Ronald Williams’ Fresh Milk Residency – Week 2 Blog Post

Barbadian artist Ronald Williams, the recipient of the 2018 Fresh Milk ‘My Time’ Local Artist Residency, shares his second blog post. In addition to catching up on his research using publications in the Colleen Lewis Reading Room, Ronald made site visits to the St. James and St. George Parish Churches as part of his interest in religious iconography and the relationship between spirituality, decadence and materialism. These visits, while awe-inspiring on the one hand, also prompted further thought around the role of organized religion in Barbados’ colonial history. Read more below:

Since week 1 didn’t go exactly as planned, week 2 was spent playing catch up on the research I wanted to do the prior week. In my mind that leaves me square with where I wanted to be at this point when the residency started. In reality, I’m probably quite a ways off the mark, but I won’t realise that until later when I can’t do anything about it. No sweat, right?

The highlight of the week was definitely my field trips to the St. James and St. George Parish churches. I intended to do St. John’s as well but time didn’t permit. Maybe I’ll do that this weekend. Those spaces felt like an alternate reality; the contrast from the draining heat outside to the refreshing chill inside, the various sounds of life outside to the deafening silence of reverence.

There’s something to be said, for me at least, about the energy in the Parish churches when you’re completely alone. There was a pressure I can’t quite describe; I felt small, like who I am was insignificant in the light of those grandiose stained glass renderings. Maybe I am.

I understand the effect those structures are meant to have—and boy do they work—but it’s my knowledge of this that makes it hard for me to ignore the fact that the churches were built in the 1600s, that in their pomp and circumstance are enduring symbols of colonialism and imperialism.

The architecture, which carries specific elements which have endured through every great period of history was also very interesting to me. That led me to do some research on sacred geometry and the symbolism of shapes.

As it is, I believe I’ve got enough pieces to play with so it’s time to make this work. I think this week will be good.

Ronald Williams’ Fresh Milk Residency – Week 1 Blog Post

Barbadian artist Ronald Williams, the recipient of the 2018 Fresh Milk ‘My Time’ Local Artist Residency, shares his first blog post. Fresh Milk is by no means foreign territory for Ronald, as he has volunteered with us and participated in a number of our projects in the past, but as this is his first residency within the space, the focus of his work while here has shifted – leaving a familiar platform open for new encounters & experiences. Read more below:

A new old space. That’s how this familiar environment feels. I’m used to the wind chimes, the mahogany pods licking shots on the roof intermittently and the moo-mooing along with the rest of nature, but something‘s different in this country atmosphere. It’s not a sense of purpose, as I’ve always felt that here, nor would I call it pressure; but maybe it’s an accountability/responsibility to get cracking and produce as much as possible in these four weeks. This is perhaps/most definitely driven by the fact that I’ve got a certain goal by the end of the year. More on that later.

My initial plan was to gather as much potential reading material from the Colleen Lewis Reading Room and start doing some research in this space that I’m sharing with the quiet (as far as I can tell) and quite nice international resident artist Daisy Diamond. Given her focus on Judaism in Barbados and my ideas of decadence, materialism, mortality and their relation to religion/spirituality, I think there are interesting things to come.

I must confess to veering from my plan, as Sonia Farmer’s extremely dope work and setup kept calling for my attention. As a result, I put more of my energy into working on a piece I’d laid the foundation for just before the residency started. My time since has been split unevenly between producing and research.

Then Friday came, and with it Amanda Haynes who was setting up for Fresh Milk’s reading room open day. And the critical conversations started, with it the jokes came too, and it was a throwback…no, a Flashback Friday if you will. An old face in an old space where new things are happening.

Fresh Milk welcomes Daisy Diamond to the Platform

Fresh Milk is pleased to welcome US-based visual artist Daisy Diamond to the platform from April 30 – May 25, 2018.

In addition to broadening her knowledge and understanding about contemporary arts in Barbados and the Caribbean, Daisy is also extremely interested in the history of Jews in Barbados since their arrival in the mid-1600s. As an Ashkenazi Jew herself, she is invested in researching the refugee experience of Jews who migrated to the island and investigating the historical and cultural impact, including their contributions to the cultivation of sugar in Barbados, their roles in the painful history of slavery, and current heritage preservation projects. She hopes to make paintings exploring similar themes from reconstructionist Judaism: community, engaging with contemporary socio-political environments, and forming new progressive outlooks on traditional ideas and texts.

About Daisy Diamond:

Daisy Diamond is a painter, animator, and student originally from Philadelphia who values interdisciplinary and intersectional collaborative exploration. She is currently pursuing a BA in Studio Art from Bates College and spent this past year as a visiting student at Rhode Island School of Design. While she is a resident at the Fresh Milk space, she plans to research the history of Judaism in Barbados and the relationship between ritualistic sacred practices and artistic creation.

Announcing the Fresh Milk ‘My Time’ Local Resident Artist 2018 – Ronald Williams

Fresh Milk is very pleased to announce Barbadian artist Ronald Williams as the Fresh Milk ‘My Time’ Local Resident Artist for 2018. Congratulations Ronald!

Ronald’s one-month residency runs from Monday April 30th to Friday May 25th, 2018. Ronald will focus on issues currently affecting Barbadian society, exploring how the glamour associated with materialism, drugs and violence breeds a certain vanity, with a particular focus on the poorer “ghetto” class.  Inspired by the Vanitas paintings of the 17th century, he will work on contextualizing similar themes in today’s society, looking at decadence, insecurity, swagger & pretension, and their connection to religion/spirituality.

About Ronald Williams:

Ronald Williams is a digital artist, born, raised and working in Barbados. His digital collages; created through the manipulation of photographs, print and online media as well as computer generated images, investigate race, class and culture; particularly representations of ‘blackness’.

Since earning his BFA in Fine Arts from The Barbados Community College, Williams has participated in various local, regional and international group exhibitions.

Levi King’s Emerging Director Residency – Week 1 Blog Post

Fresh Milk is excited to have Bajan actor & director Levi King in residence with us, as we get our collaboration with the National Cultural Foundation (NCF) to host the second edition of the Emerging Director Residency Programme underway!

This project is funded by the NCF, and allows a local emerging director the chance to research, experiment, work with actors and connect with a theatre arts mentor during the course of the residency. Levi will be mentored by Barbadian performance artist, theatre director, writer and educator in theatre arts Sonia Williams. See more from Levi below about his first week in residence, and stay tuned for more updates on the programme!

The importance of open-mindedness in the process of directing

So, I began this residency last week, and to be honest I was anxious, never mind the constantly cool exterior. I know what piece I want to explore, I know the areas I wanted to improve (or thought I did), I knew to some extent the approach I wanted to take. I knew all this, but I still felt woefully unprepared, and it scared me. Then in my research process (reading some of the many books at Fresh Milk), I came across a statement in the book Scriptwork: A director’s approach to new play development about open-mindedness. In that moment one thing became clear. I was, up to that point, not being as open-minded as I needed to be. It made me immediately relax.

I know that a director has to have a solid plan, and know every detail of the work they are about to do. I completely overlooked the part of the work that also requires a director to be open-minded. Open-minded to the possibilities that the work can open up to you. Open-minded to ideas different than yours on a project that may actually work better than your own (but not so open-minded that other people end up directing your work lol). Open-minded to the process and all the dimensions and directions it can open up. The stage is a blank canvas, the script is the paint, the set, the technical, and performers are the brushes. Together, they can form a masterpiece.

In my realisation that I needed to be more open-minded, I abandoned the fear of my own failure for lack of being adequately prepared. I abandoned my fear of not being good enough to produce something of quality. I abandoned my feeling of needing to have every single aspect of this residency under complete control and began to refocus. I am now more open to the process that is learning through mentorship, when I didn’t realise I was closed off before. Though I still have much to learn, now I am more prepared to be open to learn it effectively. I look forward to the mentorship with Sonia Williams.

Here’s to week one, where by confining myself to a desk in a room, restricting my actions to reading for research purposes, I was reminded to be more open in my approach to the residency and to directing as a process. On to week two.

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ncf mark rgb2This project is a collaborative initiative, funded by the NCF Barbados