Open Call: Tilting Axis Fellowship 2020

Het Nieuwe Instituut has joined forces with Tilting Axis to offer a Fellowship to one mid-career to established applicant based in the Caribbean. The Fellowship is supported by Het Nieuwe Instituut as lead partner and host, and will include collaborations with the Amsterdam Museum, De Appel, The Black Archives and Witte de With.

For Whom?

Mid-career and established researchers, artists, designers, writers, curators, or cultural producers based in the Caribbean region interested in building new links with cultural institutions in the Netherlands, and who have an interest in developing their practice around themes related to architecture, spatial practice, design or digital culture.

Goals

  • Develop, stimulate and visualise curatorial, design and artistic realities coming from the Caribbean region.
  • Enhance knowledge exchange and collaboration with a cross-section of Dutch cultural institutions.
  • Provide a variety of platforms for professional experience.
  • Produce critical knowledge on inter-disciplinary exchanges as well as visual culture.
  • Offer practical support and travel to the Netherlands for an extended Fellowship.
  • Engage with hosting and collaborating institutions to interrogate and challenge their institutional structures and methodologies.
  • Utilise the existing Tilting Axis network

About the Position

This Fellowship focuses on applicants living and working within the Caribbean region and is both research and practice-led. The selected applicant will be based in Rotterdam at the Het Nieuwe Instituut and will have access to other partner cultural institutions in Rotterdam and Amsterdam. A total stipend of 12,000 Euros will be granted by Het Nieuwe Instituut to cover living expenses and one round-trip airfare from any country within the Caribbean to the Netherlands. Accommodation will be provided for a period of six months for a maximum of 800 Euros per month. Stipends may be subject to a withholding tax. Specific details about the position will be discussed with the selected applicant.

 

Knowledge Exchange

The Fellowship will be developed through independent research; individual support and interaction with the Research Department team at Het Nieuwe Instituut; monthly meetings to discuss thematic and methodological aspects of the project; and diverse collaborations with partner institutions.

This Fellowship includes access to and collaborations with:

Het Nieuwe Instituut: The fellow has daily access to the facilities of Het Nieuwe Instituut, including the library, archives, exhibitions, workspaces and presentation spaces. Other resources may be available in concert with other departments of Het Nieuwe Instituut as well as its ongoing institutional partnerships.

The Amsterdam Museum: The fellow has access to the facilities at the locations of the Amsterdam Museum, including the library, archives, exhibitions, workspaces and presentation spaces. The team is willing to have in-depth conversations with the fellow and encourage proposals by the fellow for a (public) event such as a talk, screening or a different form of presenting their work and research.

De Appel: The fellow will have daily access to the facilities of De Appel, including the library, archive, exhibition, workspaces and presentation spaces. The archive is specialised in performance arts and contains books, magazines, drawings, letters and ephemera. The team and Curatorial Programme participants are also ready to welcome the fellow and provide contacts, feedback and are happy for the fellow to learn from new voices coming from De Appel.

The Black Archives: The fellow may choose to present the progress of their research during a public talk at The Black Archives in Amsterdam. While hosting a public talk, the fellow will be able to engage with our audience about Black and Caribbean histories.

Witte de With: The fellow may choose to participate in a dedicated public programme at Witte de With to present existing or ongoing research on contemporary visual arts or cultural developments in the present. Alternatively, the programme could be organised as a private session, in the form of a think tank, professional networking event, or similar, with the goal of discussing the fellow’s research topic or share information collected to date. Whatever format is chosen, this programme would be organised within the frame of the institution’s collective learning initiative.

 

Application

Applicants for the Fellowship are invited to develop an independent proposal outlining a clear interest in the areas of research/practice and organisations highlighted. The proposal should be content driven and can be based on already existing research or offer new projects. The fellow is not expected to produce an outcome or finished artwork, yet will be encouraged to publicly present the ongoing research interests whilst in the Netherlands. The research will also be disseminated on an ongoing basis via Het Nieuwe Instituut and partner institution’s website, newsletter or other publications.

The fellow will be invited to:

  • Make a series of presentations in Rotterdam & Amsterdam at host and partner institutions on their research/practice;
  • Produce a monthly text/sound/video/photo essay (6 essays in total). The series of monthly texts will be posted on the websites of Tilting Axis and Het Nieuwe Instituut, with links to the partner institutions;
  • Research could lead to an installation, exhibition or further events at partner institutions during or after the Fellowship;
  • make a presentation at the Tilting Axis meeting in 2020. The aim is to support the fellow’s travel to Tilting Axis 6, hosted by the National Art Gallery of The Bahamas in Nassau.

A final report on the Fellowship experience is required.

 

Format and Submission Requirements

The Open Call will be available from 16 September, 2019, with a deadline for submission on 17 November, 2019. The call is open to individuals. Applications should be submitted in a single PDF file of maximum 10MB. In order to be considered, proposals should include the following information:

● A self-introduction in which applicants articulate the relation between their interests and the hosting/partner institutions. Departing from a curatorial, research or design and artistic ambition, we expect to see a statement of intent of maximum 1000 words. This statement should explain the applicant’s research focus, and its possible connection to architecture, design or digital culture, as well and the interest in the anchor and partner institutions.

● Relevant documentation of previous work, and/or links to audio or video files (maximum 10 minutes) in the application PDF.

● Indication of availability to take up the Fellowship from April – September 2020

Proposals should be written in English and applicants must have a working knowledge of English. While we understand that English proficiency may vary or that English may not be the applicant’s first or primary language, unfortunately, we are not able to offer translation support at this time. Applicants with specific questions are encouraged to contact ta-fellowship@hetnieuweinstituut.nl about the availability of any support service.

Proposals can be submitted to: ta-fellowship@hetnieuweinstituut.nl and copied to tiltingaxis@gmail.com with the subject ‘Tilting Axis Fellowship 2020 | The Netherlands’

Selection Process

Proposals will be considered by an international committee consisting of the Tilting Axis and Het Nieuwe Instituut teams along with representatives from the partner institutions including curators, academics, and museum professionals. The review committee includes:

Shortlisted candidates will be invited to a phone interview with members of the selection committee.

 

About the Organisers

Tilting Axis

Tilting Axis is a roving meeting, pivoting on a Caribbean axis from which all other coordinates are viewed, understood and measured, facilitating alliances and increasing visibility of Caribbean contemporary art practice. It was co-founded in 2014 by Annalee Davis of The Fresh Milk Art Platform and Holly Bynoe of ARC Magazine Inc.

From its inception, Tilting Axis has grounded its concerns in the Caribbean as a part of a wider creative ecology, and the health, evolution and advancement, a primary objective of its annual meetings held inside and outside of the region. As a part of its expanded team. The core team also includes Dr Mario Caro, independent curator, board member at Res Artis, and Lecturer at the Massachusetts Institute of Technology; Tobias Ostrander, independent curator; Natalie Urquhart, Director of The National Gallery of the Cayman Islands; and Lise Ragbir, Director of Galleries of Black Studies, University of Texas, Austin, USA.

Tilting Axis is the organisational platform that manages the annual meetings and coordinates the Fellowships in partnership with host institutions.

About the Partners

The Fellowship is organised by Tilting Axis in collaboration with a group of six Dutch partners led by Het Nieuwe Instituut, who will co-host the fellow in Rotterdam and Amsterdam.

The Amsterdam Museum

The Amsterdam Museum tells the story of the city of Amsterdam; about its past, present and the future. The museum considers it its social mission to make the story of Amsterdam accessible and to present it to as broad an audience as possible. We develop exhibitions, events, publications and other public products, in our museums as well as online. Innovation, hospitality, diversity, (international) cooperation and knowledge exchange are some of our most important values. The museum receives more than 500.0000 visitors each year on its four permanent locations in the heart of the historic city.

De Appel

De Appel is an Amsterdam based contemporary art institute that brings together people, objects and ideas to explore the unknown. With an experimental, open-minded and inclusive focus, the programs of De Appel serve the intellectually and emotionally curious, (non-) specialised art enthusiasts as well as seasoned art professionals.

De Appel organises exhibitions, performances, film screenings, lectures and gatherings that cross boundaries between the arts and other disciplines. These programs facilitate artistic and socially relevant dialogues with various cultural and societal organisations, both in Amsterdam and beyond.

In addition, De Appel is home to a world-renowned curatorial programme and houses an extensive archive and library. De Appel is continuously developing its programs and goals in order to remain critical towards its changing societal and cultural contexts.

The Black Archives

The Black Archives is a unique historical archive for inspiring conversations, activities and literature from Black and other perspectives that are often overlooked elsewhere.

Het Nieuwe Instituut

Het Nieuwe Instituut is the Dutch Institute for Architecture, Design and Digital Culture. The institute combines a research-driven museum, the State Archive for Architecture, the Agency for international programmes and for 2019 an un-official Academy under the title Neuhaus.

In an era characterised by radical technological, economic, cultural and social shifts, Het Nieuwe Instituut aims to illuminate and map the quickly changing world and foster discussion of it, in a networked fashion, with architects, designers, artists, knowledge institutes, cultural organisations and other agents. The institute organises exhibitions, lectures, and fellowships, carries out and publishes research projects, and develops international programmes at the Venice Architecture Biennale, the Salone del Mobile in Milan, the Istanbul Design Biennale, and the Bi-City Biennale of Urbanism and Architecture in Shenzhen, among other forums. All Het Nieuwe Instituut’s activities are grounded in the principles of design and innovation – two concepts bound up with changing value systems and conflict.

Witte de With

Founded in 1990, Witte de With Center for Contemporary Art was conceived as an art house with a mission to present and discuss the work created today by visual artists and cultural makers, from here and afar. It organizes exhibitions, commissions art, publishes, and develops educational and collaborative initiatives. This non-profit institution has especially worked with artists, and engaged audiences, who are interested in posing challenging inquiries and articulations of our present. While its program considers the contemporary, it also regards how art has been created and experienced in the past, and it imagines the futures art can come to shape.

 

Open Call: Artist Residency at Le Centre d’Art, Haiti

Fresh Milk is pleased to announce an exciting partnership with fellow arts organization Le Centre d’Art, Haiti, who have invited us to be part of a residency exchange programme between Haiti and the wider Caribbean to create opportunities for women arts practitioners, supported by UNESCO’s International Fund for Cultural Diversity (IFDC).

This segment of the programme invites women artists from Barbados or its diaspora to apply for a fully funded, one month residency at Le Centre d’Art in Haiti from October 14th – November 14th, 2019. The deadline for submissions is August 16th, 2019.

A subsequent call for women, Haitian artists to attend a one month residency with us at Fresh Milk, Barbados will be released at a later date.

See the current, full open call below, or download the PDF guidelines and application form here.

About Le Centre d’Art

Le Centre d’Art in Port-au-Prince is an institution that works towards promoting artistic creations by Haitian practitioners on the basis of preserved heritage values. Since its creation in 1944, this atypical space with multiple missions has been at the heart of societal and artistic evolutions. As the major protagonist in the reconfiguration of the fine arts realm in Haiti, Le  Centre d’Art has been paving the way for several schools and artistic movements.

Over the years, well-known Haitian artists have been revealed internationally, including Philomé Obin, Hector Hyppolite, George Liautaud, Antonio Joseph, Rigaud Benoit, Robert St Brice, Jasmin Joseph, and Préfète Duffaut.

Le Centre d’Art was the starting point for a wealth of visual creativity–upholding a considerable legacy that is today part of private and public collections, in Haiti and abroad. The establishment is apolitical, non-profit, and has gained public recognition since 1947. The governance is composed of a board of directors, an international scientific council and an executive team

Despite the destruction of the infrastructure during the earthquake of 2010, Le Centre d’Art managed to save more than 5000 works and 3000 archive files, which are today preserved and valued. Since the reopening in 2014, Le Centre d’Art has once again become an essential part of Haitian culture.

Its mission is to support artists and their creations, and to conserve and disseminate Haitian visual arts. It is a resource space for artists, art students, art lovers, collectors and researchers alike.

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Residencies Scope

Le Centre d’Art is setting up a synergy project for artistic creation and artistic analysis in the Caribbean, thanks in particular to UNESCO’s International Fund for Cultural Diversity (IFDC). Titled Implementation of a Network for the Creation and Dissemination of Caribbean Art, the project aims to create a link between Haiti and Caribbean places of creation, and to promote the practices of Caribbean artists, especially women, to strengthen the Haitian cultural sector. For two years, artistic residencies will be set up, and will end with an exhibition and a widely distributed publication.

Theme

“The ability of humans to participate intelligently in the evolution of their own system is dependent on their ability to perceive the whole” – Immanuel Wallerstein

Toussaint L’Ouverture, Jean Price Mars, Aimé Césaire, Marcus Garvey, Frantz Fanon, Derek Walcott – long is the list of illustrious men who have shaped the Caribbean as we know it today. What about Caribbean women? University theses on the role of women are rising but they are not written for the general public. Art has the power to make accessible fundamental values and principles, which are too often convoluted. This project aims at highlighting the role of women in the construction of the Caribbean.

About the Residency

For this segment of the residency programme, Le Centre d’Art will host one Barbadian artist for one month in Haiti from October 14th to November 14th, 2019.

Le Centre d’Art will fully bear the costs of residency. The artist will be provided with a workspace, tools and supplies and housing. In addition, the artist will receive per diem to cover all food and transportation expenses throughout the residency. The ticket and the visa will also be covered by Le Centre d’Art.

Moreover, the team of Le Centre d’Art will facilitate access to public and private art collections and cultural activities. The artist will visit artists’ studios, and will give a class on a specific art technique at Le Centre d‘Art.

Le Centre d’Art is located in the heart of the Haitian capital, Port-auPrince. The artist will be housed in a neighbourhood close to Le Centre d’Art and will be able to work within the institution.

Terms of Application

Residency in Haiti, October 14th–November 14th, 2019

This call for applications to attend a residency at Le Centre d’Art in Haiti is now opened to any woman artist from Barbados or the diaspora.

The call concerns exclusively the field of visual arts (any medium). The artist may practice multiple forms of artistic production.

The submitted file must include the following documents in a single PDF document:

• The completed application form (download the document here);
• The Artist’s Curriculum Vitae, including elements describing the artist’s training, her professional career, her experiences, the history of her public exhibitions and shows in galleries (2 pages maximum);
• The residency project related to the theme (2 pages maximum)
• A selection of visuals of the artist’s works (10 works visuals maximum). The visuals must be in color and captioned to legibly specify the dimensions, materials and technique used. For videographers, a page with links to videos accompanied by a brief summary for each one.

Electronic files and any other request should be sent by email to contact@lecentredart.org and Cc judithmichel@lecentredart.org before August 16th, 2019 midnight (GMT).

Selection Committee

The decision is to be made by a selection committee composed of a member of the Board of Le Centre d’Art, a member of the executive team and a representative of Fresh Milk.

Criteria

Special attention to be paid to:

• mastery of the techniques used and the quality of execution
• the aesthetic and technical interest of the artist’s practice
• the coherence of the artist’s proposal with the theme as well as the depth of the readings and interpretations of concepts
• the originality of the works

Open Call: Transoceanic Visual Exchange 2019

The Fresh Milk Art Platform (Barbados), China Residencies (NY and China), The Barbados Museum and Historical Society, I: project space (Beijing) and Alice Yard (Trinidad & Tobago) are pleased to welcome submissions of recent film and video works – screenings, installations, new media and expanded cinema – by contemporary artists, to be included in the third edition of Transoceanic Visual Exchange (TVE), a series of programmes taking place this year between Barbados, China and Trinidad & Tobago. Submitted works must have been completed in the last five years and must be made by artists practicing in the Caribbean, China and their diasporas.

TVE will be a collection of recent artists’ films and videos from each region. However, the final shape and content of the programme will be informed by a community curatorial process, which aims to involve and promote discussion within the wider arts communities of each participating initiative.

Working between the Caribbean, China and their diasporas, TVE aims to negotiate the in-between space of our cultural communities outside of traditional geo-political zones of encounter and trade. TVE intends to build relations and open up greater pathways of visibility, discourse and knowledge production between the regional art spaces and their communities.

Submission Requirements:

  • Must be work from artists practicing in the Caribbean, China  and their diasporas;
  • Must be work that has been completed/made in the last five years;
  • Can be films of any length (shorts, experimental, features and video artworks);
  • Can be in any language (films originally produced in regional languages are welcome);
  • Multiple submissions are welcome;
  • Must be accompanied by a description of the work (500 words max), a bio (200 words max) and details of any technical requirements i.e. audio, installation, equipment required, preferred setting etc.;
  • Works must be in the form of mp4 files no larger than 100MB, or private Vimeo / Youtube links (please provide passwords);
  • Works must not have been submitted to previous editions of TVE;
  • Please specify whether your submitted works have permission to be exhibited on an online space.

Deadline for submissions: 28th June 2019

The online submission form can be found here.

Please direct any queries about Caribbean submissions to: tveproject.caribbean@gmail.com
Please direct any queries about China submissions to: nihao@chinaresidencies.com

For more information on TVE and its first two iterations, visit the TVE website.

____________________________

About the TVE 2019 Partners:

Fresh Milk

Fresh Milk is an artist-led, non-profit organisation founded in 2011 and based in Barbados. It is a platform which supports excellence in the visual arts through residencies and programmes that provide Caribbean artists with opportunities for development, fostering a thriving art community.

Fresh Milk offers professional support to artists from the Caribbean and further afield and seeks to stimulate critical thinking in contemporary visual art. Its goal is to nurture artists, raise regional awareness about contemporary arts and provide Caribbean artists with opportunities for growth, excellence and success.

Website: freshmilkbarbados.com
Facebook, Instagram and YouTube: FreshMilkBarbados
Twitter: FreshMilkBdos

China Residencies

China Residencies is an online and New-York based nonprofit founded in 2013 by Crystal Ruth Bell & Kira Simon-Kennedy. Since then, China Residencies supported over 50 artists and collective projects in mainland China and Hong Kong. China Residencies supports a network of over 40 different residency programs through openly accessible website, and supports the next generation of artists, activists, and arts administrators through fellowships, exchanges, and fiscal sponsorship.

“We believe diplomacy shouldn’t just be left up to politicians. Artists are cultural and social changemakers, and, in a world where people sometimes forget to listen to and learn from one another, we are passionate about creating opportunities for artists to bring a broader cultural understanding into their work and communities.”

Website: chinaresidencies.com
Facebook: chinaresidencies
Twitter: chinaresidency
Instagram: china_residencies

The Barbados Museum and Historical Society

The Barbados Museum and Historical Society (BMHS) is a non-profit, non-governmental organization with a membership of over 1,000 individuals and companies. A fourteen-member Council and the Director are responsible for its policies and operation. Nine council members are elected annually from the membership of the BMHS; the remaining five are appointed by Government.

The mandate of the Barbados Museum and Historical Society is: To collect, document and conserve evidence of Barbados cultural, historical and environmental heritage; and to interpret and present this evidence for all sectors of society.

Website: barbmuse.org.bb
Facebook, Twitter and Instagram: BarbadosMuseum

I: project space

I: project space is an augmentation of what a contemporary art institution can be, by using the freedom that comes along with running an independent practice. The space is located in the old Hutong area of Beijing and is combining an exhibition space with a residency studio for visiting artists from China and abroad. Taking its location in the center of Beijing but outside the art districts as a premise, I: project space engages in bringing an interaction with art back into the daily life.

Collaborating with local and international cultural producers, I: project space is constantly building networks with like-minded spaces all over the world to share information and to expand the impact of the independent art scene. Dedicated to build support structures for artists and open possibilities for long-term dialogues between artistic, curatorial, research and other modes of knowledge production.

Exchange and dialogue should not become empty phrases, but have to be implemented into actions. The programming of the space is framing the residency and exhibitions with an ongoing discourse about current questions on contemporary art.

I: project space aims to encourage innovative and investigative approaches, crossing borders between different creative disciplines, cultural identities, geographical locations, political economies, crafts and new technologies. By placing emphasis on the open dialogues, I: project space looks to foster experimentation, collaboration and interdisciplinary exchange.

Website: yi-projectspace.org
Facebook and Instagram: Iprojectspace

Alice Yard

Alice Yard is the backyard space of the house at 80 Roberts Street, Woodbrook, Port of Spain. This was once the house of Sean Leonard’s great-grandmother. Four generations of children played and imagined in this yard, and now we continue this tradition. Alice Yard is a space for creative experiment, collaboration, and improvisation.

Alice Yard is administered and curated by architect Sean Leonard, artist Christopher Cozier, and writer and editor Nicholas Laughlin, with the help of a growing network of creative collaborators. Alice Yard is a non-profit organisation incorporated under the laws of Trinidad and Tobago.

Since 2008, Alice Yard has run a residency programme hosting artists, curators, and other creative practitioners.

Website: aliceyard.blogspot.com
Facebook & Twitter: aliceyard
Instagram: aliceyardinsta

Tilting Axis Collections and Commissioning Fellowship 2019

The Tilting Axis Fellowship is a direct outcome of the Tilting Axis meetings in 2015 at Fresh Milk in Barbados, in 2016 at the Pérez Art Museum Miami and in 2017 at The National Gallery of the Cayman Islands. For its 2019 iteration, Scotland based cultural partners including the Glasgow School of Art, The School of Art History at the University of St Andrews, CCA Glasgow, LUX Scotland, Hospitalfield and curatorial duo Mother Tongue have come together to offer support for a research fellowship to Scotland for an emerging contemporary art practitioner living and working in the Caribbean to share knowledge about current approaches towards commissioning and collecting in the arts.

For Whom?

Curators, researchers, artists, or cultural producers based in the Caribbean region who want to make new links in Scotland and have a keen interest in developing their curatorial practice. Applicants must have a working knowledge of English.

Goals

  • Develop, stimulate, support, and visualise curatorial and artistic realities coming from the Caribbean region;
  • Facilitate face-to-face communication in Scotland;
  • Offer free and open access to knowledge and practices;
  • Provide a stable platform for professional experiences;
  • Produce critical knowledge on educational tools as well as visual culture;
  • Focus on emerging practices;
  • Utilise the existing Tilting Axis network;
  • Offer practical support for the duration of the research trip in Scotland.

This Fellowship opportunity focuses on the development of pragmatic and critical curatorial and artistic practice hailing from the Caribbean region, and is research and practice-led, and mentor-based. The fellow will be invited to Scotland for up to one month from 1 October 2019 to undertake a period of open-ended research and development. Artists or curators may apply to undertake research for a mode of curatorial practice. The Fellowship is focused on alternative forms of Collections and Commissioning, in collaboration with partners across Scotland whose work focuses on various forms of collecting, archiving or supporting the development of artworks.

Within the Tilting Axis annual convenings, complexities of mobility, the politics of archiving, access and privilege, decolonisation, institutionalism, curatorial knowledge, pragmatics, and social realities have surfaced as keywords of urgency within Caribbean cultural ecosystems. We seek proposals that engage with the unique visual culture available in the Caribbean and what might be learned from its unexpected and innovative approaches. The Fellowship has an open-ended outcome, offering support for critical development of curatorial or artistic practice while giving a practical base within partner organisations to research different methodologies and institutional approaches.

Drawing on the specifics of the Caribbean region through processes of decolonisation, race, mobility, access and privilege and digitalisation, your proposal might approach actively how people live and work, and especially how contemporary art takes a responsibility to reflect and act on it. What are fears as well as potentials in these current times? Within such a complex geography, what are the challenges? What are the interventions? The Fellowship might support and expand these conversations on a mutual basis.

More information about each organisation’s core interests can be found below. It is expected that the Fellow will focus on a period of research with each organisation to mutually address some of these questions across the month-long residency.

The fellow will receive a fee of £1500 and a per diem to cover expenses and living costs whilst in Scotland. All travel and accommodation costs will be covered by the host partners. An itinerary of travel, meetings and public events will be arranged in collaboration with the successful applicant and partners, prior to the fellow’s arrival. The budget will be managed by the partners, and includes a winter clothing allowances of £300. The Fellow is also expected to participate in a public event or lectures in two or three Scottish locations, to share their knowledge, context and practice.

A contribution to the public blogs of British Council and CCA Glasgow as well as the Tilting Axis website will be required along with a final report on the Fellowship. Tilting Axis partners will work towards funding additional funds for the fellow to attend Tilting Axis 6, (location tbc) where the fellow can present on their experience.

Application

Applicants for the Fellowship are invited to develop an independent proposal outlining a clear interest in the issues and organisations highlighted. The proposal should be content driven and can be based on already existing research or offer new projects. The fellow is not expected to produce an outcome or finished artwork but will be expected to speak publicly about their ongoing research or interests whilst in Scotland.

Departing from a curatorial or artistic ambition, we expect to see a statement of intent of maximum 1000 words. This statement should explain the fellow’s research focus, respond directly to the keywords and thematics raised in the call out, and highlight reasons for visiting Scotland and/or the partner organisations. A separate artist/curatorial statement can also be supplied. Please also include a CV and two references, and an indication of availability from early October 2019.

The application should be submitted via e-mail to: Ainslie Roddick, CCA Glasgow Curator: ainslie@cca-glasgow.com.

The deadline for submission is 15 April 2019.

For more information on the fellowship and the partners, visit the Tilting Axis website here.

 


The Colleen Lewis Research/Writing Residency 2019 – Deadline Extended

Thanks to the support of a generous donor, Fresh Milk is pleased to offer a Barbadian-based writer, scholar, researcher, curator or art historian a one-month residency at Fresh Milk!

 

Proposals must demonstrate interest in engaging with the material in the Colleen Lewis Reading Room (CLRR) as a critical resource, articulating the value of the residency opportunity in a retreat-like location as a time for research, production of new writing or scholarship and expansion of references & knowledge.

The CLRR offers resource materials which may be used for research purposes and as a source of inspiration. The selected resident will be asked to share informal reviews or responses to CLRR publications as a way to activate the collection and interface with the public. At the end of the residency, they will have the opportunity to share their research outcomes or new writings with the local community.

About Colleen Lewis

Colleen Heather Lewis (nee Shaw) was born on July 12th 1962 in Canada. She died in Barbados on September 6th 2006.  Many of the books in this reading room have come from Colleen’s own collection of books which she acquired while doing an art history degree in Toronto and her Masters in Cultural Studies at Cave Hill, reflecting her interest in and love for the arts. The Colleen Lewis Reading Room collection has been established in her name to keep her memory alive and reflects the generosity of her spirit.

Duration of Residency:  4 weeks

Fresh Milk will provide:

– A $1,000.00 BBD stipend to the resident
– Wireless internet
– A 15.5 x 14 ft research space
– A wide expanse of rural land
– Access to the Colleen Lewis Reading Room on-site
– A varied network of creatives to connect with
– The option of professional mentorship is available if desired
– Fresh Milk will facilitate public activities during the residency such as a presentation of the resident’s research/writing in a public event or the hosting of critical discussions

Eligibility criteria:

– Applicants must be Barbadian residents, living and working in Barbados
– Applicants must be able to work independently, be highly motivated, self-directed individuals
–  The resident must not have taken part in an on-site Fresh Milk Residency within the last 2 years.

Expectations of the Resident:

–  The Resident must come out to the studio a minimum of four days per week between Monday and Friday. Studio access is between 8 am and 6 pm.
–  As a form of public outreach and as a way to activate the content in the reading room, the resident must be willing to share reviews or responses to some of the material in the library during their residency (see examples of previous reviews/reflections on our Fresh Milk Books platform)
–  The resident will be required to keep a weekly blog of their activities and processes, and submit a report to Fresh Milk at the conclusion of the residency

Application Process:

To be considered, please submit the following to freshmilkbarbados@gmail.com with the subject line ‘Colleen Lewis Research/Writing Residency 2019 Proposal’:

–   The completed application form which can be downloaded here (includes applicant’s contact information, statement about their practice, and full residency proposal)
–  An up to date Curriculum Vitae (CV)
–  A selection of writing samples that offer a strong representation of your practice or current research focus
– We seek proposals that will actively engage with the CLRR collection

Incomplete applications will not be considered.

The deadline for submission has been extended until April 12th, 2019. The residency will take place between June 10th – July 5th, 2019.