Category: Barbados

Versia Harris’ Residency – Week 3 Report

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A visit to Workman’s Primary School as a part of my Community Outreach, kick started week three of my residency. I formulated a few questions and went with the intention of having a conversation with the students of class 4 about their thoughts and feelings on Disney films and characters, and also about the prominence of television in their daily lives. It was a first for me, interacting with that number of kids in that setting; I’m not very up to date on what the kids of today are like. However, they were surprisingly pleasant and very cooperative. In between the humor and fun that I had talking to these children, the answers to my questions were a mixture of the expected and unexpected. They gave me some insight into how they saw these films and how much they actually watched TV. Granted, this was only a class of about fifteen students, a number too small to be projected across the generation but they do watch a lot more TV than I did at that age. To them, watching TV was on par, if not more desired, with going outside to play. This relates to the concept of my animation about the push and pull between the physical world and the virtual one.

Later in the week Alicia Alleyne and Shanika Grimes came to the studio, along with my usual company of Katherine Kennedy. Even though each of us was set to our individual tasks and projects, I was glad for the company and the conversations. Sheena Rose and Mark King also came out to see my progress and to give feedback.

Through the laughter, the heated discussions and the dismantling of Annalee Davis’ work – which by the way took four people, two days and a lot of effort – this week also brought me some challenges with my work. Technological malfunctions are inevitable. But the despair of a program breakdown is magnified when it is your primary source of work. Obviously, working with technology for at least a year and half now, I expect it to malfunction or an important program to suddenly stop working, and yet after all this time it doesn’t get any less frustrating, especially when it hinders progress within the short period of time that I have. In any case all is restored and the animation continues.

Still from one of Versia's new animations

Versia Harris’ Residency – Week 2 Report

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Still shot of Versia Harris' work so far

Yay for week two at Fresh Milk! This week was my adventure week. I spent a lot of time outside, either working or exploring with happiness in my every step. And in between the swing set, the creepy but gorgeous gully, electric wires, dead chickens, being followed by cows, the feather finding and hill climbing, I got closer to a concrete idea for the residency. In fact, the back and forth between my investigations on the computer and my explorations outdoors is what solidified it for me. I began to see my computer as not only a passage way to a worldwide network of communication and activity, but also as some sort of cocoon or cage. In other words, it connected me to a virtual world of business and recreational interaction and also the “world” of my creation; my animations. But, at the same time, being connected through the computer meant I was disconnected from my surroundings and the environment I was in. I realized that just as the screen offered so many possibilities of interaction and exploration, so did the physical world. The work that I have been producing during the week is centered on these ideas. The lino block prints that I have been doing within the animation have been yielding results that I am pleased with.

Onward to week three.

FRESH MILK Announces its International Residency Opportunity

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FRESH MILK's International Residency Announcement

On the heels of our recently begun Local Residency Programme for 2013, FRESH MILK is pleased to announce the launch of its International Residency Opportunity, inviting artists worldwide to apply to spend 1-3 months developing their work on the Fresh Milk Platform in Barbados. Expanding the platform to include international creatives allows FRESH MILK to increase its networking capabilities, embracing those working in the English, French, Spanish and Dutch Caribbean as well as those functioning beyond the region, widening our possibilities to build even larger conversations and facilitate more dynamic collaborations. FRESH MILK is delighted to be part of a global community, allied with creative minds on the ground and in the ‘cloud,’ opening up all kinds of amazing possibilities for us to connect through the arts. There are currently openings for residencies in April, May, June, and September, October, November for 2013. Applications can be submitted on an ongoing basis.

The establishment of the international residency included registering with the Res Artis worldwide network of artist residencies, an association of over 400 entities – the largest network of its kind. FRESH MILK is honoured to not only be a part of such a vital association, but also to be one of the only Caribbean organisations listed on their database. View FRESH MILK’s profile on Res Artis here.

For additional information, including costs, accommodation options and the full application procedure, visit our newly added International Artist Residency Opportunity page.

Versia Harris’ Residency: Week One Report

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The Fresh Milk Art Platform studio feels a lot like home. Granted, my neighborhood scenery and atmosphere is not nearly as serene, but the quietness and time spent alone in the studio seems very familiar. That and the fact that I have spent a solid amount of time at Fresh Milk for various events and workshops since its launch in 2011 makes me comfortable in the space given to me.  For the first two days I wondered whether this was a blessing or a problem. Because I was so at ease with the space and with Annalee, the Director and Katherine, the Assistant to Director, I could find my groove quickly and be able to focus on executing whatever idea I had. But then, what if I wouldn’t be stimulated to create something outside of my comfort zone because of the familiarity?

I spent four days of the week at Fresh Milk; Monday, Tuesday, Thursday and Friday. On Wednesday I stayed home and realized the comfort I felt at Fresh Milk was because of a lack of pressure. During my daily life, after everyone has left for work and school, I have the quietness and space needed to focus my attention on my animation, one that I have been working on for the past 6 months. But I also feel a slight but constant pressure to produce something, anything of value; to feel like I am ‘doing something’ after leaving Barbados Community College (BCC). This pressure, self-imposed though it may be, keeps me active at home. However, when at Fresh Milk, I do not feel that pressure. The program gives me a specific purpose; there’s the ultimate goal of producing a fresh piece of work from this. It reminds me of having a deadline, like we so often did at BCC, which is comforting in its own way. At home though, there are no deadlines, no ‘projects’; I’m basically working to keep active and current, and therefore end up putting the pressure on myself to have work ready to avoid the feeling of idleness.

This past week I have been experimenting with lino block printing and my pen drawing in animation form. I have been considering the idea of incorporating lino block prints with my animated drawing for some time now, and Fresh Milk affords me the time and mental space to do that. I am stepping away from my animation film for a while to experiment with the printmaking. After a week, my thoughts and ideas are still very unresolved and scattered, but as week two starts I am intrigued by what could happen.