The NCF and Fresh Milk in collaboration with Casa Tomada present ‘fresh casa’

fresh casa flyer - English

The National Cultural Foundation (NCF) and the Fresh Milk Art Platform Inc., in collaboration with Casa Tomada of Sao Paulo, Brazil present fresh casa which will take place in Sao Paulo from September 14th – 21st 2013. The project has three goals. Firstly, two young Barbadian artists, Shanika Grimes and Katherine Kennedy will participate in a mentoring programme hosted by Casa Tomada and focussing on the professionalization of artists, which will see the presentation of their art work as the focus of their one week intensive residency experience.

Grimes and Kennedy will be mentored by Brazilian arts professionals including professors, curators and critics, who are regularly engaged with Sao Paulo based creatives who focus on Performance Art, Sculpture and Installation. In addition, the young Barbadian artists will interact with Brazilian artists currently working out of Casa Tomada. At the end of the week, the Barbadian artists will make an oral presentation about their practice to a local Brazilian audience.

Secondly, Barbadian artist Evan Avery will design a graphic to be installed as an adhesive decal into Casa Tomada’s ‘A Casa Recebe’ – a street facing window which presents works by visual artists working in Brazil and internationally.

Thirdly, in a programme designed collaboratively by Fresh Milk and Casa Tomada for senior officials at the NCF, the artists will visit contemporary art spaces and meetcritics, gallerists and curators, allowing both the officials and the artists to gain an understanding of the contemporary art space in Sao Paulo. For example, they will attend the opening of ‘30 x bienal- Transformations in Brazilian art from the 1st to the 30th edition’ at Parque Ibirapuera, the home of the Sao Paulo Bienal.  Visits to contemporary commercial galleries, informal artist led initiatives, as well as museums, will form part of the dynamic programme.

Finally, a tour of Videobrasil will be coordinated for NCF delegates and the young artists. Videobrasil was present at the recently hosted e-Create symposium in Barbados last April. They are dedicated to the fostering, dissemination and mapping of contemporary art, as well as the public cultural promotion and exchange between artists, curators and researchers. Videobrasil devotes special attention to the production of the geopolitical South and supports an active network of international corporations which now include working with Barbadian entities to open up opportunities for Caribbean creatives.

Delegates from the NCF include the Chief Cultural Officer, Mrs Andrea Wells, Corporate Communications Specialist Ms Simone Codrington and Senior Business Development Officer, Ms Alison Sealy-Smith. fresh casa is funded by the Art and Sport Promotion Fund, Ministry of Finance, Barbados.

About Shanika Grimes:

shanika portrait

Shanika Grimes completed her Bachelor of Fine Arts at the Barbados Community college in 2012, while juggling the birth of her now two year old son. She displayed a proficiency in the arts from a very young age despite the pull of the business oriented society in which she lives. Shanika works in a variety of two dimensional formats and has more recently extended her practice to the realm of performance art, which is documented and presented through video or photography. She has acquired several gold and silver awards and a nomination for the Prime Minister’s award at Barbados’ national fine arts competition NIFCA. She focuses on an examination of self, which she uses as a catalyst for a barrage of ideas including, but not limited to, gender, culture and relationships.

In January 2013, she took part in a residency at Alice Yard, Trinidad, where she was paired with Trinidadian performance artist Michelle Isava and produced work individually and collaboratively.

About Katherine Kennedy:

katherine kennedy portrait

Katherine Kennedy is an artist and writer. She graduated from Lancaster University, UK with a degree in Creative Arts; her combined major of Fine Art and Creative Writing helped develop her keen interests in both visual and literary pursuits. She has won multiple awards for her artwork and writing in her home Barbados, and has exhibited internationally in London. Since returning home, she has remained immersed in creativity, completing a local artist residency, contributing to ARC Magazine by writing for their online forum and assisting the Editor-In-Chief, and working with the Fresh Milk Art Platform as Assistant to Director. Her visual practice is heavily tied to a sense of place, and often deals with interplay between found organic and inorganic objects, used as a way of asserting cultural identity in different environments.

Katherine travelled to the Instituto Buena Bista (IBB), Curaçao in November 2012 to take part in a two week collaborative project between the IBB and Fresh Milk, and undertook a residency at The Vermont Studio Center in May 2013.

About Evan Avery:

evan avery portrait

Evan Avery is a young, Barbadian artist and a 2012 graduate of the Barbados Community College, receiving a Bachelor’s Degree in Fine Arts. His primary medium is acrylic paint; working with flat, bright colours, he creates compositions with his original characters ‘the Miniis’, which he uses to represent himself or others, as well as events or things of significance in his life. He says there is “no right or wrong way” to read his work, as he wants the viewer to exercise their own imagination in their interpretation:  “The best part about being given an image without a story is in making your own. I create the work for me; it’s up to you to make it yours.”

Evan hopes to create a business, transferring his characters and ideas onto clothing and other objects as a means to share the ‘Miniis’ with people all over the world. “Miniis make people smile, and at the end of the day, that’s what matters.”

About Casa Tomada 

Created in October 2009, Casa Tomada is an independent spaced dedicated to practice, investigation and reflections of artistic nature. The project emerged from the desire to build a space that was a convergence point among the various fields in arts, discussing the hybridism of languages in the contemporary artistic processes. Focused in all the process of production and not just the final artistic product, Casa Tomada encourages the debate of young contemporary art, not only stimulating the development of artistic and theoretical work motivated by the shared experience, but acting as a catalyst space of experiences of connection among artists, art thinkers and other independent initiatives. Casa Tomada’s projects include:

Open Studio: Semester program for young artists and researchers (art criticism, curatorship and art history focus). The program proposes interchange among artists and art thinkers, stimulating one another in their own art production.

The House Hosts: A program that stimulates the interchange of independent art spaces and promotes the broadcasting of artistic publications. It has the objective enhance the relationship networks of these artistic centers with independent ones.

Portfolio’s Cycle: Annual program in which young artists and researchers currently performing in Sao Paulo are invited to present their portfolios taking advantage of the informal infrastructure of Casa Tomada for an open discussion. 

About Fresh Milk

The Fresh Milk Art Platform Inc. is a Caribbean non-profit, artist-led, inter-disciplinary organization that supports creatives and promotes wise social, economic, and environmental stewardship through creative engagement with society and by cultivating excellence in the arts. The idea for Fresh Milk developed over years of conversations with other practicing artists around the need for artistic engagement amongst contemporary practitioners living and working in Barbados, with an expressed need to strengthen links with the region and the diaspora. Fresh Milk bridges the divides between creative disciplines, generations of creatives, and works across all linguistic territories in the region – functioning as a cultural lab, constantly redefining itself. The platform transforms into a gathering space for contemporary creatives who are thirsty to debate ideas and share works through local and international residencies, lectures, screenings, workshops, exhibitions, projects etc.

About the NCF

The National Cultural Foundation (NCF) is a statutory body established by an Act of Parliament in 1983. Its mandate is to oversee the cultural landscape of Barbados.

Mission: To fuel the development of culture through training, research and the creation of opportunities in cultural industries.

The Role of the NCF: The NCF’s two major roles are: developmental and commercial. In its developmental role, the Foundation uses culture as a tool for national development, fostering and supporting the various art forms and new cultural products. In its commercial role, the Foundation is responsible for the promotion, production and hosting of cultural festivals and associated events.

Christmas in August! Beautiful New Additions to the Colleen Lewis Reading Room

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Fresh Milk has just received a new suite of fantastic, informative and beautifully made art books from Phaidon publishers in the UK.

We are very grateful for the support of the Maria Holder Memorial Trust for making this possible, and to Phaidon for such an efficient transaction.

Take a look at us opening our ‘Christmas gifts’, and email us at freshmilkbarbados@gmail.com to set up an appointment to use the freely accessible Colleen Lewis Reading Room.

Studio Conversations With Mariam Zulfiqar And Annalee Davis

Annalee Davis, Portrait of a white creole family, Barbados, circa 21st century - Now You See Me, Now You Don't (2013). Photo credit: Mark King

Annalee Davis, Portrait of a white creole family, Barbados, circa 21st century – Now You See Me, Now You Don’t (2013). Photo credit: Mark King

Join CCA Inspire for the next installment of Studio Conversations on Thursday 15th August at 6.30pm (UK time) 1.30pm (Barbados time) when we will be catching up with curator and Royal College of Art, Curating Contemporary Art Inspire graduate, Mariam Zulfiqar to discuss her research residency in Barbados. Mariam’s research will culminate into a forthcoming exhibition that explores the impact of plant migration on the Barbadian visual and social landscape. Read more here.

We are pleased to announce that Mariam will be joined by Visual Artist, Annalee Davis who is the founder of The Fresh Milk Art Platform Inc., an artist led initiative that contributes to the discourse surrounding creative production within the informal networks of the Caribbean and its diaspora by offering a platform for exchanges among contemporary practioners. Read more here.

Questions from the audience can be sent over via the typechat facility or via web cam broadcast by visiting the Curating Conversations Chat Room.

Studio Conversations is a series of live video linked studio visits with artists and curators. These events aim to give audiences an opportunity to engage in a dialogue with internationally based artists and curators to explore how their practice might be translated within transglobal contexts. Christina Millare, a graduate of the Curating Contemporary Art Inspire MA, has programmed Studio Conversations and will be chairing the event.

About Mariam Zulfiqar:

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Mariam graduated from the Curating Contemporary Art Inspire MA in 2012 during which time she was based at Art on the Underground where she continues to work in a curatorial capacity. Mariam recently curated the online Kurt Schwitters inspired project, MerzBank with Steven Bode for Film and Video Umbrella and is currently on a research residency in Barbados. Her research will culminate into a forthcoming exhibition that explores the impact of plant migration on the Barbadian visual and social landscape.

About Annalee Davis:

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Photo credit: Dondré Trotman

Annalee Davis is a Visual Artist.  She has been making and showing her work regionally and internationally since returning to the Caribbean in 1989.  She is the founder of The Fresh Milk Art Platform Inc., an artist led initiative for exchanges among contemporary creatives supporting interactions across disciplines and contributing to an increasingly rich discourse surrounding creative production within the informal networks of the Caribbean and its diaspora.  She is a part-time tutor in the BFA programme at the Barbados Community College.  For more on her practice, visit www.annaleedavis.com and to view the Fresh Milk blog visit www.freshmilkbarbados.com

Fresh Performance Chapter 4: Performing Love

FRESH MILK in collaboration with Damali Abrams presents Chapter 4 in the Fresh Performance Project: Performing Love

Is there anything left to be said about love that hasn’t already been said? Poets and songwriters have been trying to pin down an apt way to describe love for centuries. Yet that doesn’t stop each generation from making an attempt. Some see love as hokey, trite or cliche and may think that it has no place in contemporary art.

Shanika Grimes and Shani Peters address love in their work in somewhat different ways. Shanika’s work explores familial love from the point of view of a young wife and mother, while Shani’s work is more about her love of Black people and communal progress.

Though Shanika had a wonky internet connection , we had an engaging conversation where she described becoming a wife and mother at age 20. Rather than merely sinking under the weight of these hefty roles, Shanika transformed her circumstances into transcendent art. I think that this demonstrates a great self-love as well. As artists many times our practice is what helps us to cope with situations in our lives that we may not feel equipped to handle otherwise.

Shanika beautifully articulates the pressures of a woman in the Caribbean who chooses to marry and have children. She makes important connections between patriarchy, misogyny, corporal punishment and spousal abuse. Shanika makes it easy to see that when women are viewed as merely food dispensers or the property of their family, it creates an environment where men feel comfortable abusing them (as well as their children).

I chose Shani for this chapter of the documentary because of her amazing project called ‘We Promote Knowledge and Love.’ For this interventionist performance, Shani  and her enlisted volunteers don sandwich boards with the words “We Promote Knowledge and Love” emblazoned on them and hand out fliers with inspirational quotes from legendary thought leaders like Harriet Tubman and Malcolm X. I have participated in this performance in Brooklyn as well as in Harlem for the African American Day Parade and I must say that it is truly a labor of love. Many NYC residents are familiar with the sandwich board flier distributors with fliers that read “We Buy Gold and Diamonds” who work for local pawn brokers. Shani remixed this idea with her own sandwich board performance. During our candid conversation in her Harlem studio, Shani spoke about social justice and activism as acts of love.

It was interesting editing these two artists together and seeing the connections between romantic love, maternal love and love of community. 

Damali Abrams

About Shanika Grimes:

Shanika Grimes completed her Bachelor of Fine Arts at the Barbados Community college, while juggling the birth of her now two year old son. She displayed a proficiency in the arts from a very young age despite the pull of the business oriented society in which she lives. Shanika works in a variety of two dimensional formats and has more recently extended her practice to the realm of performance art, which is documented and presented through video or photography. She focuses on an examination of self, which she uses as a catalyst for a barrage of ideas including, but not limited to, gender, culture and relationships.

About Shani Peters:

Shani Peters is a New York based artist (born in Lansing, MI) working in video, collage, printmaking, and social practice public projects. Her work reflects interests in activism histories, cultural record keeping, media culture, and community building. Peters completed her B.A. at Michigan State University and her M.F.A. at The City College of New York. She has exhibited, screened and/or presented her work in the US and broad, including exhibitions at the Schomburg Center for Black Culture and Research, Bronx Museum of Art, Rush Arts Gallery, the Brooklyn Academy of Music (BAM), The Savannah College of Art & Design, The Contact Theatre (UK), and Seoul Art Space Geumcheon (SK).

She has participated in multiple residencies including programs hosted by The Center for Book Arts, The Lower Manhattan Cultural Counsel, the Lower East Side Printshop, the Bronx Museum of Art’s Artist in the Marketplace program, and apexart’s Outbound Residency to Seoul S. Korea. Peters has taught extensively throughout her Harlem community as an educator and program designer working in New York Public Schools, Harlem Textile Works, Casita Maria Arts Education Inc., The Laundromat Project, and as a social justice arts education adjunct lecturer at The City College of New York.

Fresh Performance Chapter 3: Performance & Power

FRESH MILK in collaboration with Damali Abrams presents Chapter 3 in the Fresh Performance Project: Performance & Power

Power is a complex notion. There are so many systems of power that seem to control our destinies with so many groups feeling oppressed for various reasons.  In American society, which cultural critic bell hooks describes as ‘white supremacist capitalist patriarchy’, power is held foremost by wealthy straight white men. The quality of the institutions we have access to such as healthcare, education, and employment are dependent upon our ability to appeal to those in power for whatever scraps they choose to share with the rest of us.

Thankfully there are many groups and individuals who continue to insist upon quality of life for all people, as there have been throughout history. Many artists utilize performance as a means to confront these systems and speak truth to power. However I think that Ewan Atkinson and Seyhan Musaoglu‘s work challenges systems of power in more subtle ways.

Ewan Atkinson’s work plays on the Caribbean tradition of masquerade. As in the custom of playing mas, Ewan intends to challenge the viewer to step out from the comfort zones of our day-to-day personas. Though he does not view this as a subversive act, I think that challenging our comfort zones is often a great catalyst for personal and collective transformation. Since Ewan’s use of performance is mostly in performative photographs, he is hesitant to call it performance art. Definitions and classifications can be very slippery as we saw in Chapter One of this documentary, Defining Performance. But for the purposes of The Fresh Performance Project, I am interested in art that includes performance of any kind.

Seyhan Musaoglu’s work explores the radical possibilities of sound art performance. I met Seyhan years ago when we both showed our work at Synthetic Zero events at Bronx Art Space. Later she included my work in SØNiK Fest,  a festival of sound, video, interactive media, and live performance that she curates.

Seyhan and I were scheduled to meet up for her interview during the beginning of the Occupy Gezi protests in Turkey. When she told me that we had to reschedule because she was attending daily solidarity protests outside of the Turkish consulate in midtown Manhattan, I decided to film her at a protest. It seemed like the perfect opportunity to document the performance of the power of the people. Though Seyhan is quick to point out that her art is separate from her activism, her work is rooted in feminism and deconstructing elitist art world ideas. She is also a classically trained guitarist who emphasizes the importance of learning the structure of music before experimenting with creating new sounds or noise art. It was especially exciting to be able to include two examples of Seyhan’s sound art as the soundtrack for this chapter of the documentary.

Damali Abrams

About Seyhan Musaoglu:

Seyhan Musaoglu is a multi-media artist whose work spans the fields of live performance, sound art, film and video, and 2-D media. Drawing inspiration from diverse sources ranging from science fiction imagery, to fashion, to modern dance choreography, her work investigates the gap between sound production and music composition, contemporary feminist theory, and the history of avant-garde filmmaking. She has been performing widely with collaborations celebrated internationally in genres of sound and experimental noise. She is also an innovative independent curator, and is the founder of the sound, new media & peformance festival {SØNiK}Fest. Seyhan holds an MFA from Parsons the New School for Design. Some of the venues her work has been presented at are: The Kitchen (NYC), New York Studio Gallery (NYC), Lit Lounge (NYC), Curta 8 Film Festival (Brazil), and Istanbul’s famed venue, Babylon. To see some of her work: http://www.seyhanmusaoglu.com/

About Ewan Atkinson:

Ewan Atkinson was born in Barbados in 1975. He received a BFA from the Atlanta College of Art in 1998 and is currently pursuing an MA in Cultural Studies at the University of the West Indies, Cave Hill.  He has exhibited in regional and international exhibitions of Caribbean contemporary art, including most recently the 2010 Liverpool Biennial, “Wrestling with the image: Caribbean Interventions” at the Art Museum of the Americas in Washington DC, and “Infinite Islands” at the Brooklyn Museum in New York.  Atkinson has taught in the BFA program at the Barbados Community College for over a decade. He also works as a freelance illustrator and designer.