Announcing Caribbean Linked IV

We are pleased to announce that the regional residency Caribbean Linked IV will be taking place at Ateliers ’89 in Oranjestad, Aruba from August 1 through 23, 2016. Thanks to generous support from the Mondriaan Fund, Stichting DOEN and the Prince Claus Fund, eleven creatives from around the French, Spanish, English and Dutch Caribbean will convene to produce work and mount an exhibition during this three week period.

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This annual residency will again allow the participants to be exposed to the practices of other emerging Caribbean artists, providing an opportunity to strengthen regional connections and cultural understanding. 

Artists this year include Frances Gallardo (Puerto Rico), Travis Geertruida (Curacao), Charlie Godet Thomas (Bermuda), Nowé Harris-Smith (The Bahamas), Dominique Hunter (Guyana), Tessa Mars (Haïti), Oneika Russell (Jamaica), Simon Tatum (The Cayman Islands), Laura de Vogel (Aruba) and visiting master artist Humberto Diaz (Cuba).

The writer in residence will be David Knight Jr. (US Virgin Islands), co-founder of Moko Magazine. Visiting artists who will be lending support to Ateliers ’89 during the residency will be Robin de Vogel (Aruba) and Katherine Kennedy (Barbados). This year’s specially invited curators will be María Elena Ortiz, associate curator at the Pérez Art Museum Miami (PAMM) and Pablo León de la Barra, curator at the Solomon R. Guggenheim Museum for the Latin American phase of the Guggenheim UBS MAP Global Art Initiative.

Stay tuned for more information!

Caribbean Linked is an initiative by ARC Magazine, The Fresh Milk Art Platform and Ateliers ’89.

Caribbean Linked II Artist Blogs: Robin de Vogel

Dutch/Aruban artist Robin de Vogel shares her experience during Caribbean Linked II, a residency programme at Ateliers ’89, Aruba.  She describes her need to appropriate and settle into a studio space, accumulating ‘objets trouvés’ as a part of her creative process. As she carved out this space for herself, she also discovered where she  fit in the environments constructed by her fellow resident artists. Through their time together she noticed the closing of a gap between the Caribbean islands, building “a bridge where only creative-exchange is accepted as toll fare.”

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Robin de Vogel marking the Ateliers ’89 van

Planting Long-distance Seeds

After the first breakfast with all of us at the table, eating while debating politics and manners of campaigning in the Caribbean, I walked through the blue and yellow halls of the Ateliers in pursuit of a good spot to start working. Sofia had set up shop in the far left corner of the first room, one of the larger and lighter spaces in the building. With some of the space already being semi occupied, I moved some tables around to figure out where I’d want to put down roots for the coming two weeks of our residency. I strategically placed myself facing away from the doorway, as I know myself to be continuously curious and therefore easily distracted by everything around me.

About two months ago, two weeks prior to my graduation show, the time had come to clean up the studio space I had inhabited for the past year. I felt like a snail without its shell after everything was moved around, cleaned up, thrown out or saved by taking it home. All the different materials I’d managed to accumulate during the semester to “one day” be of use and my ever-growing collage on the wall. Pictures, postcards, newspaper clippings, objets trouvés, souvenirs and film stills.

Studio space snapshot 2012

Studio space snapshot 2012

They function as tangible trains of thought being slowed down and captured on the walls around me, as though the content of my brain is lightly hugging me.

Appropriating a studio space as my own is crucial for my sanity. During the first few days of the residency I started a small investigation into the studio spaces of the other resident artists. It was exciting to see each individual formulate their workspace in their own style. My own ideal ‘two-week-working-space’ needed a mascot of some sort, sooner rather than later. I promised myself to make, find, steal or collect one object a day, for a week. It led to a small altar.

A mascot a day keeps the doctor away, Robin de Vogel, 2013

A mascot a day keeps the doctor away, Robin de Vogel, 2013

As the days progressed I began to realise the vast significance a project like Caribbean Linked II carries within the development of Caribbean art today. The project is not only about establishing a direct link between ten young Caribbean artists during their time in Aruba, but it forms a direct bridge between the islands, a bridge where only creative-exchange is accepted as toll fare. Upon asking curator Holly Bynoe why she believes in this project so very much she answered: “We are planting seeds”.

Image by Shirley Rufin

Image by Shirley Rufin

The work I made during the residency spoke about our ‘reach’ as a human being. Our reach can be categorized as something tangible and measurable like a radius or a circumference, but at the same time our reach can be something elusive and invisible. An opinion exchanged about a work in progress can lead to a complete overhaul in someone’s point of view. Hence the reach of that particular dialogue is immeasurable and untold, as is the importance of the seeds planted during Caribbean Linked II. The elements I take home with me from the continuous exchange that took place during those two weeks are undeniable. I have become aware of a much broader range of artistic possibilities within the Caribbean, various residency programs, projects and creative institutes that I am extremely excited about. Getting to know these beautiful human beings from all over the Caribbean and sharing my island with them makes the oceanic barrier feel so much smaller. Ultimately it leads to an amplified sense of connectivity amongst the different islands as well as an increased feeling of personal responsibility to promote and unite in our diversity.

Image by Shirley Rufin

Image by Shirley Rufin

Image by the artist

Image by the artist

About Robin de Vogel:

Robin de Vogel is a Dutch artist raised on the island of Aruba. She participated in photography, drawing, painting and installation art workshops provided by Ateliers ’89. In 2008, she moved back to The Netherlands to pursue a Bachelor of Fine Arts Degree from the Ceramics Department at the Gerrit Rietveld Academy in Amsterdam. She also engages in various collaborative projects and exhibitions in Europe and the Caribbean. Robin’s work often takes the form of installations that revolve around the sensibility of the viewer. Her pieces aim to serve as a subtle disruption of the daily routine. Currently, Robin is completing her exam year and is preparing to pursue a Master of Fine Arts Degree after the summer.

CARIBBEAN LINKED II is a residency programme and exhibition organized by Ateliers ’89 Foundation in collaboration with ARC Inc. and The Fresh Milk Art Platform Inc. and funded by the Mondriaan Foundation. The programme took place from August 25th through September 6th, 2013 in Oranjestad, Aruba.

Caribbean Linked II – Opening Exhibition

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On Thursday, September 5th, 2013 from 8pm, the Ateliers ’89 in Orajanestad, Aruba welcomes the Aruban public to the Caribbean Linked II Opening Exhibition featuring new works by: Shirley Rufin (Martinique) | Veronica Dorsett (The Bahamas) | Sofia Maldonado (Puerto Rico/Cuba) | Mark King (Barbados) | Rodell Warner (Trinidad & Tobago) | Dhiradj Ramsamoedj (Suriname) | Omar Kuwas (Curacao) | Germille Geerman ( Aruba) | Robin de Vogel (Aruba) and Kevin Schuit (Aruba).

There will be an opening performance by Gang di Arte and this event is held in collaboration with ARC Magazine, The Fresh Milk Art Platform Inc, The Instituto Buena Bista, Studio O, Caribbean TV and San Nicolass TV.

The exhibition Halls are located at the Aterliers ’89 Foundation, Dominicanessenstr. 34, Oranjestad, Aruba. For more information call 565 4613.

Major sponsor of this event is the Mondriaan Foundation.

RSVP to attend here: http://on.fb.me/17CQHIH 

Caribbean Linked II: Artist Residency Programme and Exhibition

caribbean linked

Ateliers ’89 Foundation and the Mondriaan Foundation in collaboration with ARC Inc. and The Fresh Milk Art Platform Inc. present CARIBBEAN LINKED II, a residency programme and exhibition which will take place from August 25th through September 6th, 2013 in Oranjestad, Aruba.

Invited Artists include: Omar Kuwas (Curaçao), Veronica Dorsett (The Bahamas), Mark King (Barbados), Shirley Rufin (Martinique), Sofia Maldonado (Puerto Rico/US), Dhiradj Ramsamoedj (Suriname), Rodell Warner (Trinidad and Tobago), Robin de Vogel, Kevin Schuit and Germille Geerman (Aruba). The selected artists were chosen collaboratively by Annalee Davis, Holly Bynoe and Elvis Lopez.

Caribbean Linked II will be held in association with Studio O, Terafuse, Museo Arqueologico Arubano, UNOCA, San Nicolas TV, Departamento di Cultura, SVE TV, Alydia Wever Theatre Dance Company and Gang di Arte Aruba.

Most popular through Facebook and social media platforms, to be linked or to be connected is the world’s most common way to be associated right now. This residency and exhibition will present young talent while raising issues of their collective futures by discussing the survival of artists, and the sustainability of local creative communities that nurture their development and maintain their connectivity. This residency becomes a crucial space for building awareness across disparate creative communities in the Caribbean and its diaspora by finding ways to connect young and emerging artists with each other. Selected participants will engage in two weeks of open discussion and critiques, various professional workshops, visit established local artists’ studios and better understand the creative cultural industries that propel Aruban art. An exhibition of work produced during the residency will be displayed at Ateliers ’89 and will open on September 5th.

logo 5 agosto 2013

Collaborating local artists include Alydia Wever, Ciro Abath, Evelino Fingal, Glenda Heyliger, John Freddy Montoya, Marian Abath, Nelson Gonzales, Osaira Muyale and Ryan Oduber. Collaborating partner professionals and institutions include Vivi Ruiz of the Archaeology Museum of Aruba, Lupita Giel of UNOCA and Siegfried Dumfries of the Department of Culture.

Participating institutions include:

ARC Magazine

ARC Magazine is a non-profit print and online publication and social platform founded in 2011. It seeks to fill a certain void by offering a critical space for contemporary artists to present their work while fostering and developing critical dialogues and opportunities for crucial points of exchange. ARC is an online and social space of interaction with a developed methodology of sharing information about contemporary practices, exhibitions, partnerships, and opportunities occurring in the Caribbean region and throughout its diasporas. ARC’s mission is to build awareness by fostering exchanges and opportunities that expand creative culture, within the visual arts industry across the wider Caribbean and its diasporas.

Fresh Milk

The Fresh Milk Art Platform Inc. is a Caribbean non-profit, artist-led, inter-disciplinary organization that supports creatives and promotes wise social, economic, and environmental stewardship through creative engagement with society and by cultivating excellence in the arts. The idea for Fresh Milk developed over years of conversations with other practicing artists around the need for artistic engagement amongst contemporary practitioners living and working in Barbados, with an expressed need to strengthen links with the region and the diaspora. Fresh Milk bridges the divides between creative disciplines, generations of creatives, and works across all linguistic territories in the region – functioning as a cultural lab, constantly redefining itself. The platform transforms into a gathering space for contemporary creatives who are thirsty to debate ideas and share works through local and international residencies, lectures, screenings, workshops, exhibitions, projects etc.

Ateliers ‘89

The Foundation ‘Ateliers ’89’ offers Arubans and others interested from the Caribbean region an orientation on contemporary applied art and design. Workshops in different disciplines as painting, installations, video-art, photography, drawing, fashion, theatrical-design, ceramics, animation, graphic design and history of art are organized in a spacious, open and comfortable setting. Established foreign and local artist teach at the studio’s. Every workshop culminates in an exhibition which is open to the public. Furthermore, there are special workshops and tours of the exhibitions for children and young students. Ateliers ’89 works in close cooperation with a number of art academies in the Netherlands. This way, young talents who started off in the workshops of Ateliers ’89 can easily find their way to a Dutch academy.