Category: Residency

Matthew Kupakwashe Murrell’s Residency: Week 1 Report

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Greetings and Blessings in the name of the most high, no matter how you see or revere him or her, my name is Matthew De Vere Andre Murrell, also known as Kupakwashe, but you can call me Kupa for short. I am young playwright, director, actor and the founder and Creative Director of Yardie Boy Theatre.

For my first entry, I would like to show respect of two men today as I write this blog (May 11th). R.I.P to the honorable Robert Nesta Marley, who passed on this day in 1981. I read a few days ago that the kind of music a child grows up listening to, determines his taste, my mother against her father’s wishes was an avid reggae music fan, and so am I. Listening to Bob’s words and music has influenced me in my art and ideologies. R.I.P. to the Father of Reggae and a powerful Caribbean cultural icon. R.I.P. to I’Akobi Tacuma Hembadoon Maloney, a young prodigy of the Rastafarian faith whose life was cut short and whose spirit cries out for justice. I have never met you, but I feel as if I’ve known you all my life. RASTAFARI LIVE!

Just my first week in Fresh Milk was a humbling experience. Living on the south coast of Hastings, trying to write without hearing ZRs, a stray gunshot, loud music and whatever noises that fumigate the air makes it a task to concentrate. But being in the clean air of St. George, seeing the abundance of foliage, hearing birds, cows and the lyrics of Bob in my ear was the prescription I needed.

My first day, I had no idea how to start, many ideas came into my head about this play. I just didn’t know how and where to start. I wanted to write a piece, yes about I’Akobi, his life to his unfortunate crossing, but I want a deeper message. My message to people is that this situation is NOT just a Rasta ting! It is human ting! We have seen how the system claimed many of our people, from Emmitt Till, Trayvon Martin, Walter Rodney, I’Akobi Maloney and many more. So hence my stance ‘I AM I’AKOBI’. After posting the above picture on Facebook, I received so many great responses. Herbal Specialist Everton ‘Heru’ Holligan, did two videos of his kids with the same stance, Margurita Maloney, mother of I’Akobi Maloney said “GIVE THANKS for ALL of your support my SUN Matthew Kupakwashe Murrell, ‘BY ANY MEANS NECESSARY’!!! May WE ‘eventually’ get the legislative reform WE seek”  and “You know, there are times when I ‘feel sooo alone’ and THEN……THIS…GIVE THANKS for ALL of my comrades who ‘CARE’!!!”. The picture garnered over 12 shares from Barbados and across the region to the USA.

So far my research comes the literature of Marcus Garvey, ‘The Philosophies and Opinions of Marcus Garvey’, ‘How Europe Underdeveloped Africa’ by Walter Rodney, ‘Rastarian Theology: From Garvey to Marley’ and the DVD ‘The I’Akobi Maloney Conspiracies: A Mother’s Perspective’. I’ve already meet Maggie, I’Akobi’s mum, and I plan to meet her again, along with Mandela, his younger brother. My great friend and “twin sister” Ayesha NuRa, already has her foot on board to help me with anything I need in my research and development in this piece. Ayesha knew I’Akobi personally and they were the best of friends.

So far in the script, the piece has taken many different shapes and forms as I am still trying to formulate the script. I’ve tinkered with the mode of ‘totality theatre’. The most commonly known play I can think of right now which emulates that idea is ‘For Coloured Girls’. I’ve done it before in other plays like ‘JAHovah Witnesses’, ‘De Angry Black Boy Tantrums’ & ‘Demons in Me’. I’m incorporating poetry, as I’Akobi was interested in poetry, as well as the music of Bob Marley.

I chose this topic because it spoke to me. I’Akobi Maloney and I are both born the same year, 6 months apart. Two weeks after his crossing, I remembered being stopped and harassed by a policeman for no reason. At the time I had an afro which I wore wild and drove a car many wouldn’t be proud seeing. But like I’Akobi, I was an intelligent young man scrutinized not for what is in my head but what is on top of my head. I do believe in the work of ICAR, The Justice Committee and the Maloney Family to fight for justice. This could happen to anyone’s son and anyone’s daughter. Many Barbadians, I noticed, didn’t join in actively or speak out about it, because of the feeling that it was a Rastafarian affair with the police. Then so, what about Trayvon Martin and Emmitt Till? Was that only an African American thing? What about Brenda Belle? Is that only a female thing? Anne Frank? Only a Jewish thing? It is ALLAWE!!!!

“…until the philosophy which holds one race superior and another inferior is finally and permanently discredited and abandoned. That until there are no longer first-class and second class citizens of any nation; that until the color of a man’s skin is of no more significance than the color of his eyes; that until the basic human rights are equally guaranteed to all without regard to race; That until that day, the dream of lasting peace and world citizenship and the rule of international morality will remain but a fleeting illusion, to be pursued but never attained..”
–
Emperor Haile Selassie I

Marla Botterill & Conan Masterson’s Residency: Week 1 Report

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Fresh things are starting to happen already.  We arrived on May 1, a little groggy after travelling all night without sleep.  But the warm welcome we received from Blue Curry who met us at the airport and Fresh Milk’s dynamic duo of Annalee & Katherine certainly gave us energy.  The people are not the only warm thing about this place, the heat envelops you and we welcome that after the frigid winter and chilly spring we left behind in Canada.

The first few days were spent in a whirlwind of meeting some members of the art community here in Barbados, including past resident Mark King, Ewan Atkinson & Allison Thompson (who proved an excellent and knowledgeable tour-guide).  We enjoyed the generous hospitality and tours of impressive art collections of Leandro Soto, Mervyn Awon & the historical Colleton House as well as studio visits to Winston Kellman & Ras Ishi.  It’s been a bi-coastal extravaganza!  We find the lively scene here in Barbados invigorating and encouraging.  We are delighted to be included among the artists in ‘A Performative Moment’ happening next week with the Northern Kentucky University visitors to Fresh Milk and we enjoyed meeting the local artists who will be presenting their work at a group meeting.  We also got to attend BCC’s graduation exhibition of both the Fine Art and Foundation students.  On Monday, playwright Matthew Kupakwashe Murrell began his residency at Fresh Milk and we look forward to a continued and on-going dialogue with him.

Since our arrival we’ve been on sensory-overload.  The sound-scape here in Barbados is very unlike anything we have at home and it took some time to adjust to the singing frogs, alarm-sounding crickets, mahogany tree bombs and new bird calls as well as the farm sounds of the cows and roosters!  Even when inside, the surrounding landscape is ever-present, there is very little separation between outdoor and indoor space, the windows all open wide allowing nature to be seen, heard, smelled and sometimes even entering your space. The grounds surrounding Fresh Milk are a sensory feast.  We are drawn to the repetition of long narrow tendrils and laying in the landscape.  Our work began in earnest last week.  We are using Fresh Milk as a platform to experiment with new ways of working.  Though we have known each other for many years, this is our first journey into working collaboratively.  It is not without challenges.  As individual artists we are used to processing and working though our ideas independently and privately, we are still adjusting to this new way of working.  The first couple of days we set up at opposite ends of the studio, but have gradually begun shifting our things together and working jointly on some initial puppet pieces.  There are obvious references forming in the work to the vegetation, insect, bird and animal life that surrounds us.

Annalee’s dogs have appointed themselves our chaperones, though we think they are just using us for the chickens they hunt after assuring we are safely home.  We spend most evenings at Prendoma, reading through items borrowed from the Colleen Lewis Reading Room.  Our walks home are filled with the seductive smell of ylang-ylang blossoms.

FRESH MILK’s International Residency Opportunity: Marla Botterill and Conan Masterson

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Marla and Conan residency flyer

FRESH MILK is very excited to announce our first international residents from our recently launched programme, Canadian artists Marla Botterill and Conan Masterson, who will be on the platform from the 1st-31st of May 2013.

Marla Botterill received her B.F.A from Queen’s University, Ontario, and went on to pursue her M.F.A. at the University of Waterloo, which she obtained in 2003. She has exhibited widely in Ontario, Canada, including the solo show Close to the Skin at the AWOL Gallery in 2007, and most recently in the group exhibition In a Pinch, The Eleanor Pearl Gallery, 2013. She also exhibited in Berlin, Germany during the months of July-September 2011, where she took part in the Takt Artist Residency programme. Her work explores recurring characters through a combination of painting, drawing, collage and puppets that generate interwoven fictional narratives.

Marla Botterill

The role of time also plays a crucial role in my work. Paintings and drawings exist in the past, the process of creation ends once the image is completed; it remains as a record of that labour. A viewer may reinterpret the painting or drawing, its context may change, but the object itself does not change. Contrastingly, a puppet exists in the eternal present, it only serves its function when it is moving; the process of creation does not end once the puppet is built, that is the moment when it begins. – Marla Botterill

Website: http://www.marlabotterill.com/

Conan Masterson received a B.F.A. from Concordia University Majoring in Studio Arts, and in 2007 earned an M.F.A. from The University of Western Ontario. Her solo exhibitions include Sea Dab Jig at the Full Tilt Creative Centre, McIvers, Newfoundland, and earlier this year she took part in the group exhibition Process and Place at the Maine College of Art in Portland, Maine. Her residency experiences include: the MECA Baie Sainte-Marie Artist Residency in New Edinburgh, Nova Scotia, Harold Arts – Do Do II Session in Chesterhill, Ohio and the Fibres Student Association, St. Charles Borromée, Quebec. Her work aims to perceptually alter the traditional gallery space, manipulating the physical materials of sculptural installation and the audience in a way that is both impulsively humorous and unsettlingly carnivalesque.

Conan Masterson

My practice involves transforming my studio into an unusual workshop. While tinkering within it, I create absurd and abstract forms that are bizarre yet oddly familiar. From the readymade to bits and pieces, I play intuitively with my collection of luscious and mundane materials. These anthropomorphized objects then become curious, slightly freakish, installations… A necessary function of the work is the blurring of boundaries between the spectacle and the spectator. It is in this intriguing terrain I situate my work; a discomforting, beguiling landscape, impossible to resist. – Conan Masterson

Website: http://www.conanmasterson.com/

Although both artists have worked closely for years, this residency at FRESH MILK will be their first collaborative venture. Botterill and Masterson are keen to explore the extensive grounds around Fresh Milk for inspiration in the development of their project, where they wish to create a series of puppets and a fictional habitat for them to function within the local landscape.  This International Residency Programme will also provide an opportunity to promote an exchange of ideas between the two artists, as well as develop relationships within the Barbadian creative community.

Mark King’s Residency – Week 4 Report

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The final week found me producing an origami piece while circling back to the work that was in pre-production before arriving at Fresh Milk. After returning to the previous work it became clear that there was a narrative running through the series. Convertibles Are Better Than Warrants had grown legs.

What I thought was to be the simplest of the three origami pieces turned out to be the most challenging. By Thursday I had spent an entire week on it. Moments after drawing the last line it was hanging on the wall next to the targets and other folded pieces. It reads: If They Can Fog A Mirror; Fund ‘Em. The Triptych is titled, If They Can Fog A Mirror Fund ‘Em A Piece of Shit.

Friday morning involved presenting to a group of curators and other creative industry folk from Brazil, Barbados, and the UK at Fresh Milk. A small group of contemporary Barbadian artists made up of Ewan Atkinson, Janelle Griffith, Shanika Grimes, Katherine Kennedy, Fresh Milk founder Annalee Davis and myself spoke for a few minutes about our creative process and current projects.

The following day I ran a portraiture workshop with the Graydon Sealy Secondary School’s photography club as part of my community outreach through Fresh Milk. Although I’ve been teaching photography to university students for the past few years, this was the first time running a workshop for kids; not early 20 somethings. They really got into the work of Vivian Maier and Cindy Sherman. But understandably they were most interested in taking photos than talking about them. I’ll make sure to share a few of their photos in a later post.

I stopped by Barbadian designer and good friend, Elena Branker’s studio yesterday to pick up the garment we collaborated on for the project. It’s a tan linnen vest featuring 20 pockets where Bear Stearns playing cards rest. I think of it as part magician/drug mule/suicide bomber vest.

Fresh Milk marks my third artist residency. Last summer I did a 2 week residency at Alice Yard in Port Of Spain, Trinidad and in February/March of 2011 I took part in a 3 week screen printing residency at the Frans Masereel Centrum in Kasterlee, Belgium. My residency experiences serve as reminders that I’m on the right track. Nothing makes me happier than creating new work in a supportive environment free of distraction.

Massive thanks to the Fresh Milk team for being amazing hosts. You have inspired me to one day create my own treehouse studio with an abundance of coffee and banana bread.

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