Anisah Wood’s Residency – Week 2 Blog Post

Barbadian artist Anisah Wood writes about the second week of her Fresh Milk ‘My Time’ Local Residency. The community outreach component of her residency, the Quid Pro Quo skills exchange programme, continues to be a highlight of her experience, as well as interacting and sharing knowledge with fellow resident Torika Bolatagici and reconsidering perceptions of the Caribbean space. Read more below.

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Quid Pro Quo was indeed one of the highlights of the week. This particular session was hosted by Sheena Weekes, who enlightened us on the process of a medical examination.  As we in the audience keenly listened and participated in the session, we also witnessed Sheena’s visible eagerness to extend her knowledge of the medical field to us. It was that enthusiasm shown by both parties coupled with the feeling of satisfaction having learned something new and practical, that convinced me that Quid Pro Quo was indeed a great idea that will benefit all involved.

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I also had my first Hasselblad experience thanks to Torika Bolatagici. That was a heavy piece of equipment, but the experience of peering into the view finder at a flipped frame dwarfs the digital live view any day. However, I eventually returned to the digital world as my means of production. I’ve started editing another video to add to my body of work. As I engaged in this process, I found myself frequently contemplating on how my work can better address the peculiarities of the Caribbean space, and the various relationships as well as tensions that exist within it. What really is the Caribbean space? How is it on one hand interconnected and on the other hand fragmented? Inviting yet hostile? And how can my observations of these enquiries be represented? … I am still turning these thoughts over in my head and with each turn I unearth a new possibility.

Anisah Wood’s Residency – Week 1 Blog Post

Recipient of the ‘My Time’ Local Residency 2016, Anisah Wood, shares her first blog post about her time on the Fresh Milk platform. Using this residency as an introduction to the wider art world after completing her BFA at Barbados Community College earlier this year, Anisah has gotten off to a positive start, using the Colleen Lewis Reading Room for research, connecting with fellow resident, Pacific artist Torika Bolatagici, and leading the first session of her Quid Pro Quo skills exchange programme. Read more below:

As a recent graduate, entering the art arena can seem quite daunting. While some prefer to plunge right in, my preference was to wet my feet first and make gradual strides into deep end of this art world. And they literally got wet on the first day of my My Time Local Residency at Fresh Milk by the torrential rain that drenched the island. Showers of blessing they call it, ringing in the island’s rainy season and my first residency.

During the days that followed I enjoyed making use of the Colleen Lewis Reading Room in my search for inspiration. Another joy was meeting Torika Bolatagici and her wonderful family. As she relayed to me the ins and outs of her home country and the Pacific Islands I was intrigued by the striking similarities between that region and the Caribbean. Another highlight of the week was the first session of the Quid Pro Quo skills exchange. For that session, I shared my knowledge of the game warri and photography. I must admit that I was a bit anxious about taking on the role of host for this session, and about providing a fair exchange of information. However, based on the feedback, the session went well *phew* and I was glad to make two new acquaintances from very diverse backgrounds. I eagerly look forward to informative exchanges over the upcoming weeks.

Now that I have settled in I am hoping for an increase in momentum and intensify my work production. I am intrigued to see how a change in location will inform my work. These next few weeks will be exciting as I make my way to the deep end of the art arena.

Quid Pro Quo: Skills Exchange Programme at Fresh Milk

The winner of this year’s Fresh Milk ‘My Time’ Local Residency, Anisah Wood, will be in residence with us between June 6 and July 1, 2016. As part of her community outreach during her residency, Anisah will be offering the programme Quid Pro Quo – a series of skill-exchanges at the Fresh Milk studio.

Modeled after the Trade School concept, founded in part by New York based artist Caroline Woolard whose practice “explores intersections between art and the solidarity economy,” these sessions will become a non-traditional space of learning and sharing, emphasizing the value of people’s passions and skills.

Quid Pro Quo will be held at Fresh Milk over a period of four weeks, with the first session being held on Friday, June 10, 2016 at 3:00pm.

Skills Exchange Flyer

The programme will be structured as follows:

  • Each participant must be willing to share either one’s passion, skills or knowledge in exchange for the skills or knowledge of the other participants.
  • Each participant can offer an option of 2 to 3 topics or skills. For example, Anisah will offer: ‘Digital photography 101’, ‘The art of collage’ and ‘How to play warri and potta (traditional board games)’. Note that what is offered does not have to be art oriented. The idea is simply to share knowledge with the expectation of receiving knowledge in exchange.
  • The result is at most a 4 for 1 exchange.
  • The setting in which the information is dispensed will be informal and the manner in which each participant relays the information is completely up to the individual. It can be a discussion, hands on experience, a series of exercises, a presentation etc.
  • Each participant will select from the options offered what they would like to know from the other participants. The option that receives the most votes will be the one discussed.
  • Finally, each participant will be assigned a day in which they will give their presentation, with the option of Tuesdays, Wednesdays or Fridays with flexible hours between 3:00-6:00 pm.
  • There will be a limited number of participants approximately 4-5 in order to allow the exchange to be completed within the duration of the residency.

How to register:

To register, email freshmilkbarbados@gmail.com with the subject line ‘Quid Pro Quo’ and provide your name, contact information and the knowledge to be bartered in exchange for one of the skill-sets Anisah will be offering by June 7, 2016.

From the response, the participants will be selected and informed of their acceptance by June 9, 2016, in time for the initial session on June 10 at 3:00 pm.

During this meeting, each of the participants will be assigned a week from which they will determine what day and time they will be hosting their session. The participants will then vote on the focus of each session based on the options provided.

Announcing the Fresh Milk ‘My Time’ Local Resident Artist 2016 – Anisah Wood

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Fresh Milk is very pleased to announce Barbadian artist Anisah Wood as the winner of the Fresh Milk ‘My Time’ Local Residency prize for 2016. Congratulations Anisah!

Anisah’s one-month residency runs from Monday June 6 – Friday July 1, 2016.  Her work deals predominantly with the Caribbean landscape and the process of colonialism, particularly the desire to lay claim to and control space. During her residency, she will continue her investigations into the perceptions of her immediate environment and the influence of territoriality on how it is negotiated. She will use this engagement with a fresh environment to stimulate new conceptual ideas.

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About Anisah Wood:

Anisah Wood is a visual artist based in Barbados. She is in the process of completing a Bachelor of Fine Arts from the Barbados Community College with a major in Studio Art. Her practice involves video art, digital photography, and installation. She has had the privilege of exhibiting the results of her practice at the Punch Creative Arena, The National Arts Council Barbados and at various national arts competitions.

Artist Statement:

My current body of work maps the transformative effects of territoriality on a physical landscape and the society that engages with such a space. These explorations stem from my immediate environment, the Caribbean region. This region has consistently been labelled a paradise, a description that can be considered an impetus for expressions of territoriality. Therefore, through a multidisciplinary approach, this body of work examines the resultant complex relationships between space and society, and between various societal groups in connection to that space. In addition, while seeking to understand the desire to control a delineated space, the work also questions the authority to lay claim to an area. The work can therefore be considered an alternative vision of the space I occupy.

Open Call: Fresh Milk and the NCF announce Emerging Directors Residency

The Fresh Milk Art Platform and the National Cultural Foundation (NCF) are pleased to share an open call for their first collaborative Emerging Directors Residency 2016. This exciting new partnership is a paid artist residency for early career theatre directors, which will provide them with an opportunity to conduct much needed research into Caribbean theatre heritage and to explore and create through theatre form and style.

FM-NCF Emerging Director Residency Flyer

Two residencies will be offered, for two emerging Barbadian directors who will receive a stipend of $1,000.00 BBD each. Each residency, which will be based at the Fresh Milk studio in Walkers, St. George, will run for a 50 hour period which the resident must complete over two weeks. There are two fortnightly time-frames scheduled between May 23 – June 3 or June 6 – June 17, and each candidate may choose which time-frame is suitable for them. The deadline for applications is April 29, 2016.

Residents will be mentored over the course of the programme by a noted Barbadian/Caribbean Director and, at the close of the period, each will present, by way of a small showcase with actors, aspects of the work they have been exploring.

Rationale:

Residency programmes afford professionals time and space away from the demands of daily work life to carry out much needed professional development. Outside of traditional longer term training, a paid residency allows artists time, however short, for contemplative study and exploration. In the Barbadian context, there is much focus on the training of performers, however there are considerably fewer opportunities for those theatre artists with a special interest in directing to hone and develop their skills. Highly skilled, culturally aware and visionary directors are needed, as we move nationally to advance our cultural industries sector, and to enrich the quality of small and large scale staged events, whether drama, music, dance, or indeed multimedia events.

Greater awareness of Barbadian/Caribbean theatre form and style will serve to enhance the ideological and interpretive output of those up and coming directors on the local theatre scene, and equip them to create work that consciously and profoundly engages with Barbadian tradition. ‘Emerging Directors Residency’ offers an opportunity to design and apply staging concepts for ‘alternative spaces’, i.e. the “site-specific”, and otherwise environmental concept. It offers mentorship, access to archival material, and affords time for creativity.

Objectives:

– Partner with local and regional arts platforms to offer developmental opportunities for artists;

– Provide a forum for emerging directors to research their craft through mentorship, and through access to documented and archived material;

– Provide emerging directors with a secure and rigorous environment for practice, and the resources with which he or she may develop emerging work, and/or experiment with new ideas;

– Provide opportunities for actors to work with emerging directors in a developmental and experimental workshop setting.

Eligibility:

The ideal candidate should be a trained Barbadian theatre artist, who has directed between 1 and 4 plays.

Duration of Programme:

1 Session per Resident: 50 hours to be undertaken over EITHER May 23 – June 3, 2016, OR June 6 – 17, 2016.

Application process:

Prospective candidates can apply with the completed application form (which includes a bio/artist statement and project proposal, and can be downloaded here), full CV and portfolio, writing samples from your director’s notebook and 2-3 critical (newspaper, peer or academic) reviews of recent work to the National Cultural Foundation, Theatre Arts Office at the email address ncftheatrearts@gmail.com or lisa-cumberbatch@ncf.bb before midnight on Friday, April 29, 2016. They will be interviewed by a panel comprising NCF and Fresh Milk officials.

Successful candidates for the residency will be offered a stipend of $1,000.00. The resident is required to spend 50 hours at Fresh Milk in Walkers, St. George and should indicate a potential schedule of days and times they might be available during the interview process. The mentor will spend 10 hours in total with each resident over each 50 hour session. Each resident will have access to two actors for 15 hours to experiment and/or create work. At the end of each period, there will be a short showcase where the residents share aspects of the work they have been contemplating.

Expectations:

In addition to the 50 hours spent at Fresh Milk, each resident will be required to keep a weekly blog of text and images documenting their thoughts and processes which will be shared on the Fresh Milk website. At the close of the residency, each resident will also be required to submit a report according to Fresh Milk and the NCF’s guidelines.