Fresh Milk/Healing Arts Initiative: Call for Artworks #1

The Fresh Milk Art Platform, Future Centre Trust, Environ Ltd (Adopt A Stop Barbados) and The Healing Arts Initiative in partnership with CULTURUNNERS as part of the World Health Organization are pleased to welcome proposals by Barbadian-based contemporary artists for the design of new works to be incorporated into one rain shelter and two benches for installation on the Barbados Trailway Project.

IMPORTANT DATES for PHASE 1:

Open Call Announcement: January 25th, 2022
Submission of Proposal Deadline: March 19th, 2022
Jury Review of Proposals: March 22nd – April 2nd, 2022
Artists Informed: April 6th, 2022
Public announcement of results: April 12th, 2022
Production of new works: April 12th – May 28th, 2022
Submission of completed works: May 28th, 2022
Production and installation of works: May 31st – June 25th, 2022


ABOUT THE PROJECT:

This project recognises the role of the arts sector in addressing the growing mental health crisis caused by the COVID-19 pandemic, followed and further impacted by the La Soufriere volcanic eruption and Category 1 Hurricane Elsa.

The pandemic and occurrence of natural disasters have reminded us of the value of green spaces and the natural environment to enhance our physical, mental and spiritual wellness. It is well known that people, and children in particular, recover better and flourish in the outdoors. While Barbados is blessed with many beaches where locals can recreate, there isn’t enough variety of safe outdoor recreational activities promoting active mobility for young people and families.

The Future Centre Trust has been working for some time to repurpose the historic train line located in the south-central part of the island in the St. George Valley.

With the support of the Healing Arts Initiative, Fresh Milk is pleased to be collaborating with the Future Centre Trust and Environ Ltd (Adopt A Stop Barbados) to work with local artists and to strategically install these artistic interventions on the trailway as a linear outdoor exhibition opportunity, giving artists a chance to contribute to this dynamic and highly anticipated public project.


Healing Arts launched in 2020 under the auspices of the World Health organization as part of The Future is Unwritten, a global initiative calling for urgent cooperation between the Arts Sector and United Nations Agencies in order to amplify and accelerate implementation of the UN Sustainable Development Goals, the most ambitious and comprehensive global development plan in human history. With leading UN Agencies describing the recent pandemic as nature’s first ‘warning shot’ to civilizations playing with fire, global cultural action that contributes to the envisioning and shaping of a more resilient, healthy and sustainable future is now more urgent than ever.

Established as part of the United Nations’ 75th Anniversary Programme (UN75) and Decade of Action, Healing Arts 2020-2030 is produced in 2022 by CULTURUNNERS and Arts & Health @ NYU under the secretariat of the World Health Organization’s Arts and Health Program.


SUBMISSION REQUIREMENTS:

●  Must be work from artists living and working in Barbados;
●  Must be new work produced for this commission;
●  Rain shelter signs dimensions will be 4’ x 6’, landscape orientation with a ¾” bleed;
●  Bench sign dimensions will be 21” x 72,” landscape orientation with a ¾” bleed;
●  Artists can apply for both projects but may only be awarded one commission.


How to Apply:

●  Application forms must be submitted through the Google forms portal here;
●  Proposals must be formatted and uploaded to the form as ONE PDF including:

A description of the proposed work specifically responding to the call (500 words max);
2-3 concept sketches/work samples (embedded in the PDF);
A bio (200 words max);
A portfolio of 5 previous works (fully captioned).

●  Submissions should be titled as follows:
Surname_First Name_Healing_Shelter OR
Surname_First Name_Healing_Bench

Submissions that do not conform to this requirement will not be reviewed. Each separate project proposal must be submitted as a new application form.

CLICK HERE TO SUBMIT YOUR PROPOSAL!

If selected, final artworks must be submitted as files via WeTransfer, following the below guidelines:


SELECTION PROCESS:

The selection process will be led by Fresh Milk in collaboration with representatives from the three partner entities who will contribute to the review and selection process through a roundtable conversation to select works which align with the project overviews and the mission of the Healing Arts Initiative stated above. A total of three artists will be selected from this open call (one artist for the rain shelter, and two artists for the benches).


WHAT THE PROJECT OFFERS:

●  The selected artist for the shelter will receive an artist fee of $2,000.00 USD;
●  The two selected artists for the benches will each receive an artist fee of $1,000.00 USD;
●  Artists’ work will be showcased and promoted on all partner’s websites;
●  Artists’ work will be permanently installed on the Trailway and become property of the Trailway project;
●  The artists’ profile will be permanently housed on the Fresh Milk and partner websites, and their work will be widely promoted throughout Fresh Milk and partner’s networks.

DEADLINE FOR SUBMISSIONS: MARCH 19TH 2022


About the Partners:

CULTURUNNERS produces cross-cultural campaigns, exhibitions and journeys, promoting peace-building & sustainable development through art. Launching at MIT in 2014, CULTURUNNERS’ first project was a multi-year artists’ road-trip broadcasting between the United States and the Middle East. It has since grown to encompass large-scale cultural exchange and diplomacy projects, an artist-led media platform, artists’ spaces and partnerships with institutions around the world.


Fresh Milk is an artist-led, non-profit organisation founded in 2011 and based in Barbados. It is a platform which supports excellence in the visual arts through residencies and programmes that provide Caribbean artists with opportunities for development, fostering a thriving art community.

Fresh Milk offers professional support to artists from the Caribbean and further afield and seeks to stimulate critical thinking in contemporary visual art. Its goal is to nurture artists, raise regional awareness about contemporary arts and provide Caribbean artists with opportunities for growth, excellence and success.


The Future Centre Trust is a non-governmental organisation focused on raising awareness of environmental impacts to Barbados and the planet with a vision to be “a catalyst for sustainable living today and tomorrow”.  It is the main executing entity for the Barbados Trailway Project – a paved bicycle and pedestrian path located primarily on right-of-way lands of the former Barbados Railway.

This network of multi-purpose walking, hiking, running and cycling trails will provide year round recreational access for both locals and visitors, considerably expanding much needed public green space on the island.


For the past 25 years, Adopt A Stop has provided regional and international companies with a unique opportunity to display their products and services on bus shelters and benches in Barbados. The concept for Adopt A Stop was created by Barbadian Barney Gibbs while studying at Cambridge University. The project was then introduced to the island in 1993 as a socially-conscious way to provide a much-needed amenity. The priority was tropical designs constructed with local materials, placed at prime locations to give maximum impact.

The traveling public has embraced the project. The medium provides popular seating and shade for users; while increasing traffic rates mean drivers and passengers are frequently stopped in front of sponsor’s signage.

Fresh Milk & the NCF launch three Digital Public Artworks

The Fresh Milk Art Platform, with support from the Cultural Industries Development Fund of the National Cultural Foundation of Barbados, has launched three Digital Public Arts Projects featuring works by local artists! Congratulations to Joshua ClarkeMohita Shenoy and Chris Welch, whose artworks are now exhibited on the Fresh Milk ArtBoard, a mural at St. George’s Primary School and a Fresh Stops Bus Shelter respectively!

Now more than ever during the global limitations we are facing in light of the COVID-19 pandemic, it is critical to think about how we as a society value the work of artists. Fresh Milk and the NCF seek to empower creatives and stimulate the creative economy in the island, especially during this very challenging moment, and are thrilled to have engaged with a range of artists at different stages of their careers and working across a variety of media including illustration, graphic design, photography and artificial intelligence to name a few.

Joshua Clarke on his piece:

“…The two works [I incorporated are] the Nelson’s History piece that tracks his personal story from young sailor to figure of heroism and horror in duality in the English Caribbean, and the Statue Fallen piece that draws on space opera & science fiction imagery to see the scar of Nelson’s idolatry rent asunder from the figure representing the island of Barbados. My hope [is that the piece] arrests the viewer as something simultaneously otherworldly but relentlessly Caribbean, pulling the dynamic color from the painting and the complex linework from the illustrative piece for a pop poster mashup that takes my two artistic directions and combines them in a way that can be communicated on a large scale.”

Mohita Shenoy on her piece:

“…Since lions are the mascots of [St. George Primary] school, I had the idea that the lions being portrayed are a sort of symbol, a spirit of the school that goes wherever the students go in life. The boy is shown to be reading (academics). The lion alongside him patiently allows him to lean against him, supporting him in his studies. The girl in the middle is playing soccer (sports), the lion cub at her side runs with her, again a symbol of moral support. The girl on the right is dancing (the arts). The lioness accompanying her winds around her, as if it wants to dance in support too.”

Chris Welch on his piece:

“…AI Chattel is a model that dreams of Bajan architecture, connecting the past, present and future of these unique structures. AI Chattel bridges the gaps between art, technology, culture and architecture. Machine Learning (ML) is the study of computer algorithms that improve automatically through experience … I used an image dataset of 2500 chattel house images from around the island to train a Style GAN 2 (Generative Adversarial Network) model. The objective of this project is to show an important and yet mostly forgotten characteristic about architecture; architecture is alive, lives among us and is capable of stimulating our senses.”

There is also a QR code embedded in Chris’ work on the bus shelter, and the public is invited to scan it to learn more and to see the video component of his AI Chattel series.

This project is made possible in part by the Cultural Industries Development Fund of the National Cultural Foundation of Barbados. Special thanks to Colour XL for the printing and installation of the mural and ArtBoard, and to Adopt A Stop for the construction of the bus shelter.

Announcing Selected Artists for Digital Public Arts Projects!

The Fresh Milk Art Platform, with support from the Cultural Industries Development Fund of the National Cultural Foundation of Barbados, shares the results of our open call for Barbadian visual artists whose works will be on display for three exciting public art projects. Congratulations to Joshua Clarke, Mohita Shenoy and Chris Welch, whose artworks will be exhibited on the Fresh Milk ArtBoard, a mural at St. George’s Primary School and a Fresh Stops Bus Shelter respectively!

Their works will be installed during the month of May, so stay tuned for updates, messages from the artists and images of the completed works!

Learn more about the artists and their proposed artworks below.


About Joshua Clarke:

Joshua Clarke is a graduate of the Barbados Community College with a BFA in Graphic Design. He has worked in game development as a character, environment and concept artist (Le Loupgarou), as sequential artist on graphic novels (Power in the Blood GreenBook Comics 2020) was a semifinalist in the Kingstoon Pitch Competition (Junkyard Dragon 2019) and is the winner of the first Black Celebration in the Future art contest (2020) and CATAPULT SHAR Awardee (2020). A childhood spent reading has given him a lifelong love of storytelling and an inability to put the pencil down has drawn him inexorably to his career in illustration and concept art. A student of culture and history he attempts to capture that same joy and wonder of the stories that inspire him while ensuring representation of the fullness of Blackness in his work. His work shows a particular focus on Afrofuturism and Afrofantasy as he seeks to claim space for diasporic Afro Caribbean identity in the stories that shape our collective imagination.

Excerpt from ArtBoard Proposal:

“…In my work I try to create visuals that strike people on an entertaining level, but nevertheless resonate deeper as they take the time to look closer. The two works I’d seek to incorporate would be the Nelson’s History piece that tracks his personal story from young sailor to figure of heroism and horror in duality in the English Caribbean, and the Statue Fallen piece that draws on space opera & science fiction imagery to see the scar of Nelson’s idolatry rent asunder from the figure representing the island of Barbados. My hope would be to have a piece that arrests the viewer as something simultaneously otherworldly but relentlessly Caribbean, pulling the dynamic color from the painting and the complex linework from the illustrative piece for a pop poster mashup that takes my two artistic directions and combines them in a way that can be communicated on such a large scale.”


About Mohita Shenoy:

My name is Mohita Shenoy, born and raised in Barbados. I’ve loved drawing for literally as
long as I can remember. This love is what drove me to study art up to CAPE level in
secondary school. However, my experience in digital art is almost entirely self-taught. I
ended up pursuing digital art since then, selling my artwork (as posters, t-shirts, keychains,
stickers) at AnimeKon Expo from 2016 – 2018, and then doing commission work as a
graphic designer from then onwards. In 2020, I decided to upgrade my skills by taking online
classes in Photoshop.

Excerpt from Mural Proposal:

“…St George Primary School takes pride in its students, whether it be in their feats on the athletics field or on the dance floor. Being a school, of course, academics play a role as well. Therefore, I chose these three fields to portray my idea.

In the first concept sketch, I drew three students, a boy, and two girls, alongside a lion, lion cub and lioness, respectively. Since lions are the mascots of the school, I had the idea that the lions being portrayed are a sort of symbol, a spirit of the school that goes wherever the students go in life. The boy is shown to be reading (academics). The lion alongside him patiently allows him to lean against him, supporting him in his studies. The girl in the middle is playing soccer (sports), the lion cub at her side runs with her, again a symbol of moral support. The girl on the right is dancing (the arts). The lioness accompanying her winds around her, as if it wants to dance in support too.”


About Chris Welch:

Chris Welch is a photographer and new media artist, his style is characterized by vibrant and energetic imagery. Working with code he creates generative art and interactive installations, which explore the intersection of art and technology, artificial intelligence and the aesthetic potential of computational systems.

His work has been shown at the Los Angeles Center for Digital Art (LACDA), LightboxNYC, Village Gallery at the Crane, Grove Gallery Limegrove and the Gallery of Caribbean Art. His clients and credits include US Soccer, Brian “de Action Man” Talma, Caribbean Development Bank, Sandals Barbados, Innovate Barbados and the National Transformation Initiative.

Excerpt from Bus Shelter Proposal:

“…AI Chattel is a model that dreams of Bajan architecture, connecting the past, present and future of these unique structures. AI Chattel bridges the gaps between art, technology, culture and architecture. Machine Learning (ML) is the study of computer algorithms that improve automatically through experience. It is seen as a subset of artificial intelligence. ML algorithms build a mathematical model based on sample data, known as “training data”, in order to make predictions or decisions without being explicitly programmed to do so.

I used an image dataset of 2500 chattel house images from around the island to train a Style GAN 2 (Generative Adversarial Network) model. The objective of this project is to show an important and yet mostly forgotten characteristic about architecture; architecture is alive, lives among us and is capable of stimulating our senses.”


This project is made possible in part by the Cultural Industries Development Fund of the National Cultural Foundation of Barbados

Open Call: Digital Public Art Projects

The Fresh Milk Art Platform, with support from the Cultural Industries Development Fund of the National Cultural Foundation of Barbados, shares an open call for Barbadian visual artists to submit digital pieces* for consideration for three exciting public art projects:

(i) the Fresh Milk ArtBoard;
(ii) a Fresh Stops bus stop bench and shelter at St. George’s Primary school and;
(iii) a mural at St. George’s Primary school.

One artist will be selected for each project, and each successful applicant will receive a fee of $1,100.00 BBD!

For the purposes of this call, “digital” work can also include drawing, painting and other two dimensional media, once the artworks can be photographed or scanned at a high enough resolution to be printed at good quality at the sizes outlined for each project.

Submissions for all three projects will be reviewed by the Fresh Milk Team and an independent jury member. The application requirements are as follows:

 

(i) The Fresh Milk ArtBoard

  • Artists must be Barbadian and Barbados-based;
  • 2-3 concept sketches/work samples must be sent as digital files (JPG, PNG, PDF, TIF or PSD);
  • The concept sketches/work samples and a Word document/PDF containing a statement about the proposed work (no more than 350 words), a bio (no more than 250 words) and contact information (full name, preferred artist name, phone number, WhatsApp contact, address, social media handles and website if applicable) should be sent to freshmilkbarbados@gmail.com. This can also be done via WeTransfer;
  • If chosen, the final digital artwork must be very high resolution, and able to be printed clearly at the size 90” w x 90” h.

(ii) A Fresh Stops Bus Shelter

  • Artists must be Barbadian and Barbados-based;
  • 2-3 concept sketches/work samples for three pieces of work (one for the back of the bench and the other 2 for the two sides of shelter’s side panel) must be sent as digital files (JPG, PNG, PDF, TIF or PSD);
  • The concept sketches/work samples and a Word document/PDF containing a statement about the proposed work (no more than 350 words), a bio (no more than 250 words) and contact information (full name, preferred artist name, phone number, WhatsApp contact, address, social media handles and website if applicable) should be sent to
  • freshmilkbarbados@gmail.com. This can also be done via WeTransfer;
  • If chosen, the final digital artworks must be very high resolution, and able to be printed clearly at 82” w x 24” h (back of bench) and 24” w x 48” h (shelter side panel). Wherever possible, supply the original Illustrator or Photoshop file. Please view the dimensions guide for the shelter here for clarity.

(iii) Digital Mural at St. George Primary School

  • Artists must be Barbadian and Barbados-based;
  • 2-3 concept sketches/work samples must be sent as digital files (JPG, PNG, PDF, TIF or PSD);
  • The setting of the artwork at a public primary school should be considered in the design of the work. The St. George Primary School students referred to themselves as “lions”, reflecting their enviable position as national athletic champions as well as their excellence in Latin and ballroom dancing. Proposals reflecting the school’s continual striving for excellence will be welcomed;
  • The concept sketches/work samples and a Word document/PDF containing a statement about the proposed work (no more than 350 words), a bio (no more than 250 words) and contact information (full name, preferred artist name, phone number, WhatsApp contact, address, social media handles and website if applicable) should be sent to
  • freshmilkbarbados@gmail.com. This can also be done via WeTransfer;
  • If chosen, the final digital artwork must be very high resolution, and able to be printed clearly at the size 96” w x 30” h.

Selected artists will receive their $1,100.00 BBD fee in two instalments, a 40% deposit on selection and 60% on installation of the work. Once selected, all three artists will be asked to submit supporting images of their work and process, as well as a brief video message (no more than 90 seconds) which will be included in promotional material to be shared on the Fresh Milk and NCF website and social media platforms. 


Deadline for all submissions: April 16th, 2021

Successful applicants will be notified by April 26th, 2021, and the completed artwork must be submitted by May 15th, 2021 for printing and installation.


This project is made possible in part by the Cultural Industries Development Fund of the National Cultural Foundation of Barbados

Fresh Milk’s 2020 Highlights

Thank you for your continued support of Fresh Milk!

While it’s taken us a little while to share our reflections on the year 2020, we’re pleased to celebrate what we have been able to achieve in spite of the challenges that cultural workers everywhere have had to navigate.

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Still reeling from the COVID-19 pandemic, the virus has made our already precarious cultural sectors here in Barbados and across the wider Caribbean even more fragile. We have been challenged to find new ways to nurture one another, and Fresh Milk has participated in collaborations that have been beneficial to many artists in the region.

To learn more about the work we have done including CONTESTED DESIRES – an ongoing partnership with artist initiatives in the UK, Portugal, Spain, Cyprus and Italy; working with Le Centre d’Art in Haiti on a residency exchange programme; the most recent Tilting Axis Fellowship in partnership with Het Nieuwe Instituut in the Netherlands; or the pan-Caribbean CATAPULT project in partnership with The American Friends of Jamaica (AFJ) and Kingston Creative, see more below!

For 2021, Fresh Milk remains committed to delivering virtual editions of the programmes Caribbean Linked and Transoceanic Visual Exchange (TVE). These online platforms will unite artists across linguistic territories in the region, as well as expand our work with colleagues in Latin America.

If you would like to support artists participating in Caribbean Linked and TVE, or would like to lend support to the management of these various projects, go ahead and click on the donate button below! It’s very easy to support us and the artists we work with by making a donation through this PayPal link. Your contributions make our programmes possible, and gifts of any size are welcome.

While our artist residency programme is on pause now that we have honoured all previous commitments, we look forward to sharing an open call for a local project with three exciting components, which will take place right here in Barbados, in the parish of St. George.

Stay tuned for more details!

  If you’d like to work with us to build your art collection by acquiring work by local and Caribbean artists, please get in touch.

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We would like to thank everyone who worked with us, supported us, and express gratitude to the many artists who we have had the privilege of working with across the Caribbean during this very demanding year.

We are pleased to be able to share our 2020 reflections with you all and hope you enjoy this newsletter.