Fresh Milk welcomes Torika Bolatagici

Fresh Milk is very excited to welcome Australia-based, Pacific artist Torika Bolatagici to the platform. She will be in residence with us from June 6 – July 1, 2016.

Protect Me, Digital print on flex, 2010

Protect Me, Digital print on flex, 2010

Torika’s  interdisciplinary practice investigates the relationships between visual culture, human ecologies and contemporary Pacific identities. During her time in Barbados, Torika will be undertaking a research-based residency, largely involving engagement with local artists and conducting research in the Colleen Lewis Reading Room (CLRR). She is particularly interested in identifying opportunities to connect Caribbean and Pacific artists whose work might  intersect along lines of reflection on culture, identity, place and space within a postcolonial framework.

In 2013, Torika established an initiative called the Community Reading Room; a pop-up destination for research, community discussion and engagement around international visual arts and culture, with a particular focus on contemporary art and theory from Oceania, Africa and the Americas. Many of the texts deal with postcolonial art, literature and philosophy, visual culture, migration, citizenship and cultural identity. As well as spending time researching the collection in the CLRR, she will be investigating points of synergy and opportunities for collaboration and exchange between the two spaces.

Torika will give a public presentation at Fresh Milk about the work of Contemporary Pacific artists from Australia and New Zealand, as well as her own practice. Stay tuned for more details about the date & time for this event!

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Torika-Bolatagici-Profile

About Torika Bolatagici:

Torika Bolatagici was born in Tasmania and spent the early years of her life living between Hobart, Sydney and her father’s village – Suvavou, Fiji.

Torika works across a range of media, including photography, video and mixed media site-specific installation.  Her interdisciplinary practice investigates the relationship between visual culture, human ecology, postcolonial counter narrative and visual historiography of the Black Pacific. She is interested in exploring the tensions and intersections between gender, embodied knowledge, commodification, migration and globalization.

Torika’s work has been exhibited in New York, San Francisco, Mexico City, Yogyakarta and throughout Aotearoa, New Zealand and Australia. She has published in peer-reviewed journals and presented at local and international conferences and symposia about the representation of mixed-race identity; Pacific arts practice in Australia and Fiji; representations of teachers and teaching in cinema; and gender and militarism in the Pacific.

In her role as Symposium coordinator for the Contemporary Pacific Arts Festival in 2013 and 2014, Torika curated multiple panels to extend the discourse around contemporary Pacific arts practice in Australia and invited speakers to reflect on themes such as art and activism, museums, collecting and curating, cultural appropriation and contemporary practice. She also produced the symposium publication Mana Motu.

As well as 11 years experience teaching at tertiary level, Torika also has experience facilitating youth arts workshops for the local Pacific community, most recently the Pacific Photobook Project in Melbourne and Sydney.

Torika also presents the Community Reading Room – a pop-up destination for research, community discussion and engagement around international visual arts and culture, with a particular focus on contemporary art and theory from Oceania, Africa and the Americas. The Community Reading Room has appeared at Colour Box Studio (2013) and the Footscray Community Arts Centre (2014).

Torika is a photography lecturer in the School of Communication and Creative Arts at Deakin University, Melbourne where she teaches contemporary theory and practice. She is currently undertaking a PhD at the School of Art and Design, University of New South Wales.

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AusCo

This project has been assisted by the Australian Government through the Australia Council, its arts funding and advisory body.

Quid Pro Quo: Skills Exchange Programme at Fresh Milk

The winner of this year’s Fresh Milk ‘My Time’ Local Residency, Anisah Wood, will be in residence with us between June 6 and July 1, 2016. As part of her community outreach during her residency, Anisah will be offering the programme Quid Pro Quo – a series of skill-exchanges at the Fresh Milk studio.

Modeled after the Trade School concept, founded in part by New York based artist Caroline Woolard whose practice “explores intersections between art and the solidarity economy,” these sessions will become a non-traditional space of learning and sharing, emphasizing the value of people’s passions and skills.

Quid Pro Quo will be held at Fresh Milk over a period of four weeks, with the first session being held on Friday, June 10, 2016 at 3:00pm.

Skills Exchange Flyer

The programme will be structured as follows:

  • Each participant must be willing to share either one’s passion, skills or knowledge in exchange for the skills or knowledge of the other participants.
  • Each participant can offer an option of 2 to 3 topics or skills. For example, Anisah will offer: ‘Digital photography 101’, ‘The art of collage’ and ‘How to play warri and potta (traditional board games)’. Note that what is offered does not have to be art oriented. The idea is simply to share knowledge with the expectation of receiving knowledge in exchange.
  • The result is at most a 4 for 1 exchange.
  • The setting in which the information is dispensed will be informal and the manner in which each participant relays the information is completely up to the individual. It can be a discussion, hands on experience, a series of exercises, a presentation etc.
  • Each participant will select from the options offered what they would like to know from the other participants. The option that receives the most votes will be the one discussed.
  • Finally, each participant will be assigned a day in which they will give their presentation, with the option of Tuesdays, Wednesdays or Fridays with flexible hours between 3:00-6:00 pm.
  • There will be a limited number of participants approximately 4-5 in order to allow the exchange to be completed within the duration of the residency.

How to register:

To register, email freshmilkbarbados@gmail.com with the subject line ‘Quid Pro Quo’ and provide your name, contact information and the knowledge to be bartered in exchange for one of the skill-sets Anisah will be offering by June 7, 2016.

From the response, the participants will be selected and informed of their acceptance by June 9, 2016, in time for the initial session on June 10 at 3:00 pm.

During this meeting, each of the participants will be assigned a week from which they will determine what day and time they will be hosting their session. The participants will then vote on the focus of each session based on the options provided.

Fresh Talk: Fountainhead Residency

Fresh Milk and Fresh Art International are collaborating to present Fresh Talk: Caribbean, a series of podcasts about creativity in the 21st century with a Caribbean focus.

This week, we highlight a conversation with artists from El Salvador, Cuba, and Israel – Simón Vega, Candelario, and Gil Yefman talk about their experiences as artists-in-residence at the Fountainhead Residency in Miami, Florida. Launched in 2008 by Kathryn and Dan Mikesell, Fountainhead is one of the local efforts to build a sustainable art scene in Miami.

Click here to listen to the full podcast.

Simon-Vega_Bonfire_Locust-Projects_20141

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About Fresh Art International & Fresh Talk:

Mission: To inform and inspire a world of followers, Fresh Art International’s team shares conversations, commentary, news, and views about contemporary art.

Launched in October 2011, Fresh Art International is an evolving independent media outlet with a global point of view. Our website is the virtual platform for Fresh Talk: Conversations About Creativity in the 21st Century, our signature audio podcast. The site welcomes up to 3,000 monthly visitors. Averaging more than 9,000 feed hits monthly, we welcome new friends and followers every day: Facebook (3,000+ Likes and Friends) and Twitter (5,000+ Followers).

For Fresh Talk, independent curator Cathy Byrd meets with contemporary artists, curators, designers, architects, composers, writers, filmmakers and other cultural producers. Listen to conversations directly on this website, download episodes, or subscribe to the series on iTunes and Stitcher. Fresh Talk is also accessible through Public Radio Exchange at prx.org.

Announcing Caribbean Linked IV

We are pleased to announce that the regional residency Caribbean Linked IV will be taking place at Ateliers ’89 in Oranjestad, Aruba from August 1 through 23, 2016. Thanks to generous support from the Mondriaan Fund, Stichting DOEN and the Prince Claus Fund, eleven creatives from around the French, Spanish, English and Dutch Caribbean will convene to produce work and mount an exhibition during this three week period.

CL IV Image

This annual residency will again allow the participants to be exposed to the practices of other emerging Caribbean artists, providing an opportunity to strengthen regional connections and cultural understanding. 

Artists this year include Frances Gallardo (Puerto Rico), Travis Geertruida (Curacao), Charlie Godet Thomas (Bermuda), Nowé Harris-Smith (The Bahamas), Dominique Hunter (Guyana), Tessa Mars (Haïti), Oneika Russell (Jamaica), Simon Tatum (The Cayman Islands), Laura de Vogel (Aruba) and visiting master artist Humberto Diaz (Cuba).

The writer in residence will be David Knight Jr. (US Virgin Islands), co-founder of Moko Magazine. Visiting artists who will be lending support to Ateliers ’89 during the residency will be Robin de Vogel (Aruba) and Katherine Kennedy (Barbados). This year’s specially invited curators will be María Elena Ortiz, associate curator at the Pérez Art Museum Miami (PAMM) and Pablo León de la Barra, curator at the Solomon R. Guggenheim Museum for the Latin American phase of the Guggenheim UBS MAP Global Art Initiative.

Stay tuned for more information!

Caribbean Linked is an initiative by ARC Magazine, The Fresh Milk Art Platform and Ateliers ’89.

Fresh Talk: New Point of View at the Venice Art Biennale

Fresh Milk and Fresh Art International are collaborating to present Fresh Talk: Caribbean, a series of podcasts about creativity in the 21st century with a Caribbean focus.

This week, we highlight a conversation sparked by Nigerian-born curator Okwui Enwezor, director of the 56th Venice Art Biennale, about the expanded black presence in the global contemporary art scene. Recording in Venice, Cathy Byrd connected with Canadian curators Camille TurnerAndrea FatonaSally Frater, and Pamela Edmonds to speak about this new development.

Click here to listen to the full podcast.

Expanded-Context_2-e1432093184807

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About Fresh Art International & Fresh Talk:

Mission: To inform and inspire a world of followers, Fresh Art International’s team shares conversations, commentary, news, and views about contemporary art.

Launched in October 2011, Fresh Art International is an evolving independent media outlet with a global point of view. Our website is the virtual platform for Fresh Talk: Conversations About Creativity in the 21st Century, our signature audio podcast. The site welcomes up to 3,000 monthly visitors. Averaging more than 9,000 feed hits monthly, we welcome new friends and followers every day: Facebook (3,000+ Likes and Friends) and Twitter (5,000+ Followers).

For Fresh Talk, independent curator Cathy Byrd meets with contemporary artists, curators, designers, architects, composers, writers, filmmakers and other cultural producers. Listen to conversations directly on this website, download episodes, or subscribe to the series on iTunes and Stitcher. Fresh Talk is also accessible through Public Radio Exchange at prx.org.