FRESH MILK Prepares to Launch the Colleen Lewis Reading Room Outreach Programme & Virtual Mapping Project

FRESH MILK is delighted to announce that, through support received from The Maria Holder Memorial Trust here in Barbados, we will soon be launching two major projects extremely dear to our hearts – the Colleen Lewis Reading Room Outreach Programme, and our Virtual Mapping Project.

CLRR poster revised

In an effort to cultivate discussions about the arts starting at a young age while engaging with the community, Fresh Milk will implement an outreach programme using the resources available in The Colleen Lewis Reading Room (CLRR). One of the many challenges faced by young creatives is, despite their artistic gifts, they often struggle when it comes to speaking and writing comprehensively about their work. This is a skill that would benefit immensely from reading, whether specifically arts oriented texts or even well written fiction; gaining an appreciation for articulate material is imperative to mastering one’s own practice.

Fresh Milk proposes to be the go-to point for refining these skills, beginning at CSEC level when children are expected to take their research and written abilities to a higher standard, all the way up to providing MA or PhD candidates with a deep pool of knowledge and unique material which they can draw upon. The Fresh Milk team will work with secondary school teachers in this area to construct a programme which will bring the students to Fresh Milk to show them the studio and reading room, letting them know that there is an environment available which can cater to their academic and creative needs.


Our second initiative, the Virtual Mapping Project, addresses the lack of available information about Caribbean arts at the formal, informal and educational levels. Fresh Milk sees value in developing a freely accessible, interactive online map of the Caribbean, which will clearly delineate the existing spaces for the arts in the region, from the nineteenth century up to the present time.

The region will be mapped to show all arts entities, listed with links to the websites of all the spaces, and maintained to keep all information current. This map will not only be a pivotal information hub and educational tool, but a place to form new bonds and to make connections among practitioners, not only in the Caribbean but worldwide.

The Fresh Milk mapping project will be an invaluable resource for students at secondary and tertiary institutions in Barbados, including those studying art at CXC CSEC and CAPE level, BCC Art Associate Degree and BFA programmes, and participants in the BA and MA Cultural Studies and Creative Arts degrees at the EBCCI, UWI Cave Hill Campus. This wealth of knowledge compiled into one easily accessible website means that students can have both historical and current data about Caribbean art at their fingertips, broadening their understanding and keeping up to date with the new, cutting edge work coming out of the region.

Virtual Map Flyer

Additionally, the Virtual Map will create opportunities for artists working in the region today and circulate their works and ideas to a global audience eager to know more about the region’s creative arena. Artists will have the chance to form an expansive network, informing them of what spaces – both formal and informal networks – exist in the region and which spaces they can potentially engage with. It opens up endless possibilities for artists, curators, collectors etc. in the Caribbean by giving them much needed exposure, as well as for those internationally, who will gain insight into a whole new market of quality work.

Fresh Milk seeks to create a more integrated and connected region by using the arts as a vehicle to create partnerships and build community. Many Caribbean islands have no idea what is happening with their neighbours in the creative arts, which hinders our overall growth in the region. The Virtual Map will promote unity and aid in the building of support systems – whether it be the English, Spanish, French or Dutch speaking Caribbean, we would like to make sure all information is communicated as efficiently as possible, and invite the world to see what is being made and to see the region as a critical space.

Fresh Milk is pleased to be the conduit between The Maria Holder Memorial Trust and the artistic community in Barbados and would like to thank them for their support, which allows Fresh Milk to continue supporting our nation’s youth and building capacity for artists in both the short and long term. This is why forming relationships with organizations with vested interest in expanding arts and culture becomes pivotal.

About The Maria Holder Memorial Trust:

The Maria Holder Memorial Trust was created in the memory of the late Maria Holder, a long-time resident of Barbados until her untimely passing in 2004.  The Trust, founded in 2007 by Christopher Holder and Chester Brewster, is dedicated to improving the lives of those in greatest need in Barbados and throughout the Caribbean.  The Trust’s mission is to contribute to the alleviation of poverty and to improve the quality of life of vulnerable people particularly in Barbados.  It seeks to enhance education, learning and training and advance the cultural and artistic expression of young people, and to alleviate the suffering of the sick, elderly, disabled or abused.  The trust principally works with programmes operated by government and registered NGOs or charities.

FRESH MILK’s International Residency Opportunity: Marla Botterill and Conan Masterson

Marla and Conan residency flyer

FRESH MILK is very excited to announce our first international residents from our recently launched programme, Canadian artists Marla Botterill and Conan Masterson, who will be on the platform from the 1st-31st of May 2013.

Marla Botterill received her B.F.A from Queen’s University, Ontario, and went on to pursue her M.F.A. at the University of Waterloo, which she obtained in 2003. She has exhibited widely in Ontario, Canada, including the solo show Close to the Skin at the AWOL Gallery in 2007, and most recently in the group exhibition In a Pinch, The Eleanor Pearl Gallery, 2013. She also exhibited in Berlin, Germany during the months of July-September 2011, where she took part in the Takt Artist Residency programme. Her work explores recurring characters through a combination of painting, drawing, collage and puppets that generate interwoven fictional narratives.

Marla Botterill

The role of time also plays a crucial role in my work. Paintings and drawings exist in the past, the process of creation ends once the image is completed; it remains as a record of that labour. A viewer may reinterpret the painting or drawing, its context may change, but the object itself does not change. Contrastingly, a puppet exists in the eternal present, it only serves its function when it is moving; the process of creation does not end once the puppet is built, that is the moment when it begins. – Marla Botterill


Conan Masterson received a B.F.A. from Concordia University Majoring in Studio Arts, and in 2007 earned an M.F.A. from The University of Western Ontario. Her solo exhibitions include Sea Dab Jig at the Full Tilt Creative Centre, McIvers, Newfoundland, and earlier this year she took part in the group exhibition Process and Place at the Maine College of Art in Portland, Maine. Her residency experiences include: the MECA Baie Sainte-Marie Artist Residency in New Edinburgh, Nova Scotia, Harold Arts – Do Do II Session in Chesterhill, Ohio and the Fibres Student Association, St. Charles Borromée, Quebec. Her work aims to perceptually alter the traditional gallery space, manipulating the physical materials of sculptural installation and the audience in a way that is both impulsively humorous and unsettlingly carnivalesque.

Conan Masterson

My practice involves transforming my studio into an unusual workshop. While tinkering within it, I create absurd and abstract forms that are bizarre yet oddly familiar. From the readymade to bits and pieces, I play intuitively with my collection of luscious and mundane materials. These anthropomorphized objects then become curious, slightly freakish, installations… A necessary function of the work is the blurring of boundaries between the spectacle and the spectator. It is in this intriguing terrain I situate my work; a discomforting, beguiling landscape, impossible to resist. – Conan Masterson


Although both artists have worked closely for years, this residency at FRESH MILK will be their first collaborative venture. Botterill and Masterson are keen to explore the extensive grounds around Fresh Milk for inspiration in the development of their project, where they wish to create a series of puppets and a fictional habitat for them to function within the local landscape.  This International Residency Programme will also provide an opportunity to promote an exchange of ideas between the two artists, as well as develop relationships within the Barbadian creative community.