Jordan Clarke’s Residency – Week 2 Blog Post

April 7, 2015May 21, 2015Leave a comment

Barbadian-Canadian painter Jordan Clarke shares her second blog post about her Fresh Milk residency. She addresses the direction her work is taking, focusing on self-portraiture and developing the background of her pieces to suggest a sense of space, and has continued to explore the island alongside fellow resident artists Daniel Fernández Pascual and Alon Schwabe of Cooking Sections. Read more below:

Two weeks into the residency and it feels like I just arrived.

I’ve been spending the majority of my time in the studio creating, reflecting and taking everything in. I’m sensing this as a time for gathering images, ideas and information that will find expression in my future creations.

It seems that I have gravitated towards self-portraiture as a way to access how I am feeling and thinking about myself in relation to this new place, Barbados. In addition to working from images, I have taken on the challenge of drawing myself from life each day. To assist me, Annalee set up a large mirror in the studio space. What I’ve found interesting is that none of the portraits drawn from life look completely like me.

Over the past week, I have been thinking about identity and how it is shaped. I realize now that my sense of identity is not linked directly to Barbados, despite my father’s Bajan roots. This is the perfect opportunity for me to think about how I would like to identify, how I see myself, as well as how my life experiences have shaped me.

Mid week I met Barbadian artist Simone Padmore who addresses themes of identity in her work. Some of her illustrations can be found in ARC magazine issue #5.

Towards the end of the week I began to think about the landscape, and how I could paint myself into one. The figure and landscape have always been separate for me. In my work the background suggests a sense of space rather than a specific place or location. I’m not sure where this will go, but it is something I am working on.

It was Easter weekend, and on Good Friday Annalee made a delicious gluten free quiche for our lunch. I am definitely being spoiled here!

An exciting event for me was finding out that early Saturday morning a horse was born on the family farm.

I ended the week traveling part of the West Coast with Alon and Daniel of Cooking Sections, who are also doing a residency here at Fresh Milk. We started at a lively market in Bridgetown. It was a completely different experience from the quiet and serene studio in St. George. I enjoyed the liveliness and dancehall music on the mini buses. We also took some time to enjoy ourselves on the beach. The West Coast is ideal for swimming, in contrast to the rugged picturesque East Coast. Our day ended with food and music at the Oistins Fish Fry on the South Coast.

Looking forward to the week ahead.

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This residency is supported by the Ontario Arts Council.

Jordan Clarke’s Residency – Week 1 Blog Post

March 30, 2015May 21, 2015Leave a comment

Barbadian-Canadian painter Jordan Clarke shares her first blog post about her Fresh Milk residency. In addition to familiarizing herself with Barbados, which she has never visited before, Jordan shares some of her thoughts on grappling with notions of identity and belonging in an environment that is both a part of her heritage yet still a foreign space. Read more below:

I cannot believe it’s been almost a week since I arrived in Barbados.

Shortly after landing on Monday we headed over to Fresh Milk where Annalee gave a lecture to a couple art students from the University of the West Indies. The lecture was a great introduction to the Caribbean and its art scene. We were introduced to the various informal art networks happening throughout the Caribbean such as Alice Yard (Trinidad), Popopstudios (Bahamas), Tembe Art Studios (Suriname), NLS (Jamaica), Beta Local (Puerto Rico), Instituto Buena Bista (Curacao), and Ateliers ’89 (Aruba).

Jordan Clarke standing by Mark King's 'Untitled Grid Fields'

Annalee referenced the book, An Eye For The Tropics by Krista Thompson, to discuss how tropicalization has developed throughout the Caribbean, and how the image alone has been used as a tool in creating this inaccurate idea of a ‘tropical paradise’. It seems that these networks are creating platforms for contemporary artists to be able to experiment and to exchange ideas, while providing safe spaces to foster self-expression.

Both Annalee and Katherine have pointed out various books from the Colleen Lewis Reading Room they thought would be of interest to my art practice.

See Me Here: A Survey of Contemporary Self Portraiture From The Caribbean really stood out for me because I am also dealing with self-portraiture in my work. It’s interesting to see how Caribbean artists are examining, exploring and expressing their identity.

Thinking The Diaspora: Home Thoughts From Abroad by Stuart Hall, was suggested to me after an insightful conversation I had with Annalee about feeling disconnected from Barbados. Because I am mixed race and have a Barbadian father I thought I would feel more at home. But the truth is, I don’t. So once again I’m continuing to question my identity. I am coming to the realization that this is okay!

I was fortunate enough to visit Bathsheba with Aaron Kamugisha who is a professor of Cultural Studies at the University of the West Indies. We drove along the rugged East Coast with a stop at St. John’s Parish Church, one of the oldest in Barbados. Looking out from the church was a breathtaking view of the Atlantic Ocean. I also made a visit to Rockley Beach in Christ Church with Annalee. It was an absolutely beautiful evening walking while listing to the rolling waves, after which we headed over to Mojos for dinner, drinks and to meet with local artists Katherine Kennedy, Versia Harris, and Mark King, who I got to meet for the first time.

In addition to sightseeing I’ve been spending a lot of time in the studio. I’m really enjoying just being in this wonderful space that is full of natural light and which also provides a fresh cooling breeze. I began my week with sketching various plants growing around the Fresh Milk space. On Friday I began to work with oil paints on mylar paper. I’m finding the drying time to be a bit slower than what I would like at this point. So in the coming days I will be exploring other mediums such as graphite, charcoal and oil pastels.

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This residency is supported by the Ontario Arts Council.

Mother Tongue’s Residency – Final Blog Post

March 23, 2015May 21, 2015Leave a comment

Mother Tongue, the curatorial duo of Jessica Carden and Tiffany Boyle, share their final blog post about their Fresh Milk residency, which concluded at the end of February 2015. They recount the last set of meetings they were able to conduct in their very full and productive schedule, including speaking with more artists & academics, visiting collections, and finally attending the Tilting Axis conference. Read the full post below:

Walking Tour with Dr Anthony Richards

The final two weeks of our residency with Fresh Milk were incredibly full and productive, and left us with little time to put down in words how things had been progressing for us. So, belatedly – and from our colder home climates – here is our final blog, as we begin to reflect more widely on our time and research in Barbados.

Work by Versia Harris installed at Alice Yard, Trinidad

We began our fourth week at the Fresh Milk studio where the emerging Barbadian artist Versia Harris talked us through her latest videoworks. Versia has had a really busy couple of years with residencies and exhibitions across Europe, Russia, the USA and the Caribbean, so we were fortunate to have the opportunity to discuss her work in-person. In the afternoon, we led a curating workshop with the Fresh Milk Books group. Within this session, the group worked together to select an exhibition and then present to us an exhibition redux, making revisions, reimaginings and remodellings of the original exhibition’s concept and execution. The workshop proved to be a successful method of furthering the FMB groups’ understanding and expectations around curatorial practice, and how it yields a huge affect on the way their own work is framed and represented.

Caribbean Cultural Thought reader: edited by Aaron & Yanique

Errol Barrow Centre for Creative Imagination UWI

Mervyn Awon’s private Collection

Mid-week we met with Dr. Aaron Kamugisha, Senior Lecturer in Cultural Studies at the University of the West Indies where we discussed his work on coloniality, cultural citizenship and freedom in the contemporary Anglophone Caribbean, as well as his role of editor for the ‘Caribbean Political Thought: The Colonial State to Caribbean Internationalisms’ (2013) which has been an influential reference point for our own research in Barbados. Also situated on the Cave Hill campus at UWI is the Errol Barrow Centre for Creative Imagination which offers BA and postgraduate degree programmes. At the EBCCI we met with the director, Gladstone Yearwood, who gave us a tour of the building and described some of the educational approaches the centre is taking in relation to arts education. Later in the day, we visited with Therese Hadchity the private collection of architect Mervyn Awon, whose collection has been amassed over a period of 40 years and predominantly consists of Caribbean modern and contemporary art.

Work by Nick Whittle

Hosted within the capital’s Grande Salle, we attended the film screening of documentary ‘Chinee Girl’ by Natalie Wei which formed the later part of the Fish and Dragon Festival opening reception on the 19th. ‘Chinee Girl’ interweaves testimonials from twelve Chinese-Trinidadian women from all different walks of life to explore the various stereotypes and issues of identity they face daily in Trinidadian society. The end of the week was marked by our visit to the home of the artist Nick Whittle; an artist who has been making work in Barbados since the 70’s. Nick talked us through his recent works including his ongoing collaboration with his daughter and fellow artist Alberta Whittle, before allowing us to search through his print archive consisting of some of the older works. Nick was really instrumental in helping us to map the arts scene during the 80’s and 90’s, through his involvement in many of the local and regional exhibitions. Our visit ended with a very special reading from Nick; his poem ‘This Is Not My Land,’ is still echoing in our thoughts.

Ras Ishi Butcher

Our fifth and final week began with a visit to the National Cultural Foundation where we met with Andrea Wells, Chief Cultural Officer, and Rodney Ifill, Visual Arts Officer, focusing on their remits across the arts sector. We then travelled northeast across the island to make a studio visit with the prominent artist Ras Ishi Butcher. Previously working closely with the artist Ras Akyem, Ishi and Akyem left Barbados in the 90’s to study in Cuba. Ishi showed us new works, particularly focused on the female body and gender in the context of the Caribbean. We then viewed some of his older works whilst discussing his views on sustaining a practice on the island. That evening, we met with Dr. Anthony Richards, a biotechnologist based in Barbados who gave us a walking tour of the city centre. We discussed the spiritual meanings of the island’s flora and fauna, as well as being taken to a number of sites which are known to be important for the history of slavery and the sugar industry on the including the dockyard and city port.

Walking Tour with Dr Anthony Richards

On Tuesday we met with the dancer, choreographer and academic Dr. Yanique Hume. Co-editor alongside Aaron Kamugisha of the ‘Caribbean Political Thought’ volume, Yanique is also based within the Cultural Studies department of the University of the West Indies. Our conversation began with discussing the evolution of Yanique’s own practice in dance and choreography, before discussing her research into the arts in Barbados in the 70’s (primarily around Elombe Mottley’s ‘Yoruba Yard’ and Ras Akyem and Ras Ishi’s public painting projects), before discussing examples of exhibition-making focused around colonialism and race.

On Wednesday morning, we were very lucky to be granted access to the Barbados Gallery Association’s collection which is currently housed in the national museum’s storage facility in Holetown, located on the west coast of the island. We were accompanied by a number of the association’s committee members who talked us through their acquisitions process and future plans for the collection. We picked out works from the store to view, from artists including Stanley Greaves, Arthur Atkinson and Norma Talma; works which we had only previously seen in catalogues and books. On Thursday evening after visits to the British High Commission and the Ministry of Culture, we returned to Mojo’s bar on the south coast where we had met with the local artists and Fresh Milk team four weeks previously for welcoming drinks. This time, we were celebrating our four weeks and saying our farewells, whilst also welcoming a number of participants who had arrived early for the Tilting Axis international symposium which would be taking place at Fresh Milk later in the week. Directors Max Slaven and Ellie Royle arrived from David Dale Gallery, Scotland, alongside CCA Glasgow curator Remco de Blaaij.

Art Foundry Tour with Jocelyn Gardner

Our final day before our residency came to an end was spent with the artist and curator Joscelyn Gardener. Joscelyn met with us in the Fresh Milk studio and described her experiences of being both an artist and curator in Barbados, her framing of her heritage as ‘white-creole’ and the challenges she faced whilst running the Art Foundry; a gallery space which has now closed but was an important landmark within the arts scene for bringing international work and challenging subject-matter to the island. An established artist now living in Canada, Joscelyn spoke about the difficulties facing all artists in Barbados and her role on various committees attempting to secure a national gallery throughout the 90’s.

Tilting Axis

The following two days were dedicated to the international symposium ‘Tilting Axis: Within and Beyond the Caribbean – Shifting Models of Sustainability and Connectivity’ which was held at Fresh Milk. A partnership between ARC Magazine, Res Artis, Perez Art Museum Miami and Fresh Milk, the aim of the meeting was to promote conversations and engagement between artists and professionals within artist-led initiatives across the wider Caribbean region, build and redefine historical relationships with those in the North, and establish open dialogues and networks emerging in the Global south. Alongside David Dale Gallery and CCA Glasgow, we were present and supported by the British Council Scotland, representing artistic activity across Scotland. The conference witnessed 34 participants from all across the Caribbean come together in order to exchange experiences and form strategies for future support and collaborations. It was a rich experience and one that will undoubtedly have lasting effects. We will be sharing a report on the conference, alongside all participants in the coming month. We will also be reporting back on the outcomes of our residency with Fresh Milk, as well as information on the return project to take place in Scotland – more coming soon!

Mother Tongue’s Residency – Week 3 Blog Post

February 17, 2015May 21, 2015Leave a comment

Mother Tongue, the curatorial duo of Jessica Carden and Tiffany Boyle, share their third blog post about their ongoing Fresh Milk residency. As well as continuing to meet with artists, collectors and academics based in Barbados, they also made two presentations to the students in the BFA degree programme at the Barbados Community College, screening their 2012 programme ‘Afrofuturism: Revisions Towards a Place in Modernity’ and expanding on their work as curators. Read the full post below:

As the third week of our residency here with Fresh Milk draws to a close – and with only a little over a week left to go – we are continuing to make the most of our time here in Barbados, whilst also beginning to formulate ideas for the return UK project. As with last week, we have primarily been focusing on meeting with artists, writers, curators and academics, in order to further understand the arts infrastructure on the island and how this is affecting practitioners across the board. We have had many productive and engaging conversations about the shape our modest return project may take – both internally and externally – and we’re very focused on producing something that can be meaningful for Barbados and the UK.

Our third week began with the first of two presentations made by us to the BFA Degree programme students at Barbados Community College. Our afternoon session for the first, second and third year students was a talk and re-screening of our 2012 programme, ‘Afrofuturism: Revisions Towards a Place in Modernity,’ which was originally developed for the Africa In Motion Film Festival 2012. The programme included five works in total by Neïl Beloufa, Philip Mallory Jones, The Otolith Group, Rico Gatson and the Glasgow-based artist Michelle Hannah. Then on Thursday morning, we made a presentation to the third year students speaking with them on the history of curating and exhibition-making, and an introduction to our practice. The students do not have a curating module here, but the dialogue following our presentation was really impressive. We have found the various discussions with students at the college really helpful for our outlook on contemporary art here in Barbados, especially for understanding the conditions under which emergent artists are producing. Whilst at BCC, we took the opportunity to sit in on art historian and curator Therese Hadchity’s seminar on ‘Caribbean Art,’ which explored modern and contemporary Caribbean art with a focus on post-independence practitioners in Trinidad, Jamaica and Barbados. After the lecture we had the opportunity to briefly discuss Therese’s role as the founder and director of the former Zemicon gallery, which formed a central role in supporting the work of Barbadian artists throughout the 90’s.

Continuing to gather information about the arts in Barbados, particularly during the 90’s and early 2000’s we met with art historian Alison Thompson who talked us through her regional and international work and upcoming projects. We were also fortunate enough to meet with the established artist Alison Chapman Andrews, who allowed us full access to her wonderfully active studio and large archive of sketchbooks and prints dating back to the 1970’s. Alison wrote a long-running column on art for local press, and flicking through her – very well arranged – collection of these, gives a real sense of a vibrancy in the local art scene during the 80s and 90s. Alison’s house is also something of a gallery in itself: with paintings, drawings and sculptures adorning every wall from the various artists she has known and admired over her long a career as an artist. We also took a visit to meet Clyde Cave, a renowned art collector, whose house is also arranged around, and in tribute to, his fascinating collection of Caribbean contemporary art.

After a discussion with Fresh Milk’s Director Annalee Davis surrounding our interest in the art networks between the Caribbean islands, she made an informal presentation to us on Fresh Milk’s ‘Caribbean Art Spaces’ online mapping project, which maps-out the variety of art spaces and artist-led initiatives across the Caribbean from Jamaica to Trinidad to Guyana, the Dominican Republic, to Martinique. It’s a fantastic resource and really important in crossing the many language barriers between the islands and mainland. Over these past three weeks, our many conversations with Annalee have been some of the most insightful and constructive dialogues, as we attempt to come to an understanding of the arts infrastructure here.

Finally, we met for a second time with Professor Sean Carrington, this time at the University of the West Indies Biology department where he lectures, to be given a tour of the herbarium. Sean opened up their vast archives, talking us through the many specimens that have been collected from all over the Caribbean for hundreds of years. The visit helped push along our thinking around the colonial elements of horticulture, flora and fauna, and its significance in the work of Caribbean artists. We’re working hard to fit in as much in our fourth week as possible – we look forward to reporting back!

Mother Tongue’s Residency – Week 2 Blog Post

February 12, 2015May 21, 2015Leave a comment

Mother Tongue, the curatorial duo of Jessica Carden and Tiffany Boyle, share a blog post about their second week at Fresh Milk, which kept them busy with a number of meetings and visits. These sessions were not only with artists, but also focused on the island’s history, geography and social environment; topics that feed into a number of the art practices they have encountered so far, and contribute to Mother Tongue’s overall understanding of the space. Read their report below:

Whilst our first week in Barbados took the form of an introduction to Fresh Milk, the reading room collection and the studio space, our second week has been a flurry of meetings, studio visits and trips around the island to meet with various individuals, museums and organisations. It has been a week of connecting with a whole host of people who are instrumental to the arts scene here on the island – both in the past and in the present – with established and emergent practitioners. We have also consciously widened our scope to look at the rich histories outside of the arts, but which have been preoccupying local artists, such as the sugar industry, tourism and the colonial role in the horticulture of the island.

On Monday we met with the Barbadian artist Alberta Whittle, who we were originally introduced to in Glasgow whilst she was studying at Glasgow School of Art. Alberta gave us a tour of the National Museum of Barbados, and provided a brilliant insight into her position as a Barbadian artist who has become established outside of the island but returns regularly to make work here as an invested member of the arts community. Alberta also introduced us to our very first Caribbean snow cone, which consists of crushed ice, sugar syrup and condensed milk; perfect for a Scottish sweet tooth! We attended a lecture at the museum which was focused on the evolution of the tourist industry here in Barbados from the early 19th century onwards, and how it has become central for the islands’ economy, which was for such a long time monopolised by sugar cane.

Work from 'The Neighbourhood Project' by Ewan Atkinson

Having become aware of their work through various Caribbean art publications in the Fresh Milk reading room, Director Annalee set-up studio visits with the artists Ewan Atkinson and Mark King. We were really lucky to have caught a sneak preview of Ewan’s exciting new work for the Havana Biennial which he will be taking over later this year. He also gave us some really interesting background information to his recent series ‘The Neighbourhood Report’, which comprises of several fictional characters exploring notions of identity, sexuality and gender representations. In our conversation with artist Mark King, he charted his journey from the US and Holland, and why he has chosen to return to Barbados to make it his base, while he continues to exhibit internationally.

Tiffany Boyle and Holly Bynoe at Hunte's Gardens

This week we have also been really fortunate to spend some time with the artist Holly Bynoe, who is also the Co-Founder and Director of Caribbean Arts and culture magazine ARC. Throughout her career as an artist, researcher, curator and writer in the Caribbean, Holly has been an invaluable source in providing references and links to artists and projects across the region. We were able to discuss the role ARC magazine has been taking as a platform for many projects – written and beyond – over dinner with Holly and Assistant to the Director Katherine Kennedy, who is also an artist and an integral member of the Fresh Milk team.

enyse Menard Greenidge and Newlands Greenidge at the Springvale Indigenous Folk Museum.

On Friday we were introduced to the artist Denyse Menard Greenidge, who founded Dayrells Art Gallery in Barbados in the 70s, and continues to curate the work of Barbadian artists locally and internationally. Talking us through documentation from the 70’s and 80’s, Denyse was able to provide us with an overview of how governmental support for the arts has changed over the years and how this has impacted the current activity on the island. We visited her husband Newlands Greenidge‘s self-founded Springvale Indigenous Folk Museum, which is located in the Scottish district on the east of the island. The museum hosts a collection of artefacts which describe what life would have been like on the island in the early 19th century. Created through a labour of love by Newlands and Denyse, their passion for the island’s history is clear through the wealth of information they provided about the collection and its significance for Barbados.

The West Indies Central Sugar Cane Breeding Station (WICSCBS)

Front covers of WICSCBS annual reports, from the 1940s onwards

In our second week, we were also visited in the Fresh Milk studio by Sean Carrington, Professor of Plant Biology at the University of the West Indies, Cave Hill Campus. We had a really stimulating conversation about the importation of species into the island, indigenousness and plant life, and the problems language causes between islands in the region, in terms of classification and keeping track of plant populations. Following our meeting with Sean, we went to meet Dr. Anthony Kennedy, Director of the West Indies Central Sugar Cane Breeding Station. The station is one of the most successful breeding centres in the world, whose work and research helps to develop sugar industries across the Southern Hemisphere. During our visit we were talked through the history of sugar on the island, and how it formed and influenced the way we see not just the agricultural formations but the human geography and architecture of the island too. This history is so significant for any attempt to understand the island, and it’s something that we’re trying to grasp as best as we can during our visit.

We look forward to a busy third week that will include two presentations at Barbados Community College on curating, and a re-screening of our ‘Afrofuturism’ programme, originally developed for the Africa in Motion Film Festival 2012.