Tilting Axis Collections and Commissioning Fellowship 2019

The Tilting Axis Fellowship is a direct outcome of the Tilting Axis meetings in 2015 at Fresh Milk in Barbados, in 2016 at the Pérez Art Museum Miami and in 2017 at The National Gallery of the Cayman Islands. For its 2019 iteration, Scotland based cultural partners including the Glasgow School of Art, The School of Art History at the University of St Andrews, CCA Glasgow, LUX Scotland, Hospitalfield and curatorial duo Mother Tongue have come together to offer support for a research fellowship to Scotland for an emerging contemporary art practitioner living and working in the Caribbean to share knowledge about current approaches towards commissioning and collecting in the arts.

For Whom?

Curators, researchers, artists, or cultural producers based in the Caribbean region who want to make new links in Scotland and have a keen interest in developing their curatorial practice. Applicants must have a working knowledge of English.

Goals

  • Develop, stimulate, support, and visualise curatorial and artistic realities coming from the Caribbean region;
  • Facilitate face-to-face communication in Scotland;
  • Offer free and open access to knowledge and practices;
  • Provide a stable platform for professional experiences;
  • Produce critical knowledge on educational tools as well as visual culture;
  • Focus on emerging practices;
  • Utilise the existing Tilting Axis network;
  • Offer practical support for the duration of the research trip in Scotland.

This Fellowship opportunity focuses on the development of pragmatic and critical curatorial and artistic practice hailing from the Caribbean region, and is research and practice-led, and mentor-based. The fellow will be invited to Scotland for up to one month from 1 October 2019 to undertake a period of open-ended research and development. Artists or curators may apply to undertake research for a mode of curatorial practice. The Fellowship is focused on alternative forms of Collections and Commissioning, in collaboration with partners across Scotland whose work focuses on various forms of collecting, archiving or supporting the development of artworks.

Within the Tilting Axis annual convenings, complexities of mobility, the politics of archiving, access and privilege, decolonisation, institutionalism, curatorial knowledge, pragmatics, and social realities have surfaced as keywords of urgency within Caribbean cultural ecosystems. We seek proposals that engage with the unique visual culture available in the Caribbean and what might be learned from its unexpected and innovative approaches. The Fellowship has an open-ended outcome, offering support for critical development of curatorial or artistic practice while giving a practical base within partner organisations to research different methodologies and institutional approaches.

Drawing on the specifics of the Caribbean region through processes of decolonisation, race, mobility, access and privilege and digitalisation, your proposal might approach actively how people live and work, and especially how contemporary art takes a responsibility to reflect and act on it. What are fears as well as potentials in these current times? Within such a complex geography, what are the challenges? What are the interventions? The Fellowship might support and expand these conversations on a mutual basis.

More information about each organisation’s core interests can be found below. It is expected that the Fellow will focus on a period of research with each organisation to mutually address some of these questions across the month-long residency.

The fellow will receive a fee of £1500 and a per diem to cover expenses and living costs whilst in Scotland. All travel and accommodation costs will be covered by the host partners. An itinerary of travel, meetings and public events will be arranged in collaboration with the successful applicant and partners, prior to the fellow’s arrival. The budget will be managed by the partners, and includes a winter clothing allowances of £300. The Fellow is also expected to participate in a public event or lectures in two or three Scottish locations, to share their knowledge, context and practice.

A contribution to the public blogs of British Council and CCA Glasgow as well as the Tilting Axis website will be required along with a final report on the Fellowship. Tilting Axis partners will work towards funding additional funds for the fellow to attend Tilting Axis 6, (location tbc) where the fellow can present on their experience.

Application

Applicants for the Fellowship are invited to develop an independent proposal outlining a clear interest in the issues and organisations highlighted. The proposal should be content driven and can be based on already existing research or offer new projects. The fellow is not expected to produce an outcome or finished artwork but will be expected to speak publicly about their ongoing research or interests whilst in Scotland.

Departing from a curatorial or artistic ambition, we expect to see a statement of intent of maximum 1000 words. This statement should explain the fellow’s research focus, respond directly to the keywords and thematics raised in the call out, and highlight reasons for visiting Scotland and/or the partner organisations. A separate artist/curatorial statement can also be supplied. Please also include a CV and two references, and an indication of availability from early October 2019.

The application should be submitted via e-mail to: Ainslie Roddick, CCA Glasgow Curator: ainslie@cca-glasgow.com.

The deadline for submission is 15 April 2019.

For more information on the fellowship and the partners, visit the Tilting Axis website here.

 


The Colleen Lewis Research/Writing Residency 2019 – Deadline Extended

Thanks to the support of a generous donor, Fresh Milk is pleased to offer a Barbadian-based writer, scholar, researcher, curator or art historian a one-month residency at Fresh Milk!

 

Proposals must demonstrate interest in engaging with the material in the Colleen Lewis Reading Room (CLRR) as a critical resource, articulating the value of the residency opportunity in a retreat-like location as a time for research, production of new writing or scholarship and expansion of references & knowledge.

The CLRR offers resource materials which may be used for research purposes and as a source of inspiration. The selected resident will be asked to share informal reviews or responses to CLRR publications as a way to activate the collection and interface with the public. At the end of the residency, they will have the opportunity to share their research outcomes or new writings with the local community.

About Colleen Lewis

Colleen Heather Lewis (nee Shaw) was born on July 12th 1962 in Canada. She died in Barbados on September 6th 2006.  Many of the books in this reading room have come from Colleen’s own collection of books which she acquired while doing an art history degree in Toronto and her Masters in Cultural Studies at Cave Hill, reflecting her interest in and love for the arts. The Colleen Lewis Reading Room collection has been established in her name to keep her memory alive and reflects the generosity of her spirit.

Duration of Residency:  4 weeks

Fresh Milk will provide:

– A $1,000.00 BBD stipend to the resident
– Wireless internet
– A 15.5 x 14 ft research space
– A wide expanse of rural land
– Access to the Colleen Lewis Reading Room on-site
– A varied network of creatives to connect with
– The option of professional mentorship is available if desired
– Fresh Milk will facilitate public activities during the residency such as a presentation of the resident’s research/writing in a public event or the hosting of critical discussions

Eligibility criteria:

– Applicants must be Barbadian residents, living and working in Barbados
– Applicants must be able to work independently, be highly motivated, self-directed individuals
–  The resident must not have taken part in an on-site Fresh Milk Residency within the last 2 years.

Expectations of the Resident:

–  The Resident must come out to the studio a minimum of four days per week between Monday and Friday. Studio access is between 8 am and 6 pm.
–  As a form of public outreach and as a way to activate the content in the reading room, the resident must be willing to share reviews or responses to some of the material in the library during their residency (see examples of previous reviews/reflections on our Fresh Milk Books platform)
–  The resident will be required to keep a weekly blog of their activities and processes, and submit a report to Fresh Milk at the conclusion of the residency

Application Process:

To be considered, please submit the following to freshmilkbarbados@gmail.com with the subject line ‘Colleen Lewis Research/Writing Residency 2019 Proposal’:

–   The completed application form which can be downloaded here (includes applicant’s contact information, statement about their practice, and full residency proposal)
–  An up to date Curriculum Vitae (CV)
–  A selection of writing samples that offer a strong representation of your practice or current research focus
– We seek proposals that will actively engage with the CLRR collection

Incomplete applications will not be considered.

The deadline for submission has been extended until April 12th, 2019. The residency will take place between June 10th – July 5th, 2019.

Tilting Axis 5 – Beyond Trends: Decolonisation and Art Criticism

The fifth convening of Tilting Axis is set to take place in Pointe-à-Pitre, Guadeloupe in collaboration with Mémorial ACTe, Guadeloupe, a contemporary museum offering historical exhibits on the Caribbean’s slave & indigenous people from May 30th – June 1st, 2019 coinciding with Guadeloupe’s anniversary of the abolition of slavery in the last week of May.

Tilting Axis 5 “Beyond Trends: Decolonisation and Art Criticism” will explore the theme of decolonisation to think beyond its currently popular usage as cultural and institutional critique. Unlike its application to specific sites and processes, has decolonisation been a constant and ubiquitous practice in the Caribbean? This gathering will re-consider the currency of these discourses, identifying site-specificity within the Caribbean. For example, what does it mean for art institutions to negotiate decolonisation after postcoloniality? What different approaches can be deployed in decolonizing discourses-specifically in relation to art criticism–and made more visible in spaces where their prevalence renders them invisible?

Examining the roles of artists, curators, educators, arts managers, scholars, art writers and critics, arts managers and policy writers, etc., we will consider how to strategically involve discourses on decolonization that are useful for the Caribbean’s cultural sector.

With limited space, please confirm your interest in attending by emailing tiltingaxis@gmail.com no later than the extended deadline of Friday, March 15th 2019.

Tilting Axis delegates are required to pay a registration fee of USD$75.
Registration fee is waived for local delegates.

Fresh Milk’s 2018 Year in Review

Thank you for your continued support of Fresh Milk.

We recognise that the creative landscape across Barbados and the Caribbean has transformed in recent years, bringing with it new opportunities, challenges and developments.

We have decided to take 2019 to review our programming to consider how best we can serve the local, regional and international contemporary arts community in the future. We wish to remain as relevant and as constructive as we have been over the past seven years.

Fresh Milk remains open to potential partnerships while maintaining its commitment to Caribbean LinkedTilting Axis and Transoceanic Visual Exchange. We are considering a reduced number of residencies per year, with a dedicated concentration on the Colleen Lewis Reading Room as a critical resource for the residency programme. 

For now, we invite you to reflect on 2018 with us in
our annual year in review newsletter

Mini TVE presentation with Third Horizon Media at the Miami Book Fair

On Monday, November 12th, 2018 Third Horizon Media, Miami, collaborated with the Fresh Milk led initiative Transoceanic Visual Exchange (TVE) to curate a small screening of a selection of video/film work by Caribbean artists as part of their contribution to the 2018 Miami Book Fair.

This mini edition of TVE featured work by Adam Patterson (Barbados), Rhea Storr (The Bahamas/UK), Sandra Vivas (Venezuela), Alberta Whittle (Barbados/UK), Nick Whittle (Barbados/UK) and Anisah Wood (Barbados).

Transoceanic Visual Exchange is a selection of video art by artists practicing in the Caribbean, the Pacific Islands and their diasporas. This edition of TVE was coordinated by The Fresh Milk Art Platform (Barbados) in partnership with Footscray Community Arts Centre (Melbourne, Australia) in 2017, with additional screenings taking place in collaboration with Deakin University (Melbourne, Australia) and Third Horizon Media (Miami, USA) in 2018.

Click here to see the PDF of the event program:

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About Third Horizon Media:

Third Horizon is a Miami-based Caribbean filmmaking collective and media company dedicated to capturing the sights and sounds of the Caribbean and the so-called “third world.” The collective’s projects have screened at festivals around the world, including Sundance, Toronto International (TIFF), International Film Festival Rotterdam and Sheffield Documentary Festival, among others.

The collective also stages the annual Third Horizon Film Festival, which aims to empower and celebrate fellow filmmakers and projects focused on the Caribbean, the Diasporas that formed it, and the Diasporas formed by it.

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About The Miami Book Fair:

The Miami Book Fair is an annual literary festival event realized in Miami by Miami Dade College.

The fair, which has become a model for other fairs across the country, brings over 300 renowned national and international authors exhibitors to a weeklong celebration of all things literary and includes pavilions for translation, comics, children, and young adults.The mission of Miami Book Fair International is to promote reading, encourage writing, and heighten an awareness of literacy and the literary arts in the city’s multi-ethnic community.The eight-day book festival has draws hundreds of thousands of book lovers to downtown Miami each November for a festival of all things read and written.