Invitation: Ancestral Architecture

Ancestral Architecture (AA) is a recently founded collective agency led by Umi Baden-Powell and Hannah Catherine Jones intended to generate positive creative responses and conversations surrounding decolonisation and healing for the African Diaspora. At Fresh Milk, AA will be utilising “decolonized” bush rum (the transformation of rum with African herbs and spices) as metaphorical and literal fluid vehicle to connect with and heal themes associated with displacement. 

During our artist residency, AA will be studying the processes and transformations (cane to sugar, sugar to alcohol, product to colonial capital, etc.) of rum, a key product in transatlantic slavery. AA will explore the ways our ancestors channelled trickster tactics and used consumption of decolonized bush rum to fuel other decolonisation tactics and self-healing practices – music and performance. These themes will be explored at our first AA meetings on Thursday, November 16th, 2017 from 6-9pm and culminate in a day long residency finisage on Saturday, December 2nd, 2017 at the Fresh Milk Art Platform, Walkers Dairy, St. George.

Performance, ritual, and community collaboration are Ancestral Architecture’s tools for navigating and addressing cultural and collective issues: the trans-generational, the (in)tangible residues of rum’s history. Alchemy (medicine creation via spice), shamanism (healing), and transformation (intoxication) and their historic/contemporary references will be ingredients of our collective performance: a communal consumption of the collaboratively spiced AA rum, the sharing of stories and traditions in an attempt to promote transatlantic antiphony and transcendence.

It is vital that any outcomes of the AA residency be inclusive, sensitive and generous. We want to produce the conditions for dialogue and mutual knowledge exchange by calling out for community participation at the AA meetings (Thursday November 16th + Saturday December 2nd). We are looking to infuse the work with archival, oral and sonic histories from everyone from rum connoisseurs/historians to DIY home-brew spiced rum makers, artists, musicians, performers and spectators.

With permission, performances, talks, rum production, would be documented and shared publicly and online.

Drop in or RSVP to Umi & Hannah at ancestral.architecture@gmail.com

Philipp Pieroth’s Residency – Week 2 Blog Post

German-born, Johannesburg-based visual artist Philipp Pieroth shares his second blog post about his Fresh Milk residency. This week, Philipp has tried not pressure himself in terms of having fully reconciled work at the end of his residency; rather, he is trying to trust his process and know that clarity will come over time. He also had the opportunity to present his work to students at Barbados Community College, and has started a mural workshop with them on a wall at the school. Read more below:

In my last blog, I wrote about my process. I still haven’t finished any work – I won’t be finishing the works before I Ieave, which was my original plan. Nobody pushed me to do so, but I that’s the pressure I put on myself. I’ve learned that I don’t work that way; there is a certain organic nature of the process I just can’t deny or can’t force. It needs time, no matter how much work I put in. At times I feel like I am not working enough, even though I am working every day up to 12, 14 hours, even often on weekends. A painting needs to be worked on, sometimes it needs to sit for a while and barely be looked at for weeks, before doing any work on it again. Though I was aware of these facts, the residency has acted as a good reminder.

My paintings look very different from each other. Like they have been made in different periods of my life almost. That was confusing and also unsatisfying, but I have accepted it now. I always try to take a failure as a chance to change my angle on things and turn it into a lesson. So it might turn out not to be a bad thing. I actually prefer – let’s say at a solo show – to see diversity in a body of work. If I see 20 works and the shapes and the colours only change a little bit, I feel bored.

Chelsea and I had the chance to speak to a class at the Barbados Community College. I showed my work and started a workshop with some of the students working on a mural at the school. The work that I saw from them was impressive, and I feel the talk was well received. For the mural, the group came up with an interesting concept, which we need to execute now, after the sketching is done.

Transoceanic Visual Exchange 2017

Fresh Milk is thrilled to announce that the Caribbean screenings for Transoceanic Visual Exchange (TVE) 2017 will take place in Barbados on select dates between November 3rd – 13th at the Fresh Milk studio and in the Morningside Gallery at Barbados Community College (BCC). Additionally, the online exhibition of works will be available for viewing from November 20th – December 20th. Read more about the project and see the full screening schedule below!

Fresh Milk, in partnership with Footscray Community Arts Centre and the Barbados Community College, is pleased to present the schedule for the 2017 edition of Transoceanic Visual Exchange (TVE), a series of programmes taking place this year between Barbados and Australia.

TVE is a collection of recent films and videos from artists practicing in the Caribbean, Oceania and their diasporas. TVE aims to negotiate the in-between space of our cultural communities outside of traditional geo-political zones of encounter and trade, intending to build relations and open up greater pathways of visibility, discourse and knowledge production between the regional art spaces and their communities.

The Caribbean screenings will take place in Barbados on select dates between November 3rd – 13th at the Fresh Milk studio, Walkers Dairy, St. George and in the Morningside Gallery at Barbados Community College (BCC), Howells Road, St. Michael, while the screenings in Australia will take place at the Footscray Community Arts Centre, 45 Moreland Street, Footscray
Victoria on November 18th from 10am – 5pm (see more about this event here).

Additionally, the online exhibition of works will be available for viewing from November 20th – December 20th.

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Barbados Screening schedules & Participating Artists:

Video Installations

Barbados Community College
Friday Nov. 3rd (10am – 6pm), Saturday Nov. 4th (10am – 3pm) & Monday Nov. 6th (10am – 6pm)

Mohini Chandra (Fiji) – Kikau Street
rc campos (Brazil) – Entangled Landing Points

Friday Nov. 10th (10am – 6pm), Saturday Nov. 11th (10am – 3pm) & Monday Nov. 13th (10am – 6pm)

David Gumbs (St. Martin/Martinique) – Blossoms
Lisa Hilli (Papua New Guinea) – Material Histories 1

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Narrative / Documentary Screenings

The Fresh Milk Art Platform
Sunday Nov. 5th (5pm – 8pm)

Alanna Lockward (Dominican Republic) – ALLEN REPORT: Retracing Transnational African Methodism
Craig Santos Perez (Guam/Hawaii) – Praise Song for Oceania
Alberta Whittle (Barbados) – Recipe for Planters Punch

Sunday Nov. 12th (5pm – 8pm)

Katia Café-Fébrissy (Guadeloupe/Toronto) – ROOT UP/À LA RACINE
Juliette McCawley (Trinidad & Tobago) – One Good Deed
Danielle Rusell (Jamaica) – The Bakers of Oriental Gardens
Lisa Taouma (Samoa) – Adorn

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Experimental Video Art Screenings

The Fresh Milk Art Platform
Wednesday Nov. 8th & Thursday Nov. 9 (6pm – 9pm)

Featuring work by:

Louisa Afoa (Samoa), Black Birds (Fiji/Tokealu/Grenada/Maori), Di-Andre Caprice Davis (Jamaica), Lionel Cruet (Puerto Rico), Tricia Diaz (Trinidad & Tobago), Deborah Jack (St. Maarten/USA), Shivanjani Lal (Fiji), Natalia Mann (Samoan/European), Jodi Minnis (The Bahamas), Sofia Gallisá Muriente (Puerto Rico), Ada M. Patterson (Barbados/UK), Oneika Russell (Jamaica), Shanice Smith (Trinidad & Tobago), Talia Smith (Samoan/Cook Islands/New Zealand), Luis Vasquez La Roche (Venezuela/Trinidad & Tobago) and Joanna Helfer (Scotland), Sandra Vivas (Venezuela/Dominica), Rodell Warner (Trinidad & Tobago), Nick Whittle (Barbados/UK) and Anisah Wood (Barbados)

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Philipp Pieroth’s Residency – Week 1 Blog Post

German-born, Johannesburg-based visual artist Philipp Pieroth shares his first blog post about his Fresh Milk residency. Philipp’s first week has seen him delve into research about Bajan culture & identity, and he is now balancing his original concept with his natural work process, which is organic, intuitive and fueled by stimuli in his environment and his emotional connection to his pieces. Read more below:

It’s been a week now since I arrived in Barbados and started my Fresh Milk residency. I received a warm welcome by the team, and am excited to finally be here.

Since I am a very intuitive worker, it has been challenging for me to work with a predetermined concept – the proposal I wrote for the residency investigating Bajan Identity – which frames me and my work in a certain way. I realized that I was trying to stick to this idea too closely. Hence, while I am still researching this topic, I’m trying to be free at the same time, allowing myself to step out of it.

My creative process is an organic one that allows itself to bend, crack and change from its original attempt or idea. I never know what might happen during the work. Though I have a concept or an image in mind, I enjoy and need it to be dynamic, and welcome unexpected changes and accidents. That makes my paintings alive and engaging. Usually, my concept is rather abstract and emotional, only being defined by words after the work is done. So at this point I am trying to balance these things in order to  get into my workflow.

Deadline extended: The NCF and Fresh Milk Emerging Directors Residency 2017

The National Cultural Foundation (NCF) and the Fresh Milk Art Platform are pleased to share an open call for the Emerging Directors Residency 2017. Launched for the first time last year, this exciting programme is a paid artist residency for early career theatre directors, which will provide them with an opportunity to conduct much needed research into Caribbean theatre heritage and to explore and create through theatre form and style.

The deadline for applications has been extended until October 18th, and the residency will take place between November 6th – December 8th. Read more below:

One residency will be offered for one emerging Barbadian director, who will receive a stipend of $1,000.00 BBD. The residency will be based at the Fresh Milk studio in Walkers, St. George, and will run for a 50 hour period which the resident must complete over five weeks, between November 6th – December 8th, 2017. The deadline for applications is October 18th, 2017.

The selected resident will be mentored over the course of the programme by a noted Caribbean Director and, at the close of the period, will present by way of an intimate, private showcase with their actors and specially invited theatre professionals, aspects of the work they have been exploring.

Rationale:

Residency programmes afford professionals time and space away from the demands of daily work life to carry out much needed professional development, with the emphasis on process rather than necessarily having the pressure of producing a finished body of work. Outside of traditional longer term training, a paid residency allows artists time for contemplative study and exploration. In the Barbadian context, there is much focus on the training of performers, however there are considerably fewer opportunities for those theatre artists with a special interest in directing to hone and develop their skills. Highly skilled, culturally aware and visionary directors are needed, as we move nationally to advance our cultural industries sector, and to enrich the quality of small and large scale staged events, whether drama, music, dance, or indeed multimedia events.

Greater awareness of Barbadian/Caribbean theatre form and style will serve to enhance the ideological and interpretive output of those up and coming directors on the local theatre scene, and equip them to create work that consciously and profoundly engages with Barbadian tradition. ‘Emerging Directors Residency’ offers an opportunity to design and apply staging concepts for ‘alternative spaces’, i.e. the “site-specific”, and otherwise environmental concept. It offers mentorship, access to archival material, and affords time for creativity.

Eligibility:

The ideal candidate should be a trained Barbadian theatre artist, who has directed between 1 and 4 plays.

Duration of Programme:

50 hours to be undertaken between November 6th – December 8th, 2017.

*Please note that your application must include a timeline mapping out your use of the set 50 hour period. While access to the Fresh Milk studio may be granted in addition to this timetable which may inform the work, it would be considered as work done outside of the parameters of the residency

Application process:

Prospective candidates can apply with the completed application form (which includes a bio/artist statement, project proposal and detailed timetable outlining the 50-hours of the residency, and can be downloaded here), full CV and portfolio, writing samples from your director’s notebook and 2-3 critical (newspaper, peer or academic) reviews of recent work to the National Cultural Foundation, Theatre Arts Office at the email address lisa-cumberbatch@ncf.bb before midnight on Wednesday, October 18th, 2017. They will be interviewed by a panel comprising NCF and Fresh Milk officials.

The successful candidate for the residency will be offered a stipend of $1,000.00 BBD. The mentor will spend 10 hours in total with the resident over each 50 hour residency. The resident will have access to two actors for 15 hours to experiment and/or create work. At the end of the residency period, there will be a short, private showcase where the resident can share aspects of the work they have been contemplating with a small audience of invited theatre professionals.

Expectations:

In addition to the 50 hours spent at Fresh Milk, each resident will be required to keep a weekly blog of text and images documenting their thoughts and processes which will be shared on the Fresh Milk website. At the close of the residency, each resident will also be required to submit a report according to Fresh Milk and the NCF’s guidelines.