Tilting Axis Collections and Commissioning Fellowship 2019

The Tilting Axis Fellowship is a direct outcome of the Tilting Axis meetings in 2015 at Fresh Milk in Barbados, in 2016 at the Pérez Art Museum Miami and in 2017 at The National Gallery of the Cayman Islands. For its 2019 iteration, Scotland based cultural partners including the Glasgow School of Art, The School of Art History at the University of St Andrews, CCA Glasgow, LUX Scotland, Hospitalfield and curatorial duo Mother Tongue have come together to offer support for a research fellowship to Scotland for an emerging contemporary art practitioner living and working in the Caribbean to share knowledge about current approaches towards commissioning and collecting in the arts.

For Whom?

Curators, researchers, artists, or cultural producers based in the Caribbean region who want to make new links in Scotland and have a keen interest in developing their curatorial practice. Applicants must have a working knowledge of English.

Goals

  • Develop, stimulate, support, and visualise curatorial and artistic realities coming from the Caribbean region;
  • Facilitate face-to-face communication in Scotland;
  • Offer free and open access to knowledge and practices;
  • Provide a stable platform for professional experiences;
  • Produce critical knowledge on educational tools as well as visual culture;
  • Focus on emerging practices;
  • Utilise the existing Tilting Axis network;
  • Offer practical support for the duration of the research trip in Scotland.

This Fellowship opportunity focuses on the development of pragmatic and critical curatorial and artistic practice hailing from the Caribbean region, and is research and practice-led, and mentor-based. The fellow will be invited to Scotland for up to one month from 1 October 2019 to undertake a period of open-ended research and development. Artists or curators may apply to undertake research for a mode of curatorial practice. The Fellowship is focused on alternative forms of Collections and Commissioning, in collaboration with partners across Scotland whose work focuses on various forms of collecting, archiving or supporting the development of artworks.

Within the Tilting Axis annual convenings, complexities of mobility, the politics of archiving, access and privilege, decolonisation, institutionalism, curatorial knowledge, pragmatics, and social realities have surfaced as keywords of urgency within Caribbean cultural ecosystems. We seek proposals that engage with the unique visual culture available in the Caribbean and what might be learned from its unexpected and innovative approaches. The Fellowship has an open-ended outcome, offering support for critical development of curatorial or artistic practice while giving a practical base within partner organisations to research different methodologies and institutional approaches.

Drawing on the specifics of the Caribbean region through processes of decolonisation, race, mobility, access and privilege and digitalisation, your proposal might approach actively how people live and work, and especially how contemporary art takes a responsibility to reflect and act on it. What are fears as well as potentials in these current times? Within such a complex geography, what are the challenges? What are the interventions? The Fellowship might support and expand these conversations on a mutual basis.

More information about each organisation’s core interests can be found below. It is expected that the Fellow will focus on a period of research with each organisation to mutually address some of these questions across the month-long residency.

The fellow will receive a fee of £1500 and a per diem to cover expenses and living costs whilst in Scotland. All travel and accommodation costs will be covered by the host partners. An itinerary of travel, meetings and public events will be arranged in collaboration with the successful applicant and partners, prior to the fellow’s arrival. The budget will be managed by the partners, and includes a winter clothing allowances of £300. The Fellow is also expected to participate in a public event or lectures in two or three Scottish locations, to share their knowledge, context and practice.

A contribution to the public blogs of British Council and CCA Glasgow as well as the Tilting Axis website will be required along with a final report on the Fellowship. Tilting Axis partners will work towards funding additional funds for the fellow to attend Tilting Axis 6, (location tbc) where the fellow can present on their experience.

Application

Applicants for the Fellowship are invited to develop an independent proposal outlining a clear interest in the issues and organisations highlighted. The proposal should be content driven and can be based on already existing research or offer new projects. The fellow is not expected to produce an outcome or finished artwork but will be expected to speak publicly about their ongoing research or interests whilst in Scotland.

Departing from a curatorial or artistic ambition, we expect to see a statement of intent of maximum 1000 words. This statement should explain the fellow’s research focus, respond directly to the keywords and thematics raised in the call out, and highlight reasons for visiting Scotland and/or the partner organisations. A separate artist/curatorial statement can also be supplied. Please also include a CV and two references, and an indication of availability from early October 2019.

The application should be submitted via e-mail to: Ainslie Roddick, CCA Glasgow Curator: ainslie@cca-glasgow.com.

The deadline for submission is 15 April 2019.

For more information on the fellowship and the partners, visit the Tilting Axis website here.

 


Tilting Axis 5 – Beyond Trends: Decolonisation and Art Criticism

The fifth convening of Tilting Axis is set to take place in Pointe-à-Pitre, Guadeloupe in collaboration with Mémorial ACTe, Guadeloupe, a contemporary museum offering historical exhibits on the Caribbean’s slave & indigenous people from May 30th – June 1st, 2019 coinciding with Guadeloupe’s anniversary of the abolition of slavery in the last week of May.

Tilting Axis 5 “Beyond Trends: Decolonisation and Art Criticism” will explore the theme of decolonisation to think beyond its currently popular usage as cultural and institutional critique. Unlike its application to specific sites and processes, has decolonisation been a constant and ubiquitous practice in the Caribbean? This gathering will re-consider the currency of these discourses, identifying site-specificity within the Caribbean. For example, what does it mean for art institutions to negotiate decolonisation after postcoloniality? What different approaches can be deployed in decolonizing discourses-specifically in relation to art criticism–and made more visible in spaces where their prevalence renders them invisible?

Examining the roles of artists, curators, educators, arts managers, scholars, art writers and critics, arts managers and policy writers, etc., we will consider how to strategically involve discourses on decolonization that are useful for the Caribbean’s cultural sector.

With limited space, please confirm your interest in attending by emailing tiltingaxis@gmail.com no later than the extended deadline of Friday, March 15th 2019.

Tilting Axis delegates are required to pay a registration fee of USD$75.
Registration fee is waived for local delegates.

Fresh Milk’s 2018 Year in Review

Thank you for your continued support of Fresh Milk.

We recognise that the creative landscape across Barbados and the Caribbean has transformed in recent years, bringing with it new opportunities, challenges and developments.

We have decided to take 2019 to review our programming to consider how best we can serve the local, regional and international contemporary arts community in the future. We wish to remain as relevant and as constructive as we have been over the past seven years.

Fresh Milk remains open to potential partnerships while maintaining its commitment to Caribbean LinkedTilting Axis and Transoceanic Visual Exchange. We are considering a reduced number of residencies per year, with a dedicated concentration on the Colleen Lewis Reading Room as a critical resource for the residency programme. 

For now, we invite you to reflect on 2018 with us in
our annual year in review newsletter

Mini TVE presentation with Third Horizon Media at the Miami Book Fair

On Monday, November 12th, 2018 Third Horizon Media, Miami, collaborated with the Fresh Milk led initiative Transoceanic Visual Exchange (TVE) to curate a small screening of a selection of video/film work by Caribbean artists as part of their contribution to the 2018 Miami Book Fair.

This mini edition of TVE featured work by Adam Patterson (Barbados), Rhea Storr (The Bahamas/UK), Sandra Vivas (Venezuela), Alberta Whittle (Barbados/UK), Nick Whittle (Barbados/UK) and Anisah Wood (Barbados).

Transoceanic Visual Exchange is a selection of video art by artists practicing in the Caribbean, the Pacific Islands and their diasporas. This edition of TVE was coordinated by The Fresh Milk Art Platform (Barbados) in partnership with Footscray Community Arts Centre (Melbourne, Australia) in 2017, with additional screenings taking place in collaboration with Deakin University (Melbourne, Australia) and Third Horizon Media (Miami, USA) in 2018.

Click here to see the PDF of the event program:

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About Third Horizon Media:

Third Horizon is a Miami-based Caribbean filmmaking collective and media company dedicated to capturing the sights and sounds of the Caribbean and the so-called “third world.” The collective’s projects have screened at festivals around the world, including Sundance, Toronto International (TIFF), International Film Festival Rotterdam and Sheffield Documentary Festival, among others.

The collective also stages the annual Third Horizon Film Festival, which aims to empower and celebrate fellow filmmakers and projects focused on the Caribbean, the Diasporas that formed it, and the Diasporas formed by it.

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About The Miami Book Fair:

The Miami Book Fair is an annual literary festival event realized in Miami by Miami Dade College.

The fair, which has become a model for other fairs across the country, brings over 300 renowned national and international authors exhibitors to a weeklong celebration of all things literary and includes pavilions for translation, comics, children, and young adults.The mission of Miami Book Fair International is to promote reading, encourage writing, and heighten an awareness of literacy and the literary arts in the city’s multi-ethnic community.The eight-day book festival has draws hundreds of thousands of book lovers to downtown Miami each November for a festival of all things read and written.

Announcing Caribbean Linked V

Ateliers ’89, Oranjestad, Aruba in collaboration with Fresh Milk, Barbados and ARC Magazine is pleased to announce that the regional artist residency Caribbean Linked V will be taking place at Ateliers ‘89 from August 6th through 28th, 2018. The official opening event will be held on Wednesday, August 8th from 8pm – 12am.

Thanks to generous support from this year’s core sponsors BankGiro Loterij FondsMondriaan FondsThe Tourism Product Enhancement Fund (TPEF), UNOCA and Aruba Bank, as well as number of local sponsors in Aruba, creatives from around the French, Spanish, English and Dutch Caribbean will convene to produce work, meet cultural activists in the Aruban art community, participate in public talks, blog about their experience and present a closing showcase of works during this three week period. The final event will be held on Sunday, August 26th.

Caribbean Linked is a space for building awareness across disparate creative communities of the Caribbean. It has created viable opportunities for young artists, writers, critics and creative activists from over twenty countries to foster new relationships with a larger community, contributing to the holistic development of the creative industries. In addition, it provides the opportunity to link with industry professionals who facilitate access to wider global conversations for the region’s practitioners, while allowing the artists to create work, exchange ideas and broaden cross-cultural understanding.

Participants in Caribbean Linked V (L-R): Sharelly Emanuelson, Velvet Zoe Ramos, Raily Yance, Adam Patterson, Miguel Lopez, Irvin Aguilar, Gwladys Gambie, Franz Caba, Alex Martínez Suárez, Kriston Chen, Averia Wright, Marina Reyes Franco

Artists this year include Irvin Aguilar (Mexico/Aruba), Franz Caba (Dominican Republic), Kriston Chen (Trinidad and Tobago), Sharelly Emanuelson (Curaçao), Gwladys Gambie (Martinique), Adam Patterson (Barbados), Velvet Zoe Ramos (Aruba), Averia Wright (The Bahamas) and Raily Stiven Yance (Venezuela).

The writer in residence will be art historian and independent curator Marina Reyes Franco (Puerto Rico). Visiting artists who will be lending support to Ateliers ’89 during the residency will be Laura de Vogel (Aruba) and Katherine Kennedy (Barbados). This year’s specially invited curators will be Alex Martínez Suárez, independent curator and general coordinator and museographer at the Museo Fernando Peña Defilló, a private museum in Santo Domingo, Dominican Republic and Miguel A. Lopez, co-director and chief curator of TEOR/éTica in San José, Costa Rica.

For more information, call Ateliers ’89 at (+297) 565 4613, email caribbeanlinked@gmail.com or visit the Caribbean Linked website at caribbeanlinked.com, and follow the Caribbean Linked Facebook page for regular updates on the residency!