Mini TVE presentation with Third Horizon Media at the Miami Book Fair

On Monday, November 12th, 2018 Third Horizon Media, Miami, collaborated with the Fresh Milk led initiative Transoceanic Visual Exchange (TVE) to curate a small screening of a selection of video/film work by Caribbean artists as part of their contribution to the 2018 Miami Book Fair.

This mini edition of TVE featured work by Adam Patterson (Barbados), Rhea Storr (The Bahamas/UK), Sandra Vivas (Venezuela), Alberta Whittle (Barbados/UK), Nick Whittle (Barbados/UK) and Anisah Wood (Barbados).

Transoceanic Visual Exchange is a selection of video art by artists practicing in the Caribbean, the Pacific Islands and their diasporas. This edition of TVE was coordinated by The Fresh Milk Art Platform (Barbados) in partnership with Footscray Community Arts Centre (Melbourne, Australia) in 2017, with additional screenings taking place in collaboration with Deakin University (Melbourne, Australia) and Third Horizon Media (Miami, USA) in 2018.

Click here to see the PDF of the event program:

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About Third Horizon Media:

Third Horizon is a Miami-based Caribbean filmmaking collective and media company dedicated to capturing the sights and sounds of the Caribbean and the so-called “third world.” The collective’s projects have screened at festivals around the world, including Sundance, Toronto International (TIFF), International Film Festival Rotterdam and Sheffield Documentary Festival, among others.

The collective also stages the annual Third Horizon Film Festival, which aims to empower and celebrate fellow filmmakers and projects focused on the Caribbean, the Diasporas that formed it, and the Diasporas formed by it.

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About The Miami Book Fair:

The Miami Book Fair is an annual literary festival event realized in Miami by Miami Dade College.

The fair, which has become a model for other fairs across the country, brings over 300 renowned national and international authors exhibitors to a weeklong celebration of all things literary and includes pavilions for translation, comics, children, and young adults.The mission of Miami Book Fair International is to promote reading, encourage writing, and heighten an awareness of literacy and the literary arts in the city’s multi-ethnic community.The eight-day book festival has draws hundreds of thousands of book lovers to downtown Miami each November for a festival of all things read and written.

Announcing Caribbean Linked V

Ateliers ’89, Oranjestad, Aruba in collaboration with Fresh Milk, Barbados and ARC Magazine is pleased to announce that the regional artist residency Caribbean Linked V will be taking place at Ateliers ‘89 from August 6th through 28th, 2018. The official opening event will be held on Wednesday, August 8th from 8pm – 12am.

Thanks to generous support from this year’s core sponsors BankGiro Loterij FondsMondriaan FondsThe Tourism Product Enhancement Fund (TPEF), UNOCA and Aruba Bank, as well as number of local sponsors in Aruba, creatives from around the French, Spanish, English and Dutch Caribbean will convene to produce work, meet cultural activists in the Aruban art community, participate in public talks, blog about their experience and present a closing showcase of works during this three week period. The final event will be held on Sunday, August 26th.

Caribbean Linked is a space for building awareness across disparate creative communities of the Caribbean. It has created viable opportunities for young artists, writers, critics and creative activists from over twenty countries to foster new relationships with a larger community, contributing to the holistic development of the creative industries. In addition, it provides the opportunity to link with industry professionals who facilitate access to wider global conversations for the region’s practitioners, while allowing the artists to create work, exchange ideas and broaden cross-cultural understanding.

Participants in Caribbean Linked V (L-R): Sharelly Emanuelson, Velvet Zoe Ramos, Raily Yance, Adam Patterson, Miguel Lopez, Irvin Aguilar, Gwladys Gambie, Franz Caba, Alex Martínez Suárez, Kriston Chen, Averia Wright, Marina Reyes Franco

Artists this year include Irvin Aguilar (Mexico/Aruba), Franz Caba (Dominican Republic), Kriston Chen (Trinidad and Tobago), Sharelly Emanuelson (Curaçao), Gwladys Gambie (Martinique), Adam Patterson (Barbados), Velvet Zoe Ramos (Aruba), Averia Wright (The Bahamas) and Raily Stiven Yance (Venezuela).

The writer in residence will be art historian and independent curator Marina Reyes Franco (Puerto Rico). Visiting artists who will be lending support to Ateliers ’89 during the residency will be Laura de Vogel (Aruba) and Katherine Kennedy (Barbados). This year’s specially invited curators will be Alex Martínez Suárez, independent curator and general coordinator and museographer at the Museo Fernando Peña Defilló, a private museum in Santo Domingo, Dominican Republic and Miguel A. Lopez, co-director and chief curator of TEOR/éTica in San José, Costa Rica.

For more information, call Ateliers ’89 at (+297) 565 4613, email caribbeanlinked@gmail.com or visit the Caribbean Linked website at caribbeanlinked.com, and follow the Caribbean Linked Facebook page for regular updates on the residency!

Tilting Axis Curatorial Fellow 2018

For the second year, Tilting Axis has facilitated, administered and designed an open call for our Curatorial Fellowship. In a strong partnership with the University of Texas at Austin Art Galleries at Black Studies we issued an open call to find and seek out a curator living and working in the Caribbean who would rise to the occasion to use the resources, collections and moment at hand to advance their practice in a nuanced and sensitive way. The jury panel comprising of Lise Ragbir, Joel Butler, Tobias Ostrander, Holly Bynoe, Annalee Davis, Eddie Chambers, Natalie Urquhart, Sara Herman and Mario Caro (9  in total) had the laborious task of deliberating an exceptionally strong pool of candidates from 7 countries.

The competition was stiff—reflecting the wealth of talent, and need for increased opportunities, for curators in the region. We are happy to announce that this year’s Tilting Axis 4 Curatorial Fellowship sponsored by and to take place at the University of Texas at Austin, has been awarded to—Natalie Willis, Assistant Curator at the National Gallery of The Bahamas.  At the University of Texas at Austin with access to collections of work by African American and Caribbean artists, Natalie hopes to look beyond nationalist dialogues and examine how shared history presents itself in different cultural phenotypes. As she says, “One root leads to many rhizomes and proliferations of blackness.”

About Natalie:

Natalie Willis is a British-Bahamian curator and cultural worker. Born and raised in The Bahamas, she received her BA (Hons) and MA in Fine Art at York St John University in the UK. Willis is currently working as an Assistant Curator at National Art Gallery of The Bahamas with a concerted focus on writing aimed at decolonising and decentralising the art archive, and adding to the literature on Bahamian and Caribbean visual culture and developing her burgeoning curating practice. Somewhere in a parallel universe, she still makes artwork.

As an emerging curator desperately trying to not contribute to the brain-drain of the Caribbean, she has dedicated her time at the NAGB to focusing on knowledge building and access through text and speaking to the way the colonial tourism of the late 1800s shaped the cultural and physical landscape of the Anglo-Caribbean.

Willis has been an invited speaker at the Caribbean Studies Association  Conference (2017), the Museums Association of the Caribbean Annual Conference (2016). Most recently, she took part in the Goldsmiths + British School at Rome Summer Intensive Course, themed “Curating the Contemporary”, in Rome in 2017.

Tilting Axis 4 – Caribbean Cultural Ecologies: Connecting Pasts, Presents and Futures

Tilting Axis 4 – Caribbean Cultural Ecologies: Connecting Pasts, Presents and Futures was hosted from May 31st – June 2nd, 2018, by Centro León and Centro Cultural de España in Santo Domingo, in collaboration with Curando Caribe, Santiago and Santo Domingo, Dominican Republic.

The fourth convening of Tilting Axis aimed to shift its location and context to the Hispanophone Caribbean with the theme ‘Caribbean Cultural Ecologies: Connecting Pasts, Presents and Futures’. Artists, curators, stakeholders, instigators and activists gathered to debate ideas about the Caribbean’s interdependent future in relation to culture, the nature, technology and the role of institutions while sharing creative ways which reimagine our collective futures in relationship with our particular environment and with each other.

 

View the full programme for Tilting Axis 4 here

See below for video documentation of the conference, courtesy of the
Centro Cultural Eduardo León Jimenes Youtube Channel:

 

Daisy Diamond’s Fresh Milk Residency – Week 3 Blog Post

Fresh Milk shares the third blog post by US-based international resident artist Daisy Diamond. Daisy recounts her return to the Nidhe Israel Synagogue in Bridgetown, where she contemplated the Jewish mikveh ritual and related it to her wider experiences in Barbados. The first session of her sacred reading practices group also took place this week, and the collaboratively chosen text for thoughtful reflection was Paulo Freire’s ‘Pedagogy of the Oppressed’. Read more below:

I returned to the Nidhe Israel Synagogue early this week to visit one of the oldest mikvahs in the Americas. Mikvahs are traditionally used for ritual purification practices in Judaism and ones like this with fresh running water are said to contain “living water.” According to the Old Testament, the spiritual (rather than physical) cleansing power of this natural water source moved through this bath. If the water became blocked within the vessel, it became “drawn water” and was invalid for mikveh rituals. This reminded me a bit of other rituals of immersion, whether in literal, social, or mental spaces and how stagnancy or movement affect those processes.

There are also connections between these ritualistic, religious submersions and the intentions of those doing them. Some people say pre-written prayers of intention or individual prayers from their heart, like what they hope to experience from their immersion. In some ways, I felt a parallel again between this and the experience of feeling submerged in unfamiliarity with specific intentions to learn and create.

Later in the week, I held a sacred reading practices group at Fresh Milk. I tried to create a space with intention for the folks who showed up to have an engaging conversation. After discussing several religious reading practices, we collectively chose to read Pedagogy of the Oppressed by Paulo Freire, a book about education, humanization, relationships within society, and so much more. We took turns reading out loud and tried out some of the sacred reading techniques. These naturally led to conversations about how to define oppression, understand/address disparity, and take responsibility for action.

By framing this conversation in a certain way, we meaningfully engaged with a text and had a very challenging, thought provoking discussion that will be continued at a second reading group during my last week. I have been thinking about how these conceptual frameworks translate to visual symbols or could be explored further in images. I have also been looking at encyclopedias of sacred symbols and myths in the Colleen Lewis Reading Room and taking notes. Visuals are slowly coming together and writing/reading has been a huge part of that process…

A quick drawing of fires in the sugar cane fields I passed while driving near St. George.