Announcing TENDER Grantees for 2025!

After a thorough evaluation process of the 116 eligible submissions from 20 countries, Fresh Milk is thrilled to announce the recipients of our second unrestricted grant programme – TENDER. As a gesture of generosity, faith and care, these grants represent an effort to support the artists working in the region’s contemporary visual arts sector.

We want to again extend a huge thank you to everyone who took the time to apply; as mentioned in the jury report, the quality of the profiles shared made for a difficult decision-making process once again. For their care and dedication in reviewing these submissions, we are very appreciative of the jury’s thoughtfulness, attention and collaboration.

Read the full jury report here!

Thank you to the National Cultural Foundation, The Clara Lionel Foundation and the Panta Rhea Foundation for their generous contributions in making the scope of this grant programme so wide ranging.

Join us in extending a big congratulations to the following grantees!


 

Barbadian recent graduates – USD $1,500.00 each


 

Caribbean recent graduates – USD $1,500.00 each


 

Barbadian Emerging Artists – USD $2,500.00 each


 

Caribbean Emerging Artists – USD $2,500.00 each


 

Caribbean Mid-Career Artists – USD $3,500.00 each


 

Established Artists – USD $7,500.00 each


 

Arts Organisations – USD $3,500.00 each

Meet the Jury – TENDER: A Caribbean Arts Regranting Initiative

The Fresh Milk Art Platform, with the generous support of the US-based Andrew W. Mellon Foundation and the National Cultural Foundation (NCF), is currently accepting submissions from Caribbean-based contemporary artists, art-focused organisations, curators and art historians/writers/researchers/ for the inaugural edition of TENDER: A Caribbean Arts Regranting Initiative. The deadline for submissions is September 6th 2024.

Learn more about the programme, levels of funding available, and how to submit your application through our online form HERE!

Applications will be independently reviewed by a 3-member jury comprising one Barbadian, one Caribbean, and one international jury member, each of whom is an expert in their field and familiar with contemporary art practice in the Caribbean.


Meet our esteemed jury members now!

  • Dr. Therese Hadchity, Art historian and professor in Cultural Studies at The University of the West Indies Cave Hill Campus, Barbados


  • Tirzo Martha, Visual artist and co-founder of the Instituto Buena Bista, Curaçao


  • María Elena Ortiz, Curator at the Modern Art Museum of Fort Worth, Texas, USA

Open Call – TENDER: A Caribbean Arts Regranting Initiative

IMPORTANT DATES:

  • July 29th – September 6th, 2024 – Open call submission window
  • September – October, 2024 – Review of applications by jury
  • October 21st – 25th, 2024 – Contacting of successful applicants 
  • October 28th, 2024 – Announcement of results 
  • November, 2024 – Disbursal of funds

 

[ ten-der ] definition: 
1. gentle, loving, or kind;
2. something offered especially money, as in payment.

 

The Fresh Milk Art Platform, with the generous support of the US-based Andrew W. Mellon Foundation and the National Cultural Foundation (NCF), is excited to launch the inaugural edition of TENDER: A Caribbean Arts Regranting Initiative.

In 2024, Fresh Milk was awarded a major grant from the Mellon Foundation’s Arts and Culture programme supporting its operating and programming expenses. This unprecedented level of funding to the platform has inspired the organisation to pay it forward, designing a programme where unrestricted grants can be accessed by Caribbean contemporary visual artists, arts-focused organisations, curators, and art historians/writers/researchers who are living and working in the Caribbean. The NCF, as one of the main entities supporting cultural activities that benefit the citizens of Barbados while also promoting cultural exchanges on an international level, has graciously joined us in this effort, extending our support even further for eligible applicants in Barbados and throughout the English, Spanish, French or Dutch-speaking Caribbean territories. 

The ethos of this programme is centred on generosity, faith, and care; Fresh Milk has always had an unwavering belief in the talent and potential of artists from this region, and as an artist-led space, we are intimately familiar with the range of challenges involved in maintaining a practice. These twenty-one (21) unrestricted grants will be awarded to eligible creatives, who can use the funds as they see fit. Whether it is towards creating new work, acquiring materials, research and development, designing new or continuing existing programmes, pursuing further studies, exhibition preparation or production, participating in artist residencies, or any general living expenses; a tender gesture of appreciation to the recipients for their commitment to working in the arts.

Along with financial support, the work of each successful grantee will be promoted widely through Fresh Milk and the NCF’s local and regional networks in the form of a featured page on our website, extensive social media coverage, and a recorded interview with the recipient discussing their practice. In this way, we also hope to strengthen artists’ networks, further contributing to a sense of community and the public archiving of Caribbean creativity.

Fresh Milk is interested in supporting experimental contemporary visual art, and curatorial and research-based practices that explore structure, content, and expanded exhibition approaches in new ways. The grants will fall into three levels of funding:

 

1. TEN (10) grants valued at USD $1,500.00 (BBD $3,000.00) each, which will be awarded to:

      • FIVE (5) Barbados-based recent visual arts graduates;
      • FIVE (5) Caribbean-based recent visual arts graduates.

ELIGIBILITY REQUIREMENTS:

      • Artists must have graduated with a BFA or equivalent degree within the last 6 years (2019-2024);
      • Artists must be currently living and practising in the Caribbean
      • Artists’ work can span any discipline/media of contemporary visual arts practice (painting, drawing, printmaking, photography, mixed media, sculpture, installation, video, new media, experimental audiovisual art, performance art, interdisciplinary/multidisciplinary);
      • Artists must demonstrate a high standard of work in keeping with their level of experience, and a commitment to the continued development of their practice.

2. EIGHT (8) grants valued at USD $3,500.00 (BBD $7,000.00) each, which will be awarded to:

      • TWO (2) Barbados-based emerging/mid-career visual artists;
      • ONE (1) Barbados-based independent/non-profit arts-focused organisation;
      • ONE (1) Barbados-based curator or art historian/writer/researcher.
      • TWO (2) Caribbean-based emerging/mid-career visual artists;
      • ONE (1) Caribbean-based independent/non-profit arts-focused organisation;
      • ONE (1) Caribbean-based curator or art historian/writer/researcher.

ELIGIBILITY REQUIREMENTS:

VISUAL ARTISTS:

      • Artists must have been living and practising in the Caribbean for a minimum of 7 years;
      • Artists’ work can span any discipline/media of contemporary visual arts practice (painting, drawing, printmaking, photography, mixed media, sculpture, installation, video, new media, experimental audiovisual art, performance art, interdisciplinary/multidisciplinary);
      • Artists must demonstrate a high standard of work and professional endeavours (participation in exhibitions, residencies, workshops, programming etc.) in keeping with their level of experience.

ARTS ORGANISATIONS:

      • Organisations must have been operating within the Caribbean for a minimum of 3 years;
      • Organisations must be independent/non-governmental;
      • Organisations need not be registered charities/non-profits but must be able to demonstrate best practices in terms of governance and operations management.
      • Organisations must demonstrate a clear commitment to their mission and vision as it relates to contemporary Caribbean art and give examples of their work in alignment with this.

CURATORS & ART HISTORIANS/WRITERS/RESEARCHERS:

      • Practitioners must have been living and working in the Caribbean for a minimum of 7 years;
      • Practitioners must give examples of their work (whether through exhibitions, published written work, or research) demonstrating their commitment to exploring and showcasing contemporary Caribbean art practices.

3. THREE (3) grants valued at USD $7,500.00 (BBD $15,000.00) each, which will be awarded to:

      • ONE (1) established Barbados-based visual artist
      • TWO (2) established Caribbean-based visual artists

ELIGIBILITY REQUIREMENTS:

      • Artists must have been living and practising in the Caribbean for a minimum of 20 years;
      • Artists’ work can span any discipline/media of contemporary visual arts practice (painting, drawing, printmaking, photography, mixed media, sculpture, installation, video, new media, experimental audiovisual art, performance art, interdisciplinary/multidisciplinary);
      • Artists must demonstrate a high standard of work and professional endeavours (participation in exhibitions, residencies, workshops, programming etc.) in keeping with their long and influential careers.

SUBMISSION REQUIREMENTS:

ALL applications must be submitted through the official Google Form provided (any submissions sent by email or in hard copy will not be eligible for review).

The APPLICATION FORM includes the following:

FOR VISUAL ARTISTS:

      • Submission of a brief bio (250 words maximum); 
      • Submission of an artist statement, providing an overview of your practice to help contextualise the artworks shared for review (250 words maximum);
      • Submission of an up-to-date CV (2 pages maximum);
      • 5-8 clearly labelled samples of work that best showcase your practice (accepted file formats include JPEG, PNG, GIF, MP4, MP3, DOC, DOCX and PDF. In the case of video works, YouTube or Vimeo links may be provided, along with passwords if applicable). Document files should not exceed 10 MB. Image/audio/video files should not exceed 100MB.

FOR ARTS ORGANISATIONS:

      • Submission of an overview of the organisation, including its mission, vision, key personnel, and a brief history of the work it has done in the Caribbean (500 words maximum); 
      • Submission of a list of the organisation’s projects/programming and any notable accolades achieved (2 pages maximum);
      • 5-8 clearly labelled samples of work that best showcase the organisation’s output (accepted file formats include JPEG, PNG, GIF, MP4, MP3, DOC, DOCX, and PDF. In the case of video works, YouTube or Vimeo links may be provided, along with passwords if applicable). Document files should not exceed 10 MB. Image/audio/video files should not exceed 100MB.

FOR CURATORS:

      • Submission of a brief bio (250 words maximum); 
      • Submission of a statement outlining main curatorial interests and concerns (250 words maximum);
      • Submission of an up-to-date CV (2 pages maximum);
      • 5-8 clearly labelled samples of work that best showcase your curatorial output (accepted file formats include JPEG, PNG, GIF, MP4, MP3, DOC, DOCX, and PDF. In the case of video works, YouTube or Vimeo links may be provided, along with passwords if applicable). Document files should not exceed 10 MB. Image/audio/video files should not exceed 100MB.

FOR ART HISTORIANS/WRITERS/RESEARCHERS:

      • Submission of a brief bio (250 words maximum); 
      • Submission of a statement outlining main areas of writing/research (250 words maximum);
      • Submission of an up-to-date CV (2 pages maximum);
      • 3-5 clearly labelled samples of written work, no more than 2500 words each (accepted file formats include DOC, DOCX, and PDF). Document files should not exceed 10 MB. 

All applicants will also be asked for a brief statement on why the receipt of this grant would be timely for their practice. Those fitting the above criteria and based in the following countries may apply:

Anguilla, Antigua & Barbuda, Aruba, The Bahamas, Barbados, Belize, Bermuda, Bonaire, British Virgin Islands, Cayman Islands, Cuba, Curaçao, Dominica, Dominican Republic, French Guiana, Grenada, Guadeloupe, Guyana, Haiti, Jamaica, Martinique, Montserrat, Puerto Rico, Saba, St. Barthelemy, St. Eustatius, St. Kitts & Nevis, St. Lucia, St. Vincent & the Grenadines, Saint Martin, Sint Maarten, Suriname, Trinidad & Tobago, Turks & Caicos Islands, US Virgin Islands. 

SELECTION PROCESS:

Applications will be independently reviewed by a 3-member jury comprising one Barbadian, one Caribbean, and one international jury member, each of whom will be an expert in their field and familiar with contemporary art practice in the Caribbean. Jurors will assign scores to each segment of the applicants’ submissions, and a jury meeting will be held once scores have been collated. The jury’s decision will be final, and a jury report will be released publicly when successful applicants are announced. Neither the jury members nor the Fresh Milk Team will be able to offer feedback on individual applications.

JURY MEMBERS:

      • Dr. Therese Hadchity, Art historian and professor in Cultural Studies at The University of the West Indies Cave Hill Campus, Barbados;
      • Tirzo Martha, Visual artist and co-founder of the Instituto Buena Bista, Curaçao;
      • Maria Elena Ortiz, Curator at the Modern Art Museum of Fort Worth, Texas, USA.

 


 

About Fresh Milk:

Fresh Milk is an artist-led, non-profit organisation founded in 2011 and based in Barbados. It is a platform which supports excellence in the visual arts through residencies and programmes that provide Caribbean artists with opportunities for development, fostering a thriving art community. Fresh Milk offers professional support to artists from the Caribbean and further afield and seeks to stimulate critical thinking in contemporary visual art. Its goal is to nurture artists, raise regional awareness about contemporary arts and provide Caribbean artists with opportunities for growth, excellence and success.

 

About the NCF:

The National Cultural Foundation (NCF) is a statutory body established by an Act of Parliament in 1983. Its mandate is to oversee the cultural landscape of Barbados. The NCF’s role revolves around the preservation of our cultural heritage and promotion of all forms of art and culture, both tangible and intangible through developmental and commercial programmes and products. The functional spectrum ranges from, generating cultural awareness at the grassroots level to promoting cultural exchanges at an international level. In its developmental role, the Foundation uses culture as a tool for national development, fostering and supporting the various art forms and new cultural products. In its commercial role, the Foundation is responsible for the promotion, production and hosting of cultural festivals and associated events.

 

About the Mellon Foundation:

The Andrew W. Mellon Foundation is the USA’s largest supporter of the arts and humanities. Since 1969, the Foundation has been guided by its core belief that the humanities and arts are essential to human understanding. The Foundation believes that the arts and humanities are where we express our complex humanity, and that everyone deserves the beauty, transcendence, and freedom that can be found there. Through our grants, we seek to build just communities enriched by meaning and empowered by critical thinking, where ideas and imagination can thrive.

Fresh Milk & the NCF launch three Digital Public Artworks

The Fresh Milk Art Platform, with support from the Cultural Industries Development Fund of the National Cultural Foundation of Barbados, has launched three Digital Public Arts Projects featuring works by local artists! Congratulations to Joshua ClarkeMohita Shenoy and Chris Welch, whose artworks are now exhibited on the Fresh Milk ArtBoard, a mural at St. George’s Primary School and a Fresh Stops Bus Shelter respectively!

Now more than ever during the global limitations we are facing in light of the COVID-19 pandemic, it is critical to think about how we as a society value the work of artists. Fresh Milk and the NCF seek to empower creatives and stimulate the creative economy in the island, especially during this very challenging moment, and are thrilled to have engaged with a range of artists at different stages of their careers and working across a variety of media including illustration, graphic design, photography and artificial intelligence to name a few.

Joshua Clarke on his piece:

“…The two works [I incorporated are] the Nelson’s History piece that tracks his personal story from young sailor to figure of heroism and horror in duality in the English Caribbean, and the Statue Fallen piece that draws on space opera & science fiction imagery to see the scar of Nelson’s idolatry rent asunder from the figure representing the island of Barbados. My hope [is that the piece] arrests the viewer as something simultaneously otherworldly but relentlessly Caribbean, pulling the dynamic color from the painting and the complex linework from the illustrative piece for a pop poster mashup that takes my two artistic directions and combines them in a way that can be communicated on a large scale.”

Mohita Shenoy on her piece:

“…Since lions are the mascots of [St. George Primary] school, I had the idea that the lions being portrayed are a sort of symbol, a spirit of the school that goes wherever the students go in life. The boy is shown to be reading (academics). The lion alongside him patiently allows him to lean against him, supporting him in his studies. The girl in the middle is playing soccer (sports), the lion cub at her side runs with her, again a symbol of moral support. The girl on the right is dancing (the arts). The lioness accompanying her winds around her, as if it wants to dance in support too.”

Chris Welch on his piece:

“…AI Chattel is a model that dreams of Bajan architecture, connecting the past, present and future of these unique structures. AI Chattel bridges the gaps between art, technology, culture and architecture. Machine Learning (ML) is the study of computer algorithms that improve automatically through experience … I used an image dataset of 2500 chattel house images from around the island to train a Style GAN 2 (Generative Adversarial Network) model. The objective of this project is to show an important and yet mostly forgotten characteristic about architecture; architecture is alive, lives among us and is capable of stimulating our senses.”

There is also a QR code embedded in Chris’ work on the bus shelter, and the public is invited to scan it to learn more and to see the video component of his AI Chattel series.

This project is made possible in part by the Cultural Industries Development Fund of the National Cultural Foundation of Barbados. Special thanks to Colour XL for the printing and installation of the mural and ArtBoard, and to Adopt A Stop for the construction of the bus shelter.

Announcing Selected Artists for Digital Public Arts Projects!

The Fresh Milk Art Platform, with support from the Cultural Industries Development Fund of the National Cultural Foundation of Barbados, shares the results of our open call for Barbadian visual artists whose works will be on display for three exciting public art projects. Congratulations to Joshua Clarke, Mohita Shenoy and Chris Welch, whose artworks will be exhibited on the Fresh Milk ArtBoard, a mural at St. George’s Primary School and a Fresh Stops Bus Shelter respectively!

Their works will be installed during the month of May, so stay tuned for updates, messages from the artists and images of the completed works!

Learn more about the artists and their proposed artworks below.


About Joshua Clarke:

Joshua Clarke is a graduate of the Barbados Community College with a BFA in Graphic Design. He has worked in game development as a character, environment and concept artist (Le Loupgarou), as sequential artist on graphic novels (Power in the Blood GreenBook Comics 2020) was a semifinalist in the Kingstoon Pitch Competition (Junkyard Dragon 2019) and is the winner of the first Black Celebration in the Future art contest (2020) and CATAPULT SHAR Awardee (2020). A childhood spent reading has given him a lifelong love of storytelling and an inability to put the pencil down has drawn him inexorably to his career in illustration and concept art. A student of culture and history he attempts to capture that same joy and wonder of the stories that inspire him while ensuring representation of the fullness of Blackness in his work. His work shows a particular focus on Afrofuturism and Afrofantasy as he seeks to claim space for diasporic Afro Caribbean identity in the stories that shape our collective imagination.

Excerpt from ArtBoard Proposal:

“…In my work I try to create visuals that strike people on an entertaining level, but nevertheless resonate deeper as they take the time to look closer. The two works I’d seek to incorporate would be the Nelson’s History piece that tracks his personal story from young sailor to figure of heroism and horror in duality in the English Caribbean, and the Statue Fallen piece that draws on space opera & science fiction imagery to see the scar of Nelson’s idolatry rent asunder from the figure representing the island of Barbados. My hope would be to have a piece that arrests the viewer as something simultaneously otherworldly but relentlessly Caribbean, pulling the dynamic color from the painting and the complex linework from the illustrative piece for a pop poster mashup that takes my two artistic directions and combines them in a way that can be communicated on such a large scale.”


About Mohita Shenoy:

My name is Mohita Shenoy, born and raised in Barbados. I’ve loved drawing for literally as
long as I can remember. This love is what drove me to study art up to CAPE level in
secondary school. However, my experience in digital art is almost entirely self-taught. I
ended up pursuing digital art since then, selling my artwork (as posters, t-shirts, keychains,
stickers) at AnimeKon Expo from 2016 – 2018, and then doing commission work as a
graphic designer from then onwards. In 2020, I decided to upgrade my skills by taking online
classes in Photoshop.

Excerpt from Mural Proposal:

“…St George Primary School takes pride in its students, whether it be in their feats on the athletics field or on the dance floor. Being a school, of course, academics play a role as well. Therefore, I chose these three fields to portray my idea.

In the first concept sketch, I drew three students, a boy, and two girls, alongside a lion, lion cub and lioness, respectively. Since lions are the mascots of the school, I had the idea that the lions being portrayed are a sort of symbol, a spirit of the school that goes wherever the students go in life. The boy is shown to be reading (academics). The lion alongside him patiently allows him to lean against him, supporting him in his studies. The girl in the middle is playing soccer (sports), the lion cub at her side runs with her, again a symbol of moral support. The girl on the right is dancing (the arts). The lioness accompanying her winds around her, as if it wants to dance in support too.”


About Chris Welch:

Chris Welch is a photographer and new media artist, his style is characterized by vibrant and energetic imagery. Working with code he creates generative art and interactive installations, which explore the intersection of art and technology, artificial intelligence and the aesthetic potential of computational systems.

His work has been shown at the Los Angeles Center for Digital Art (LACDA), LightboxNYC, Village Gallery at the Crane, Grove Gallery Limegrove and the Gallery of Caribbean Art. His clients and credits include US Soccer, Brian “de Action Man” Talma, Caribbean Development Bank, Sandals Barbados, Innovate Barbados and the National Transformation Initiative.

Excerpt from Bus Shelter Proposal:

“…AI Chattel is a model that dreams of Bajan architecture, connecting the past, present and future of these unique structures. AI Chattel bridges the gaps between art, technology, culture and architecture. Machine Learning (ML) is the study of computer algorithms that improve automatically through experience. It is seen as a subset of artificial intelligence. ML algorithms build a mathematical model based on sample data, known as “training data”, in order to make predictions or decisions without being explicitly programmed to do so.

I used an image dataset of 2500 chattel house images from around the island to train a Style GAN 2 (Generative Adversarial Network) model. The objective of this project is to show an important and yet mostly forgotten characteristic about architecture; architecture is alive, lives among us and is capable of stimulating our senses.”


This project is made possible in part by the Cultural Industries Development Fund of the National Cultural Foundation of Barbados