Announcing TENDER Grantees for 2025!

After a thorough evaluation process of the 116 eligible submissions from 20 countries, Fresh Milk is thrilled to announce the recipients of our second unrestricted grant programme – TENDER. As a gesture of generosity, faith and care, these grants represent an effort to support the artists working in the region’s contemporary visual arts sector.

We want to again extend a huge thank you to everyone who took the time to apply; as mentioned in the jury report, the quality of the profiles shared made for a difficult decision-making process once again. For their care and dedication in reviewing these submissions, we are very appreciative of the jury’s thoughtfulness, attention and collaboration.

Read the full jury report here!

Thank you to the National Cultural Foundation, The Clara Lionel Foundation and the Panta Rhea Foundation for their generous contributions in making the scope of this grant programme so wide ranging.

Join us in extending a big congratulations to the following grantees!


 

Barbadian recent graduates – USD $1,500.00 each


 

Caribbean recent graduates – USD $1,500.00 each


 

Barbadian Emerging Artists – USD $2,500.00 each


 

Caribbean Emerging Artists – USD $2,500.00 each


 

Caribbean Mid-Career Artists – USD $3,500.00 each


 

Established Artists – USD $7,500.00 each


 

Arts Organisations – USD $3,500.00 each

Meet the Jury: TENDER 2025

The Fresh Milk Art Platform, partnering once again with the National Cultural Foundation (NCF) and the additional support of the Panta Rhea Foundation and the Clara Lionel Foundation, is excited to launch the second edition of TENDER: A Caribbean Arts Regranting Initiative. The deadline for submissions is June 6th, 2025.

Learn more about the programme, levels of funding available, and how to submit your application through our online form HERE!

Applications will be independently reviewed by a 3-member jury comprising one Barbadian, one Caribbean, and one international jury member, each of whom is an expert in their field and familiar with contemporary art practice in the Caribbean.


Meet our esteemed jury members now!

  • Versia Harris, Visual artist and Tutor in the BFA Studio Art programme at Barbados Community College

  • Monique Nouh-Chaia Sookdewsing, Managing Director of Readytex Art Gallery, Suriname

  • Tatiana Flores, Curator and Professor in Art History at the University of Virginia’s College of Arts and Sciences, USA.

Have another question about TENDER 2025?
Check out our FAQ Guide to see if it gives you clarity, and email us at freshmilkbarbados@gmail.com for any additional queries.

Open Call: TENDER 2025 – A Caribbean Arts Regranting Initiative

OPEN CALL 2025 – IMPORTANT DATES:

  • May 5th – June 6th, 2025 – Open call submission window
  • June 16th – July 25th, 2025 – Review of applications by jury
  • July 31st, 2025 – Contacting of successful applicants 
  • August 9th, 2025 – Announcement of results 
  • August 18th, 2025 – Commence disbursal of funds
[ ten-der ] definition: 
1. gentle, loving, or kind;
2. something offered especially money, as in payment.

The Fresh Milk Art Platform, partnering once again with the National Cultural Foundation (NCF) and the additional support of the Panta Rhea Foundation and the Clara Lionel Foundation, is excited to launch the second edition of TENDER: A Caribbean Arts Regranting Initiative.

The ethos of this programme is centred on generosity, faith, and care; Fresh Milk has always had an unwavering belief in the talent and potential of artists from this region, and as an artist-led space, we are intimately familiar with the range of challenges involved in maintaining a practice. These nineteen (19) unrestricted grants will be awarded to eligible creatives, who can use the funds as they see fit. Whether it is towards creating new work, acquiring materials, research and development, designing new or continuing existing programmes, pursuing further studies, exhibition preparation or production, participating in artist residencies, or any general living expenses; this tender gesture signifies an appreciation for the recipients’ commitment to the arts and culture in the Caribbean.

Along with financial support, the work of each successful grantee will be promoted widely through Fresh Milk and the NCF’s local and regional networks in the form of a featured page on our website, extensive social media coverage, and an interview with the recipient discussing their practice. In this way, we also hope to strengthen artists’ networks, further contributing to a sense of community and the public archiving of Caribbean creativity.

Fresh Milk is interested in supporting experimental contemporary visual art, and curatorial and research-based practices that explore structure, content, and expanded exhibition approaches in new ways. The grants will fall into the following categories:

SIX (6) grants valued at USD $1,500.00 each, which will be awarded to:
  • THREE (3) Barbados-based recent visual arts graduates;
  • THREE (3) Caribbean-based recent visual arts graduates.
ELIGIBILITY REQUIREMENTS:
  • Artists must have completed a BFA or equivalent degree within the last 6 years (2020-2025);
  • Artists must be currently living and practising in the Caribbean
  • Artists’ work can span any discipline/media of contemporary visual arts practice (painting, drawing, printmaking, photography, mixed media, sculpture, installation, video, new media, experimental audiovisual art, performance art, interdisciplinary/multidisciplinary);
  • Artists must demonstrate a high standard of work in keeping with their level of experience, and a commitment to the continued development of their practice;
  • Artists must not be previous recipients of a TENDER Grant.

FIVE (5) grants valued at USD $2,500.00 each, which will be awarded to:
  • TWO (2) Barbados-based emerging visual artists;
  • THREE (3) Caribbean-based emerging visual artists.
ELIGIBILITY REQUIREMENTS:
  • Artists must have been living and practising in the Caribbean between 7 – 12 years;
  • Artists’ work can span any discipline/media of contemporary visual arts practice (painting, drawing, printmaking, photography, mixed media, sculpture, installation, video, new media, experimental audiovisual art, performance art, interdisciplinary/multidisciplinary);
  • Artists must demonstrate a high standard of work and professional endeavours (participation in exhibitions, residencies, workshops, programming etc.) in keeping with their level of experience;
  • Artists must not be previous recipients of a TENDER Grant.

FOUR (4) grants valued at USD $3,500.00 each, which will be awarded to:
  • TWO (2) Barbados-based mid-career visual artists;
  • TWO (2) Caribbean-based mid-career visual artists.
ELIGIBILITY REQUIREMENTS:
  • Artists must have been living and practising in the Caribbean between 13 – 19 years;
  • Artists’ work can span any discipline/media of contemporary visual arts practice (painting, drawing, printmaking, photography, mixed media, sculpture, installation, video, new media, experimental audiovisual art, performance art, interdisciplinary/multidisciplinary);
  • Artists must demonstrate a high standard of work and professional endeavours (participation in exhibitions, residencies, workshops, programming etc.) in keeping with their level of experience;
  • Artists must not be previous recipients of a TENDER Grant.

TWO (2) grants valued at USD $3,500.00 each, which will be awarded to:
  • ONE (1) Barbados-based visual arts organisation/curator/art historian/writer/researcher;
  • ONE (1) Caribbean-based visual arts organisation/curator/art historian/writer/researcher.
ELIGIBILITY REQUIREMENTS:
ARTS ORGANISATIONS
  • Organisations must have been operating within the Caribbean for a minimum of 3 years;
  • Organisations must be independent/non-governmental;
  • Organisations need not be registered charities/non-profits but must be able to demonstrate best practices in terms of governance and operations management;
  • Organisations must demonstrate a clear commitment to their mission and vision as it relates to contemporary Caribbean art and give examples of their work in alignment with this;
  • Organisation must not have previously received a TENDER Grant.
CURATORS & ART HISTORIANS/WRITERS/RESEARCHERS
  • Practitioners must have been living and working in the Caribbean for a minimum of 7 years;
  • Practitioners must give examples of their work (whether through exhibitions, published written work, or research) demonstrating their commitment to exploring and showcasing contemporary Caribbean art practices;
  • Practitioners must not be previous recipients of a TENDER Grant.

TWO (2) grants valued at USD $7,500.00 each, which will be awarded to:
  • ONE (1) established Barbados-based visual artist;
  • ONE (1) established Caribbean-based visual artists.
ELIGIBILITY REQUIREMENTS:
  • Artists must have been living and practising in the Caribbean for a minimum of 20 years;
  • Artists’ work can span any discipline/media of contemporary visual arts practice (painting, drawing, printmaking, photography, mixed media, sculpture, installation, video, new media, experimental audiovisual art, performance art, interdisciplinary/multidisciplinary);
  • Artists must demonstrate a high standard of work and professional endeavours (participation in exhibitions, residencies, workshops, programming etc.) in keeping with their long and influential careers;
  • Artists must not be previous recipients of a TENDER Grant.

SUBMISSION REQUIREMENTS:

ALL applications must be submitted through the official Google Form provided (any submissions sent by email or in hard copy will not be eligible for review).

The APPLICATION FORM includes the following:

FOR VISUAL ARTISTS:
  • Submission of a brief bio (250 words maximum); 
  • Submission of an artist statement, providing an overview of your practice to help contextualise the artworks shared for review (250 words maximum);
  • Submission of an up-to-date CV (2 pages maximum);
  • 5-8 clearly labelled samples of work that best showcase your practice (accepted file formats include JPEG, PNG, GIF, MP4, MP3, DOC, DOCX and PDF. In the case of video works, YouTube or Vimeo links may be provided, along with passwords if applicable). Document files should not exceed 10 MB. Image/audio/video files should not exceed 100MB.
FOR ARTS ORGANISATIONS:
  • Submission of an overview of the organisation, including its mission, vision, key personnel, and a brief history of the work it has done in the Caribbean (500 words maximum); 
  • Submission of a list of the organisation’s projects/programming and any notable accolades achieved (2 pages maximum);
  • 5-8 clearly labelled samples of work that best showcase the organisation’s output (accepted file formats include JPEG, PNG, GIF, MP4, MP3, DOC, DOCX, and PDF. In the case of video works, YouTube or Vimeo links may be provided, along with passwords if applicable). Document files should not exceed 10 MB. Image/audio/video files should not exceed 100MB.
FOR CURATORS:
  • Submission of a brief bio (250 words maximum); 
  • Submission of a statement outlining main curatorial interests and concerns (250 words maximum);
  • Submission of an up-to-date CV (2 pages maximum);
  • 5-8 clearly labelled samples of work that best showcase your curatorial output (accepted file formats include JPEG, PNG, GIF, MP4, MP3, DOC, DOCX, and PDF. In the case of video works, YouTube or Vimeo links may be provided, along with passwords if applicable). Document files should not exceed 10 MB. Image/audio/video files should not exceed 100MB.
FOR ART HISTORIANS/WRITERS/RESEARCHERS:
  • Submission of a brief bio (250 words maximum); 
  • Submission of a statement outlining main areas of writing/research (250 words maximum);
  • Submission of an up-to-date CV (2 pages maximum);
  • 3-5 clearly labelled samples of written work, no more than 2500 words each (accepted file formats include DOC, DOCX, and PDF). Document files should not exceed 10 MB.

All applicants will also be asked for a brief statement on why the receipt of this grant would be timely for their practice. Those fitting the above criteria and based in the following countries may apply:

Anguilla, Antigua & Barbuda, Aruba, The Bahamas, Barbados, Belize, Bermuda, Bonaire, British Virgin Islands, Cayman Islands, Cuba, Curaçao, Dominica, Dominican Republic, French Guiana, Grenada, Guadeloupe, Guyana, Haiti, Jamaica, Martinique, Montserrat, Puerto Rico, Saba, St. Barthelemy, St. Eustatius, St. Kitts & Nevis, St. Lucia, St. Vincent & the Grenadines, Saint Martin, Sint Maarten, Suriname, Trinidad & Tobago, Turks & Caicos Islands, US Virgin Islands. 

Have another question about TENDER 2025?
Check out our FAQ Guide to see if it gives you clarity, and email us at freshmilkbarbados@gmail.com for any additional queries.

SELECTION PROCESS:

Applications will be independently reviewed by a 3-member jury comprising one Barbadian, one Caribbean, and one international jury member, each of whom will be an expert in their field and familiar with contemporary art practice in the Caribbean. Only applications that meet all eligibility requirements will go forward to the jury. The jurors will assign scores to each segment of the applicants’ submissions, and a jury meeting will be held once scores have been collated. The jury’s decision will be final, and a jury report will be released publicly when successful applicants are announced. Neither the jury members nor the Fresh Milk Team will be able to offer feedback on individual applications.

JURY MEMBERS:
  • Versia Harris, Visual artist and Tutor in the BFA Studio Art programme at Barbados Community College;
  • Monique Nouh-Chaia Sookdewsing, Managing Director of Readytex Art Gallery, Suriname;
  • Tatiana Flores, Curator and Professor in Art History at the University of Virginia’s College of Arts and Sciences, USA.

About Fresh Milk:

Fresh Milk is an artist-led, non-profit organisation founded in 2011 and based in Barbados. It is a platform which supports excellence in the visual arts through residencies and programmes that provide Caribbean artists with opportunities for development, fostering a thriving art community. Fresh Milk offers professional support to artists from the Caribbean and further afield and seeks to stimulate critical thinking in contemporary visual art. Its goal is to nurture artists, raise regional awareness about contemporary arts and provide Caribbean artists with opportunities for growth, excellence and success.


About the NCF:

The National Cultural Foundation (NCF) is a statutory body established by an Act of Parliament in 1983. Its mandate is to oversee the cultural landscape of Barbados. The NCF’s role revolves around the preservation of our cultural heritage and promotion of all forms of art and culture, both tangible and intangible through developmental and commercial programmes and products. The functional spectrum ranges from, generating cultural awareness at the grassroots level to promoting cultural exchanges at an international level. In its developmental role, the Foundation uses culture as a tool for national development, fostering and supporting the various art forms and new cultural products. In its commercial role, the Foundation is responsible for the promotion, production and hosting of cultural festivals and associated events.


About the Panta Rhea Foundation:

Mission: To catalyze a just and sustainable world through food sovereignty, community power building, and grassroots liberation around the globe.

The Panta Rhea Foundation (PRF) was established in 2001 as a private foundation devoted to researching issues and analyzing the operations, goals and potential of organizations committed to building a more just and sustainable world. The Foundation advises individual donors and other charitable entities on grantmaking strategies and specific grants.

We believe that lasting, authentic change must come from the grassroots; from the organized efforts of people and organizations to enliven the social imagination and envision a better future, to experiment with new ideas, and to hold elected leaders and corporations accountable to the communities they serve.

Our foundation name, Panta Rhea, is inspired by Ancient Greek philosopher Heraclitus. It roughly translates to “You never step into the same river twice” or “All things change, all things flow”—suggesting both inherent constancy and change as a fundamental of life itself.


About the Clara Lionel Foundation:

The Clara Lionel Foundation (CLF) was founded in 2012 by Robyn “Rihanna” Fenty in honor of her grandparents, Clara and Lionel Braithwaite. CLF supports and funds climate resilience and climate justice projects in the U.S. and Caribbean. The foundation’s five key pillars are: Climate Solutions; Women’s Entrepreneurship; Health Access and Equity; Future Generations; and Arts and Culture.

The CLF actively supports arts initiatives that preserve cultural heritage and foster community engagement in the regions we fund. We invest in community-led organizations that promote asset creation, long-term sustainability, and innovative climate solutions through arts practices.

Announcing Selected Artists for TVE 5

The Fresh Milk Art Platform (Barbados) and the Centre for Culture in Lublin (Poland) as part of Lublin’s successful bid for the European Capital of Culture 2029 title are pleased to announce the selected artists from the Caribbean, Poland, Ukraine and their diasporas whose works will be included in the fifth edition of Transoceanic Visual Exchange (TVE), a series of programmes taking place this year between Barbados and Poland, with an accompanying online exhibition.

A preliminary screening of all of the film and video works runs at the Centre for Culture in Lublin between September 18th – October 18th, 2024, and a selection of works will be shown in various exhibition or screening spaces across Barbados in November 2024 – more details on these events will be announced soon!

Participating Artists:

Ruben Cabenda (Suriname)
Tongo Sondi, 2023

Monika Czajkowska (Poland)
Ophelia. Action Will (Not) Be Condemned, 2020

Ryan Eccleston (Jamaica)
Jonkunnu Nuh Dead, 2022

Alex Gibson (Barbados)
Courtyard, 2024

Barbara Gryka (Poland)
Lalki/Dolls, 2021

Hanif James / Have a Bawl Productions (Jamaica)
A Shade of Indigo, 2023

Anastasia Kashtalian (Ukraine)
Dinner after the end of the world (Antanakata), 2023

Volodymr Kaufman (Ukraine)
РАНИ. відеоарт. / WOUNDS, 2023

Agata Konarska & Izabela Sitarska (Poland)
Tette Dolci, 2019

Paweł Korbus (Poland)
What Will Become of Us, 2020

Magdalena Łakoma (Poland)
Matriona/Patriona, 2022

Adrian Lopez (Jamaica)
Ego Sum, 2022

Alexandra Majerus (Barbados & St. Kitts & Nevis)
The Shape of Memory (Recollecting), 2022

Stéphanie Melyon-Reinette (Guadeloupe)
MWEN PA PRIYÉ ZACCA, 2022

Danté Ollivierre (St. Vincent & the Grenadines)
I AM GARIFUNA, 2024

Katarzyna Perlak (Poland)
Broken Hearts Hotel, 2021

Andrii Rachynskyi & Daniil Revkovskyi (Ukraine)
Clanking, hammering, dispute and gurgling / Брязкання, стукіт, суперечка і булькання / Bryazkannya, stukit, superechka i bulʹkannya, 2021

Nadean Rawlins (Jamaica)
Boy Girl and All the Rest, 2021

Marinna ‘Mahrinnart’ Shareef (Trinidad & Tobago)
Moving Through the Motions, 2022
The Consequences of Remembering, 2022

The Hub Collective (St. Vincent & the Grenadines)
Bush Medicine: Stories that Remember the Land, 2024

Volodymyr Topiy (Ukraine)
Barber, 2023

Yolanda Velazquez-Velez (Puerto Rico)
DesAhogo, 2021


About the Partners:

Fresh Milk

Fresh Milk is an artist-led, non-profit organisation founded in 2011 and based in Barbados. It is a platform which supports excellence in the visual arts through residencies and programmes that provide Caribbean artists with opportunities for development, fostering a thriving art community.

Fresh Milk offers professional support to artists from the Caribbean and further afield and seeks to stimulate critical thinking in contemporary visual art. Its goal is to nurture artists, raise regional awareness about contemporary arts and provide Caribbean artists with opportunities for growth, excellence and success.

The Centre for Culture in Lublin

At the Centre for Culture, our “home of imagination” we want to manage human talents wisely and create favourable conditions for artistic work, education and presentation of art and artistic activities. We want to be open to new people, new projects and phenomena. We believe that we will have the courage to take creative risks.

Lublin 2029 – European Capital of Culture Candidate City

The project is part of Lublin’s bid for the European Capital of Culture 2029 title. Re:Union, the bid’s motto refers to the historic concept of the Union of Lublin (1569), a commonwealth treaty signed by the Kingdom of Poland and the Grand Duchy of Lithuania. It is understood as reintegration, reconnection of broken ties, cross-generational, cross-cultural and intersectional dialogue.

    

Amanda T. McIntyre selected for Tilting Axis Fellowship 2025

In 2019 Nieuwe Instituut joined forces with Tilting Axis to offer a Fellowship to an applicant based in the Caribbean. We are delighted to announce that Amanda T. McIntyre (Trinidad and Tobago) has been selected as the fifth Tilting Axis / Nieuwe Instituut Fellow. Amanda will begin her Fellowship at the Nieuwe Instituut in Rotterdam starting February 2025 and continuing research and activities through July 2025.

Read this announcement on the Tilting Axis website here.

Amanda T. McIntyre is a Trinidadian writer and artist. She is Creative Director and Lead Designer at Dolly Mas Visual and Performing Arts Company. Her work experiments with harmonising architectural and textile cultures of the Caribbean. She was previously an Art Administrator at New Local Space (NLS), an art studio and gallery based in Kingston, Jamaica. In 2020 McIntyre was part of the faculty for La Pràctica Artists Residency, Puerto Rico, and an advisor for the NLS, Curatorial, and Art Writing Fellowship. In 2021, she was awarded a Futuress Coding Resistance Fellowship for her project Mapping Queer Carnival. In 2023 she was longlisted for the prestigious Queen Mary Wasafiri New Writing Prize.

Project Brief

Present Continuous is a practice-based research project that applies digital intervention towards archiving the materiality and intellectual properties of contemporary Caribbean masquerade cultures, with corresponding designs including architectural elements from the nineteenth and twentieth centuries when masquerade emerged in the Caribbean. The project also assesses non-extractive material considerations in this era of climate emergency attempting to answer the question: Can Caribbean Carnivals be sustained materially? And if so, what are the ways that would best serve the planet and the communities that exist within Caribbean Carnival ecosystems?

Comments on the Selected Proposal

Amanda’s project Present Continuous brings new and fresh ideas, presented in her application with an inviting approach that pulls you into the project, addressing urgent themes. Amanda’s project, centered on festival culture and waste, specifically through the lens of Dolly Mass, offers innovative solutions for archiving costumes. Her research on the Baby Doll, focusing on its representation and parody of women in early Caribbean masquerades historically performed by men, is particularly compelling. The jury felt the proposal which linked architecture, mas, queer studies, and climate justice further raised critical questions about the future of these costumes with an emphasis on non-extractive material focuses.

The jury was compelled by Amanda’s ambitious submission concentrating on urgent themes approached with sensitivity, seriousness, and interdisciplinary approaches. Amanda’s ability to think through carnival culture and the determination to archive these traditions and practices by future-proofing them highlights the importance of documenting the fluid migrations and influences within this culture including its evolution in two other Caribbean islands. Although the proposal had a clear focus, the jury was also impressed by Amanda’s willingness to remain curious, flexible, and open to exchange with partners on ways of archiving. Moving into the fellowship period, the jury suggested further research into deadstock materials from Jamaica and Martinique to enhance her project.

General Comments

Members of the jury were impressed by the wide range of themes approached by the projects, as well as the relevance and timeliness. Fifteen applicants submitted a wide cross-section of projects from all four linguistic territories of the Caribbean. This year’s submissions were strong, competitive, and transgressive, indicative of the Fellowship’s growing profile over the past eight-year period. Proposals were concerned with topical themes such as new pedagogies, maroonage, anti-colonialism, embodied and ancestral knowledge, speculative fiction, myth-making, the circular economy, climate justice, cartographies, vernacular architectures, marine, and spiritual ecosystems, ceremony, and shared rituals of masquerade. The projects demonstrate the creativity and power of practitioners living and working across the Caribbean, highlighting the importance of continued collaborations with those in the region.

Procedure

This Fellowship is supported by lead host partner, Nieuwe Instituut and its collaborators including the Amsterdam Museum, De Appel, Stedelijk Museum Amsterdam, and Kunstinstituut Melly. Between the announcement of the open call on May 30th, 2024, and the deadline on June 30th, 2024, Nieuwe Instituut and Tilting Axis received 15 eligible entries in response to the open call from eight countries across the Anglophone, Francophone, Hispanophone, and Dutch Caribbean region including Barbados, Cuba, Curacao, Haiti, Jamaica, Puerto Rico, Trinidad and Tobago and St. Vincent and the Grenadines.

The proposals were reviewed by a committee composed of the following members:

  • Tijn van de Wijdeven, program manager, Nieuwe Instituut

  • Holly Bynoe, ARC Magazine, Sour Grass and Tilting Axis co-founder

  • Annalee Davis, Visual Artist, Founding Director of Fresh Milk, Sour Grass, and Tilting Axis co-founder

  • Jessy Koeiman, Curator of Collective Learning, Kunstinstituut Melly

  • Mark Raymond, Director of the Graduate School of Architecture at the University of Johannesburg in South Africa

  • Lara Khaldi, Director at De Appel

  • Imara Limon, Curator, Amsterdam Museum & Silke Kamp, Curator-in-Training, Amsterdam Museum

  • Charl Landvreugd, Head of Research and Curatorial Practice, Stedelijk Museum Amsterdam

The meeting was chaired and moderated by Nieuwe Instituut researcher Federica Notari.

Proposals were evaluated based on their research proposal, methodological approach and connection to the disciplines of architecture, design, or digital culture; and their interest in working with the hosting partners. Four candidates were shortlisted and invited to an online interview with members of the selection committee on July 11th, 2024. Following the interviews, the committee selected Amanda T. McIntyre (Trinidad and Tobago)  as the recipient of the Fellowship. The other shortlisted candidates were Lucia Piedra Galarraga (Cuba), Alex Martínez Suaréz (Dominican Republic ), and Johanna Castillo (Dominican Republic).