Fresh Milk contributes to the 2019 Understanding Risk Caribbean Conference

The 2019 Understanding Risk (UR) Caribbean Conference took place May 27 – May 31 at the University of the West Indies (UWI) Cave Hill Campus, Errol Barrow Centre for Creative Imagination (EBCCI) in Barbados. This conference brought together representatives of government ministries and national disaster management agencies, disaster risk management practitioners, urban planners, insurance industry stakeholders, private sector organizations, academia, multilateral development banks, regional partners and donors to discuss the core theme ‘From Risk to Resilience: A Foundation for Action’.

Janot Mendler de Suarez, a consultant with the World Bank, most recently the Caribbean Technical Programme of GFDRR’s Disaster Risk Financing and Insurance initiative, and Pablo Suarez, Artist in Residence, National University of Singapore – Lloyd’s Register Foundation Institute for the Public Understanding of Risk, invited Fresh Milk to co-develop three artistic interventions for the conference. These projects acted as a way of translating and communicating key factors about environmental risks in the Caribbean into a visual language, as well as showing tangible examples of resilience within our culture and landscape in Barbados.

Photographs by Dondré Trotman unless otherwise specified.

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Risky Timelines:

Concept: Janot Mendler de Suarez & Pablo Suarez
artists: Akilah Watts, Alanis Forde, Anna Gibson in collaboration with Kia Redman and Kraig Yearwood
With thanks to: Harclyde Walcott, Joseph Spagnuolo, Kerri Cox, Mary Boyer, Rashmin Gunasekera, Thibaut Humbert, UWI EBCCI

Photo by Dondré Trotman

This project, conceived by Janot Mendler de Suarez and Pablo Suarez and created by Barbadian artists Akilah Watts, Alanis Forde and Anna Gibson with Kia Redman and Kraig Yearwood, saw the depiction of natural disasters which have taken place in 33 countries across the Caribbean in the form of a large data sculpture.

This piece showcases a timeline of these events spanning from 1990-2019, and communicates the breadth and impact of these catastrophes on the region. The artwork creates a visually intuitive juxtaposition of natural hazard data – on hurricanes from category 1 to 5, earthquakes, volcanic eruptions, landslides, and floods – with impact data on the number of people affected, the number of lives lost, economic losses and the amount of money invested in response and recovery efforts.

‘Risky Timelines’ was installed at the EBCCI between May 27th – June 3rd, 2019.

The Making

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The Installation

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The Finished Work

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Sargassum and Coral Reef Benches

Concept by Janot Mendler de Suarez & Pablo Suarez, Photography By Nadia Huggins & Data Story Layout by KAtherine Kennedy
A collaboration with Adopt A Stop Barbados
With thanks t:o Shelly-Ann Cox and Hazel Oxenford of CERMES, UWI Cave Hill Campus

Photo by Dondré Trotman

As an extension of our Fresh Stops public art project in collaboration with Adopt A Stop Barbados, the design and production of two benches to be permanent fixtures at the EBCCI were commissioned by the World Bank for the UR Caribbean Conference through Janot Mendler de Suarez.

Telling the stories of ‘Risk and Resilience’ within the Caribbean’s oceans, the backs of these two benches feature data stories about the properties and importance of coral reefs and Sargassum seaweed. These graphics were designed by Barbadian artist and Fresh Milk’s Communications & Operations Manager, Katherine Kennedy, using information largely provided by the Centre for Resource Management and Environmental Studies (CERMES), UWI Cave Hill Campus.

The fronts of each bench showcase photographs by Vincentian artist and photographer Nadia Huggins, depicting modified versions of photos related to her Transformations series, which she describes as “[exploring] the relationship between my identity and the marine ecosystem.”

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(Bush) Tea Plots – A Decolonial Patch

A Work by Annalee Davis in collaboration with Ras Ils and Kevin Talma

Photo by Dondré Trotman

This artwork by Barbadian artist and Founding Director of Fresh Milk Annalee Davis in collaboration with Ras Ils and Kevin Talma, also commissioned by the World Bank for the UR Caribbean Conference through Janot Mendler de Suarez., sits within Davis’ larger artistic practice and confronts the historical imposition on this island of the monocrop–Saccharum officinarum–while recognizing nature as a radical maneuver against the singular model of the plantation. Observing how the natural world is threatened and degraded, (Bush) Tea Plots acknowledges the resilience of our regenerative biosphere and its inherent capacity for healing at the agricultural, botanical and psycho-spiritual levels.

The work creates visibility of near extinct (Bush) tea practices, appreciating biodiversity through dormant wild botanicals now resurfacing in abandoned sugarcane fields. This live restorative plot–an apothecary of resistance–is permanently installed at the EBCCI for the UR Caribbean Conference 2019, includes mobile accessibility via a QR code linked to the project’s web platform.

The Installation

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The Finished Work

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UR Caribbean is organized by the World Bank’s Caribbean Disaster Risk Management team, in partnership with the Caribbean Disaster Emergency Management Agency (CDEMA) and the European Union (EU), and will be hosted by the Government of Barbados. This conference is co-financed by the European Union-funded Africa, Caribbean, Pacific – European Union (ACP-EU) and the Natural Disaster Risk Reduction (NDRR) Program and managed by the Global Facility for Disaster Reduction and Recovery (GFDRR).

Fresh Milk Welcomes a Trio of Residents for June 2019

Fresh Milk is excited to announce that we will have three writers/researchers in residence with us for the month of June, 2019: Bahamian writer and photographer Ethan Knowles (June 10th – July 5th) as part of our international residency programme; Barbadian artist Kia Redman (June 10th – July 5th) as the selected participant in the Colleen Lewis Research/Writing Residency; and Barbadian writer Ark Ramsay (June 17th – July 12th) as the sponsored participant in this year’s ‘My Time’ Local Residency Programme.

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About the Residents:

Ethan Knowles

Ethan Knowles is a writer and photographer from The Bahamas. His work, largely tied to the islands of the Lucayan archipelago on which he grew up, aims to decolonize and sensitize, paying particular attention to topics of cultural erasure, environmentalism and identity in the Caribbean. After completing his high school education in Nassau, he spent two years in Italy at the United World College of the Adriatic and graduated with his International Baccalaureate diploma in May 2018. He is now enrolled at Colorado College in the United States, working part-time as a photographer while pursuing a bachelor’s degree in English with a minor in Italian. Over the past few summers, he has published writing on tourism, culture, and neocolonialism in The Nassau Guardian, worked as a curatorial attaché for and exhibited at the National Art Gallery of The Bahamas and, most recently, been awarded the James Yaffe Prize for Short Fiction by the Colorado College English Department for a story set on the Bahamian island of Eleuthera.

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Kia Redman

Kia Redman is a creative professional living and working in Barbados. She attained her BFA in Studio Art from the Barbados Community College where she received an award from the Lesley’s Legacy Foundation for the highest GPA.

She has worked as a scenic painter for Operation Triple Threat, taught video marketing at the World University Service of Canada Caribbean, participated in an open studio residency with Punch Creative Arena and taken part in local group shows and screenings internationally. In 2018 her short film Roots|Routes won six awards including Best Short Film at the Barbados Visual Media Festival.

Kia currently works as a designer and videographer for Acute Vision Inc. and Bajans in Motion Inc. whilst cultivating her creative practice.

Being born into a post-independent nation in formation, Kia’s work focuses on issues of identity, defining culture and documenting histories. She aims to rewrite the blanket definition taught to be her Caribbean identity and discover the things unique to her lived experience.

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Ark Ramsay

Ark Ramsay is a 25-year-old Barbadian writer, currently completing an MPhil in Chinese Philosophy at Fudan University in Shanghai. Their short fiction has been published in Small Axe (50) in 2016, after winning that journal’s emerging writer’s contest. Ark’s writing is centered around queer, Caribbean identities and coping with the reality of a warming earth–the fragility of an island ecosystem that cannot fight back.

Ark will begin an M.F.A in creative writing at Ohio State University in the Fall.

Announcing Caribbean Linked V

Ateliers ’89, Oranjestad, Aruba in collaboration with Fresh Milk, Barbados and ARC Magazine is pleased to announce that the regional artist residency Caribbean Linked V will be taking place at Ateliers ‘89 from August 6th through 28th, 2018. The official opening event will be held on Wednesday, August 8th from 8pm – 12am.

Thanks to generous support from this year’s core sponsors BankGiro Loterij FondsMondriaan FondsThe Tourism Product Enhancement Fund (TPEF), UNOCA and Aruba Bank, as well as number of local sponsors in Aruba, creatives from around the French, Spanish, English and Dutch Caribbean will convene to produce work, meet cultural activists in the Aruban art community, participate in public talks, blog about their experience and present a closing showcase of works during this three week period. The final event will be held on Sunday, August 26th.

Caribbean Linked is a space for building awareness across disparate creative communities of the Caribbean. It has created viable opportunities for young artists, writers, critics and creative activists from over twenty countries to foster new relationships with a larger community, contributing to the holistic development of the creative industries. In addition, it provides the opportunity to link with industry professionals who facilitate access to wider global conversations for the region’s practitioners, while allowing the artists to create work, exchange ideas and broaden cross-cultural understanding.

Participants in Caribbean Linked V (L-R): Sharelly Emanuelson, Velvet Zoe Ramos, Raily Yance, Adam Patterson, Miguel Lopez, Irvin Aguilar, Gwladys Gambie, Franz Caba, Alex Martínez Suárez, Kriston Chen, Averia Wright, Marina Reyes Franco

Artists this year include Irvin Aguilar (Mexico/Aruba), Franz Caba (Dominican Republic), Kriston Chen (Trinidad and Tobago), Sharelly Emanuelson (Curaçao), Gwladys Gambie (Martinique), Adam Patterson (Barbados), Velvet Zoe Ramos (Aruba), Averia Wright (The Bahamas) and Raily Stiven Yance (Venezuela).

The writer in residence will be art historian and independent curator Marina Reyes Franco (Puerto Rico). Visiting artists who will be lending support to Ateliers ’89 during the residency will be Laura de Vogel (Aruba) and Katherine Kennedy (Barbados). This year’s specially invited curators will be Alex Martínez Suárez, independent curator and general coordinator and museographer at the Museo Fernando Peña Defilló, a private museum in Santo Domingo, Dominican Republic and Miguel A. Lopez, co-director and chief curator of TEOR/éTica in San José, Costa Rica.

For more information, call Ateliers ’89 at (+297) 565 4613, email caribbeanlinked@gmail.com or visit the Caribbean Linked website at caribbeanlinked.com, and follow the Caribbean Linked Facebook page for regular updates on the residency!

Ronald Williams’ Fresh Milk Residency – Week 4 Blog Post

Barbadian artist Ronald Williams, the recipient of the 2018 Fresh Milk ‘My Time’ Local Artist Residency, shares his final blog post. Ronald describes the last stretch of his residency as “bittersweet” for a number of reasons. Taking part in the second session of fellow resident artist Daisy Diamond‘s reading group yielded fruitful discussions, but was coupled with having to bid her farewell shortly after. Ronald also felt a renewed sense of clarity and conviction about the work he has been creating, but this was catalyzed by an unfortunate event that is telling of serious societal issues in Barbados. Read more below:

Last blog post I stopped at the end of Tuesday afternoon’s meeting with the class 4 students at Workman’s Primary. That same evening turned out to be an equally enjoyable exercise of a different sort. I had the pleasure of being a part of a sacred reading session, spearheaded by Daisy, where we engaged in a critical dissection of a few paragraphs of Paulo Freire’s Pedagogy of the Oppressed. I thought the discussions that arose from the text, as well as the tangential ones, were all pretty dope. Reading and learning like this is something I’d recommend to any person(s) seeking an in depth appreciation for what they are studying.

Unfortunately, the rest of the week took a bittersweet turn with an emphasis on the bitter portion of that concoction. Tuesday evening was to be the last day I saw Daisy, as her time in Barbados came to an end shortly after. A shame, as I felt I had gotten to know more about her in the last few times we were in the space together. I wish her the best.

Then on a heavier note, serious, senseless but thankfully not tragic events unrelated to Fresh Milk occurred on what was to be my last day of the residency. While not affecting the space, these events did have a negative effect on my state of mind and mentality. It also got me thinking about the multiple times I’ve been asked why my work deals with certain subject matter by strangers and even family members. If I needed something to galvanize the conviction I have for what I’m trying to do with my work, it was what happened that morning.

I did manage to finish the piece I’d been working on the week before. That’s the silver lining from the latter half of week 4. I called it Noose-sense. An obvious play on the word nuisance, but I don’t think the reading of the piece will be as obvious. I like that.

All in all, what can I say at the end of these 4 weeks? It was quick, much quicker than I thought it’d be. I didn’t get as much done from the production side as I intended, but it doesn’t feel like a waste. If anything there’s a significant clarity in exactly what I want to do; now it’s just a matter of execution.

Ronald Williams’ Fresh Milk Residency – Week 3.5 Blog Post

Barbadian artist Ronald Williams, the recipient of the 2018 Fresh Milk ‘My Time’ Local Artist Residency, shares his blog post for the three and a half week mark in the studio. This part of the residency was largely focused on production, taking the research and influences of previous weeks to experiment with pattern-making and digital collage. On Tuesday May 22nd, Ronald also led a collage & portrait workshop with a group of Class 4 students at Workmans Primary School as the community outreach component of his residency, where the children looked at African masks for inspiration and got creative and expressive with materials. Read more below:

Week 3 Monday saw me start what I fully intended to be a productive week in solitude. Both Katherine and Daisy were out at the Barbados Museum and the Jewish Synagogue respectively, so I took advantage of my little alone time and was a DJ for a while. Side note: K. O. D. and Without Warning are hard and I’m a lot late to the party but Migos’ two albums are better than I thought they would be. Judge me.

So, first order of real business was to create the pattern I had in mind. The base design is actually the amalgamation of various prints, cut and pasted together in Photoshop and laid on top of a photo of a piece of black fabric. Took much longer than I needed it to. That base image was then flipped, duplicated, pieced together and the process repeated until I got what I wanted. With that, the day was almost up.

I worked on this piece for the rest of the week, getting lost midway, questioning what exactly I was trying to say with the piece and if I could properly translate how I felt without the reading of it going very left. We’ll see.

Week 4 Monday was spent preparing materials for an African mask inspired portraiture collage project that I, along with Katherine and Daisy, would conduct  with the Class 4 students at Workman’s Primary School the next day. This project, which was my community outreach portion of the residency, was my personal highlight of the last week and a half. Daisy, Katherine and I all ended up making one. It was fun.

All things considered, a relatively complicated week and a half where everything didn’t go to plan, but an ultimately satisfying one.