The NCF and Fresh Milk in collaboration with Casa Tomada present ‘fresh casa’

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The National Cultural Foundation (NCF) and the Fresh Milk Art Platform Inc., in collaboration with Casa Tomada of Sao Paulo, Brazil present fresh casa which will take place in Sao Paulo from September 14th – 21st 2013. The project has three goals. Firstly, two young Barbadian artists, Shanika Grimes and Katherine Kennedy will participate in a mentoring programme hosted by Casa Tomada and focussing on the professionalization of artists, which will see the presentation of their art work as the focus of their one week intensive residency experience.

Grimes and Kennedy will be mentored by Brazilian arts professionals including professors, curators and critics, who are regularly engaged with Sao Paulo based creatives who focus on Performance Art, Sculpture and Installation. In addition, the young Barbadian artists will interact with Brazilian artists currently working out of Casa Tomada. At the end of the week, the Barbadian artists will make an oral presentation about their practice to a local Brazilian audience.

Secondly, Barbadian artist Evan Avery will design a graphic to be installed as an adhesive decal into Casa Tomada’s ‘A Casa Recebe’ – a street facing window which presents works by visual artists working in Brazil and internationally.

Thirdly, in a programme designed collaboratively by Fresh Milk and Casa Tomada for senior officials at the NCF, the artists will visit contemporary art spaces and meetcritics, gallerists and curators, allowing both the officials and the artists to gain an understanding of the contemporary art space in Sao Paulo. For example, they will attend the opening of ‘30 x bienal- Transformations in Brazilian art from the 1st to the 30th edition’ at Parque Ibirapuera, the home of the Sao Paulo Bienal.  Visits to contemporary commercial galleries, informal artist led initiatives, as well as museums, will form part of the dynamic programme.

Finally, a tour of Videobrasil will be coordinated for NCF delegates and the young artists. Videobrasil was present at the recently hosted e-Create symposium in Barbados last April. They are dedicated to the fostering, dissemination and mapping of contemporary art, as well as the public cultural promotion and exchange between artists, curators and researchers. Videobrasil devotes special attention to the production of the geopolitical South and supports an active network of international corporations which now include working with Barbadian entities to open up opportunities for Caribbean creatives.

Delegates from the NCF include the Chief Cultural Officer, Mrs Andrea Wells, Corporate Communications Specialist Ms Simone Codrington and Senior Business Development Officer, Ms Alison Sealy-Smith. fresh casa is funded by the Art and Sport Promotion Fund, Ministry of Finance, Barbados.

About Shanika Grimes:

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Shanika Grimes completed her Bachelor of Fine Arts at the Barbados Community college in 2012, while juggling the birth of her now two year old son. She displayed a proficiency in the arts from a very young age despite the pull of the business oriented society in which she lives. Shanika works in a variety of two dimensional formats and has more recently extended her practice to the realm of performance art, which is documented and presented through video or photography. She has acquired several gold and silver awards and a nomination for the Prime Minister’s award at Barbados’ national fine arts competition NIFCA. She focuses on an examination of self, which she uses as a catalyst for a barrage of ideas including, but not limited to, gender, culture and relationships.

In January 2013, she took part in a residency at Alice Yard, Trinidad, where she was paired with Trinidadian performance artist Michelle Isava and produced work individually and collaboratively.

About Katherine Kennedy:

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Katherine Kennedy is an artist and writer. She graduated from Lancaster University, UK with a degree in Creative Arts; her combined major of Fine Art and Creative Writing helped develop her keen interests in both visual and literary pursuits. She has won multiple awards for her artwork and writing in her home Barbados, and has exhibited internationally in London. Since returning home, she has remained immersed in creativity, completing a local artist residency, contributing to ARC Magazine by writing for their online forum and assisting the Editor-In-Chief, and working with the Fresh Milk Art Platform as Assistant to Director. Her visual practice is heavily tied to a sense of place, and often deals with interplay between found organic and inorganic objects, used as a way of asserting cultural identity in different environments.

Katherine travelled to the Instituto Buena Bista (IBB), Curaçao in November 2012 to take part in a two week collaborative project between the IBB and Fresh Milk, and undertook a residency at The Vermont Studio Center in May 2013.

About Evan Avery:

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Evan Avery is a young, Barbadian artist and a 2012 graduate of the Barbados Community College, receiving a Bachelor’s Degree in Fine Arts. His primary medium is acrylic paint; working with flat, bright colours, he creates compositions with his original characters ‘the Miniis’, which he uses to represent himself or others, as well as events or things of significance in his life. He says there is “no right or wrong way” to read his work, as he wants the viewer to exercise their own imagination in their interpretation:  “The best part about being given an image without a story is in making your own. I create the work for me; it’s up to you to make it yours.”

Evan hopes to create a business, transferring his characters and ideas onto clothing and other objects as a means to share the ‘Miniis’ with people all over the world. “Miniis make people smile, and at the end of the day, that’s what matters.”

About Casa Tomada 

Created in October 2009, Casa Tomada is an independent spaced dedicated to practice, investigation and reflections of artistic nature. The project emerged from the desire to build a space that was a convergence point among the various fields in arts, discussing the hybridism of languages in the contemporary artistic processes. Focused in all the process of production and not just the final artistic product, Casa Tomada encourages the debate of young contemporary art, not only stimulating the development of artistic and theoretical work motivated by the shared experience, but acting as a catalyst space of experiences of connection among artists, art thinkers and other independent initiatives. Casa Tomada’s projects include:

Open Studio: Semester program for young artists and researchers (art criticism, curatorship and art history focus). The program proposes interchange among artists and art thinkers, stimulating one another in their own art production.

The House Hosts: A program that stimulates the interchange of independent art spaces and promotes the broadcasting of artistic publications. It has the objective enhance the relationship networks of these artistic centers with independent ones.

Portfolio’s Cycle: Annual program in which young artists and researchers currently performing in Sao Paulo are invited to present their portfolios taking advantage of the informal infrastructure of Casa Tomada for an open discussion. 

About Fresh Milk

The Fresh Milk Art Platform Inc. is a Caribbean non-profit, artist-led, inter-disciplinary organization that supports creatives and promotes wise social, economic, and environmental stewardship through creative engagement with society and by cultivating excellence in the arts. The idea for Fresh Milk developed over years of conversations with other practicing artists around the need for artistic engagement amongst contemporary practitioners living and working in Barbados, with an expressed need to strengthen links with the region and the diaspora. Fresh Milk bridges the divides between creative disciplines, generations of creatives, and works across all linguistic territories in the region – functioning as a cultural lab, constantly redefining itself. The platform transforms into a gathering space for contemporary creatives who are thirsty to debate ideas and share works through local and international residencies, lectures, screenings, workshops, exhibitions, projects etc.

About the NCF

The National Cultural Foundation (NCF) is a statutory body established by an Act of Parliament in 1983. Its mandate is to oversee the cultural landscape of Barbados.

Mission: To fuel the development of culture through training, research and the creation of opportunities in cultural industries.

The Role of the NCF: The NCF’s two major roles are: developmental and commercial. In its developmental role, the Foundation uses culture as a tool for national development, fostering and supporting the various art forms and new cultural products. In its commercial role, the Foundation is responsible for the promotion, production and hosting of cultural festivals and associated events.

Caribbean Linked II Artist Blogs: Rodell Warner

Trinidadian artist Rodell Warner shares his experience with the Caribbean Linked II residency programme at Ateliers ’89, Aruba. Warner has taken this opportunity of being in a new environment, surrounded by new people who have inspired him in ways he could not have foreseen, to explore the unknown and the element of surprise in his work. To convey this, he has shared all of his tweets from the last week, describing Twitter as a ‘Thought Bank’, an honest account of people’s up-to-the minute thoughts about what strikes them that day.

All images courtesy of the artist.

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Recently what I’m most interested in is the unknown – all the things I don’t see when I’m looking; the source of pure surprise, forever keeping things interesting. Recently I’m convinced that everything is perfect, and that even what seems imperfect is actually perfectly imperfect, allowing all the contrast and variation I never know I really want; reminding me that, surprisingly, I haven’t actually seen it all.

Recently I’ve been trying to keep this in mind, that there’s always everything I don’t know, and to leave room for realizing it; taking coincidences, accidents, misunderstandings as hints to other ways to view things or doors to possible surprise. During the last week at the Caribbean Linked II residency in Aruba, this practice has been happening in a completely new environment with some beautiful new people, while making work I want to know is not separate from all of it.

Recently I’ve been using twitter a lot. Twitter is a straight up Thought Bank and lots of peoples’ precious savings are dropped into accounts that everyone has access to. It’s a beautiful thing. Most of what I save is the thoughts I’m surprised I’m having, which are usually the product of flirting with some coincidence, some mistake, some difficult question. This is my favorite record. An hour ago some odd thought I was surprised to be having suggested that all my tweets from the last week are actually the coolest summary of my time here so far, and I agree. So while sharing some images with you of the process of the experiment I’ve been working on over the last week, please enjoy also these thoughts that happened during the same time, starting with the most recent.

Also, thanks to Dhiradj and Mark for helping with test shooting last night. Both were kind enough to pose and play. Dhiradj appears in the colourful image below.

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02SEP

• eyeline / horizon
• nowever
• unofficially legit
• all process
• say the right thing by accident
• as you die your life flashes before your eyes but from everyone else’s perspective – everything you never saw
• the only reason i’m a mirror is you

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01SEP

• when u catch the fish and they’re out of the water it’s the sun they’re going crazy over
• crazy-strong
• u mean im in the world right now?
• i like the idea of sleep
• god is my twin sister

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31AUG

• superpower nap
• triangle sun
• sleep naked, u deserve it
• referred to myself as ‘my love’ in my head while brushing my teeth. excellent example of the kind of improvement we like to see around here.

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30AUG

• eyes kissing
• aerosol cigarette
• more forever
• how many things are taking care of you?
• a broom is a walking stick and many others
• gravity motor
• you’re probably more used to my voice than i am
• being cool is awesome
• trust me and i am trustworthy
• accepted thousand-year deep space exploration residency; thought i was tired of earth/ppl but turns out no i like. not a lot of art art here
• u ride this wind like a warship. is that what a hurricane is? there’s a spot in my chest with a small breeze, put your ear and be very quiet
• spent all my money feelin bad with u. feelin bad doesnt feel good for long enough to pay that much for. touch my face instead or laugh at me
• feeling killed
• r u expensive
• betray me, internet
• grow me up easy
• human question
• how to show you a truth again this truth; how to keep it myself
• love or love
• “synchronised  twitching”
• kiss and die! kiss and die!!

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29AUG

• oracle for company
• “share your breath”
• eyelid/horizon

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• want to RT your bio
• before making art from it asking is it already art
• with the right amount of energy i could love you forever
• remembering to breathe slow when suddenly alarmed and raking the orgasm of that. hair wet and is a world i dont know. listening to sun sound
• im amazing at your straight abilities in this trilly-nilly sunset

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27AUG

• if you’re almost drowning in the toilet water I will save you
• what’s not an illusion?
• thank it
• only unconditionally
• numbers didn’t always have names
• ever discover a truer laugh
• use it to recognise it
• only take it cus it’s for you

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26AUG

• working together in the mirror
• cameras are mirrors and still water does that. in the past people will make selfies at serene ponds and post them to their fondest memories.
• i’m probably not chilling out unwittingly intentionally
• i think my heart feels it belongs to everything in this room and is beating accordingly to pump blood to all of it
• givup thenkng
• often fabourite parts ar when i giv up thnkng
• the plural of still life is still lifes
• die right into it, die in

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 25AUG
• bless up allyuh self

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About Rodell Warner:

Rodell Warner is a multi-disciplinary artist from Trinidad whose most recent works use interactive animated GIF installations to explore ideas of Oneness.

Two of Rodell’s experimental photo projects have been published in ‘Pictures from Paradise – A Survey of Contemporary Caribbean Photography’ (Robert & Christopher, 2012) and his work has been shown in really fun exhibitions in Johannesburg, New York, Port of Spain, Bridgetown, Toronto, Kingston and London.

Rodell is a 2011 recipient of the Commonwealth Foundation’s Commonwealth Connections Residency and often updates.

CARIBBEAN LINKED II is a residency programme and exhibition organized by Ateliers ’89 Foundation in collaboration with ARC Inc. and The Fresh Milk Art Platform Inc. and funded by the Mondriaan Foundation. The programme takes place from August 25th through September 6th, 2013 in Oranjestad, Aruba.

Caribbean Linked II Artist Blogs – Dhiradj Ramsamoedj

Surinamese artist Dhiradj Ramsamoedj shares his experience with the Caribbean Linked II residency programme at Ateliers ’89, Aruba. He gives us insight into his thought process since arriving and tells us about The Flexible Man Project, which explores the identity of a Caribbean citizen in the present day, rather than an identity rooted in the region’s weighted history. Being in Aruba with his fellow residents, as well as visits with local artists, has inspired him to conceptualize a performance piece with the suits.

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I arrived on “One Happy Island” feeling like I was going to have an adventurous and rewarding experience with my art. Elvis Lopéz picked me up at the airport with the blue Ateliers ‘89 bus, and I was warmly welcomed at Ateliers ’89 by fellow resident artists. After having some coffee, it was time to enter the black box and do a presentation about my artwork. Since I intended to work with four Flexible Man suits, I gave a presentation only about my Flexible Man Project. Other artworks etc. were not shown, otherwise the presentation would be too long and the audience could lose concentration – which is not my intention on this Happy Island!

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The Flexible Man Project is about the present identity of a Caribbean citizen. Our ancestors came from different places with different cultures all over the world. Over time we have blended these cultures into something which is our own; we have created our own Identity. I did not really know what my performance with the suits would look like. Lying on my bed during our first night, I wondered how to proceed. The second day all of the artists drove down in the bed of a Ford Bronco tuck to a hardware store. We started a fun, lighthearted conversation, and then the idea arose for me to do a film with the Flexible Man suits in the bed of the Bronco. I started to work out what this would be like. The idea of doing a fun safari tour through the city was great, but I had to find a reason for me to do it in the city.

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That day I also met Aruban based artist Ciro Abath on a studio visit. Interestingly, even Ciro gives the present identity of the Caribbean man more importance, exploring the current state of being rather than simply being eager to going back to his roots. Later on the day we went to Ciro’s studio where he has a glass blowing workplace, which inspired to execute my plan of building a glass workplace in Suriname. That night while thinking about my performance concept, I was wondering why the city, why not the landscape where the safari jeeps are intended to drive?

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A studio visit of visual artist Osaira Muyale was productive in the sense that I received getting constructive criticism about my project in Aruba. She suggested going into the city and doing the performance with the people. As a group of resident artists at the Ateliers ’89, we had the privilege of taking a look at her works for an upcoming show in her gallery, which is located in front of her home. That night we went for a party at the Local Store. While drinking my beer, I thought about holding the performance with the suits near the beach, as there are also lots of people there. The next day we went to visit Aruban artist Glenda Heyliger. I was quite impressed when she gave us an explanation about one of her works, which was inspired by similar sources to those I use for the Flexible Man Project. After the studio visit we went out with Glenda to explore San Nicolaas during a carnival celebration. We went to Buchie’s place for a drink, where we had a lot of fun with Buchie and the artists. That inspired me to have fun in the suits and let that be filmed, even if it is in a white space…for the opening day, maybe I will do a performance with the suits.

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About Dhiradj Ramsamoedj:

Dhiradj Ramsamoedj is born in Paramaribo, Suriname on March 24th 1986.  He enrolled at the Nola Hatterman Art Institute in 2000 and graduated in 2004 with Honors. Ordinary Surinamese people, the cultures that sustain them and the difficult circumstances in which many people in Suriname find themselves today were the theme of his first solo exhibition in 2006. Now his work revolves around memories from his past and the nature of man. He created several 3-D works which were environmentally inspired. In 2009 he spent three months at the Gerrit Rietveld Academy in Amsterdam. In 2010, as part of a large art event in Suriname called Paramaribo SPAN he exhibited in his grandmother’s home with a series of carefully conceptualized, modern art installations based on childhood memories. In 2011 he shares a number of new contemporary creations with the public.

CARIBBEAN LINKED II is a residency programme and exhibition organized by Ateliers ’89 Foundation in collaboration with ARC Inc. and The Fresh Milk Art Platform Inc. and funded by the Mondriaan Foundation. The programme takes place from August 25th through September 6th, 2013 in Oranjestad, Aruba.

NLS presents ‘in’ an online conversation with Caribbean Linked

For those of you who missed it live, you can watch NLS’ third iteration of “in” here.

“in” is a series of live online conversations on Youtube and Google Hangouts with visual artists, art organisers and curators.

In this video, NLS director Deborah Anzinger talks about the intra-Caribbean residency program Caribbean Linked, with Holly Bynoe of ARC Magazine, Annalee Davis of Fresh Milk, Elvis Lopez of Ateliers ’89 and participating artist Sofia Maldonado.

Caribbean Linked II: Artist Residency Programme and Exhibition

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Ateliers ’89 Foundation and the Mondriaan Foundation in collaboration with ARC Inc. and The Fresh Milk Art Platform Inc. present CARIBBEAN LINKED II, a residency programme and exhibition which will take place from August 25th through September 6th, 2013 in Oranjestad, Aruba.

Invited Artists include: Omar Kuwas (Curaçao), Veronica Dorsett (The Bahamas), Mark King (Barbados), Shirley Rufin (Martinique), Sofia Maldonado (Puerto Rico/US), Dhiradj Ramsamoedj (Suriname), Rodell Warner (Trinidad and Tobago), Robin de Vogel, Kevin Schuit and Germille Geerman (Aruba). The selected artists were chosen collaboratively by Annalee Davis, Holly Bynoe and Elvis Lopez.

Caribbean Linked II will be held in association with Studio O, Terafuse, Museo Arqueologico Arubano, UNOCA, San Nicolas TV, Departamento di Cultura, SVE TV, Alydia Wever Theatre Dance Company and Gang di Arte Aruba.

Most popular through Facebook and social media platforms, to be linked or to be connected is the world’s most common way to be associated right now. This residency and exhibition will present young talent while raising issues of their collective futures by discussing the survival of artists, and the sustainability of local creative communities that nurture their development and maintain their connectivity. This residency becomes a crucial space for building awareness across disparate creative communities in the Caribbean and its diaspora by finding ways to connect young and emerging artists with each other. Selected participants will engage in two weeks of open discussion and critiques, various professional workshops, visit established local artists’ studios and better understand the creative cultural industries that propel Aruban art. An exhibition of work produced during the residency will be displayed at Ateliers ’89 and will open on September 5th.

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Collaborating local artists include Alydia Wever, Ciro Abath, Evelino Fingal, Glenda Heyliger, John Freddy Montoya, Marian Abath, Nelson Gonzales, Osaira Muyale and Ryan Oduber. Collaborating partner professionals and institutions include Vivi Ruiz of the Archaeology Museum of Aruba, Lupita Giel of UNOCA and Siegfried Dumfries of the Department of Culture.

Participating institutions include:

ARC Magazine

ARC Magazine is a non-profit print and online publication and social platform founded in 2011. It seeks to fill a certain void by offering a critical space for contemporary artists to present their work while fostering and developing critical dialogues and opportunities for crucial points of exchange. ARC is an online and social space of interaction with a developed methodology of sharing information about contemporary practices, exhibitions, partnerships, and opportunities occurring in the Caribbean region and throughout its diasporas. ARC’s mission is to build awareness by fostering exchanges and opportunities that expand creative culture, within the visual arts industry across the wider Caribbean and its diasporas.

Fresh Milk

The Fresh Milk Art Platform Inc. is a Caribbean non-profit, artist-led, inter-disciplinary organization that supports creatives and promotes wise social, economic, and environmental stewardship through creative engagement with society and by cultivating excellence in the arts. The idea for Fresh Milk developed over years of conversations with other practicing artists around the need for artistic engagement amongst contemporary practitioners living and working in Barbados, with an expressed need to strengthen links with the region and the diaspora. Fresh Milk bridges the divides between creative disciplines, generations of creatives, and works across all linguistic territories in the region – functioning as a cultural lab, constantly redefining itself. The platform transforms into a gathering space for contemporary creatives who are thirsty to debate ideas and share works through local and international residencies, lectures, screenings, workshops, exhibitions, projects etc.

Ateliers ‘89

The Foundation ‘Ateliers ’89’ offers Arubans and others interested from the Caribbean region an orientation on contemporary applied art and design. Workshops in different disciplines as painting, installations, video-art, photography, drawing, fashion, theatrical-design, ceramics, animation, graphic design and history of art are organized in a spacious, open and comfortable setting. Established foreign and local artist teach at the studio’s. Every workshop culminates in an exhibition which is open to the public. Furthermore, there are special workshops and tours of the exhibitions for children and young students. Ateliers ’89 works in close cooperation with a number of art academies in the Netherlands. This way, young talents who started off in the workshops of Ateliers ’89 can easily find their way to a Dutch academy.