Cherise Ward’s Residency – Week 2 Report

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Experiments with Clay

Week 2 of the residency was the beginning of my sculptural explorations. I wanted to explore the idea of building functional sculptures inspired by my illustration concepts, so I spent this week experimenting with clay. Growing up, I was always making things with my hands, and clay was something my mother would buy for me to sculpt with. The last time I sculpted anything with clay was about 3 or 4 years ago and I was very excited to use this time to work with it again, and learn more about ceramics.

During the first week, Annalee introduced me to Juliana Innis, a local Artist. Juliana gave me many tips, sharing information about her own work and firing technique, as well as information about mixing glazes.

Over the weekend I bought some local clay. I spent the first day brainstorming, sketching ideas, and doing research.  In The Colleen Lewis Reading Room, I found two very interesting books on ceramics. One called Japanese Ceramics Today, which had a lot of interesting information and images; and the second book, Handbuilt Ceramics, included techniques such as pinching and coiling.

When I started sculpting, I had an idea of what I wanted to make based on my sketches. I worked through the initial uncertainty, and enjoyed the process and the exploration. As I continued working, the initial idea evolved.

The first finished piece is a vase.

I’ve started a second piece, and I’m excited to see what the finished product will look like.

On Saturday, I went on a family excursion to Chalky Mount, St. Andrew, where we had the opportunity to meet the potter John Springer. John spoke about our local clay, and demonstrated the use of the potter’s wheel. He also showed us his kiln, and explained how it functioned.

Follow Cherise on Tumblr for more updates on her residency & practice.

A Review of FRESH MILK XV – The Age of Infobesity

Visual artist Ronald Williams reviews Fresh Milk’s last event, FRESH MILK XV, which took place April 10, 2014 at The Milking Parlour Studio.

Photographs by Dondré Trotman.

McLean Greaves presenting 'The Age of Infobesity'. Photograph by Dondré Trotman.

McLean Greaves presenting ‘The Age of Infobesity’. Photograph by Dondré Trotman.

On Thursday April 10th, McLean Greaves, renowned media industry veteran took centre stage at FRESH MILK XV. He presented a brief, but ironically informative, lecture entitled ‘The Age of Infobesity’. Derived from the medical condition obesity, where there is an unhealthy excess of body fat, infobesity refers to an overabundance of information which can have dire physical and cognitive effects.

According to McLean, when we gain information it triggers a high reward center in our brains—the same area that responds to pleasurable stimuli like food and sex. This combination of high reward value and the availability of social media devices make information extremely addictive. Our information craving is evident in everyday life; from hours spent obsessively playing social media games to the average office worker checking their email 30-40 times an hour.

The fact that the media industry is well aware of our addiction and readily exploits it is perhaps more disturbing. It is now widespread knowledge that many, if not all of our online activities are being observed, but the internet itself is designed to distract us. The time spent on sites, the amount of words most likely to be read on a page, the most click-worthy zones on our screens; it is all monitored. McLean states that as a result, the search engines, pop-ups and pop-unders are tailored to suit our individual internet presence, as if catered by some omnipotent being.

However, he is quick to point out that this godlike entity is one of a sinister nature. Given the statistics he presented, I would have to agree with him. The average attention span of humans has fallen 33% since 2000, from 12 seconds to 8 seconds – To put that into perspective, a goldfish’s attention span is 9 seconds long. McLean continues to say that not only has our ability to focus been affected, but our face to face social interactions have suffered as well. Just 5 hours of internet surfing changes the way the brain works, with the decision making and problem solving areas of the brain showing less activity.

Furthermore, according to McLean, the average American teen owns 6.7 devices (slightly less for the Caribbean) and is almost constantly connected to the information network, making them the most susceptible to the effects of infobesity. Quite understandably, as this is the internet age—the only age many young people have grown up in—the older generation’s attention span is more resilient than that of the youth. Needless to say, this does not bode well for the future as projected productivity levels will decrease while stress levels increase. However, the situation does not need to be tragic, as solutions lie in the problem.

There are various programs which control and monitor the time expended on computer activities, and while still controversial, video games have shown promise in the effort to increase the attention span in children. Like any addiction, or even a medical condition like obesity, it takes time and discipline to correct. As we are well into this age of infobesity, it would seem wise to utilize the technology to solve our problems, rather than fight a seemingly unwinnable war.

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About Ronald Williams:

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Born in Bridgetown, Barbados in 1990, multimedia artist Ronald Williams developed an interest in art from a very young age.  His art education in the Barbados Community College’s Fine Arts program forced him to view art as a powerful cog in society. Currently, Williams’ work focuses on race and sociology, investigating how sports and the black athlete fit into popular culture. Ronald manipulates popular imagery to compose computer generated images, using digital collage to speak about a multiplicity of issues, i.e. society’s perceptions, stereotypes, fantasies and various nuances about the black athlete.

Cherise Ward’s Residency – Week 1 Report

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“A Journey of the Imagination”

Before starting the residency, I attended a talk at Fresh Milk by three artists who spoke about their residency experiences. After hearing these, I was determined to start the residency (my first) with a clear mind and willingness to embrace new ideas.

Day one of the ‘My Time’ residency started with a talk with Annalee, where we discussed my intentions for how I will spend my time, and emphasised the importance of experimenting and exploring ideas over the necessity of producing finished work. I had a tour of the facilities, and then I took some time to explore the expansive grounds. Fresh Milk has a lot of space to explore: cows, chickens, the sounds of birds, breeze, plants, trees, flowers, and a swing. It was very easy to feel relaxed, and with a clear mind, I was excited to get started.

On that first day, Annalee recommended a few books for me to look through. One of them, The Art of James Christensen: A Journey of the Imagination perfectly summed up my intentions for how I will spend my time during the four weeks at Fresh Milk.

My plans for this residency included developing ideas for a story, and using this as the main inspiration for sculptural explorations. Week one of the residency was spent fleshing out the pages of the story. The idea was inspired by a fairytale I read for a class a number of years ago, called ‘The Doll in the Grass.” In this story, the doll falls into the water, and when she is brought to the surface, she has been transformed into a real girl. My story follows the adventures of this doll. Throughout her adventures, she is deep in thought. She laments about being made of wood, wanting to fall in love, wondering if she can without a real heart that beats, and finally, wishing she was a real girl. She is so caught up in her own thoughts that she does not realize that she is being followed by a real boy.  The story reflects the importance of being present in your life, as there is a lot you can miss out on when you are caught up on what was, or what you wish could be. (This story has a happy ending).

The imagery of the story is very much influenced by Fresh Milk’s surroundings. My work in general is inspired by nature, and there was so much to be inspired by. I decided to make the grounds of Fresh Milk her environment in the story. So this is where much of her journey takes place.

For the illustrations, I used acrylic ink on watercolour paper. This story, and these illustrations, will be the inspiration for the sculptures/puppets/toys I will work on/experiment with/explore in the coming weeks.

Follow Cherise on Tumblr for updates on her residency & practice.

FRESH MILK XIV: Versia Harris’ Presentation

Versia Harris giving her presentation. Photo by Dondré Trotman.

Versia Harris giving her presentation. Photo by Dondré Trotman.

Fresh Milk invites you to view this two-part video documentation of a presentation by Versia Harris, who spoke about the value of artist residencies at our public event FRESH MILK XIV, which took place March 20, 2014.

About Versia:

Versia Harris is a Barbadian artist living and working in Weston, St. James. She graduated from the Barbados Community College with a BFA in the Studio Art programme in 2012, with an award from The Leslie’s Legacy Foundation. She participated in her first local residency with Projects and Space in 2011. Within the past year she has completed four residencies, beginning with a local residency at Fresh Milk, followed by her first international residency at the Vermont Studio Center, and two regional residencies at the Instituto Buena Bista, Curacao and Alice Yard, Trinidad in late 2013. In her work, Versia tackles perceptions of fantasy in contrast to the reality of her original character. She uses Adobe Photoshop to manipulate her pen drawings to create the animations.

Take a look at the videos below:

FRESH MILK XIV: Nick Whittle’s Presentation

British-Barbadian artist Nick Whittle delivering his presentation. Photo by Dondré Trotman.

Nick Whittle giving his presentation. Photograph by Dondré Trotman.

Fresh Milk invites you to view this two-part video documentation of a presentation by Nick Whittle, who spoke about the value of artist residencies at our public event FRESH MILK XIV, which took place March 20, 2014.

About Nick:

Nick Whittle is a Barbadian/British artist. His work is that of a diarist: regardless of scale or medium his practice explores geographical and historical encounters. Through a stream of consciousness process, he reveals feelings of alienation and connectedness. Much of his work is inspired by what was once described as “an ongoing interest in the narrow strip of land between high and low water.” His practice is interdisciplinary and encompasses sculpture, poetry, video, installation, painting and printmaking. He has recently concluded a residency program at the Instituto Buena Bista in Curaçao.

Take a look at the videos below: