FRESH MILK’s Current Artist in Residence: Alberta Whittle

FRESH MILK is pleased to introduce our current artist in residence, Alberta Whittle. She has been joining us at the Milking Parlour Studio from October 1st, participating in an eight to ten week residency titled ‘Second Armour.’

Alberta is a Barbadian artist, currently based in Glasgow. She has undertaken residencies at CESTA (Czech Republic), Market Gallery (Scotland), Collective Gallery (Scotland), Thupelo Wellington Artists’ Workshop (South Africa) and looks forward to taking part in a residency with the Visiting Artists’ Programme at The Bag Factory in Johannesburg next year.

She choreographs interactive installations, interventions and performances as site‐specific artworks in public and private spaces, including at the Royal Scottish Academy (Scotland) and has exhibited in various solo and group shows in Europe, the Caribbean and South Africa, with an upcoming show at the CAS Gallery, University of Cape Town in March 2013. Her practice is concerned with the construction of stereotypes of race, nationality and gender, considering the motivation behind the perpetuation and the different forms in which they are manifested.

Her time at FRESH MILK will include a series of performances, open forum discussions about anxieties surrounding race, workshops with the Fine Art students at BCC, and an exhibition/intervention stemming from her experiences and research done during her stay with us.

Alberta will be doing a performance piece titled ‘Hustle de Money – a Performance by Bertie aka Big Red aka General outta Glitter Zone’ at our next public event, FRESH MILK IX. Stay tuned for more information!

Residency Testimonials from Katherine Kennedy and Simone Padmore

KATHERINE KENNEDY:

From the first time I learnt about artist residencies, I became keen to participate in them one day. This desire increased the more I heard other artists share their experiences, and talk about how inspirational and unique each one was, causing their practices to grow and adapt to different surroundings.  A visiting artist who came to speak to my class at Lancaster University said that after your first residency, you can’t wait to do another, and my involvement in Fresh Milk’s inaugural residency has definitely confirmed that for me.

            After graduating and returning to Barbados, I confess that my art practice came to more of a standstill than I would have liked. Although I was happy to be home, I was caught up in wondering what my next step should be, and the uncertainty led to a mental block where my creativity was concerned. I was struggling to familiarize myself with the art scene locally and regionally, while coming to terms with how to move forward without the studio environment that had become such a huge part of my life while studying. When I learned about Fresh Milk, and that it was offering a residency, it sparked my interest and in a way reawakened my drive to make art again, giving me a platform for the ideas that had been playing in the back of my mind to manifest.

            One of my favourite aspects was the ambiance, inside the studio and out. Although it was local, the countryside setting was still so different from where I live, and I found the scenic, peaceful atmosphere to be very stimulating. The studio was spacious and set out with lots of adequate work surfaces, as well as access to resources such as tools, materials, and a small but comprehensive library of art books, journals, biographies, magazines etc. for our perusal. Having this access and a place to call a work environment was instrumental in getting myself back into gear.

            It was also great to not only have the studio setting again, but to share it with someone as talented and fun as Simone. We did not know each other prior to the residency, which I think worked to our benefit because it added another level of freshness to the experience as we got to discover each other’s aims and styles, and gain new perspectives on our work. I loved having that back and forth of ideas and information from another artist again, and I feel that our coexisting in the same space improved our work ethic and motivated us to be more productive than either of us thought possible at the beginning of the week. The thought of creating resolved pieces in just five days intimidated both of us, but we surprised ourselves, Simone finishing not one, but two full pieces, and the scale of my work became much larger than I had anticipated. I think we found a balance of enjoying ourselves and getting along really well, while still maintaining our focus, and it was a pleasure to work alongside her; I hope to do so again in the future.

            Overall, I could not be happier with my introduction to artist residencies, and I would like to thank Annalee for everything she has done and the support she has given. She was more than accommodating, and willing to provide us with or help us source anything we needed – art related or otherwise. She gave us helpful advice, including telling me about the value of promoting work through exhibiting as well as in a virtual realm in this technological age, which she also did for us by working hard to give our work exposure in many ways, and hosting our exhibition at the end of the week. I feel a renewed sense of purpose, spurred on to keep this momentum going, and I am extremely grateful for being given this opportunity to reconnect with my artistic side. 

 

 

 

 

SIMONE PADMORE:

The Fresh Milk Platform hosted a five day residency called ‘Five days of Playing’, which was held from the 5th to the 9th of March, 2012. Along with myself-Simone Padmore, another young artist- Katherine Kennedy, a sculptor, participated in the residency. During those five days we had to produce work to be showcased on the 10th, March, 2012.

The experience was great and I found it so exciting that I was oblivious with whom I was participating.  Katherine expresses her work in sculpture and installation, while I express mine by drawing. The studio at Fresh Milk was spacious, the necessary facilities were provided – such as a library with a lot of artistic material to choose from and access to the internet from where we could gather inspiration.

Katherine and I gelled well. Our media contrasted well and together with Annalee Davis we had great artistic conversations.  The energy between us was very productive; we inspired each other and respected each other’s space and practice.

The residency was beneficial because it helped me break the habit of solely working at night. I refer to myself as a ‘nocturnal artist’ and I usually have a lot if difficulty producing art during the daytime.  I also noted that my production speed increased and the direction of my work shifted in a great way and made me realized I can apply this variation to my current work.

I think the Fresh Milk platform is providing great opportunities for young artists in Barbados.  I say this because after leaving school, we have difficulty continuing to produce our personal work. There is a lack of motivation to produce work because we are outside of the school studio and we no longer experience the same creative flow or energy generated amongst our colleagues.  The sense of loneliness also plays in connection to this, because having someone who is in the same field to accompany you makes it easier to produce. Space is another factor because some or most of us do not have the adequate space for our art. In Barbados, there is a stigma that revolves around art, where art is not taken as a serious practice. The country focuses more on the commercial art, which results in the lack of exhibition spaces for contemporary or non commercial art. That creates the lack of motivation because if we do not have somewhere to look forward to showcasing our work, we may not feel the need to do work.

The experience at Fresh Milk provides all of these things to help young artists to continue their practices.  It is a space we can be involved in and gives us a sense of hope. I think the platform should continue providing opportunities like the five day residency because it is a positive step to help upcoming artists and recent graduates to continue or get back in to the groove of producing work.

FRESH MILK IV

FRESH MILK IV

Join us on March 10th for the fourth Fresh Milk platform! This event is split into two parts: It is the host space in Barbados for the screening of Ebony G. Patterson’s ‘Cheap and Clean’ project looking at masculinity in Jamaica and how it relates to Dancehall culture. The second part is a platform showcasing the work of the two local residency participants Simone Padmore and Katherine Kennedy. See you all there!

 

Call for Artists to Participate in a Local Residency

FRESH MILK is providing a unique opportunity for Barbadian artists to participate in a local residency at the Milking Parlour in March 2012. The format will be a daytime residency, for a week long, two artists residing simultaneously, with an open evening at the completion to present the work created during the artists’ time here. It is open to contemporary creatives across all areas of the arts, and is a great chance to expand your networks and the range of work you produce!

To be eligible, please submit an application (maximum 2 pages) outlining a little bit about yourselves, why you would like to participate in a FRESH MILK residency, and what type of work you would like to produce at the residency. Attach up to five images of recent work. FRESH MILK is particularly keen to support young artists resident in Barbados who are interested in making work in dialogue or in collaboration with another contemporary practitioner. Applications can be sent to annaleedavis@gmail.com, no later that February 3rd 2012.

To learn more about residencies and the benefits they provide, you can refer to this article by Natalie McGuire: https://freshmilkbarbados.com/2011/10/12/artist-residencies-and-barbados/

Artists in Residence and Barbados

With the ongoing surge of contemporary art in the region, hosting artists in residence is imperative to the expansion of a new sense of Caribbean Art. This is due to the creative, economic, and social advantages a residency programme offers to both the artists experiencing them and the institution hosting them. So why isn’t there more of an initiative for them in Barbados?A residency program consists of an art institution or informal network inviting an artist to live, create and share in a different environment. There usually is an Open Day showcasing the artist’s work at the close of the residency, depending on the nature of that programme. The notion of having an artist in residence is one that started roughly 100 years ago with artist colonies in the European and American countryside, based around the theory that as a collective artists could expand their creative ideas. It was an exciting time for art then, as style was shifting and the Modern Art movements were emerging. Equally, now is an inspiring time in Caribbean Art, and residency models can only help strengthen the collaborations in the region and shape the future of our artists.

Barbadian based, Cuban artist Leandro Soto has completed a vast number of residencies in his career so far, and is a strong advocate for recreating that atmosphere for other artists through his classes. He described in a recent interview that interacting with new environments and building alliances with other artists from around the world is invaluable to the development of an artist and the venue:    “For an artist, being in an art residence is an open window for themes, for materials, to have new friends (to meet other artists), to have new collectors…in the art residence, you see the artist’s work but you also (get to) know the artist, so you have a better picture of who is doing the art, how they are doing the art, what is the connection that this artist has…it’s extremely important.”

Leandro Soto’s installation during his residency in New Dehli. Photograph compliments http://www.leandrosoto.com

What better way for Barbados to integrate with the Caribbean art world as a whole than to host artists from the region on a regular basis, injecting fresh ideas into the circulation? It could also work on an international level, as seen in the residency programme at Eden Rock in St. Barts. They host various artists from all over the world who contribute to the thriving arts culture, and it has become an important aspect of their tourist industry. So not only is their population exposed to a vast amount of international art, but tourists see it as part of the reason to visit.

Alice Yard in Trinidad had it’s 5th Anniversary this year, which was a national and regional event, attracting creatives from all over the Caribbean. This is no doubt partly due to their extensive practice of hosting artists in residency there, exposing themselves to networks outside of Trinidad while expanding their own critical space. 

The advantages of being exposed directly to other art atmospheres can be seen in the ambition of the artists who experienced it. Sheena Rose, Mark King, Joanna Crichlow, Ewan Atkinson, to name a few, have all done residencies and are all active catalysts and participants in the movement of contemporary art in Barbados and will be on the FRESH MILK platform in November to share their residency experiences. Sheena runs a number of events with her group Projects and Spaces, Joanna has been exploring the language of her artwork in her articles. There are no real previous models on the island of the things they are involved with, so the question has to be raised- would they have the motivation or knowledge to carry these things out if they had not been exposed to similar things through their residency experience? Not to mention the encouragement to create more experimental works, exhibit their works outside of the commercial gallery sphere, from gaining support of their work by outside institutions.

Both Sheena and Annalee Davis have also made movements towards hosting artists in residency, such as Sheena’s 24 Hour Residency at her studio as part of Projects and Space and FRESH MILK’s own upcoming weekend event to be held next month when Dominica based, Venezuela born Performance Artist, Sandra Vivas will be in residence to perform and offer a workshop experience in Performance Art. But why does it have to be just the informal networks and individuals striving towards the expansion of the residency community? When Leandro was listing places outside of the Caribbean he had completed residencies at, most of them were programmes tied to schools or Universities. Imagine the wealth of exposure for the institutions and the students if this were to happen on a continuous basis here at the Barbados Community College or the UWI. Currently Popup Studios in the Bahamas, Tembe Art studio in Suriname, the IBB in Curacao, Ateliers ’89 in Aruba and Alice Yard in Trinidad offer Caribbean residency opportunities. One international opportunity for artists to carry out residencies overseas and one which several Caribbean artists have participated is the Triangle Network (http://www.trianglearts.org/), which  integrates artists of all backgrounds, enabling them to compare initiatives.  However, when the artists return to Barbados, there are no formal institutions to support the experience they gained overseas. And so the number of informal spaces grows, trying to fill the void, sustaining the art community, keeping it from fragmentation.

 

A thriving creative culture should not be something that scrambles to find a place in a community, it should be a nurtured and prominent aspect of society. Incorporating artist residencies is one of the ways to ensure this.

Natalie McGuire