Tilting Axis Curatorial Fellowship 2018 Open Call

As a direct outcome of the Tilting Axis meeting held at the National Gallery of the Cayman Islands in May 2017, the University of Texas at Austin’s (UT) Art Galleries at Black Studies has come together with Tilting Axis to offer a Curatorial Fellowship to an emerging curator living and working in the Caribbean.

This Fellowship opportunity focuses on curators living and working within the Caribbean region, and is both research and practice-led, and mentor-based. The Fellow will receive a maximum of USD$5,500 towards a fee, travel, accommodation and living costs. The Fellowship is supported by University of Texas at Austin’s (UT) Art Galleries at Black Studies.

This Fellowship includes round-trip airfare from any country within the Caribbean to Austin, Texas, where the Fellow will have access to private accomodation, in the award-winning home of Susanna and Richard Finnell, local collectors, for a period of four weeks. During this timeframe, the Fellow will be able to view and work with the University of Texas at Austin’s (UT) Art Galleries at Black Studies’ Collection along with the LLILAS Benson Latin American Studies Collection, and the campus libraries.

This Fellowship also includes access to the 800-piece private Christian-Green Collection comprised of Afro-Caribbean and Afro-American art works, with a dedicated focus on works from Haiti. The Fellow will also have access to the Christian-Green’s Reading Room and will be mentored by Lise Ragbir, the Director of the Art Galleries at Black Studies at UT, with whom he/she will work to produce a fully funded exhibition in the Warfield Center’s Idea Lab Gallery, in the Fall of 2019.

Application Process:

Proposals will be judged by an international jury consisting of curators, academics, and museum professionals, after which shortlisted candidates (3) will be invited for an interview via Skype.

The Fellow will be selected on the basis of a letter of interest stating how this opportunity and access to collections and archives would inform and develop their curatorial practice, and why they think they would be a good candidate. The proposal should be no longer than 1000 words, and can be submitted to: tiltingaxis@gmail.com.

Please enclose CV and two references.

The Fellowship will be conducted over a four week period in either the Fall semester of 2018 or the Spring semester of 2019. Exact dates to be determined in consultation with the mentor.

The submission deadline for applications is May 18th, 2018, and the Curatorial Fellow will be announced at the upcoming Tilting Axis 4 meeting in the Dominican Republic on May 31st – June 2nd, 2018.

Jurors will be:

  • Lise Ragbir, the Director of the Art Galleries at Black Studies at The University of Texas at Austin
  • Eddie Chambers, Professor in the Department of Art and Art History, University of Texas at Austin
  • Holly Bynoe, ARC Magazine, The National Art Gallery of the Bahamas and Tilting Axis co-founder
  • Tobias Ostrander, Senior Curator, PAMM
  • Mario Caro, board member of Res Artis, Tilting Axis partner
  • Annalee Davis, Fresh Milk Barbados, Tilting Axis co-founder
  • Natalie Urquhart, Director, The National Gallery of the Cayman Islands
  • Sara Hermann, Visual Arts Consultant, Centro Cultural Eduardo León Jimenes
  • Joel Butler, Visual Arts and Exhibitions Coordinator, Centro Cultural Eduardo León Jimenes


drea brown’s Residency – Week 1 Blog Post

US-based poet drea brown shares her first blog post about her Fresh Milk residency, which is part of a new partnership between  Fresh Milk  and the John L. Warfield Center for African and African American Studies at the University of Texas in Austin. drea’s first week has been a chance for her to exhale, coming directly from the rigours of academia, and allowing her to reconnect with her creative self while delving into Caribbean literature, ancestry and spirituality. Read more below:

When I was awarded this residency at Fresh Milk, there was a thrill that ran through me that there are not yet words to fully describe. But I can tell you about the rush of colours that came with it. There was gold in my chest, flecks of it covering my hands, a red in my palm that was too brilliant to look away from; for days I dreamt of blues I had never seen. And then, a whirlwind of days, an early morning flight, and somehow I walked right out of the halls of academia and back into my poet self, off the plane and into a welcomed rainstorm. Ready or not. It is still all settling in.

This is the end of my first week at Fresh Milk and already it is moving too fast. Each day I have been writing and working to devour a stack of carefully selected books: Caribbean short stories and poems, books about tracing ancestry, about leaning into the spirit, about shadows and ghosts, and making space to hold it all. At night when the sky is black and the cat has crept in and the fireflies are the only outside light, I listen to the deep sigh of horses and give thanks for this opportunity to breathe salt air and spread out in stanzas.

I am grateful. An immense thank you to the John L. Warfield Center for African and African American Studies at the University of Texas in Austin, for the continued push, uplift and support in my scholarship and in my art. Thank you Fresh Milk Team, Katherine and Annalee who quietly add to my corner stack of books, who continue to help me open and relax and let go of worry. I am grateful for the Orisha and my Egun, who each day helps me survive and shine.


This residency is supported by the John L. Warfield Center for African and African American Studies

Fresh Milk welcomes drea brown to the platform in partnership with the Warfield Center

Fresh Milk in collaboration with the John L. Warfield Center for African and African American Studies at the University of Texas at Austin is pleased to launch their first international residency partnership, and welcomes US-based poet drea brown to the platform between April 19 – May 10, 2017.

About drea brown:

Originally from St.Louis, drea brown is currently a PhD candidate in African and African Diaspora Studies at UT Austin. Her work has appeared in a variety of literary journals most recently Stand Our Ground: Poems for Trayvon Martin and Marissa Alexander and Southern Indiana Review. drea is also the winner of the 2014 Gold Line Press poetry chapbook competition judged by Douglas Kearney. Her chapbook dear girl: a reckoning was released in 2015.

Excerpt from research statement:

My research explores Black women poets’ use of grief and memory as devices to reconstruct cultural histories and subjectivity. I posit this remembering often calls for other ways of knowing that defy Western logic and linearity and instead privilege ideas of the sacred, collapsed notions of time, and lifted veils between worlds of the living and dead. I offer that to take up the task of remembering and revision, black women poets must confront hauntings of a racial and sexualized past that continually imprint on the present. Using a black feminist methodology I apply close readings and formal analysis that take into account lived experience and social, emotional and spiritual climates as conditions of lyric construction. Through this I demonstrate how ghosts in this poetic lineage are not just deceased or missing persons; they represent evidence of injustice and unrest, serving as erasures or reminders of what is not there but should be. Though haunting is frightening, ghosts are not always malicious, and at times are evidence of divine manifestation or future possibility. I position black women’s poetry as sites of haunting that bear indelible markings of grief in memory, arguing that they make a unique contribution to the genre of elegy.


This residency is supported by the John L. Warfield Center for African and African American Studies