Klieon John selected for Tilting Axis Fellowship 2024

In 2019 Nieuwe Instituut joined forces with Tilting Axis to offer a Fellowship to an applicant based in the Caribbean. We are delighted to share news that Klieon John, from St. Kitts and Nevis, has been selected as the fourth recipient of the Tilting Axis / Nieuwe Instituut Fellowship. Klieon will begin his Fellowship at Nieuwe Instituut in Rotterdam starting February 2024 and will thereafter continue research and activities through August 2024.

See the announcement on the Tilting Axis website here.

Klieon John, from St. Kitts and Nevis

With over fourteen years in the media industry, Klieon John is based in St. Kitts & Nevis where he works as a writer, filmmaker, and creative director. His work in public relations, advertising, and brand development has expanded regionally to include Jamaica and Trinidad & Tobago. Klieon founded the film production and curation studio Twin-Island Cinema in 2019 which is dedicated to research, development, and the preservation of Caribbean history and culture through design and visual storytelling.

Selected project

Klieon John’s project, Nieuwe Bohío: An Immersive Digital Retrospective on Indigenous Caribbean history, culture, and mythology, is a research and design project that seeks to embark on an immersive journey into the Indigenous Taíno and Kalinago cultures of The Caribbean region, with the ultimate objective of creating a cinematic and transformative virtual reality experience. The findings will serve as the foundation for an eclectic spectrum of practical applications including architectural research, sustainable community planning, and the development of an interactive Augmented Reality (AR) experience. By examining the traditional architectural techniques, use of materials, and spatial organisation principles of our Indigenous peoples, we can integrate their cultural elements into contemporary design practices and create physical and digital spaces that pay homage to our indigenous legacy while addressing urgent contemporary challenges like climate change and economic instability.

Jury comments on the selected proposal

St. Kitts and Nevis-based Klieon John will use the Fellowship as a birthing space to develop his research integrating archeological findings, architectural research, sustainable community planning, non-western architecture and the development of an interactive 3D video game universe. Klieon’s examination of traditional architectural techniques, materials, and spatial organisation principles will form a foundation from which these cultural elements will be integrated into contemporary design practices, informing the proposed digital space honouring Indigenous legacies while responding to the urgent and current challenges of the climate emergency and economic crises. His research will explore the integration of gameplay elements with storytelling techniques to effectively convey mythical themes within the game format while encouraging active user engagement and an appreciation for indigenous cultural heritage.

The jury felt that Kileon’s interest in growing his understanding of virtual reality game design as a way to think about the region’s past and potential futures. His submission responds to the moment in compelling ways involving issues of interpretation, conservation, preservation and ethical considerations relating to understanding and working with Caribbean Indigenous narratives and knowledge systems. The jury was inspired by Klieon’s ambitious submission and his goal to create a transformative virtual reality experience informed by the indigenous Taíno and Kalinago cultures of St. Kitts & Nevis and the wider Caribbean. Furthermore, the jury recognised Klieon’s proposed methodology to consult with Indigenous communities and cultural experts to ensure respectful representation while maintaining ethical approaches to working with these communities in the region.

General jury comments on the open call

The members of the jury were impressed by the wide range of themes approached by the projects, as well as the relevance and timeliness. Applicants submitted a wide cross-section of projects from all four linguistic territories of the Caribbean. Proposals included various working methodologies and mediums such as architecture, design, dance and performance, sound work, virtual reality, digital design, and archival research. The projects represent the creativity and power of the work developed by makers and practitioners in the Caribbean, which highlighted the urgency of continued dialogue and collaboration with the region, as projects found resonance in cross-national focuses. Submissions included proposals concerned with topical themes such as sonic landscapes, AI, linguistics, Nation language, folklore, vernacular architectures, indigeneity, the marine environment, Afro-Caribbean spirituality, ritual, and queer futures.

Selection procedure

The Fellowship is supported by the Nieuwe Instituut as lead partner and host, and will include collaborations with the Amsterdam Museum, De Appel, Stedelijk Museum Amsterdam and Kunstinstituut Melly. Between the announcement of the open call on the 15th of May 2023 and the deadline on June 23rd 2023, Nieuwe Instituut and Tilting Axis received 24 eligible entries in response to the open call from eleven countries across the Anglophone, Francophone, Hispanophone, and Dutch Caribbean region including The Bahamas, Barbados, Belize, Cuba, Guadeloupe, Jamaica, Martinique, St. Kitts & Nevis, Suriname, Trinidad & Tobago, and the U.S. Virgin Islands.

The proposals were reviewed by a committee composed of the following members:

  • Ramon Amaro, Senior Researcher, Nieuwe Instituut

  • Holly Bynoe, ARC Magazine, Researcher, Sour Grass and Tilting Axis co-founder

  • Annalee Davis, Visual Artist, Founding Director of Fresh Milk, co-founder of Sour Grass and Tilting Axis

  • Jessy Koeiman, Curator of Collective Learning, Kunstinstituut Melly

  • Mark Raymond, Director of the Graduate School of Architecture at the University of Johannesburg in South Africa

  • Lara Khaldi, Director, De Appel

  • Imara Limon, Curator, Amsterdam Museum & Lateesha Verwey, Curator-in-Training, Amsterdam Museum

  • Charl Landvreugd, Head of Research and Curatorial Practice, Stedelijk Museum Amsterdam

The meeting was chaired and moderated by Nieuwe Initituut program manager, Joyce Hanssen and Nieuwe Instituut researcher Federica Notari.

Proposals were evaluated on the basis of their research proposal, considering their methodological approach and connection to the themes of architecture, design or digital culture; as well as their proposal’s interest in the hosting partners. Four candidates were shortlisted and invited to an online interview with members of the selection committee on July 3rd 2023. Following the interviews, the committee selected Klieon John (St. Kitts & Nevis) as the recipient of the Fellowship. The other shortlisted candidates were Simone Garcia (Cuba), Celine Choo Woon Chee (Trinidad and Tobago) and Matthew McCarthy (Jamaica).

Launch of Fresh Milk/Healing Arts Initiative Public Art Projects

What: Launch of Fresh Milk/Healing Arts Initiative Public Art Projects
When: April 29th, 5-6 pm
Where: The Carmichael/Trailway Crossing, St. George

The Fresh Milk Art Platform, Future Centre Trust, Environ Ltd (Adopt A Stop Barbados) and The Healing Arts Initiative in partnership with CULTURUNNERS as part of the World Health Organization are pleased to invite you to the launch of a collection of artistic interventions which will be held at the Carmichael/Trailway crossing on the Barbados Trailway (click the link for a Google Maps Pin).

Six local artists have been commissioned to create new works strategically installed as artistic interventions on the Trailway and incorporated into bus shelters placed in rural, underserved communities around the island as an outdoor exhibition opportunity.

The artists whose works we are celebrating include Anna Gibson who has provided artwork for the rain shelter, Dion Gibson and Anya Greaves who have provided artwork for the benches on the Trailway. The bus shelters will be situated in St. John, St. George, and St. Andrew with a series of new works created by Joshua Clarke, Versia Harris, and Amelia Rouse.

Do join us and the artists at the Carmichael/Trailway crossing which will be accessible via the Boarded Hall Road where parking will be available. This event is free and open to the public, and light refreshments will be available.


ABOUT THE PROJECT:

This project recognises the role of the arts sector in addressing the growing mental health crisis caused by the COVID-19 pandemic, followed and further impacted by the La Soufriere volcanic eruption and Category 1 Hurricane Elsa.

The pandemic and occurrence of natural disasters have reminded us of the value of green spaces and the natural environment to enhance our physical, mental, and spiritual wellness. It is well known that people, and children in particular, recover better and flourish in the outdoors. While Barbados is blessed with many beaches where locals can recreate, there isn’t enough variety of safe outdoor recreational activities promoting active mobility for young people and families.

The Future Centre Trust has been working for some time to repurpose the historic train line located in the south-central part of the island in the St. George Valley.

With the support of the Healing Arts Initiative, Fresh Milk is pleased to be collaborating with the Future Centre Trust and Environ Ltd (Adopt A Stop Barbados) to work with local artists and to strategically install these artistic interventions on the trailway as a linear outdoor exhibition opportunity, giving artists a chance to contribute to this dynamic and highly anticipated public project. Secondly, we proposed the intervention of three additional outreach solar bus shelters to be placed in underserved rural communities.

Healing Arts was launched in 2020 under the auspices of the World Health organization as part of The Future is Unwritten, a global initiative calling for urgent cooperation between the Arts Sector and United Nations Agencies in order to amplify and accelerate the implementation of the UN Sustainable Development Goals, the most ambitious and comprehensive global development plan in human history. With leading UN Agencies describing the recent pandemic as nature’s first ‘warning shot’ to civilizations playing with fire, global cultural action that contributes to the envisioning and shaping of a more resilient, healthy, and sustainable future is now more urgent than ever.

Established as part of the United Nations’ 75th Anniversary Programme (UN75) and Decade of Action, Healing Arts 2020-2030 is produced in 2022 by CULTURUNNERS and Arts & Health @ NYU under the secretariat of the World Health Organization’s Arts and Health Program.

Caribbean Linked partners with The Biennale Internationale d’Art Contemporain

Caribbean Linked is pleased to partner with BIAC-Réseaux, a project supported by the EU funds Interreg Caraïbes, the Collectivité Territoriale de Martinique (CTM) and Campus Caraïbéen des Arts (CCA) on an intra-Caribbean residency supporting four artists who will each embark on a 4-week residency either in Martinique or Aruba.

The jury comprising representatives from Ateliers ‘89 Punto di Beyas Arte Aruba, BIAC-Réseaux, CCA and Fresh Milk reviewed the open calls and collectively selected Franz Caba (Dominican Republic), Taisha Carrington (Barbados), Chamika Germain (St. Martin) and Brice Lautric (Guadeloupe).

Caba and Carrington are alumni of the Caribbean Linked residency programme which was established in 2012 and has supported over 60 artists, writers and curators hosted by Ateliers ‘89, while Germain and Lautric are artists with diploma issued by the CCA.

Caribbean Linked is a regional residency and exhibition organised by Ateliers ’89 in collaboration with ARC Inc. and The Fresh Milk Art Platform Inc. It is a crucial space for building awareness across disparate creative communities by bringing together emerging artists from Anglophone, Francophone, Hispanic and Dutch Antillean Caribbean islands. This partnership with Martinique-based partners provides ongoing support to the Caribbean Linked alumni by building opportunities with our colleagues in the Francophone region.

The BIAC-Réseaux project aims to strengthen cultural networks across the Caribbean through training and a chain of artistic events culminating with the BIAC, which will take place in Martinique from October to December 2023. Curated by the South African curator Tumelo Mosaka, the show will bring together renowned Martinican, Caribbean and international artists and emerging practitioners.

DEADLINE EXTENDED – Fresh Milk/Healing Arts Initiative: Call for Artworks #2

Earlier this year, The Fresh Milk Art Platform, Future Centre Trust, Environ Ltd (Adopt A Stop Barbados) and The Healing Arts Initiative in partnership with CULTURUNNERS as part of the World Health Organization, welcomed proposals by Barbadian-based contemporary artists for artworks to be installed along the Barbados Trailway.

While we plan for the upcoming launch and unveiling of these pieces to the public, we are thrilled to announce Phase 2 of our collaboration, with our second open call for works. This time around, three Barbadian artists will be selected to have their artwork featured on solar bus shelters, to be installed in rurally located, underserved areas of the island.

IMPORTANT DATES for PHASE 2:

Open Call Announcement: October 4th, 2022
Extended Submission Deadline: December 2nd, 2022
Jury Review of Proposals: December 3rd – December 9th, 2022
Artists Informed: December 12th, 2022
Public announcement of results: December 16th, 2022
Production of new works:
December 18th, 2022 – January 27th, 2023
Submission of completed works:
January 27th, 2023
Production and installation of works:
January-February 2023


ABOUT THE PROJECT:

This project recognises the role of the arts sector in addressing the growing mental health crisis caused by the COVID-19 pandemic, followed and further impacted by the La Soufriere volcanic eruption and Category 1 Hurricane Elsa.

The pandemic and occurrence of natural disasters have reminded us of the value of green spaces and the natural environment to enhance our physical, mental and spiritual wellness. It is well known that people, and children in particular, recover better and flourish in the outdoors. While Barbados is blessed with many beaches where locals can recreate, there isn’t enough variety of safe outdoor recreational activities promoting active mobility for young people and families.

The Future Centre Trust has been working for some time to repurpose the historic train line located in the south-central part of the island in the St. George Valley.

With the support of the Healing Arts Initiative, Fresh Milk is pleased to be collaborating with the Future Centre Trust and Environ Ltd (Adopt A Stop Barbados) to work with local artists and to strategically install these artistic interventions on the trailway as a linear outdoor exhibition opportunity, giving artists a chance to contribute to this dynamic and highly anticipated public project. Secondly, we propose the intervention of three additional outreach solar bus shelters to be placed in underserved rural communities.


Healing Arts launched in 2020 under the auspices of the World Health organization as part of The Future is Unwritten, a global initiative calling for urgent cooperation between the Arts Sector and United Nations Agencies in order to amplify and accelerate implementation of the UN Sustainable Development Goals, the most ambitious and comprehensive global development plan in human history. With leading UN Agencies describing the recent pandemic as nature’s first ‘warning shot’ to civilizations playing with fire, global cultural action that contributes to the envisioning and shaping of a more resilient, healthy and sustainable future is now more urgent than ever.

Established as part of the United Nations’ 75th Anniversary Programme (UN75) and Decade of Action, Healing Arts 2020-2030 is produced in 2022 by CULTURUNNERS and Arts & Health @ NYU under the secretariat of the World Health Organization’s Arts and Health Program.


SUBMISSION REQUIREMENTS:

●  Must be work from artists living and working in Barbados;
●  Must be new work produced for this commission;
●  The solar bus shelter dimensions for the back of the bench should be 96″ x 24″, and for the side panel (two-sided) should be 32″ x 48″, both with a ¾” bleed included;
●  Artists may submit more than one design idea, however only one commission for a bus shelter will be awarded to each of the three artists.


How to Apply:

●  Application forms must be submitted through the Google forms portal here;
●  Proposals must be formatted and uploaded to the form as ONE PDF including:

A description of the proposed work specifically responding to the call (500 words max);
2-3 concept sketches/work samples (embedded in the PDF);
A bio (200 words max);
A portfolio of 5 previous artworks (fully captioned).

●  Submissions should be titled as follows:
Surname_First Name_Healing_Bus Shelter

Submissions that do not conform to this requirement will not be reviewed. Each separate project proposal must be submitted as a new application form.

CLICK HERE TO SUBMIT YOUR PROPOSAL!

If selected, final artworks must be submitted as files via WeTransfer, following the below guidelines:


SELECTION PROCESS:

The selection process will be led by Fresh Milk in collaboration with representatives from the three partner entities who will contribute to the review and selection process through a roundtable conversation to select works which align with the project overviews and the mission of the Healing Arts Initiative stated above. A total of three artists will be selected from this open call, one artist for each of the bus shelters.


WHAT THE PROJECT OFFERS:

●  The three selected artists for the solar bus shelters will each receive an artist fee of $1,000.00 USD;
●  Artists’ work will be showcased and promoted on all partner’s websites;
●  Artists’ work will be permanently installed in rurally located, underserved areas of the community;
●  The artists’ profile will be permanently housed on the Fresh Milk and partner websites, and their work will be widely promoted throughout Fresh Milk and partners’ networks.

DEADLINE FOR SUBMISSIONS EXTENDED TO DECEMBER 2nd 2022


About the Partners:

CULTURUNNERS produces cross-cultural campaigns, exhibitions and journeys, promoting peace-building & sustainable development through art. Launching at MIT in 2014, CULTURUNNERS’ first project was a multi-year artists’ road-trip broadcasting between the United States and the Middle East. It has since grown to encompass large-scale cultural exchange and diplomacy projects, an artist-led media platform, artists’ spaces and partnerships with institutions around the world.


Fresh Milk is an artist-led, non-profit organisation founded in 2011 and based in Barbados. It is a platform which supports excellence in the visual arts through residencies and programmes that provide Caribbean artists with opportunities for development, fostering a thriving art community.

Fresh Milk offers professional support to artists from the Caribbean and further afield and seeks to stimulate critical thinking in contemporary visual art. Its goal is to nurture artists, raise regional awareness about contemporary arts and provide Caribbean artists with opportunities for growth, excellence and success.


The Future Centre Trust is a non-governmental organisation focused on raising awareness of environmental impacts to Barbados and the planet with a vision to be “a catalyst for sustainable living today and tomorrow”.  It is the main executing entity for the Barbados Trailway Project – a paved bicycle and pedestrian path located primarily on right-of-way lands of the former Barbados Railway.

This network of multi-purpose walking, hiking, running and cycling trails will provide year round recreational access for both locals and visitors, considerably expanding much needed public green space on the island.


For the past 25 years, Adopt A Stop has provided regional and international companies with a unique opportunity to display their products and services on bus shelters and benches in Barbados. The concept for Adopt A Stop was created by Barbadian Barney Gibbs while studying at Cambridge University. The project was then introduced to the island in 1993 as a socially-conscious way to provide a much-needed amenity. The priority was tropical designs constructed with local materials, placed at prime locations to give maximum impact.

The traveling public has embraced the project. The medium provides popular seating and shade for users; while increasing traffic rates mean drivers and passengers are frequently stopped in front of sponsor’s signage.

Jury Report: Tilting Axis Fellowship 2023

In Fall 2019, Het Nieuwe Instituut joined forces with Tilting Axis to offer a Fellowship to one mid-career or established applicant based in the Caribbean. Barbadian multi-disciplinary designer and architect Israel Mapp has been selected as the recipient of the Tilting Axis /Het Nieuwe Instituut Fellowship 2023. Israel Mapp will begin the Fellowship at Het Nieuwe Instituut in Rotterdam starting February 2023 and will continue his research and activities through July 2023.

See the announcement on the Tilting Axis website here.

Barbadian multi-disciplinary designer and architect Israel Mapp

Procedure

The fellowship is supported by Het Nieuwe Instituut as lead partner and host, and will include collaborations with its partners, the Amsterdam Museum, De Appel, Stedelijk Museum Amsterdam and Kunstinstituut Melly. By the deadline for the application on May 27th 2022, Het Nieuwe Instituut and Tilting Axis received 9 eligible entries in response to the open call, from eight territories in the Caribbean region: Barbados, Cuba, Curaçao, Dominican Republic, Jamaica, Suriname, The Bahamas, and Trinidad & Tobago.

All the proposals were reviewed by a committee composed of the following members:

  • Aric Chen, Artistic and General Director, Het Nieuwe Instituut

  • Setareh Noorani, Researcher, Het Nieuwe Instituut

  • Iyawo (Holly Bynoe Young), Sour Grass and Tilting Axis co-founder

  • Annalee Davis, Visual Artist, Founding Director of Fresh Milk, Sour Grass and Tilting Axis co-founder

  • Jessy Koeiman, Curator Collective Learning, Kunstinstituut Melly

  • Mark Raymond, Director of the Graduate School of Architecture at the University of Johannesburg in South Africa

  • Huib Haye van der Werf (Interim Director), Director at De Appel

  • Inez van der Scheer, Junior Curator of Contemporary Art, Amsterdam Museum

  • Charl Landvreugd, Head of Research and Curatorial Practice, Stedelijk Museum Amsterdam

Submissions and interviews were evaluated based on their ability to present a clear proposal outlining their thinking, projected investigation, and how the fellowship would expand and enrich their practice. Four candidates were shortlisted and invited to an online interview with members of the selection committee on 22nd June 2022. Following the interviews, the committee selected Israel Mapp as the recipient of the 2023 fellowship. The other shortlisted candidates were Dayana Trigo Rames (Cuba), Jorge Pablo Lima (Cuba) and Miguel E. Keerveld (Suriname).

General Comments

The members of the jury were impressed by the spirited and dynamic nature of the projects, as well as the ambition of the applicants. The set of applications showed a variety of working methodologies and media, ranging from installations and architectural designs to the role of curating as an artist and various forms of social, political and symbolic public engagements and activism.

The jury was pleased to have received applications from applicants based across three linguistic territories of the Caribbean. Submissions responded to urgent themes including the climate emergency, colonialism, social consciousness, material cultures and architectural innovations found in nature, histories and literature.

The shortlisted projects investigated the nature of pathology in design, knowledge building within collective and co-creative practices, the role of architecture within ecology and embodied knowledge along with exploring non-extractive material considerations in the era of climate emergency.

Comments on the Selected Proposal

Israel Mapp’s proposal “Above Oceans” was supported unanimously during the interview process because of its considerations around material cultures and their connection to tangible and intangible heritages. The clarity expressed along with his poetic, empathetic and human-led explorations made his exchange with the jury memorable. In addition, Mapp was able to expand on his idea of creative placemaking in a meaningful way connecting several of his unique interests to the strengths of each partner institution.

This opportunity to engage in more intimate and nuanced ways with partner institutions is something that is very attractive to the legacy of the Fellowship. His inquiries and curiosities deal with the very real eco-challenges that are being faced by every Caribbean nation. “Above Oceans” points to material culture as praxis and identity and the urgency around forming community and institutional support using generative, open and humanist value systems.

His ambition includes embracing new learning through the introduction of labs which will create a growing reference library and continued opportunity to develop resources that can bring more wholeness and unification to the creative landscape of Barbados through exchange and co-ideation/co-creation. Collectively the jury was thrilled by Mapp’s interest in reworking clay, fibres from native flora, and limestone found in colonial architectural forms, and in re-presenting these materials in ways that will engage in an ethos connected to a regenerative circular design, that will involve creating more adaptive spaces that embody unlearning and transformation for these urgent times.

On receiving the news that he had been awarded the fellowship, Mapp shared this statement with the jury:

“Above Oceans is not the beginning, it is a point along an exploratory journey for me recognizing and acknowledging how landscape influences Barbadian identity. I truly enjoyed developing the “Above Oceans” proposal for the Tilting Axis Fellowship. It was a process of introspection and discovery working towards an alignment of love, joy, my talents and interests, and the needs of community.

I am equally thankful for the Tilting Axis | Het Nieuwe Instituut Team for taking the time and effort to consider, analyze and inquire with interest about Above Oceans. Receipt of critical feedback from one’s peers has always been an empowering experience for me. It often provides multiple and diverse perspectives that one would have not considered, drills down to the details that matter and ultimately adds more value and depth to the initial idea. Good design comes about when good questions are presented. This process with The Jury was insightful, and inspired me to review, refine and develop the proposal with the view to implement in Barbados. They asked great questions.

I am extremely grateful for and accept this gift and opportunity to continue and expand the work I have been doing in Barbados to which the fellowship will provide. It is also one of meaningful exchange, exploration and discovery; experiences that I value and contribute greatly to my work. My practice calls for experimentation and the exploration of the possibilities; working in the creative environment of Rotterdam will be an excellent observatory and laboratory.

The next six months will be critical in the planning of the fellowship beginning 2023. In addition to having access to the resources of Het Nieuwe Instituut, the partnering organisations and building new relationships, I look forward to taking opportunities for research and development, and collaborations towards approaches in architectural-product design routed innately in Barbadian material culture and a parallel track on understanding the development and operations of creative clusters. I look forward to sharing the fellowship and its fruits with my peers across the ocean.”

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Above is a selection of images from Mapp’s work which features:

  • Architecture: Urban Renewal Project Union at Beckwith Creative Cluster, Bridgetown.

  • Product Design Homewares: CartoGraphs – surface design of recovered Sukabumi stone tiles and Hot Tea clay tea pot product development.

  • Product Design Fashion: Flotsam+ Jetsam : Rescued Ocean Objects Reimagines and Hot Tea.