Open Call: Tilting Axis Fellowship 2027

Nieuwe Instituut and Tilting Axis are launching the sixth iteration of the Fellowship programme with an open call for applicants based in the Caribbean. The Fellowship supports research-based practices and stimulates mutual exchange between the Caribbean region and the Dutch cultural field. Together with the leading partners, Nieuwe Instituut and Tilting Axis, other cultural institutions including Stedelijk Museum Amsterdam will engage with the selected applicant during the Fellowship.

Graphic design: Moriz Oberberger

About the Fellowship

The 2027 Tilting Axis Fellowship will be supporting two fellows in a six-week programme centred on research, exchange, and network-building between the Caribbean and the Netherlands. One fellow will be selected from the Dutch Caribbean. Applicants may also apply as a pair from different regions of the Caribbean including the Dutch Caribbean; if selected, the pair will together occupy both fellowship positions. Otherwise, the selected fellows will be paired by the organisers. Within the six-week programme, Nieuwe Instituut facilitates a one-week tailor made visit to the Netherlands. This fellowship is conceived as a period for networking, research, reflection, and dialogue.

Are you interested in how knowledge is produced, preserved, and contested through archives, storytelling, digital platforms, or community practices? Do you work with themes such as memory, social or environmental change, or collective forms of knowledge-making? We welcome practitioners working across writing, film, sound, design, research, architecture, and other creative or interdisciplinary fields—especially those exploring how culture is shaped through collaboration, technology, and lived experience.

Structure of the Fellowship

The fellowship consists of a six-week period, including a 10 day visit with a 5 day tailor-made program for cultural exchange in the Netherlands. The fellowship takes place in April and May 2027. The one-week visit will be hosted within this period, with the exact timing to be determined in consultation with the two selected fellows.

During this visit, the two fellows will travel together, fostering exchange and dialogue between practitioners from across the Caribbean that supports intraregional exchange through this fellowship experience. They will participate in a programme organised through tailor-made meetings, site visits, and opportunities for dialogue with artists, cultural practitioners, researchers, and institutions. The programme is designed to facilitate meaningful encounters and intercultural exchange.

The fellowship supports an end result defined by the fellows themselves, with a clear milestone based on their project. Applicants are expected to outline this milestone in their application. Throughout the six weeks, fellows will take part in weekly check-in meetings.

Fellowship Support

Each fellow will receive a stipend of €2,500 to support the broader fellowship period. In addition to the stipend, fellows may access up to €1,000 in travel support connected to their research proposal.

This travel budget may be used for travel within the Caribbean or beyond, where relevant to the proposed research, exchange, or network-building activities. Fellows can use this support flexibly according to their needs—for example to extend their stay in the Netherlands, conduct research travel, connect with collaborators, or dedicate time to the development of new work.

During the one week visit, all travel costs to and from the Netherlands, as well as the week-long programme in the Netherlands, will be covered separately by Nieuwe Instituut Fellows may choose to extend their visit at their own expenses.

For whom?

The fellowship is open to researchers, designers, writers, curators, or cultural producers based in the Caribbean region who are interested in developing their research practice and building connections with cultural institutions in the Netherlands. Applicants may work across different cultural fields and practices, including those engaging with archives, social and ecological questions, cultural memory, spatial practices, design, architecture, or digital culture.

The fellowship is open to applicants with or without formal degrees or institutional affiliations. Equal priority will be given to those who can demonstrate creativity, critical thinking, and strong potential within their practice, regardless of educational background. There is no age limit for applicants.

Applicants must be residents of and based in one of the following Caribbean countries or territories:

Anguilla, Antigua & Barbuda, Aruba, The Bahamas, Barbados, Belize, Bermuda, Bonaire, British Virgin Islands, Cayman Islands, Cuba, Curaçao, Dominica, Dominican Republic, French Guiana, Grenada, Guadeloupe, Guyana, Haiti, Jamaica, Martinique, Montserrat, Providencia, Puerto Rico, Saba, San Andrés, St. Barthélemy, St. Eustatius, St. Lucia, St. Kitts & Nevis, St. Vincent & the Grenadines, Saint Martin, Sint Maarten, Suriname, Trinidad & Tobago, Turks & Caicos Islands, US Virgin Islands.

Application Process

The Open Call for the 2027 fellowship will open on 1st September 2026, with a submission deadline of 15th October 2026.

Proposals should be submitted via email to ta-fellowship@nieuweinstituut.nl with the subject line: Tilting Axis Fellowship 2027 – [Applicant Name]

Applicants may also apply as a pair from different regions of the Caribbean but one must include an applicant from the Dutch Caribbean; if selected, the pair will together occupy both fellowship positions. Otherwise, the selected fellows will be paired by the organisers.

Applicants may submit their proposal in written, audio, or video format, or a combination of these. We encourage applicants to choose the format that best allows them to communicate their research, ideas, and approach.

Written proposals should be a maximum of 1,000 words and include:

  • Statement of intent: Explain your research focus, key questions, and proposed methodology.

  • Relation to the fellowship themes: Describe how your proposed project engages with the themes outlined above.

  • Working calendar: Provide a proposed timeline for the fellowship period, including your availability to travel to the Netherlands between April and May 2027.

  • Previous work: Include documentation of up to five relevant previous works, with links and/or brief descriptions where useful.

For audio or video submissions, the same information should be addressed within the submission. Audio/video submissions should be a maximum of 5–7 minutes.

Previous work may be included separately as links or brief documentation, with up to five relevant works. All materials should be submitted as one PDF document where possible, with links to audio/video material embedded or clearly indicated. If the submission itself is an audio/video file, this may be submitted alongside the PDF containing the applicant’s supporting materials.

Applications must be written or recorded in English, and applicants should have a working knowledge of the language. English does not need to be the applicant’s first language; however, translation support is unfortunately not available at this time.

Applicants with specific questions or access requirements are encouraged to contact ta-fellowship@nieuweinstituut.nl to discuss the availability of support services.

Selection Process

The fellows will be selected through a jury process composed of:

  • Yesomi Umolu (Artistic Director, Nieuwe Instituut)

  • Charl Landvreugd ( Head of Research & Curatorial Practice, Stedelijk Museum)

  • Annalee Davis (Tilting Axis / Fresh Milk – Barbados)

  • Ana Maria Hernandez (RAA! – Aruba )

  • David Gumbs (Visual Artist, Educator – Martinique)

  • Tirzo Martha (Instituto Buena Bista – Curaçao)

Following the initial review of applications, five shortlisted candidates will be invited for an online interview with the 3 members of the jury. The final fellows will be selected following this interview process. The fellowship will begin in April 2027.

Key Dates

October 11, 2026, 23:59 CET / 18:59 AST: Open Call closes
November 2–3, 2026: Shortlisted applicants are invited to interviews
November 9, 2026, 14:30–18:30 CET / 09:30–13:30 AST: Interview session
November 10, 2026, 14:30–17:00 CET / 09:30–12:00 AST: Interview session

Q&A Session

We will host a one-hour Q&A session on 15 September, 10:00–11:00 AM AST (4:00–5:00 PM CET) via Google Meet. The session is an opportunity to ask questions about eligibility and the application process. No registration is required; you can join directly here.

For more information or questions, reach out to our team via ta-fellowship@nieuweinstituut.nl.

The Ripple Effect – Launch of the Fresh Milk/CLF Artistic Fellowship & Announcement of Bajan Tender Grantees

On August 9th, 2025 The Ripple Effect took place at Caribbean Brushstrokes Gallery, Barbados — an event launching the new partnership between the Clara Lionel Foundation (CLF), the Mellon Foundation, and The Fresh Milk Art Platform.

Video by The Snap Happy Collective

These exciting relationships were celebrated with the exhibition Where are the Tendernesses? featuring work by Barbadian artists Simone AsiaAnna GibsonRussell Watson and Ronald Williams, who are the inaugural recipients of the Fresh Milk/Clara Lionel Foundation Fellowship. Additionally, the Barbadian grantees — Deandra DanielLyneisha Ince, Alexander Newton, Safia Stoute, Kia Redman, Akilah Watts, Kraig Yearwood, and Punch Creative Arena —  were announced for the 2025 edition of Fresh Milk’s TENDER Regranting Programme,  of which the CLF and Mellon Foundation are also generous supporters alongside the National Cultural Foundation and the Panta Rhea Foundation.

Take a look here at some of the fantastic footage and moments documented of that special night!

Photographs by Dondré Trotman

Fresh Milk / Clara Lionel Foundation Artistic Fellowship

Fresh Milk is pleased to announce the recipients of its inaugural contemporary visual arts Fellowship programme, made possible with support from the Clara Lionel Foundation (CLF). This initiative provides four unrestricted grants of $20,000 USD, along with a $5,000 USD travel grant for each Fellow. The Barbadian-based Fellows, Anna Gibson, Simone Asia, Russell Watson and Ronald Williams, have demonstrated commitment to their practices, working across painting, sculpture, drawing, moving image, and digital media. Each Fellow was presented at a public event at the Caribbean Brushstrokes Gallery on August 9th and will benefit from sustained support during this 10-month programme from September 2025 until June 2026, culminating in a 2026 exhibition curated by Dr. Natalie McGuire.

On May 21st, 2025, the Fresh Milk team including Annalee Davis & Katherine Kennedy, hosted a roundtable session bringing together diverse participants to discuss critical issues in Barbados relating to the CLF’s core pillars, including contemporary visual arts, health care access and equity, gender-based issues, environmental concerns, and the impact of technology on society. The insights provided, informed the four nominators with expertise in contemporary creative practices, in their selection of the Fellows. The roundtable included Dr. Jo-Anne Brathwaite-Drummond, Dr. Clyde Cave, Carla Daniel, Amina Doherty, Dr. Robin Mahon, Patrick Moufarrige, Dr. Shayna Parris, Rae Skinner, and Leigh-Ann Worrell, while the nominators included Jason Fitzroy Jeffers, Dr. Therese Hadchity, Mark King, and Dr. Natalie McGuire. The full roundtable report can be found on our main Fellowship page here.

The exhibition, Where are the Tendernesses?, is celebrating the launch of the Fellowship and showcasing the Fellows work which runs until August 30th, 2025 at the Caribbean Brushstrokes Gallery. Read the full curatorial text here.

All photos by Dondré Trotman

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About the Fellows:

Simone Asia is a Barbadian-born illustrator recognized for her intricate penmanship and attention to detail. Her artistic influences span from local, regional and international figures, including Ewan Atkinson, Christopher Cozier, installation artist Tomoko Shioyasu, and illustrator James Jean.

Originally specializing in pen and ink, Simone has recently embraced mixed media, expanding her artistic exploration. Her work is deeply rooted in portraiture and journaling, often delving into themes of the human condition, botany, science, and metaphysics.

She holds an Associate Degree in Visual Arts and a Bachelor of Fine Arts (BFA, Hons) in Studio Arts. Throughout her career, Simone has participated in numerous local and regional residencies that have significantly shaped her artistic direction. These include Alice Yard (Trinidad and Tobago), Ateliers ’89 (Aruba), Projects and Space, Fresh Milk, and Punch Creative Arena (Barbados).

In 2016, she was awarded the Central Bank Governor’s Award and later that year held her first solo exhibition, Grey Matters, at Punch Creative Arena, Barbados Community College. Her work has since been featured in various projects, exhibitions, magazines and books internationally.

Beyond her personal practice, Simone works with Punch Creative Arena, where she helps facilitate exhibitions and events. She is also a part-time tutor in the Associate’s Degree Programme at Barbados Community College, teaching Drawing, 2D Visual Language, and Graphic Design: Illustration.


Anna Gibson is a Barbadian contemporary artist who explores women’s relationship with their bodies and its connection to cultural and social environments. Crafting images of body manipulation through realism and expressionism. She has been practicing for over 9 years and attended the Barbados Community College, completing her Bachelor of Fine Arts in 2017.

Anna has participated in some Barbadian local group exhibitions at UN Women 1in3 Art Exhibition at the UN House Barbados, ‘Young Artist’ at The Barbados Arts Council Art Gallery, Reimagined: Unspoken Bodies and Spaces at The Frame & Art Co. and more. She also has experience painting murals with artist collective A3 Design, most notably for the Hilton Barbados, the Barbados Grantley Adams International Airport and the Barbados Post Office.


Russell Watson is a Barbadian artist and arts educator specializing in digital media and theatre. He completed studies in Drama in Education and Theatre Arts at the Edna Manley College of the Visual and Performing Arts in Jamaica and studies in Film Video, and New Media at the School of the Art Institute of Chicago at both the BFA and MFA level. 

Currently residing in Barbados, Watson lectures in film at the University of the West Indies, Cave Hill campus and is the lead artist at the multimedia workshop RSTUDIO. 

His current creative work involves combining drawing, photography and animation for multimedia projection. The works present an ecosystem of beings and landscapes existing simultaneously across various scales and epochs, reflecting his contemplation of time and environmental fragility in the Anthropocene.


Ronald Williams is a visual artist who primarily works in digital media. While earning his BFA in Fine Arts from The Barbados Community College (BCC), he began experimenting with digital collage which he has since gone on to refine and develop into his individual style.

Since earning his BFA in Fine Arts from The Barbados Community College, Williams has gone on to work on multiple commissions and participate in various local, regional and international group exhibitions including exhibiting in Jamaica, Venezuela, Scotland and the USA. After following up a maiden local residency by accepting a Fellowship award to be a Vermont Studio Center resident in 2019, he participated in the Visible Man exhibition in 2021 held at the Bowling Green State University in Ohio and notably, and was featured in part of the Dak’Art 2024 program.

TVE 5 2024 – Caribbean Screening Schedule

The Fresh Milk Art Platform (Barbados) and the Centre for Culture in Lublin (Poland) as part of Lublin’s successful bid for the European Capital of Culture 2029 title are pleased to share the schedule for the Caribbean screenings of Transoceanic Visual Exchange (TVE) 2024, a series of programmes taking place this year between Barbados and Poland, featuring artists from the Caribbean, Poland, Ukraine and their diasporas.

TVE is a collection of recent films and videos from artists practicing in the participating regions for each iteration. TVE aims to negotiate the in-between space of our cultural communities outside of traditional geo-political zones of encounter and trade, intending to build relations and open up greater pathways of visibility, discourse and knowledge production between the regional art spaces and their communities.

The Caribbean screenings will take place in Barbados at three locations: The Division of Culture, Prime Minister’s Office, Sky Mall, Haggatt Hall, St. Michael; The Barbados Museum & Historical Society (BMHS), Dalkeith Road, St. Michael; and Haymans Market, St. Peter. 

On Wednesday, November 13th from 6PM – 8PM, the launch of TVE 5 will take place in the foyer of The Division of Culture, Sky Mall. This event opens the Experimental Video Art Exhibition component of TVE this year. The exhibition will continue until Wednesday, November 20th, open 11AM – 4PM, Monday – Saturday.

The exhibition at Sky Mall will feature work by:

Ruben Cabenda (Suriname) – Tongo Sondi, 2023
Alex Gibson (Barbados) – Courtyard, 2024
Volodymyr Kaufman (Ukraine) РАНИ. відеоарт. / WOUNDS, 2023
Magdalena Łakoma (Poland) – Matriona/Patriona, 2022
Alexandra Majerus (Barbados/St. Kitts & Nevis) – The Shape of Memory (Recollecting), 2022
Stéphanie Melyon-Reinette (Guadeloupe) – MWEN PA PRIYÉ ZACCA, 2022
Andrii Rachynskyi & Daniil Revkovskyi (Ukraine) – Clanking, hammering, dispute and gurgling, 2021
Marinna ‘Mahrinnart’ Shareef (Trinidad & Tobago) – Moving Through the Motions, 2022 and The Consequences of Remembering, 2022
Volodymyr Topiy (Ukraine) – Barber, 2023
Yolanda Velazquez-Velez (Puerto Rico) DesAhogo, 2021

On Thursday, November 14th from 6PM – 8PM, there will be a film screening night in the Trevor Carmichael Walled Garden Theatre at the Barbados Museum & Historical Society, featuring work by:

Monika Czajkowska (Poland) – Ophelia. Action Will (Not) Be Condemned, 2020 
Hanif James / Have a Bawl Productions (Jamaica) – A Shade of Indigo, 2023
Adrian Lopez (Jamaica) – Ego Sum, 2022
Katarzyna Perlak (Poland) – Broken Hearts Hotel, 2021
Nadean Rawlins (Jamaica) – Boy Girl and All the Rest, 2021

PLEASE NOTE: some of the content being screened at this event is of a sensitive nature, containing themes of trauma, mistreatment of the LGBTQIA+ community, mental health struggles, abuse and self harm. Viewer discretion is strongly advised.

On Saturday, November 16th from 6PM – 9PM, our second film screening night will take place at Haymans Market, featuring work by:

Ryan Eccleston (Jamaica) – Jonkunnu Nuh Dead, 2022
Anastasia Kashtalian (Ukraine) Dinner after the end of the world (Antanakata), 2023
Agata Konarska and Izabela Sitarska (Poland) – Tette Dolci, 2019
Danté Ollivierre (St. Vincent & the Grenadines) – I AM GARIFUNA, 2024
The Hub Collective (St. Vincent & the Grenadines) – Bush Medicine: Stories that Remember the Land, 2024

Food and beverages will be on sale from many of the wonderful vendors at Haymans, so please feel free to mingle and enjoy what is on offer!

All events are free and open to the public. Visit transoceanicvisualexchange.com for more information.


About the Partners:

Fresh Milk
Fresh Milk is an artist-led, non-profit organisation founded in 2011 and based in Barbados. It is a platform which supports excellence in the visual arts through residencies and programmes that provide Caribbean artists with opportunities for development, fostering a thriving art community. Fresh Milk offers professional support to artists from the Caribbean and further afield and seeks to stimulate critical thinking in contemporary visual art. Its goal is to nurture artists, raise regional awareness about contemporary arts and provide Caribbean artists with opportunities for growth, excellence and success.

The Centre for Culture in Lublin
At the Centre for Culture, our “home of imagination” we want to manage human talents wisely and create favourable conditions for artistic work, education and presentation of art and artistic activities. We want to be open to new people, new projects and phenomena. We believe that we will have the courage to take creative risks.

Lublin 2029 – European Capital of Culture
The project is part of Lublin’s successful bid for the European Capital of Culture 2029 title. Re:Union, the bid’s motto refers to the historic concept of the Union of Lublin (1569), a commonwealth treaty signed by the Kingdom of Poland and the Grand Duchy of Lithuania. It is understood as reintegration, reconnection of broken ties, cross-generational, cross-cultural and intersectional dialogue.

The Division of Culture, Prime Minister’s Office
The Division of Culture, Prime Minister’s Office, Barbados seeks to build a stable and cohesive society by harnessing our culture, preserving our cultural heritage and building a sustainable creative economy.

The Barbados Museum & Historical Society
With extensive galleries and a dedicated Library, the Barbados Museum & Historical Society (BMHS) is not only the foremost authority on the historical record of Barbados, but also an educator and a champion of the cultural heritage of our island. We offer professional and research services to academics, history buffs, genealogists and anyone interested in learning a little bit more about Barbados. Our services are far reaching; not only do we provide tours and programmes to share the island’s rich heritage with the world, but we even host cultural and personal events for all to enjoy.

Haymans Market
Haymans Market, located in the heart of Barbados, is a bustling hub offering a wide variety of fresh local produce, spices, and handcrafted goods. Known for its vibrant atmosphere, it showcases the island’s rich agricultural heritage, with everything from tropical fruits to artisanal items. Visitors can experience authentic Bajan culture through the market’s friendly vendors and colorful stalls, making it a must-visit destination for both locals and tourists looking to enjoy the island’s flavors and craftsmanship.

This edition of TVE is also supported in part by TEOR/éTica, our partner organisation for TVE 4, from whom we received a 2023 Catalyst Grant with the generous support of Arts Collaboratory, and by a grant received from the Mellon Foundation.

Announcing Selected Artists for TVE 5

The Fresh Milk Art Platform (Barbados) and the Centre for Culture in Lublin (Poland) as part of Lublin’s successful bid for the European Capital of Culture 2029 title are pleased to announce the selected artists from the Caribbean, Poland, Ukraine and their diasporas whose works will be included in the fifth edition of Transoceanic Visual Exchange (TVE), a series of programmes taking place this year between Barbados and Poland, with an accompanying online exhibition.

A preliminary screening of all of the film and video works runs at the Centre for Culture in Lublin between September 18th – October 18th, 2024, and a selection of works will be shown in various exhibition or screening spaces across Barbados in November 2024 – more details on these events will be announced soon!

Participating Artists:

Ruben Cabenda (Suriname)
Tongo Sondi, 2023

Monika Czajkowska (Poland)
Ophelia. Action Will (Not) Be Condemned, 2020

Ryan Eccleston (Jamaica)
Jonkunnu Nuh Dead, 2022

Alex Gibson (Barbados)
Courtyard, 2024

Barbara Gryka (Poland)
Lalki/Dolls, 2021

Hanif James / Have a Bawl Productions (Jamaica)
A Shade of Indigo, 2023

Anastasia Kashtalian (Ukraine)
Dinner after the end of the world (Antanakata), 2023

Volodymr Kaufman (Ukraine)
РАНИ. відеоарт. / WOUNDS, 2023

Agata Konarska & Izabela Sitarska (Poland)
Tette Dolci, 2019

Paweł Korbus (Poland)
What Will Become of Us, 2020

Magdalena Łakoma (Poland)
Matriona/Patriona, 2022

Adrian Lopez (Jamaica)
Ego Sum, 2022

Alexandra Majerus (Barbados & St. Kitts & Nevis)
The Shape of Memory (Recollecting), 2022

Stéphanie Melyon-Reinette (Guadeloupe)
MWEN PA PRIYÉ ZACCA, 2022

Danté Ollivierre (St. Vincent & the Grenadines)
I AM GARIFUNA, 2024

Katarzyna Perlak (Poland)
Broken Hearts Hotel, 2021

Andrii Rachynskyi & Daniil Revkovskyi (Ukraine)
Clanking, hammering, dispute and gurgling / Брязкання, стукіт, суперечка і булькання / Bryazkannya, stukit, superechka i bulʹkannya, 2021

Nadean Rawlins (Jamaica)
Boy Girl and All the Rest, 2021

Marinna ‘Mahrinnart’ Shareef (Trinidad & Tobago)
Moving Through the Motions, 2022
The Consequences of Remembering, 2022

The Hub Collective (St. Vincent & the Grenadines)
Bush Medicine: Stories that Remember the Land, 2024

Volodymyr Topiy (Ukraine)
Barber, 2023

Yolanda Velazquez-Velez (Puerto Rico)
DesAhogo, 2021


About the Partners:

Fresh Milk

Fresh Milk is an artist-led, non-profit organisation founded in 2011 and based in Barbados. It is a platform which supports excellence in the visual arts through residencies and programmes that provide Caribbean artists with opportunities for development, fostering a thriving art community.

Fresh Milk offers professional support to artists from the Caribbean and further afield and seeks to stimulate critical thinking in contemporary visual art. Its goal is to nurture artists, raise regional awareness about contemporary arts and provide Caribbean artists with opportunities for growth, excellence and success.

The Centre for Culture in Lublin

At the Centre for Culture, our “home of imagination” we want to manage human talents wisely and create favourable conditions for artistic work, education and presentation of art and artistic activities. We want to be open to new people, new projects and phenomena. We believe that we will have the courage to take creative risks.

Lublin 2029 – European Capital of Culture Candidate City

The project is part of Lublin’s bid for the European Capital of Culture 2029 title. Re:Union, the bid’s motto refers to the historic concept of the Union of Lublin (1569), a commonwealth treaty signed by the Kingdom of Poland and the Grand Duchy of Lithuania. It is understood as reintegration, reconnection of broken ties, cross-generational, cross-cultural and intersectional dialogue.