Announcing Selected Artists for TVE 5

The Fresh Milk Art Platform (Barbados) and the Centre for Culture in Lublin (Poland) as part of Lublin’s successful bid for the European Capital of Culture 2029 title are pleased to announce the selected artists from the Caribbean, Poland, Ukraine and their diasporas whose works will be included in the fifth edition of Transoceanic Visual Exchange (TVE), a series of programmes taking place this year between Barbados and Poland, with an accompanying online exhibition.

A preliminary screening of all of the film and video works runs at the Centre for Culture in Lublin between September 18th – October 18th, 2024, and a selection of works will be shown in various exhibition or screening spaces across Barbados in November 2024 – more details on these events will be announced soon!

Participating Artists:

Ruben Cabenda (Suriname)
Tongo Sondi, 2023

Monika Czajkowska (Poland)
Ophelia. Action Will (Not) Be Condemned, 2020

Ryan Eccleston (Jamaica)
Jonkunnu Nuh Dead, 2022

Alex Gibson (Barbados)
Courtyard, 2024

Barbara Gryka (Poland)
Lalki/Dolls, 2021

Hanif James / Have a Bawl Productions (Jamaica)
A Shade of Indigo, 2023

Anastasia Kashtalian (Ukraine)
Dinner after the end of the world (Antanakata), 2023

Volodymr Kaufman (Ukraine)
РАНИ. відеоарт. / WOUNDS, 2023

Agata Konarska & Izabela Sitarska (Poland)
Tette Dolci, 2019

Paweł Korbus (Poland)
What Will Become of Us, 2020

Magdalena Łakoma (Poland)
Matriona/Patriona, 2022

Adrian Lopez (Jamaica)
Ego Sum, 2022

Alexandra Majerus (Barbados & St. Kitts & Nevis)
The Shape of Memory (Recollecting), 2022

Stéphanie Melyon-Reinette (Guadeloupe)
MWEN PA PRIYÉ ZACCA, 2022

Danté Ollivierre (St. Vincent & the Grenadines)
I AM GARIFUNA, 2024

Katarzyna Perlak (Poland)
Broken Hearts Hotel, 2021

Andrii Rachynskyi & Daniil Revkovskyi (Ukraine)
Clanking, hammering, dispute and gurgling / Брязкання, стукіт, суперечка і булькання / Bryazkannya, stukit, superechka i bulʹkannya, 2021

Nadean Rawlins (Jamaica)
Boy Girl and All the Rest, 2021

Marinna ‘Mahrinnart’ Shareef (Trinidad & Tobago)
Moving Through the Motions, 2022
The Consequences of Remembering, 2022

The Hub Collective (St. Vincent & the Grenadines)
Bush Medicine: Stories that Remember the Land, 2024

Volodymyr Topiy (Ukraine)
Barber, 2023

Yolanda Velazquez-Velez (Puerto Rico)
DesAhogo, 2021


About the Partners:

Fresh Milk

Fresh Milk is an artist-led, non-profit organisation founded in 2011 and based in Barbados. It is a platform which supports excellence in the visual arts through residencies and programmes that provide Caribbean artists with opportunities for development, fostering a thriving art community.

Fresh Milk offers professional support to artists from the Caribbean and further afield and seeks to stimulate critical thinking in contemporary visual art. Its goal is to nurture artists, raise regional awareness about contemporary arts and provide Caribbean artists with opportunities for growth, excellence and success.

The Centre for Culture in Lublin

At the Centre for Culture, our “home of imagination” we want to manage human talents wisely and create favourable conditions for artistic work, education and presentation of art and artistic activities. We want to be open to new people, new projects and phenomena. We believe that we will have the courage to take creative risks.

Lublin 2029 – European Capital of Culture Candidate City

The project is part of Lublin’s bid for the European Capital of Culture 2029 title. Re:Union, the bid’s motto refers to the historic concept of the Union of Lublin (1569), a commonwealth treaty signed by the Kingdom of Poland and the Grand Duchy of Lithuania. It is understood as reintegration, reconnection of broken ties, cross-generational, cross-cultural and intersectional dialogue.

    

Announcing the Lucayan Archipelago Residency

Fresh Milk in partnership with Poinciana Paper Press and supported by the Panta Rhea Foundation are delighted to announce an 8-week Lucayan Archipelago Residency which will take place in The Bahamas between September and November 2024.

In response to the critical need for exchange across creative and environmental ecosystems, this residency brings together a writer and a visual artist from the Caribbean to imagine and co-create a critical cultural dialogue with the environment and resources in The Bahamas through the crafts of book arts. Our two residents are Ark Ramsay (Barbados) and Jocmarys Viruet Feliciano (Puerto Rico).

 

Ark Ramsay (Bridgetown, 1994), is a non-binary writer based in Barbados. Their work has appeared in or is forthcoming from The A-Line: Journal of Progressive Thought, Small Axe, Gertrude Press, Meridian, Adda, The Rumpus, Passages North, and The Gulf Coast. They have been a finalist for the Inaugural Story Foundation Prize through Story Magazine, an honorable mention in Ninth Letter’s 2021 Literary Award for Nonfiction, and shortlisted for the 2024 Commonwealth Short Story Award. They have received an MFA from The Ohio State University.

 

Puerto Rican-based Jocmarys Viruet Feliciano, a visual artist from Puerto Rico focuses on hand papermaking and book arts. She holds a bachelor’s degree in Fine Arts from the University of Puerto Rico, Mayagüez Campus and a master’s degree from the University of Iowa, Center of the Book. Jocmarys worked as an intern at the Morgan Conservatory in Cleveland, Ohio and has been an assistant at the Rare Book School at the University of Virginia. Her first experience with handmade paper was in 2014 as an exchange student in South Korea. Jocmarys has taught several bookbinding and handmade paper workshops in Puerto Rico and in the United States. Her artist’s books are part of special collections such as University of Miami, University of Iowa, Yale University, University of Pennsylvania and Stanford University. 

 

Together, Ark and Joko while based in Nassau will explore some of the family islands of this 700-coral island archipelago, meet with contemporary visual artists and writers, ecologists, and environmentalists to understand the ecological reality of the Lucayan Archipelago that sits within the Atlatnic Ocean. We can hardly wait to see what emerges from this collaboration!


 

About Fresh Milk:

Fresh Milk is an artist-led, non-profit organisation founded in 2011 and based in Barbados. It is a platform which supports excellence in the visual arts through residencies and programmes that provide Caribbean artists with opportunities for development, fostering a thriving art community. Fresh Milk offers professional support to artists from the Caribbean and further afield and seeks to stimulate critical thinking in contemporary visual art. Its goal is to nurture artists, raise regional awareness about contemporary arts and provide Caribbean artists with opportunities for growth, excellence and success.


About Poinciana Paper Press:

Located in the capital of the archipelagic nation of The Bahamas, Poinciana Paper Press provides opportunities to engage with books and their allied crafts to empower people to share their narratives in a region that has historically erased, marginalized, and exploited the culture and lived experiences of its inhabitants.

Bahamian writer and artist Sonia Farmer created Poinciana Paper Press as an independent book publisher in 2010, releasing handmade limited-edition chapbooks and artists’ books of Caribbean poetry, short stories, and experimental writing. Her vision is to advance the diversity of narratives and publishing modalities in The Caribbean.

In 2022, she established Poinciana Paper Press as the first Center for Writing, Book Arts & Publishing in The Bahamas—arguably, in the wider Caribbean—to expand this vision, developing visibility in the literary and book arts from within the Caribbean cultural ecosystem.

A major collaborator in the literary and visual arts communities in the region, Poinciana Paper Press facilitates programming aligned with its mission by providing opportunities to engage with the form of the book and its allied crafts of writing, bookbinding, letterpress printing, handmade paper, printmaking, book design, and calligraphy. This includes workshops, community outreach and engagement, exhibitions, publications, and residencies.


About Panta Rhea Foundation:

Mission: To catalyze a just and sustainable world through food sovereignty, community power building, and grassroots liberation around the globe.

The Panta Rhea Foundation (PRF) was established in 2001 as a private foundation devoted to researching issues and analyzing the operations, goals and potential of organizations committed to building a more just and sustainable world. The Foundation advises individual donors and other charitable entities on grantmaking strategies and specific grants.

We believe that lasting, authentic change must come from the grassroots; from the organized efforts of people and organizations to enliven the social imagination and envision a better future, to experiment with new ideas, and to hold elected leaders and corporations accountable to the communities they serve.

Our foundation name, Panta Rhea, is inspired by Ancient Greek philosopher Heraclitus. It roughly translates to “You never step into the same river twice” or “All things change, all things flow”—suggesting both inherent constancy and change as a fundamental of life itself. 

Meet the Jury – TENDER: A Caribbean Arts Regranting Initiative

The Fresh Milk Art Platform, with the generous support of the US-based Andrew W. Mellon Foundation and the National Cultural Foundation (NCF), is currently accepting submissions from Caribbean-based contemporary artists, art-focused organisations, curators and art historians/writers/researchers/ for the inaugural edition of TENDER: A Caribbean Arts Regranting Initiative. The deadline for submissions is September 6th 2024.

Learn more about the programme, levels of funding available, and how to submit your application through our online form HERE!

Applications will be independently reviewed by a 3-member jury comprising one Barbadian, one Caribbean, and one international jury member, each of whom is an expert in their field and familiar with contemporary art practice in the Caribbean.


Meet our esteemed jury members now!

  • Dr. Therese Hadchity, Art historian and professor in Cultural Studies at The University of the West Indies Cave Hill Campus, Barbados


  • Tirzo Martha, Visual artist and co-founder of the Instituto Buena Bista, Curaçao


  • María Elena Ortiz, Curator at the Modern Art Museum of Fort Worth, Texas, USA

Open Call – TENDER: A Caribbean Arts Regranting Initiative

IMPORTANT DATES:

  • July 29th – September 6th, 2024 – Open call submission window
  • September – October, 2024 – Review of applications by jury
  • October 21st – 25th, 2024 – Contacting of successful applicants 
  • October 28th, 2024 – Announcement of results 
  • November, 2024 – Disbursal of funds

 

[ ten-der ] definition: 
1. gentle, loving, or kind;
2. something offered especially money, as in payment.

 

The Fresh Milk Art Platform, with the generous support of the US-based Andrew W. Mellon Foundation and the National Cultural Foundation (NCF), is excited to launch the inaugural edition of TENDER: A Caribbean Arts Regranting Initiative.

In 2024, Fresh Milk was awarded a major grant from the Mellon Foundation’s Arts and Culture programme supporting its operating and programming expenses. This unprecedented level of funding to the platform has inspired the organisation to pay it forward, designing a programme where unrestricted grants can be accessed by Caribbean contemporary visual artists, arts-focused organisations, curators, and art historians/writers/researchers who are living and working in the Caribbean. The NCF, as one of the main entities supporting cultural activities that benefit the citizens of Barbados while also promoting cultural exchanges on an international level, has graciously joined us in this effort, extending our support even further for eligible applicants in Barbados and throughout the English, Spanish, French or Dutch-speaking Caribbean territories. 

The ethos of this programme is centred on generosity, faith, and care; Fresh Milk has always had an unwavering belief in the talent and potential of artists from this region, and as an artist-led space, we are intimately familiar with the range of challenges involved in maintaining a practice. These twenty-one (21) unrestricted grants will be awarded to eligible creatives, who can use the funds as they see fit. Whether it is towards creating new work, acquiring materials, research and development, designing new or continuing existing programmes, pursuing further studies, exhibition preparation or production, participating in artist residencies, or any general living expenses; a tender gesture of appreciation to the recipients for their commitment to working in the arts.

Along with financial support, the work of each successful grantee will be promoted widely through Fresh Milk and the NCF’s local and regional networks in the form of a featured page on our website, extensive social media coverage, and a recorded interview with the recipient discussing their practice. In this way, we also hope to strengthen artists’ networks, further contributing to a sense of community and the public archiving of Caribbean creativity.

Fresh Milk is interested in supporting experimental contemporary visual art, and curatorial and research-based practices that explore structure, content, and expanded exhibition approaches in new ways. The grants will fall into three levels of funding:

 

1. TEN (10) grants valued at USD $1,500.00 (BBD $3,000.00) each, which will be awarded to:

      • FIVE (5) Barbados-based recent visual arts graduates;
      • FIVE (5) Caribbean-based recent visual arts graduates.

ELIGIBILITY REQUIREMENTS:

      • Artists must have graduated with a BFA or equivalent degree within the last 6 years (2019-2024);
      • Artists must be currently living and practising in the Caribbean
      • Artists’ work can span any discipline/media of contemporary visual arts practice (painting, drawing, printmaking, photography, mixed media, sculpture, installation, video, new media, experimental audiovisual art, performance art, interdisciplinary/multidisciplinary);
      • Artists must demonstrate a high standard of work in keeping with their level of experience, and a commitment to the continued development of their practice.

2. EIGHT (8) grants valued at USD $3,500.00 (BBD $7,000.00) each, which will be awarded to:

      • TWO (2) Barbados-based emerging/mid-career visual artists;
      • ONE (1) Barbados-based independent/non-profit arts-focused organisation;
      • ONE (1) Barbados-based curator or art historian/writer/researcher.
      • TWO (2) Caribbean-based emerging/mid-career visual artists;
      • ONE (1) Caribbean-based independent/non-profit arts-focused organisation;
      • ONE (1) Caribbean-based curator or art historian/writer/researcher.

ELIGIBILITY REQUIREMENTS:

VISUAL ARTISTS:

      • Artists must have been living and practising in the Caribbean for a minimum of 7 years;
      • Artists’ work can span any discipline/media of contemporary visual arts practice (painting, drawing, printmaking, photography, mixed media, sculpture, installation, video, new media, experimental audiovisual art, performance art, interdisciplinary/multidisciplinary);
      • Artists must demonstrate a high standard of work and professional endeavours (participation in exhibitions, residencies, workshops, programming etc.) in keeping with their level of experience.

ARTS ORGANISATIONS:

      • Organisations must have been operating within the Caribbean for a minimum of 3 years;
      • Organisations must be independent/non-governmental;
      • Organisations need not be registered charities/non-profits but must be able to demonstrate best practices in terms of governance and operations management.
      • Organisations must demonstrate a clear commitment to their mission and vision as it relates to contemporary Caribbean art and give examples of their work in alignment with this.

CURATORS & ART HISTORIANS/WRITERS/RESEARCHERS:

      • Practitioners must have been living and working in the Caribbean for a minimum of 7 years;
      • Practitioners must give examples of their work (whether through exhibitions, published written work, or research) demonstrating their commitment to exploring and showcasing contemporary Caribbean art practices.

3. THREE (3) grants valued at USD $7,500.00 (BBD $15,000.00) each, which will be awarded to:

      • ONE (1) established Barbados-based visual artist
      • TWO (2) established Caribbean-based visual artists

ELIGIBILITY REQUIREMENTS:

      • Artists must have been living and practising in the Caribbean for a minimum of 20 years;
      • Artists’ work can span any discipline/media of contemporary visual arts practice (painting, drawing, printmaking, photography, mixed media, sculpture, installation, video, new media, experimental audiovisual art, performance art, interdisciplinary/multidisciplinary);
      • Artists must demonstrate a high standard of work and professional endeavours (participation in exhibitions, residencies, workshops, programming etc.) in keeping with their long and influential careers.

SUBMISSION REQUIREMENTS:

ALL applications must be submitted through the official Google Form provided (any submissions sent by email or in hard copy will not be eligible for review).

The APPLICATION FORM includes the following:

FOR VISUAL ARTISTS:

      • Submission of a brief bio (250 words maximum); 
      • Submission of an artist statement, providing an overview of your practice to help contextualise the artworks shared for review (250 words maximum);
      • Submission of an up-to-date CV (2 pages maximum);
      • 5-8 clearly labelled samples of work that best showcase your practice (accepted file formats include JPEG, PNG, GIF, MP4, MP3, DOC, DOCX and PDF. In the case of video works, YouTube or Vimeo links may be provided, along with passwords if applicable). Document files should not exceed 10 MB. Image/audio/video files should not exceed 100MB.

FOR ARTS ORGANISATIONS:

      • Submission of an overview of the organisation, including its mission, vision, key personnel, and a brief history of the work it has done in the Caribbean (500 words maximum); 
      • Submission of a list of the organisation’s projects/programming and any notable accolades achieved (2 pages maximum);
      • 5-8 clearly labelled samples of work that best showcase the organisation’s output (accepted file formats include JPEG, PNG, GIF, MP4, MP3, DOC, DOCX, and PDF. In the case of video works, YouTube or Vimeo links may be provided, along with passwords if applicable). Document files should not exceed 10 MB. Image/audio/video files should not exceed 100MB.

FOR CURATORS:

      • Submission of a brief bio (250 words maximum); 
      • Submission of a statement outlining main curatorial interests and concerns (250 words maximum);
      • Submission of an up-to-date CV (2 pages maximum);
      • 5-8 clearly labelled samples of work that best showcase your curatorial output (accepted file formats include JPEG, PNG, GIF, MP4, MP3, DOC, DOCX, and PDF. In the case of video works, YouTube or Vimeo links may be provided, along with passwords if applicable). Document files should not exceed 10 MB. Image/audio/video files should not exceed 100MB.

FOR ART HISTORIANS/WRITERS/RESEARCHERS:

      • Submission of a brief bio (250 words maximum); 
      • Submission of a statement outlining main areas of writing/research (250 words maximum);
      • Submission of an up-to-date CV (2 pages maximum);
      • 3-5 clearly labelled samples of written work, no more than 2500 words each (accepted file formats include DOC, DOCX, and PDF). Document files should not exceed 10 MB. 

All applicants will also be asked for a brief statement on why the receipt of this grant would be timely for their practice. Those fitting the above criteria and based in the following countries may apply:

Anguilla, Antigua & Barbuda, Aruba, The Bahamas, Barbados, Belize, Bermuda, Bonaire, British Virgin Islands, Cayman Islands, Cuba, Curaçao, Dominica, Dominican Republic, French Guiana, Grenada, Guadeloupe, Guyana, Haiti, Jamaica, Martinique, Montserrat, Puerto Rico, Saba, St. Barthelemy, St. Eustatius, St. Kitts & Nevis, St. Lucia, St. Vincent & the Grenadines, Saint Martin, Sint Maarten, Suriname, Trinidad & Tobago, Turks & Caicos Islands, US Virgin Islands. 

SELECTION PROCESS:

Applications will be independently reviewed by a 3-member jury comprising one Barbadian, one Caribbean, and one international jury member, each of whom will be an expert in their field and familiar with contemporary art practice in the Caribbean. Jurors will assign scores to each segment of the applicants’ submissions, and a jury meeting will be held once scores have been collated. The jury’s decision will be final, and a jury report will be released publicly when successful applicants are announced. Neither the jury members nor the Fresh Milk Team will be able to offer feedback on individual applications.

JURY MEMBERS:

      • Dr. Therese Hadchity, Art historian and professor in Cultural Studies at The University of the West Indies Cave Hill Campus, Barbados;
      • Tirzo Martha, Visual artist and co-founder of the Instituto Buena Bista, Curaçao;
      • Maria Elena Ortiz, Curator at the Modern Art Museum of Fort Worth, Texas, USA.

 


 

About Fresh Milk:

Fresh Milk is an artist-led, non-profit organisation founded in 2011 and based in Barbados. It is a platform which supports excellence in the visual arts through residencies and programmes that provide Caribbean artists with opportunities for development, fostering a thriving art community. Fresh Milk offers professional support to artists from the Caribbean and further afield and seeks to stimulate critical thinking in contemporary visual art. Its goal is to nurture artists, raise regional awareness about contemporary arts and provide Caribbean artists with opportunities for growth, excellence and success.

 

About the NCF:

The National Cultural Foundation (NCF) is a statutory body established by an Act of Parliament in 1983. Its mandate is to oversee the cultural landscape of Barbados. The NCF’s role revolves around the preservation of our cultural heritage and promotion of all forms of art and culture, both tangible and intangible through developmental and commercial programmes and products. The functional spectrum ranges from, generating cultural awareness at the grassroots level to promoting cultural exchanges at an international level. In its developmental role, the Foundation uses culture as a tool for national development, fostering and supporting the various art forms and new cultural products. In its commercial role, the Foundation is responsible for the promotion, production and hosting of cultural festivals and associated events.

 

About the Mellon Foundation:

The Andrew W. Mellon Foundation is the USA’s largest supporter of the arts and humanities. Since 1969, the Foundation has been guided by its core belief that the humanities and arts are essential to human understanding. The Foundation believes that the arts and humanities are where we express our complex humanity, and that everyone deserves the beauty, transcendence, and freedom that can be found there. Through our grants, we seek to build just communities enriched by meaning and empowered by critical thinking, where ideas and imagination can thrive.

Open Call: Tilting Axis Fellowship 2025

Nieuwe Instituut and Tilting Axis are launching the fifth iteration of the Fellowship program for applicants based in the Caribbean. The initiative aims to foster and support research based practices and stimulate mutual exchange between the Caribbean region and the Dutch cultural field. Together with the leading partners – Nieuwe Instituut and Tilting Axis – other cultural institutions including The Amsterdam MuseumDe AppelStedelijk Museum Amsterdam, and Kunstinstituut Melly will engage with the selected applicant during the Fellowship.

About the Fellowship

This Fellowship focuses on applicants living and working within the Caribbean region offering the space to think through research and practice. The selected applicant will be based in Rotterdam at Nieuwe Instituut and will have access to other partner cultural institutions in Rotterdam and Amsterdam.

The Fellowship will be developed through independent research; individual support and interaction with the Research Department team at Nieuwe Instituut; monthly meetings to discuss thematic and methodological aspects of the project; and diverse collaborations with partner institutions.

Applicants are invited to submit a proposal that addresses their current investigations and research interests through the lens of architecture, design and digital culture.

Read more about the past editions of the Tilting Axis Fellowship with Fellow Sean Leonard in 2020-2021, Fernando Martirena and Anadis Gonzálezin 2021-2022, Israel Mapp in 2023, and Klieon John in 2024.

For whom?

A researcher, designer, writer, curator, or cultural producer based in the Caribbean region who is interested in building new links with cultural institutions in the Netherlands, and developing the research practice around themes related to architecture, spatial practice, design or digital culture.

Neither a curriculum vitae nor letters of recommendation are requested. The Fellowship is open to all degree-levels in design, architecture, and digital culture. Equal priority will be given to those without a degree or institutional affiliation who can also demonstrate a high levels of creativity, critical thought, and other potential in their respective fields. There is no age limit for applicants.

Artists who are residents of and based in the following countries can apply: Anguilla, Antigua, Aruba & Barbuda, The Bahamas, Barbados, Belize, Bermuda, Bonaire, British Virgin Islands, Cayman Islands, Cuba, Curaçao, Dominica, Dominican Republic, French Guiana, Grenada, Guadeloupe, Guyana, Haiti, Jamaica, Martinique, Montserrat, Puerto Rico, Saba, St. Barthélemy, St. Eustatius, St. Kitts & Nevis, St. Vincent & the Grenadines, Saint Martin, Sint Martin, Suriname, Trinidad & Tobago, Turks & Caicos Islands, US Virgin Islands.

Resources offered by the Fellowship

  • Stimulate and visualise curatorial, design, and artistic realities coming from the Caribbean region;
  • Enhance knowledge exchange and collaboration with a cross-section of Dutch cultural institutions;
  • Network and exchange with a variety of platforms for professional experience;
  • Produce critical knowledge on inter-disciplinary exchanges as well as visual culture;
  • Offer practical support for travel to the Netherlands;
  • Engage with hosting and collaborating institutions to interrogate and challenge their institutional structures and methodologies;
  • Utilise the existing Tilting Axis network.

The Fellow will be invited to:

  • Make a series of presentations in Rotterdam & Amsterdam at host and partner institutions on their research/practice;
  • Produce a monthly text/sound/video/photo essay as potential options to be discussed with the fellow. The fellow’s research could lead to an installation, exhibition, or further events at partner institutions during or after the Fellowship;
  • Write a final reflective report on the Fellowship experience is required and will be posted on the websites of Tilting Axis and Nieuwe Instituut, with links to the partner institutions.

The Fellow is not expected to produce an outcome or finished artwork or product but will be encouraged to present their ongoing research interests to the public whilst in the Netherlands. The research will also be published via the Nieuwe Instituut and partner institutions’ websites, newsletters, or other publications.

Research Stipend and Travelling to the Netherlands

Nieuwe Instituut will grant a total stipend of €12,000 to cover living expenses and, in addition to the stipend, will cover one round-trip airfare from any country within the Caribbean to the Netherlands. Accommodation costs will be reimbursed to the fellow in the Netherlands for a maximum of €800 per month. Stipends may be subject to a withholding tax.

Government policies regarding visa restrictions will be adhered to. This means that Fellows who can only reside in the Netherlands for 90 days, will undertake their fellowship partly remotely.

Crossovers Programme

This Fellowship is part of the Nieuwe Instituut’s crossovers programme that aims to stimulate the international exchange of knowledge and research through collaborative fellowships, events, exhibitions, and publications involving designers, researchers, and partners across the world. Broader alliances can contribute to cultural and political change, and eventually to policy adjustments.

Apply

The Open Call for 2025 is available from May 30, 2024, with a deadline for submission on June 30, 2024. Proposals should be submitted to ta-fellowship@nieuweinstituut.nl with the subject Tilting Axis Fellowship 2024<name>.

To be considered, proposals should include the following information:

  • An introductory video, max 3 minutes, in which applicants introduce themselves, their initial project idea, and what inspired them to apply.

  • A written proposal of max 1000 words in which applicants detail: a statement of intent which should explain the applicant’s research focus and its methodology, highlighting its connection to architecture, design, or digital culture; the relation between their interests and at least two of the hosting partners and institutions; the proposal should be content-driven and can be based on already existing research or offer new projects; a proposed working calendar with availability to take up the fellowship from February – July 2025; Relevant documentation of previous work (maximum 10 works), and/or links to audio or video files (maximum 5 minutes) in PDF format with an accompanying caption list.

Proposals should be written in English and applicants must have a working knowledge of English. While we understand that English proficiency may vary or that English may not be the applicant’s first or primary language, unfortunately, we are unable to offer translation support at this time. Applicants with specific questions are encouraged to contact ta-fellowship@nieuweinstituut.nlabout the availability of any support service.

Selection process

Proposals will be considered by an international committee including the Tilting Axis and the Nieuwe Instituut teams and representatives from the partner institutions including curators, academics, and museum professionals.

The review committee includes:

  • Tijn van de Wijdeven, Nieuwe Instituut

  • Holly Bynoe, ARC Magazine, Sour Grass and Tilting Axis co-founder

  • Annalee Davis, Visual Artist, Founding Director of Fresh Milk, Sour Grass, and Tilting Axis co-founder

  • Jessy Koeiman, Curator of Collective Learning, Kunstinstituut Melly

  • Mark Raymond, Director of the Graduate School of Architecture at the University of Johannesburg in South Africa

  • Lara Khaldi, Direct at De Appel

  • Imara Limon, Curator, Amsterdam Museum & Silke Kamp, Curator-in-Training, Amsterdam Museum

  • Charl Landvreugd, Head of Research and Curatorial Practice, Stedelijk Museum Amsterdam

Shortlisted candidates will be invited to an online interview with members of the selection committee. Candidates must hold the dates July 10th and July 11th, 2024 for the interview.

Read more about the Tilting Axis Fellowship and the call for applications on the website of the Nieuwe Instituut.