Look Beyond What you See – #CCF

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Look at the nearest clock. With a lazy glance you see numbers, perhaps hands, a circle or maybe a square-shaped face. Pay closer attention and you may determine the time. Be even more attentive and you begin to appreciate the design of your clock face. Imagine the technology that enables the hands to move, the numbers to change. Everything that happens behind what you see gives you a better understanding of how that clock portrays time. Now, take this principle and apply it to your perception of life. This is the message of Sufi Master Pir Vilayat Inayat Khan.

The above excerpt is from Versia Harris’ review of That which Transpires Behind that which Appears: The Experience of Sufism by Pir Vilayat Inayat Khan, this week’s addition to the Fresh Milk Books Tumblr, the online space inviting interaction with our collection in the Colleen Lewis Reading Room.

For new Critical. Creative. Fresh reviews every week, look out for our #CCF Tuesdays and see the good reads we have available at Fresh Milk!

Cherise Ward’s Residency – Week 1 Report

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“A Journey of the Imagination”

Before starting the residency, I attended a talk at Fresh Milk by three artists who spoke about their residency experiences. After hearing these, I was determined to start the residency (my first) with a clear mind and willingness to embrace new ideas.

Day one of the ‘My Time’ residency started with a talk with Annalee, where we discussed my intentions for how I will spend my time, and emphasised the importance of experimenting and exploring ideas over the necessity of producing finished work. I had a tour of the facilities, and then I took some time to explore the expansive grounds. Fresh Milk has a lot of space to explore: cows, chickens, the sounds of birds, breeze, plants, trees, flowers, and a swing. It was very easy to feel relaxed, and with a clear mind, I was excited to get started.

On that first day, Annalee recommended a few books for me to look through. One of them, The Art of James Christensen: A Journey of the Imagination perfectly summed up my intentions for how I will spend my time during the four weeks at Fresh Milk.

My plans for this residency included developing ideas for a story, and using this as the main inspiration for sculptural explorations. Week one of the residency was spent fleshing out the pages of the story. The idea was inspired by a fairytale I read for a class a number of years ago, called ‘The Doll in the Grass.” In this story, the doll falls into the water, and when she is brought to the surface, she has been transformed into a real girl. My story follows the adventures of this doll. Throughout her adventures, she is deep in thought. She laments about being made of wood, wanting to fall in love, wondering if she can without a real heart that beats, and finally, wishing she was a real girl. She is so caught up in her own thoughts that she does not realize that she is being followed by a real boy.  The story reflects the importance of being present in your life, as there is a lot you can miss out on when you are caught up on what was, or what you wish could be. (This story has a happy ending).

The imagery of the story is very much influenced by Fresh Milk’s surroundings. My work in general is inspired by nature, and there was so much to be inspired by. I decided to make the grounds of Fresh Milk her environment in the story. So this is where much of her journey takes place.

For the illustrations, I used acrylic ink on watercolour paper. This story, and these illustrations, will be the inspiration for the sculptures/puppets/toys I will work on/experiment with/explore in the coming weeks.

Follow Cherise on Tumblr for updates on her residency & practice.

FRESH MILK XIV: Versia Harris’ Presentation

Versia Harris giving her presentation. Photo by Dondré Trotman.

Versia Harris giving her presentation. Photo by Dondré Trotman.

Fresh Milk invites you to view this two-part video documentation of a presentation by Versia Harris, who spoke about the value of artist residencies at our public event FRESH MILK XIV, which took place March 20, 2014.

About Versia:

Versia Harris is a Barbadian artist living and working in Weston, St. James. She graduated from the Barbados Community College with a BFA in the Studio Art programme in 2012, with an award from The Leslie’s Legacy Foundation. She participated in her first local residency with Projects and Space in 2011. Within the past year she has completed four residencies, beginning with a local residency at Fresh Milk, followed by her first international residency at the Vermont Studio Center, and two regional residencies at the Instituto Buena Bista, Curacao and Alice Yard, Trinidad in late 2013. In her work, Versia tackles perceptions of fantasy in contrast to the reality of her original character. She uses Adobe Photoshop to manipulate her pen drawings to create the animations.

Take a look at the videos below:

FRESH MILK XIV: Nick Whittle’s Presentation

British-Barbadian artist Nick Whittle delivering his presentation. Photo by Dondré Trotman.

Nick Whittle giving his presentation. Photograph by Dondré Trotman.

Fresh Milk invites you to view this two-part video documentation of a presentation by Nick Whittle, who spoke about the value of artist residencies at our public event FRESH MILK XIV, which took place March 20, 2014.

About Nick:

Nick Whittle is a Barbadian/British artist. His work is that of a diarist: regardless of scale or medium his practice explores geographical and historical encounters. Through a stream of consciousness process, he reveals feelings of alienation and connectedness. Much of his work is inspired by what was once described as “an ongoing interest in the narrow strip of land between high and low water.” His practice is interdisciplinary and encompasses sculpture, poetry, video, installation, painting and printmaking. He has recently concluded a residency program at the Instituto Buena Bista in Curaçao.

Take a look at the videos below:

The Fact of Blackness – #CCF

Black Skin, White Masks by Frantz Fanon (1952). Photograph by Dondré Trotman.

Black Skin, White Masks by Frantz Fanon (1952). Photograph by Dondré Trotman.

“Who am I?/ I am a black man, of that I’m sure. / I am a black man…I’m sure. After all, the colour of my skin proves that fact. / So I am a black man, but I’m not sure of much more” states Frantz Fanon, a leading black intellectual of the 20th century. What I liked about Fanon’s essay “The Fact of Blackness” was his autobiographical address of the ‘black identity issue’- a topic that is still a major refrain of popular culture.

The above excerpt is from Ronald Williams’ review of Fanon’s essay ‘The Fact of Blackness’, which is the first piece to be featured on our newly launched Fresh Milk Books Tumblr, the online space inviting interaction with our collection in the Colleen Lewis Reading Room.

For new Critical. Creative. Fresh reviews every week, look out for our #CCF Tuesdays and see the good reads we have available at Fresh Milk!