Anisah Wood’s Residency – Week 1 Blog Post

June 13, 2016June 12, 2016Leave a comment

Recipient of the ‘My Time’ Local Residency 2016, Anisah Wood, shares her first blog post about her time on the Fresh Milk platform. Using this residency as an introduction to the wider art world after completing her BFA at Barbados Community College earlier this year, Anisah has gotten off to a positive start, using the Colleen Lewis Reading Room for research, connecting with fellow resident, Pacific artist Torika Bolatagici, and leading the first session of her Quid Pro Quo skills exchange programme. Read more below:

Showers of blessing.

The studio & Colleen Lewis Reading Room.

As a recent graduate, entering the art arena can seem quite daunting. While some prefer to plunge right in, my preference was to wet my feet first and make gradual strides into deep end of this art world. And they literally got wet on the first day of my My Time Local Residency at Fresh Milk by the torrential rain that drenched the island. Showers of blessing they call it, ringing in the island’s rainy season and my first residency.

During the days that followed I enjoyed making use of the Colleen Lewis Reading Room in my search for inspiration. Another joy was meeting Torika Bolatagici and her wonderful family. As she relayed to me the ins and outs of her home country and the Pacific Islands I was intrigued by the striking similarities between that region and the Caribbean. Another highlight of the week was the first session of the Quid Pro Quo skills exchange. For that session, I shared my knowledge of the game warri and photography. I must admit that I was a bit anxious about taking on the role of host for this session, and about providing a fair exchange of information. However, based on the feedback, the session went well *phew* and I was glad to make two new acquaintances from very diverse backgrounds. I eagerly look forward to informative exchanges over the upcoming weeks.

Quid Pro Quo skills exchange

Learning about warri at the Quid Pro Quo skills exchange

Photo by Anisah Wood.

Now that I have settled in I am hoping for an increase in momentum and intensify my work production. I am intrigued to see how a change in location will inform my work. These next few weeks will be exciting as I make my way to the deep end of the art arena.

Fresh Talk: Remy Jungerman

June 7, 2016Leave a comment

Fresh Milk and Fresh Art International are collaborating to present Fresh Talk: Caribbean, a series of podcasts about creativity in the 21st century with a Caribbean focus.

This week, we highlight a conversation with Surinamese-Dutch artist Remy Jungerman about the European modernism and Afro-religious aesthetics that influence his art, and the public art project he created back in Moengo, his home town in Suriname.

Click here to listen to the full podcast.

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About Fresh Art International & Fresh Talk:

Mission: To inform and inspire a world of followers, Fresh Art International’s team shares conversations, commentary, news, and views about contemporary art.

Launched in October 2011, Fresh Art International is an evolving independent media outlet with a global point of view. Our website is the virtual platform for Fresh Talk: Conversations About Creativity in the 21st Century, our signature audio podcast. The site welcomes up to 3,000 monthly visitors. Averaging more than 9,000 feed hits monthly, we welcome new friends and followers every day: Facebook (3,000+ Likes and Friends) and Twitter (5,000+ Followers).

For Fresh Talk, independent curator Cathy Byrd meets with contemporary artists, curators, designers, architects, composers, writers, filmmakers and other cultural producers. Listen to conversations directly on this website, download episodes, or subscribe to the series on iTunes and Stitcher. Fresh Talk is also accessible through Public Radio Exchange at prx.org.

Open Call: Tilting Axis Curatorial Fellowship Programme 2016

June 6, 2016June 6, 2016Leave a comment

As a direct outcome of the Tilting Axis meetings in 2015 at Fresh Milk in Barbados and in 2016 at the Pérez Art Museum Miami, Scotland based cultural partners CCA Glasgow, David Dale Gallery, Hospitalfield and curatorial collective Mother Tongue have come together to offer structural long-term support to an emerging contemporary art practitioner living and working in the Caribbean. This is a new fellowship opportunity that focuses on the development of pragmatic and critical curatorial development hailing from the Caribbean region, and is research and practice-led, and mentor-based. The fellow will receive a maximum of £5,000 towards travel, accommodation, and living costs. The fellowship is co-developed in partnership with British Council.

Designed as a year-long programme between the Caribbean region and Scotland, the fellowship will have an open-ended outcome. It offers support for critical development of curatorial practice and gives a practical base in the partner institutions, connected with the successful candidate’s proposal.

We seek proposals that engage with the unique visual culture available in the Caribbean and what might be learned from its unexpected and innovative approaches. The successful candidate will be encouraged to travel throughout the Caribbean in search of such approaches and research. As part of this fellowship a trip to Scotland is essential, offering an opportunity to use the experience with the Scottish based partners as a form of mentorship. In collaboration with the partners, a realistic budget will be proposed, maximising the opportunities.

Within the Tilting Axis meetings, complexities of mobility, decolonisation, institutionalism, curatorial knowledge, pragmatics, and social realities have been surfacing as keywords of urgency within Caribbean cultural life. The mentorship element in the fellowship allows for a stable basis from which to draw and use spaces, libraries, individual knowledge, and other infrastructure, both in the Caribbean and Scotland) depending on the nature of the needs in the application.

For whom?

Curators, researchers, artists, or cultural producers based in the Caribbean region who want to make new links within the region as well as in Scotland and have a keen interest in developing their curatorial practice.

Goals

• Develop, stimulate, support, and visualise curatorial and artistic realities coming from the Caribbean region
• Facilitate face-to-face communication in Scotland as well as in the Caribbean region
• Offer a free and open access to knowledge
• Provide a stable platform for professional experiences
• Produce critical knowledge on educational tools as well as visual culture
• Focus on emerging practices
• Cross existing language barriers
• Utilise the existing Tilting Axis network
• Offer practical support and a trip to Scotland

Geography

The Caribbean is an active region. The definition of what is the Caribbean is not uniformed; Wikipedia provides a useful list that includes the islands and the continental countries.

Drawing on the specifics of the region through processes of decolonisation, language barriers, race, mobility, and digitalisation, your proposal might approach actively how people live and work and especially how contemporary art takes a responsibility to reflect and act on it. What are fears as well as potentials in these current times? Within such a complex geography, what are the challenges?

Mentorship and support

The fellowship offers a strong supportive framework and takes the model of a mentorship programme. Depending on the candidate’s interests and skills, several personal mentors are available for support throughout the programme. There is open access to infrastructure, curatorial and artistic ideas, exhibition spaces, archives, and libraries as well as personal stories and experiences within these institutions and individuals. Also online, Skype, and email support will be available from the mentors throughout the fellowship. A contribution to the public blogs of British Council and CCA Glasgow will be required along with a final report on the Fellowship and a presentation at Tilting Axis in April 2017 at the National Gallery of the Cayman Islands.

Application

Applicants for the fellowship are invited to develop an independent proposal outlining a clear interest in the issues highlighted. The proposal should include a realistic travel itinerary, carefully selected within budget restrictions, and content driven. The application can be based on already existing research or offer new projects. No outcome is expected from the outset, but a proposal that shows organisation of collateral events that allow for public access to the issues is appreciated.

Departing from a curatorial ambition, we expect to see strong proposals of maximum 1000 words. Please include a budget proposal (maximum of £5000), a CV and two references. The application should be submitted via e-mail to: jennifer@cca-glasgow.com.

Submission deadline: Monday 11 July 2016.

Emerging art practitioners are particularly encouraged to apply. The successful candidate will be living and working in the Caribbean region.

Remy Jungerman, Spirit Levels, CCA Glasgow 2014, Photography by Alan Dimmick.

Summary

Aimed at curators, researchers, artists, or cultural producers focused on, or with a clear interest in, curatorial practice from the Caribbean region.

Fellowship period: mid 2016 – mid 2017, to be negotiated depending on proposal and personal/professional situations.

The Fellow will be assigned a mentor from the core partners depending on their needs and wishes. Throughout the year these mentors are accessible online or on location.

A total project budget of £5000 will be allotted for the duration of fellowship. The award shall be used exclusively to cover only the costs of travel, per diems, and other fees and living costs identified in the final budget approved by the selection committee.

The Fellow will be selected on the basis of a project proposal and a succinct motivation elaborating the candidate’s interest in developing a Caribbean curatorial practice. The deadline for submission will be Monday 11 July 2016.

The proposals will be judged by an international jury consisting of curators, academics, and museum professionals, after which shortlisted candidates will be invited for an interview via Skype.

The Curatorial Fellow will be appointed at the end of July 2016. Jurors will be:

Tiffany Boyle and Jessica Carden, Mother Tongue, UK
Holly Bynoe, ARC Magazine, The National Art Gallery of the Bahamas and Tilting Axis co-founder
Mario Caro, board member of Res Artis, Tilting Axis partner
Annalee Davis, British Council Caribbean, Fresh Milk Barbados, Tilting Axis co-founder
Francis McKee, CCA Glasgow, UK
Max Slaven, David Dale Gallery, UK
Laura Simpson, Hospitalfield, Arbroath, UK

Possible partners within the network include:

Alice Yard, Trinidad + Tobago
ARC Magazine
Fresh Milk Art Platform Inc., Barbados
Ateliers ‘89, Aruba
Bermuda National Gallery
Beta-Local, Puerto Rico
British Council Caribbean
espace d’art contemporain 14°N 61°W, Martinique
Ghetto Biennale, Haiti
Johanna Auguaic, Director, BIAC, Martinique
Instituto Buena Bista, Curacao
L’Artocarpe, Guadeloupe
National Art Gallery of The Bahamas
National Gallery of Jamaica
National Gallery of the Cayman Islands
NLS, Jamaica
Tembe Art Studio, Suriname

In partnership with CCA Glasgow, David Dale Gallery and Studios, Hospitalfield, Mother Tongue and Tilting Axis. Supported by British Council Scotland.

Fresh Milk welcomes Torika Bolatagici

June 2, 2016June 6, 2016Leave a comment

Fresh Milk is very excited to welcome Australia-based, Pacific artist Torika Bolatagici to the platform. She will be in residence with us from June 6 – July 1, 2016.

Protect Me, Digital print on flex, 2010

Torika’s interdisciplinary practice investigates the relationships between visual culture, human ecologies and contemporary Pacific identities. During her time in Barbados, Torika will be undertaking a research-based residency, largely involving engagement with local artists and conducting research in the Colleen Lewis Reading Room (CLRR). She is particularly interested in identifying opportunities to connect Caribbean and Pacific artists whose work might intersect along lines of reflection on culture, identity, place and space within a postcolonial framework.

Torika Bolatagici, Decolonise Your Mind, Digital print on flex, Installation view, 2009.

Black Gold (Piper Methysticum), Digital print on flex, 2009

Export Quality, Illuminated chromogenic print on Duratran. Installation view Queensland Art Gallery, 2012

Vicovico (Umbilicus), Digital print on rag, 2014

Ubi (Cover), Digital print on rag, 2014

In 2013, Torika established an initiative called the Community Reading Room; a pop-up destination for research, community discussion and engagement around international visual arts and culture, with a particular focus on contemporary art and theory from Oceania, Africa and the Americas. Many of the texts deal with postcolonial art, literature and philosophy, visual culture, migration, citizenship and cultural identity. As well as spending time researching the collection in the CLRR, she will be investigating points of synergy and opportunities for collaboration and exchange between the two spaces.

Torika will give a public presentation at Fresh Milk about the work of Contemporary Pacific artists from Australia and New Zealand, as well as her own practice. Stay tuned for more details about the date & time for this event!

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About Torika Bolatagici:

Torika Bolatagici was born in Tasmania and spent the early years of her life living between Hobart, Sydney and her father’s village – Suvavou, Fiji.

Torika works across a range of media, including photography, video and mixed media site-specific installation. Her interdisciplinary practice investigates the relationship between visual culture, human ecology, postcolonial counter narrative and visual historiography of the Black Pacific. She is interested in exploring the tensions and intersections between gender, embodied knowledge, commodification, migration and globalization.

Torika’s work has been exhibited in New York, San Francisco, Mexico City, Yogyakarta and throughout Aotearoa, New Zealand and Australia. She has published in peer-reviewed journals and presented at local and international conferences and symposia about the representation of mixed-race identity; Pacific arts practice in Australia and Fiji; representations of teachers and teaching in cinema; and gender and militarism in the Pacific.

In her role as Symposium coordinator for the Contemporary Pacific Arts Festival in 2013 and 2014, Torika curated multiple panels to extend the discourse around contemporary Pacific arts practice in Australia and invited speakers to reflect on themes such as art and activism, museums, collecting and curating, cultural appropriation and contemporary practice. She also produced the symposium publication Mana Motu.

As well as 11 years experience teaching at tertiary level, Torika also has experience facilitating youth arts workshops for the local Pacific community, most recently the Pacific Photobook Project in Melbourne and Sydney.

Torika also presents the Community Reading Room – a pop-up destination for research, community discussion and engagement around international visual arts and culture, with a particular focus on contemporary art and theory from Oceania, Africa and the Americas. The Community Reading Room has appeared at Colour Box Studio (2013) and the Footscray Community Arts Centre (2014).

Torika is a photography lecturer in the School of Communication and Creative Arts at Deakin University, Melbourne where she teaches contemporary theory and practice. She is currently undertaking a PhD at the School of Art and Design, University of New South Wales.

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This project has been assisted by the Australian Government through the Australia Council, its arts funding and advisory body.

Quid Pro Quo: Skills Exchange Programme at Fresh Milk

June 1, 2016June 1, 2016Leave a comment

The winner of this year’s Fresh Milk ‘My Time’ Local Residency, Anisah Wood, will be in residence with us between June 6 and July 1, 2016. As part of her community outreach during her residency, Anisah will be offering the programme Quid Pro Quo – a series of skill-exchanges at the Fresh Milk studio.

Modeled after the Trade School concept, founded in part by New York based artist Caroline Woolard whose practice “explores intersections between art and the solidarity economy,” these sessions will become a non-traditional space of learning and sharing, emphasizing the value of people’s passions and skills.

Quid Pro Quo will be held at Fresh Milk over a period of four weeks, with the first session being held on Friday, June 10, 2016 at 3:00pm.

The programme will be structured as follows:

Each participant must be willing to share either one’s passion, skills or knowledge in exchange for the skills or knowledge of the other participants.

Each participant can offer an option of 2 to 3 topics or skills. For example, Anisah will offer: ‘Digital photography 101’, ‘The art of collage’ and ‘How to play warri and potta (traditional board games)’. Note that what is offered does not have to be art oriented. The idea is simply to share knowledge with the expectation of receiving knowledge in exchange.

The result is at most a 4 for 1 exchange.

The setting in which the information is dispensed will be informal and the manner in which each participant relays the information is completely up to the individual. It can be a discussion, hands on experience, a series of exercises, a presentation etc.

Each participant will select from the options offered what they would like to know from the other participants. The option that receives the most votes will be the one discussed.

Finally, each participant will be assigned a day in which they will give their presentation, with the option of Tuesdays, Wednesdays or Fridays with flexible hours between 3:00-6:00 pm.

There will be a limited number of participants approximately 4-5 in order to allow the exchange to be completed within the duration of the residency.

How to register:

To register, email freshmilkbarbados@gmail.com with the subject line ‘Quid Pro Quo’ and provide your name, contact information and the knowledge to be bartered in exchange for one of the skill-sets Anisah will be offering by June 7, 2016.

From the response, the participants will be selected and informed of their acceptance by June 9, 2016, in time for the initial session on June 10 at 3:00 pm.

During this meeting, each of the participants will be assigned a week from which they will determine what day and time they will be hosting their session. The participants will then vote on the focus of each session based on the options provided.