Validity and Visibility – See Me Here #CCF

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There is an undeniable relationship between validity and visibility. As quietly confident, assured or competent as one can be, there is something about gaining recognition that feeds the feeling of being appreciated and understood – of being seen. I already feel slightly uneasy and egotistical trying to articulate this in a way that doesn’t trigger little accusatory voices in the back of my mind hissing ‘vain!’ or ‘insecure!’…concepts that by all logic should be mutually exclusive, but the idea of needing validation from external sources manages to connote both. Maybe a less self-destructive approach is to delve into something relevant to, yet larger than myself, through the honest and brave work of the artists featured in See Me Here: A Survey of Contemporary Self-Portraits from the Caribbean.

The above excerpt is from Katherine Kennedy’s review of See Me Here: A Survey of Contemporary Self-Portraits from the Caribbeanthis week’s addition to the Fresh Milk Books Tumblr – the online space inviting interaction with our collection in the Colleen Lewis Reading Room.

For new Critical. Creative. Fresh reviews every week, look out for our #CCF Weekly posts and see the good reads we have available at Fresh Milk!

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Versia Harris selected for IV Moscow Biennial for Young Art

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Visual artist and member of the Fresh Milk Books editorial team, Versia Harris has been invited to show her work in the IV Moscow Biennial for Young Art at The Museum of Moscow in Russia.  The Biennial is titled A TIME FOR DREAMS, is curated by David Elliot and runs from  26 June to 10 August 2014

Versia’s Artist Statement

They say you can dream a thing more than once
Just because you wish for something, doesn’t make it true. Or does it?

I am captivated by the process of viewing fiction and projecting the fictional images into actuality so that it almost seems as if it becomes a part of one’s reality. As such, the narrative in my work generates a comparison between the character’s reality and fantasy, namely Walt Disney animations. It follows the experiences of the character as she continuously imitates or layers what she consumes from Walt Disney films unto her physical self and environment.

At the center of my investigation, stands the theme of self-image. The character is a manifestation of a person both beautiful and flawed aspiring to acquire the perceived superior physical and behavioral attributes of another. I consider the influences on behavior, especially influences through the media, which projects the perfect or acceptable image, and examine the challenges faced when what is desired conflicts with what is. I ultimately question whether one can subconsciously mimic fiction, until what one deems as reality is not as easily distinguishable from fantasy as one would think.

This project revisits two animations ‘A dream is a wish your heart makes when you’re awake’ and ‘They say you can dream a thing more than once’. I am re- presenting these animations concurrently, as a five video installation, to further engross the viewer with content and scale. The installation re-frames the narrative to draw new parallels and associations between the two animations.

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About Versia Harris

Versia is a Barbadian artist living and working in Weston, St. James. She graduated from the Barbados Community College with a BFA in the Studio Art programme in 2012 and was awarded The Leslie’s Legacy Foundation Award, an annual prize given to the top graduate. In her work, Versia tackles perceptions of fantasy in contrast to the reality of her original character. She uses Adobe Photoshop to manipulate her pen drawings to create the animations.

She participated in her first local residency with Projects and Space in 2011. Within the past year she has completed four residencies, beginning with a local residency at Fresh Milk, followed by her first international residency at the Vermont Studio Center, and two regional residencies at the Instituto Buena Bista, Curacao and Alice Yard, Trinidad in late 2013.

Fresh Milk receives a 2014 ResSupport Fellowship

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Katherine Kennedy announced as 2014 ResSupport Fellow. Photograph credit: Mark King.

We are very excited to announce that this year, as part of the ResSupport Fellowship programme, ResArtis member Akademie Schloss Solitude (Germany) will be generously hosting Katherine Kennedy, from The Fresh Milk Art Platform (Barbados). This will be Akademie Schloss Solitude’s second time participating in the ResSupport Fellowships.

During her three-month stay from September 1 – December 1, 2014, Katherine will be introduced to the different working areas of Akademie Schloss Solitude and gain insight into how this prestigious residency programme is run. With this opportunity, she will learn about Akademie Schloss Solitude’s management, increasing visibility on a global level, and discuss the ongoing challenges of sustainability within artist residencies. She will also interact with other fellows and artists in residence in order to learn about new practices. Additionally, she will attend fellow and staff presentations, as well as make presentations of her own pertaining to Fresh Milk and the Caribbean creative arena to create a cross-cultural dialogue, which will allow all parties to better understand the contexts that Fresh Milk functions within.

Akademie Schloss Solitude. Photo courtesy of Akademie's press department.

Akademie Schloss Solitude. Photo courtesy of the Akademie’s press department.

We are sure that this fellowship will further initiate exchanges and build relationships within the residency field between the Caribbean and Europe, while also contributing to a more dynamic and sustainable cultural environment throughout the Caribbean.

These fellowship experiences enable participants to observe, reflect and utilize various organizational factors, while assuming an active role and a behind the scenes look at the daily work of an experienced member organisation.

This experience provides an opportunity to further organisational awareness, strengthen bonds, and facilitate knowledge and cross-cultural sharing among members of the ResArtis Network.

See this announcement on ResArtis News.

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About Katherine Kennedy:

Katherine Kennedy (Born April 4, 1990, Barbados) is an artist and writer. She graduated from Lancaster University, UK in 2011 with a BA in Creative Arts (First Class Hons.) after winning a Barbados Government Scholarship for tertiary education. Her combined major of Fine Art and Creative Writing developed her keen interests in visual and literary pursuits. She has won awards for her artwork and writing in her home country, and exhibited locally and internationally.

Her visual practice is heavily tied to a sense of place, and often uses interplay between found organic and inorganic objects to assert cultural identity in different environments. Alongside her work as an artist, she is also dedicated to contributing to the support and cultivation of the wider regional creative space, and currently works as the Assistant to Director with both The Fresh Milk Art Platform, an artist-led initiative and residency programme, and ARC Magazine for contemporary Caribbean art.

Katherine travelled to the Instituto Buena Bista (IBB), Curaçao in November 2012 to conduct ‘Creatives in Conversation’, a collaborative project between the IBB and Fresh Milk. She received a full fellowship from the Reed Foundation for a residency at The Vermont Studio Center in May 2013. In September 2013, she took part in ‘fresh casa’, a short, intensive mentorship programme at Casa Tomada, São Paulo, Brazil.

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About Akademie Schloss Solitude:

The Akademie Schloss Solitude is a public-law foundation that offers an interdisciplinary and international fellowship program for artists and scientists. Since 1990, the Akademie has supported artists in the disciplines of architecture, visual arts, performing arts, design, literature, music/sound and video/film/new media with residency and work fellowships. Since 2002, young people from the science and business sectors are also eligible for fellowships with the art, science & business program. The Akademie Schloss Solitude is financially supported by the German province of Baden-Württemberg.

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About ResArtis:

ResArtis is an association of over 490 centers, organisations, and individuals in over 70 countries. Each of member is dedicated to offering artists, curators, and all manner of creative people the essential time and place away from the pressures and habits of every-day life, an experience framed within a unique geographic and cultural context.

Through Res Artis, organisations will become part of a global community of colleagues engaged in dialogue through face-to-face meetings and virtually through its website. Those interested in attending a residency can use the information and resources on its website, gaining insights into the profiles of members and staying informed about their events and application deadlines.

Since 1993, through the volunteer efforts of the Board of Directors and countless partners and friends, Res Artis has grown to become the largest network of its kind, promoting the role of residential art programs as a vital part of the contemporary arts world, stimulating the creative development and mobility of artists, and furthering intercultural understanding.

“Encounter the world in residencies”

FRESH MILK XVI: Book Launch and Conversation for ‘See Me Here’

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The Fresh Milk Art Platform is pleased to invite you to our last public event before our summer break, FRESH MILK XVI – the Barbados book launch for Robert & Christopher Publishers’ (R&C) latest title, See Mere Here: A Survey of Contemporary Self-Portraits from the Caribbean, edited by Melanie Archer and Mariel Brown. The event will feature a small exhibition and panel discussion with the Barbadian artists featured in the publication – Ewan Atkinson, Annalee Davis, Joscelyn Gardner and Sheena Rose – and editor Melanie Archer, moderated by Barbadian artist Russell Watson.

See Me Here will be available for purchase at Fresh Milk on the night of the launch at a discounted price of $100 BBD, and thereafter at $110 BBD. The book has also been added to the collection in the on-site Colleen Lewis Reading Room (CLRR). In the spirit of celebrating this ever expanding archive of beautiful and critical publications, there will also be a short presentation on our new initiative Fresh Milk Books, introducing the team and sharing ways in which the public can get involved with this space for the interactive exploration of the CLRR.

FRESH MILK XVI takes place Thursday, June 26, 2014 from 6:30-8:00 pm at the Fresh Milk Studio, St. George (directions can be found here) and is free and open to the public.

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About See Me Here

See Me Here is the second book in R&C’s thematic explorations of contemporary art in the Caribbean – it follows the imprint’s successful first title, Pictures from Paradise (2012), which was picked up for distribution by North America’s most prestigious art book distributor, and is also being made into a major exhibition in Toronto, Canada, in May.

See Me Here calls attention to recent directions in self portraiture throughout the region, by focusing on artists who frequently or significantly use their physical selves, or those to whom they are linked by blood or significant experience, as an avenue for exploration and expression. In so doing, the book asks: How do we really see ourselves? How accurate is the image we present? What formative roles do our cultures and upbringings play? And, what role does the Caribbean as a physical and mental space have in the creation and perception of our own personal, visual identities?

Edited by Melanie Archer and Mariel Brown, See Me Here features a critical essay by Marsha Pearce, and more than 380 images from 25 artists. These works range across a variety of media, from drawing and painting to photography, sculpture, installation and performance. Eleven of these artists – Akuzuru, Ashraph, Susan Dayal, Michelle Isava, Jaime Lee Loy, Che Lovelace, Joshua Lue Chee Kong, Steve Ouditt, Irénée Shaw, Roberta Stoddart and Dave Williams – are from or are based in Trinidad & Tobago. The book’s other artists – Ewan Atkinson, James Cooper, John Cox, Renee Cox, Annalee Davis, Laura Facey, Joscelyn Gardner, Lawrence Graham-Brown, Anna Ruth Henriques, Nadia Huggins, O’Neil Lawrence, Olivia McGilchrist, Sheena Rose, and Stacey Tyrell – are either based in the Caribbean or have ties to the region, which are addressed through their works selected for the book.

About the Presenting Artists

 

Ewan Atkinson:

Ewan Atkinson was born in Barbados in 1975. He received a BFA from the Atlanta College of Art and an MA in Cultural Studies at the University of the West Indies, Cave Hill.  He has exhibited in regional and international exhibitions including the 2010 Liverpool Biennial, “Wrestling with the image: Caribbean Interventions” at the Art Museum of the Americas in Washington DC, and “Infinite Islands” at the Brooklyn Museum in New York.

Atkinson is the coordinator of the BFA in studio art at the Barbados Community College where he co-founded the Punch Creative Arena, an initiative for creative action based in the college gallery. An arts educator for over a decade, he is also on the executive board of Fresh Milk, a Caribbean non-profit, artist-led, creative support organization. Atkinson also works as a freelance illustrator and designer.

Annalee Davis:

Annalee Davis is a Visual Artist living and working in Barbados. She has been exhibiting her work regionally and internationally since 1989. She works part-time as a tutor in the BFA programme at the Barbados Community College.

Her explorations of home, longing and belonging question parameters that define who belong (and who doesn’t) in contemporary Caribbean society, exposing tensions within the larger context of a post-colonial history while observing the nature of post-independent (failing?) Caribbean nation-states.

In 2011, Annalee founded and now directs the artist-led initiative The Fresh Milk Art Platform Inc. An experiment, a cultural lab and an act of resistance, Fresh Milk supports excellence among contemporary creatives in the Caribbean, its diaspora and internationally.

 

Joscelyn Gardner:

Joscelyn Gardner was born in Barbados and lived there until 2000 when she moved to Canada. She now teaches Fine Art at Fanshawe College in London, Ontario, and works as an artist between Canada and the Caribbean. She holds an MFA degree from the University of Western Ontario and her work has been exhibited widely in solo exhibitions in the USA, Canada, Spain, and the Caribbean, and in numerous international exhibitions including the Sao Paulo Biennials and major European and Latin American printmaking biennials.

Recent awards include the Biennial Grand Prize at the 7th International Contemporary Printmaking Biennial in Quebec (2011), awards at the Open Studio National Printmaking Awards (Toronto, 2012) and the 22nd Maximo Ramos International Biennial Award for Graphic Arts (Spain, 2012), and a Canada Council for the Arts grant for a major research project in the UK (2013). Gardner’s work is found in many public and private collections and can be viewed on her website.

Sheena Rose:

Born in 1985, Sheena Rose has a BFA from the Barbados Community College. Rose’s work is comprised of hand drawn animation combined with photographs, mixed media, transfers and comic strips. The animations have a surreal quality and deal with daily life, space and the stereotype of her country.

Rose has exhibited extensively, both regionally and internationally. Her work has been shown at Real Art Ways, Hartford Connecticut, Queens Museum, New York, Uitnodiging Amsterdam, Holland, Havana Biennial, Cuba, ACIA, Madrid, Spain, Art Museum of the Americas, Washington, D.C, Greatmore Art Studios, Cape Town, SA, International Curator Forum, Bristol, England, CMAC, Martinique, Museo de Arte, Contemporaneo de Puerto, Puerto Rico, Kentucky Museum of Art & Craft, Kentucky, US, Aruba Biennial, Aruba, Panama Biennial del Sur, Panama and Alice Yard, Port of Spain, Trinidad.

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About Robert & Christopher Publishers

Robert & Christopher Publishers (R&C) is a Trinidad-based art book imprint. R&C’s primary concern in its art series is to produce quality books that document and elucidate our Caribbean story, as seen through the eyes of Caribbean artists. R&C aims to produce the highest quality of relevant art books that will be accessible to a wide reading and creative audience in Trinidad and Tobago, the Caribbean and internationally.

Robert & Christopher’s mission is to help open up critical dialogue for and amongst Caribbean people, and to explore and record the work of regional artists from a local perspective. By keeping a low price point on all their titles, R&C aims to create go-to texts that are accessible to artists, students of art, art lovers, and critics within the region. And, by maintaining high intellectual and production standards, R&C aims to appeal to international art and publishing markets.

In addition to See Me Here, Robert & Christopher has also published: Pictures from Paradise: A Survey of Contemporary Caribbean Photography, Che Lovelace: Paintings 2004 – 2008, Meiling: Fashion Designer and Barbara Jardine: Goldsmith.

Cherise Ward ‘My Time’ Residency – Puppet Building Workshop

PuppetWrkshp16For my community outreach for the residency, I decided to do a 3 hour Puppet Building Workshop with students from Workmans Primary. The students were from both Class 3 and Class 4.

As part of my preparation, I made a test puppet. I wanted it to be a simple hand puppet that I thought the students would be able to make themselves. I used fabric, felt and construction paper.

On the day of the workshop, I had the assistance of Fresh Milk volunteers Versia and Ronald, and they were a great help.

I started by teaching the students about 3 different types of puppets, and doing a brief demonstration of how they worked using puppets I have made. They took notes, and were interested in trying to operate the puppets themselves. Then we got started making their hand puppets.

The students cut out their templates for the glove part of the puppet, and traced them onto the fabric, and we helped them cut and glue the fabric. They drew the designs for their puppets, and then cut the shapes for the heads and hands, and decorated them using felt, paper, and crayons.

The workshop was really well received. The students were enthusiastic, and excited about the puppets, and we had a great time. Thanks to Versia and Ronald for their help as well as Annalee and the teachers at Workmans Primary.

Follow Cherise on Tumblr for updates on her residency & practice.