible in part by the Cultural Industries Development Fund of the National Cultural Foundation of Barbados

Fresh Milk’s 2020 Highlights

Thank you for your continued support of Fresh Milk!

While it’s taken us a little while to share our reflections on the year 2020, we’re pleased to celebrate what we have been able to achieve in spite of the challenges that cultural workers everywhere have had to navigate.

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Still reeling from the COVID-19 pandemic, the virus has made our already precarious cultural sectors here in Barbados and across the wider Caribbean even more fragile. We have been challenged to find new ways to nurture one another, and Fresh Milk has participated in collaborations that have been beneficial to many artists in the region.

To learn more about the work we have done including CONTESTED DESIRES – an ongoing partnership with artist initiatives in the UK, Portugal, Spain, Cyprus and Italy; working with Le Centre d’Art in Haiti on a residency exchange programme; the most recent Tilting Axis Fellowship in partnership with Het Nieuwe Instituut in the Netherlands; or the pan-Caribbean CATAPULT project in partnership with The American Friends of Jamaica (AFJ) and Kingston Creative, see more below!

For 2021, Fresh Milk remains committed to delivering virtual editions of the programmes Caribbean Linked and Transoceanic Visual Exchange (TVE). These online platforms will unite artists across linguistic territories in the region, as well as expand our work with colleagues in Latin America.

If you would like to support artists participating in Caribbean Linked and TVE, or would like to lend support to the management of these various projects, go ahead and click on the donate button below! It’s very easy to support us and the artists we work with by making a donation through this PayPal link. Your contributions make our programmes possible, and gifts of any size are welcome.

While our artist residency programme is on pause now that we have honoured all previous commitments, we look forward to sharing an open call for a local project with three exciting components, which will take place right here in Barbados, in the parish of St. George.

Stay tuned for more details!

  If you’d like to work with us to build your art collection by acquiring work by local and Caribbean artists, please get in touch.

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We would like to thank everyone who worked with us, supported us, and express gratitude to the many artists who we have had the privilege of working with across the Caribbean during this very demanding year.

We are pleased to be able to share our 2020 reflections with you all and hope you enjoy this newsletter.

 

CATAPULT – New Grant Funds for Caribbean Artists

American Friends of Jamaica, Kingston Creative and The Fresh Milk Art Platform partner on $320,000 US programme

In light of the severe impact that COVID-19 is having on creative people and the arts sector, a fund of US$320,000 from the Open Society Foundations has been granted to the American Friends of Jamaica, in collaboration with Kingston Creative and The Fresh Milk Art Platform, in support of artists, creatives and cultural practitioners across the Caribbean region. This grant acknowledges the current global pandemic, a crisis disproportionately impacting the creative sector in Small Island Developing States (SIDS), many of which lack the resources to provide adequate support to those working in this vital sector.

Caron Chung, Executive Director AFJ stated, “Many are facing threats to their basic existence today and uncertainty for the future as we are contending with unprecedented challenges.  This is a time when we need to work together to offer some semblance of stability to the Arts.  Collaboration is at the core of the mission of the AFJ and we are pleased to facilitate the Catapult project.”

CATAPULT | A Caribbean Arts Grant will target participants living and working across the Dutch, English, French, and Spanish speaking regions. This five-month comprehensive arts programme includes funding online creative events, art writing, digital skills training, residencies and virtual discursive salons.

CATAPULT is particularly interested in working with arts and cultural practitioners who are exploring the broad critical themes of Culture, Human Rights, Gender, LGBTQIA+ and Climate Justice from Caribbean perspectives. The team especially welcomes applications from those who do not have permanent employment at this time.

Kingston Creative’s Co-Founder and Executive Director Andrea Dempster-Chung commented, “It has been very exciting to develop this project. It is aligned with our mission to support creative people and is also our first opportunity to work across the region. COVID-19 has had a very serious impact on artists within Jamaica and throughout the Caribbean and this grant will provide the critical financial support, visibility and capacity-building that creatives need to navigate the future.”

CATAPULT will increase the capacity of Caribbean-based artists to navigate the digital space and learn new ways to connect with diverse global audiences.  It will also promote the visibility of cultural practitioners by expanding the pool of online content from the region, enabling artists to engage wider audiences while increasing the potential to earn beyond their borders.

The collaboration will support the following projects:

(i) Caribbean Artist Showcase, (ii) Caribbean Creative Online, (iii) Digital Creative Training, (iv) Consultancy Vouchers, (v) Lockdown Virtual Salon and (vi) Stay Home Artist Residency.

Fresh Milk’s Founding Director Annalee Davis expressed enthusiasm regarding the partnership. “Fresh Milk is pleased to have the opportunity to partner on this critical project nurturing Caribbean artists. With little support available at the state level for so many cultural practitioners working across this vulnerable region, having an opportunity to facilitate Stay At Home Residencies and Virtual Salons means that more artists can safely remain in their studios and do what they do best-make art!”


About the Partners:

American Friends of Jamaica | The AFJ has a near 40 year history of funding charitable organizations in Jamaica in the fields of Education, Healthcare and Economic Development. A registered 501 c 3 nonprofit headquartered in New York City, AFJ relies on individual and corporate contributions made by donors who believe in our work and will advocate on our behalf. Part of the AFJ’s mission is to facilitate donor directed contributions which enables donors to support registered charitable organizations aligned with their own goals for philanthropy.


Kingston Creative is a registered non-profit organization founded in February 2017. Its mission is to enable creatives to succeed so that they can create economic and social value, gain access to global markets and have a positive impact on their community.

 


Fresh Milk is an organisation whose aim is to nurture, empower and connect Caribbean artists, raise regional awareness about contemporary arts and provide global opportunities for growth, excellence and success. Fresh Milk supports excellence in the visual arts through residencies and programmes that provide Caribbean artists with opportunities for development and foster a thriving art community.

#askTVE

Have a question about the TVE programme, or want to engage directly with the Caribbean and Oceanic artists about their work?

#askTVE lets you submit your feedback and questions directly to our team, and we will share the artists’ responses with you in an open forum!

Remember that the TVE Digital Exhibition featuring works by a number of this year’s participants is also available for your viewing & feedback from November 20th – December 20th, 2017.

Respond to the form here!

Fresh Milk welcomes Umi Baden-Powell & Hannah Catherine Jones to the Platform

Fresh Milk is pleased to welcome UK-based artists Hannah Catherine Jones and Umi Baden-Powell, of Barbadian and Dominican heritage respectively, to the platform from for the month of November, 2017.

TAXI FOR TWO, 2012. © [Hannah Catherine Jones + Umi BadenPowell]. Mapping fox roadkill + event documentation.

Umi and Hannah, through their collective agency ‘Ancestral Architecture’, will use their residency at Fresh Milk to explore “decolonized” bush rum (flavouring of rum with African herbs and spices) as metaphorical and literal fluid vehicle to connect with their own ancestral architecture as members of the Caribbean diaspora. They will be studying the processes and transformations (cane to sugar, sugar to alcohol, product to colonial capital, etc.) of rum, a key product in transatlantic slavery, and explore the ways their ancestors channelled trickster tactics and used consumption of decolonized bush rum to fuel another decolonisation tactic – music and performance.

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About Umi Baden-Powell:

Umi Baden-Powell is an artist, designer and aspiring architect living and working in South East London for the past 7 years. Her background in Fine Art (BA FineArt, the Slade School of Fine Art, University CollegeLondon) and her experience as a maker greatly informs her experimental but pragmatic approach to architecture and design. Umi is interested in ways to initiate egalitarian, ecological, social, grassroots and cultural interventions, as well as forming proposals for alternative models of living in the city – activism through architecture.

About Hannah Catherine Jones:

Hannah Catherine Jones (aka Foxy Moron) is an artist, scholar, multi-instrumentalist, radio presenter (NTS), composer, conductor and founder of Peckham Chamber Orchestra – a community project established in 2013. Her broad practice is connected through a central spine of inclusivity and decolonization. Myths (both ancient and modern), word-play, appropriation and her own voice (in song) are her materials. The videos she composes use   fragmented appropriated footage, as do her orchestral compositions. Her Oweds are a temporal form of self-reparation, a method of connection with ancestors though sonic ritual using voice, theremin and video her Afrofuturistic operatic performances bridge visual arts (video) and music (sonic improvisation).