#ask TVE 2019 – Community Feedback

As part of Transoceanic Visual Exchange‘s (TVE) community led curatorial approach to the selection of works that will be screened as part of our 2019 programme, we invite input from those living in the Caribbean and its diaspora to share their thoughts on what is happening right now in the areas of video art and film in their region.

#askTVE lets you submit your feedback directly to our team, which will add to the discourse in our community roundtable sessions and be taken into consideration when forming the final shape of the programme.

Respond to the form here!

About TVE 2019:

The Fresh Milk Art Platform (Barbados), China Residencies (NY and China), The Barbados Museum and Historical Society, I: project space (Beijing) and Alice Yard (Trinidad & Tobago) are partnering to screen a survey of of recent film and video works – screenings, installations, new media and expanded cinema – by contemporary artists practicing in the Caribbean, China and their diasporas for the third edition of Transoceanic Visual Exchange (TVE), a series of programmes taking place this year between Barbados, China and Trinidad & Tobago.

Open Call: Transoceanic Visual Exchange 2019

The Fresh Milk Art Platform (Barbados), China Residencies (NY and China), The Barbados Museum and Historical Society, I: project space (Beijing) and Alice Yard (Trinidad & Tobago) are pleased to welcome submissions of recent film and video works – screenings, installations, new media and expanded cinema – by contemporary artists, to be included in the third edition of Transoceanic Visual Exchange (TVE), a series of programmes taking place this year between Barbados, China and Trinidad & Tobago. Submitted works must have been completed in the last five years and must be made by artists practicing in the Caribbean, China and their diasporas.

TVE will be a collection of recent artists’ films and videos from each region. However, the final shape and content of the programme will be informed by a community curatorial process, which aims to involve and promote discussion within the wider arts communities of each participating initiative.

Working between the Caribbean, China and their diasporas, TVE aims to negotiate the in-between space of our cultural communities outside of traditional geo-political zones of encounter and trade. TVE intends to build relations and open up greater pathways of visibility, discourse and knowledge production between the regional art spaces and their communities.

Submission Requirements:

  • Must be work from artists practicing in the Caribbean, China  and their diasporas;
  • Must be work that has been completed/made in the last five years;
  • Can be films of any length (shorts, experimental, features and video artworks);
  • Can be in any language (films originally produced in regional languages are welcome);
  • Multiple submissions are welcome;
  • Must be accompanied by a description of the work (500 words max), a bio (200 words max) and details of any technical requirements i.e. audio, installation, equipment required, preferred setting etc.;
  • Works must be in the form of mp4 files no larger than 100MB, or private Vimeo / Youtube links (please provide passwords);
  • Works must not have been submitted to previous editions of TVE;
  • Please specify whether your submitted works have permission to be exhibited on an online space.

Deadline for submissions: 28th June 2019

The online submission form can be found here.

Please direct any queries about Caribbean submissions to: tveproject.caribbean@gmail.com
Please direct any queries about China submissions to: nihao@chinaresidencies.com

For more information on TVE and its first two iterations, visit the TVE website.

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About the TVE 2019 Partners:

Fresh Milk

Fresh Milk is an artist-led, non-profit organisation founded in 2011 and based in Barbados. It is a platform which supports excellence in the visual arts through residencies and programmes that provide Caribbean artists with opportunities for development, fostering a thriving art community.

Fresh Milk offers professional support to artists from the Caribbean and further afield and seeks to stimulate critical thinking in contemporary visual art. Its goal is to nurture artists, raise regional awareness about contemporary arts and provide Caribbean artists with opportunities for growth, excellence and success.

Website: freshmilkbarbados.com
Facebook, Instagram and YouTube: FreshMilkBarbados
Twitter: FreshMilkBdos

China Residencies

China Residencies is an online and New-York based nonprofit founded in 2013 by Crystal Ruth Bell & Kira Simon-Kennedy. Since then, China Residencies supported over 50 artists and collective projects in mainland China and Hong Kong. China Residencies supports a network of over 40 different residency programs through openly accessible website, and supports the next generation of artists, activists, and arts administrators through fellowships, exchanges, and fiscal sponsorship.

“We believe diplomacy shouldn’t just be left up to politicians. Artists are cultural and social changemakers, and, in a world where people sometimes forget to listen to and learn from one another, we are passionate about creating opportunities for artists to bring a broader cultural understanding into their work and communities.”

Website: chinaresidencies.com
Facebook: chinaresidencies
Twitter: chinaresidency
Instagram: china_residencies

The Barbados Museum and Historical Society

The Barbados Museum and Historical Society (BMHS) is a non-profit, non-governmental organization with a membership of over 1,000 individuals and companies. A fourteen-member Council and the Director are responsible for its policies and operation. Nine council members are elected annually from the membership of the BMHS; the remaining five are appointed by Government.

The mandate of the Barbados Museum and Historical Society is: To collect, document and conserve evidence of Barbados cultural, historical and environmental heritage; and to interpret and present this evidence for all sectors of society.

Website: barbmuse.org.bb
Facebook, Twitter and Instagram: BarbadosMuseum

I: project space

I: project space is an augmentation of what a contemporary art institution can be, by using the freedom that comes along with running an independent practice. The space is located in the old Hutong area of Beijing and is combining an exhibition space with a residency studio for visiting artists from China and abroad. Taking its location in the center of Beijing but outside the art districts as a premise, I: project space engages in bringing an interaction with art back into the daily life.

Collaborating with local and international cultural producers, I: project space is constantly building networks with like-minded spaces all over the world to share information and to expand the impact of the independent art scene. Dedicated to build support structures for artists and open possibilities for long-term dialogues between artistic, curatorial, research and other modes of knowledge production.

Exchange and dialogue should not become empty phrases, but have to be implemented into actions. The programming of the space is framing the residency and exhibitions with an ongoing discourse about current questions on contemporary art.

I: project space aims to encourage innovative and investigative approaches, crossing borders between different creative disciplines, cultural identities, geographical locations, political economies, crafts and new technologies. By placing emphasis on the open dialogues, I: project space looks to foster experimentation, collaboration and interdisciplinary exchange.

Website: yi-projectspace.org
Facebook and Instagram: Iprojectspace

Alice Yard

Alice Yard is the backyard space of the house at 80 Roberts Street, Woodbrook, Port of Spain. This was once the house of Sean Leonard’s great-grandmother. Four generations of children played and imagined in this yard, and now we continue this tradition. Alice Yard is a space for creative experiment, collaboration, and improvisation.

Alice Yard is administered and curated by architect Sean Leonard, artist Christopher Cozier, and writer and editor Nicholas Laughlin, with the help of a growing network of creative collaborators. Alice Yard is a non-profit organisation incorporated under the laws of Trinidad and Tobago.

Since 2008, Alice Yard has run a residency programme hosting artists, curators, and other creative practitioners.

Website: aliceyard.blogspot.com
Facebook & Twitter: aliceyard
Instagram: aliceyardinsta

Alice Yard announces the results of their inaugural Prize for Art Writing

alice yard prize winners

From L-R: Winner Stephen Narain (Bahamas) and Honourable Mentions Nicole Smythe-Johnson (Jamaica) and Katherine Kennedy (Barbados)

The co-directors of Alice Yard are pleased to announce that the winner of the inaugural Alice Yard Prize for Art Writing is Stephen Narain, born in the Bahamas and now living in the United States.

From the shortlist of five writers, two more have been selected for honourable mention: Katherine Kennedy of Barbados and Nicole Smythe-Johnson of Jamaica.

The other shortlisted writers are Brandon O’Brien of Trinidad and Tobago and Aiko Maya Roudette of St Vincent and the Grenadines.

Narain will receive a cash award of US$1,000, and his essay, along with Kennedy’s and Smythe-Johnson’s, will be published in The Caribbean Review of Books.

Launched by Alice Yard in 2014, the prize is an annual award for an original piece of critical writing on contemporary Caribbean art by a Caribbean writer aged 35 or under. It aims to encourage new writing on Caribbean art and artists, and to identify emerging voices in contemporary Caribbean art criticism. Originally it was expected that the winner of the inaugural prize would be announced in late 2014. Despite the delay in the timetable, the prize will continue to be awarded annually, and the 2015 Alice Yard Prize for Art Writing will open for entries in September.

The co-directors of Alice Yard wish to thank the 2014 prize judges — Krista Thompson, Charles Campbell, and Courtney J. Martin — for their time and critical engagement.

Read more on the Alice Yard website here.

Tilting Axis: Game-Changing Regional Art Conference on Sustainability in Caribbean Visual Arts held in Barbados

Participants of the Tilting Axis 2015 conference. All photographs by Sammy Davis.

Participants of the Tilting Axis 2015 conference. All photographs by Sammy Davis.

The visual arts conference, ‘Tilting Axis: Within and Beyond the Caribbean – Shifting Models of Sustainability and Connectivity‘, was held in Barbados on February 27-28, 2015 and was dedicated to forging infrastructure between several independent art organisations and museums operating across the Caribbean, U.S., E.U., and China. The conference is a game-changing development for sustainable economic development in regional visual art.

The two-day conference brought together the diverse leaders of these visual art development organisations to negotiate strategic regional and international alliances for the formalisation and further development of infrastructure, production and markets for Caribbean art.

The conference was organized by The Fresh Milk Art Platform, Inc., where the event was held, in collaboration with ARC Magazine, Res Artis and the Pérez Art Museum Miami. Tilting Axis was supported by the Arts and Sport Promotion Fund Committee (Barbados), the Davidoff Art Initiative, the British Council and the Prince Claus Fund.

Among the more than thirty invited participants were Annalee Davis, Founding Director of The Fresh Milk Art Platform (Barbados); Holly Bynoe, Co-founder and Editor-in-chief of ARC Magazine (St. Vincent & the Grenadines); Tobias Ostrander, Chief Curator, and Maria Elena Ortiz, Assistant Curator, of the Pérez Art Museum Miami (USA); Mario A. Caro, President of Res Artis (Amsterdam); David Codling, Director Arts, Americas, British Council (Colombia); Natalie Urquhart, Director of the National Gallery of the Cayman Islands; Amanda Coulson, Director of art fair VOLTA NY and Director of the National Art Gallery of the Bahamas; Deborah Anzinger, Artist and Director of Kingston-based visual art initiative NLS (Jamaica); Nicholas Laughlin, Co-founder of Trinidad and Tobago-based backyard space, Alice Yard; David Bade and Tirzo Martha, Co-directors of Instituto Buena Bista (Curaçao); Elvis López, Director of Ateliers ‘89 (Aruba); Remco De Blaaij, Curator at the Centre for Contemporary Art (Glasgow); Max Slaven and Ellie Royle, Co-Directors of the David Dale Gallery & Studios (Glasgow); Jessica Carden, Co-founder of Mother Tongue (Glasgow); Solange Farkas, Director of Videobrasil (Brazil); N’Goné Fall, Independent Curator and Co-Founder of GawLab (Senegal); Raquel Paiewonsky, Co-founder of the artist collective Quintapata (Dominican Republic); Kira Simon-Kennedy, Co-founder China Residencies (USA/China); Malaika Brooks-Smith Lowe, Co-founder and Director of Groundation Grenada, Marsha Pearce, Senior Editor of ARC Magazine (Trinidad); Caryl* Ivrisse Crochemar, Director of 14°N 61°W (Martinique). And from Barbados participants included Janice Whittle, curator of Queens Park Gallery and representative of the National Cultural Foundation; Therese Hadchity, Art Historian; Joscelyn Gardner, Artist; Llanor Alleyne, Artist and Writer; Katherine Kennedy, Artist and Directors’ Assistant at ARC and Fresh Milk; Versia Harris, Artist and Fresh Milk volunteer; Sammy Davis, Fresh Milk volunteer and Tonika Sealy, Independent Cultural Producer.

L-R: Mario A. Caro (President of Res Artis), Annalee Davis (Founding Director of Fresh Milk), Tobias Ostrander (Chief Curator at the Pérez Art Museum Miami) and Holly Bynoe (Co-founder & Editor-in-chief of ARC Magazine).

L-R: Mario A. Caro (President of Res Artis), Annalee Davis (Founding Director of Fresh Milk), Tobias Ostrander (Chief Curator at the Pérez Art Museum Miami) and Holly Bynoe (Co-founder & Editor-in-chief of ARC Magazine).

According to co-organisers Holly Bynoe and Annalee Davis, the conference seeks to create opportunities for visual artists living in the Caribbean and provide professional and economic development in the region through formal collaborations between key art organisations and foundations across the Caribbean and beyond. The conference also aims to build and redefine relationships around cultural exchange between the Global North and the Global South.

“It is not just about contemporary art. One of the tasks we have undertaken at the Pérez Art Museum Miami is the building of Caribbean art histories in the consciousness of the American public. We see the Pérez Art Museum as strategically placed to undertake this,” stated Tobias Ostrander.

From the conference, a strategic action plan for continued collaboration was developed after a reflection on the two-day discussion.

“In creating markets for contemporary art in the Caribbean, we are developing the ecosystem and all the underlying components that drive that market: The environment for artists to make great work; art writers, researchers and funders to help make that work accessible to the public; international museums and galleries to show the work; advisors and dealers to get the work placed in collections. Shared programming, exchanges, and educational initiatives developed between the institutions present addressed these key components,” stated Deborah Anzinger.

Tilting Axis 2015

Tilting Axis 2015

One of the mandates issued to the participants of the Tilting Axis conference is to tighten strategic networks in their home countries. The organisers of the conference also expect to expand the invited participant list for the next meeting which will take place in 2016.

Annalee Davis stated in her welcome address that “Many of us working in the region have been speaking with one another, in some cases for many years, but today is the first time that artist-led initiatives have come together from the Dutch, Spanish, French and English territories to meet physically in the Caribbean. It is critical that this gathering is taking place on Caribbean soil, and that we consider the visual arts sector from within the archipelago as a counterpoint to the many decisions that have been and are often made about the region externally.”

Mario A. Caro expressed his enthusiasm for the collaborations to be developed between members of Res Artis, a worldwide network of art residencies, and organizations in the Caribbean. “It is clear that the cultural sector in the Caribbean is undergoing exciting and, at times, dynamic changes, and many of these have to do with relationships being established with new partners around the globe. The increase in the mobility of artists through art residencies, both into and out of the region, is one critical factor.”

Holly Bynoe echoed positivism: “The meeting of professionals who are actively engaging and challenging collaborative strategies acknowledges the changes rippling across the Caribbean, and reaffirms the critical value of innovative emerging networks. As more eyes are turning to look at this space, we need to be cognisant of what they are seeing, and consider how and what we want them to experience. Tilting Axis aspires to become a conduit; supporting the professionalisation of artists and formalising engagements, leading to greater visibility and accessibility of contemporary Caribbean art.”

Tilting Axis 2015

Tilting Axis 2015

Tilting Axis: Within and Beyond the Caribbean – Shifting Models of Sustainability and Connectivity

The two-day conference ‘Tilting Axis: Within and Beyond the Caribbean – Shifting Models of Sustainability and Connectivity’ will be held at The Fresh Milk Art Platform, Barbados on February 27-28, 2015. This meeting aims to promote greater conversations and engagement between artists and professionals working within artist-led initiatives across the wider Caribbean region, build and redefine historical relationships with those in the North, and establish open dialogue with active networks emerging in the Global South.

Organized by Fresh Milk, ARC Inc., Res Artis and Pérez Art Museum Miami, Tilting Axis sees the founders/directors of several of the region’s artist-led initiatives coming together to engage in face to face conversations, along with a number of professionals from outside the region interested in working with Caribbean based initiatives.

The objectives of the two-day engagement are to:

● Create opportunities for more integration, awareness, and collaborations to take place across the Caribbean and between international foundations, cultural organizations, and practitioners;
● Enable local, regional, and international artist networks to reflect on lessons learned and share best practices, methodologies, and ideas;
● Develop an action plan for continued collaboration and for moving the Caribbean out of a peripheral position in the global art conversation.

Directing Organizations: ARC Inc., and Fresh Milk Art Platform Inc.
Associate Partners: Res Artis and Pérez Art Museum Miami
Supporting Partners: Arts and Sport Promotion Fund Committee (Barbados), the Davidoff Art Initiative, the British Council and the Prince Claus Fund.

Participants:

Annalee Davis – Founder/Director, The Fresh Milk Art Platform Inc. (Barbados)
Holly Bynoe – Co-founder/Director, ARC Inc. (St. Vincent & the Grenadines)
Mario Caro – President, Res Artis (The Netherlands)
Tobias Ostrander – Chief Curator, Pérez Art Museum Miami (USA)
Solange Farkas – Director, Videobrasil (Brazil)
N’Goné Fall – Co-founder/Director, GawLab (Senegal)
Katherine Kennedy – Assistant to Directors, The Fresh Milk Art Platform Inc. & ARC Inc. (Barbados)
Versia Harris – Visual Artist/Volunteer, The Fresh Milk Art Platform Inc. (Barbados)
Sammy Davis – Videographer/Volunteer, The Fresh Milk Art Platform Inc. (Barbados)
Deborah Anzinger – Executive Director, New Local Space -NLS (Jamaica)
Malaika Brooks-Smith-Lowe – Co-founder/Director, Groundation Grenada (Grenada)
Caryl Ivrisse-Crochemar – Director, 14Nº61ºW (Martinique)
Nicholas Laughlin – Co-founder, Alice Yard (Trinidad & Tobago)
Marsha Pearce – Senior Editor, ARC Inc. (Trinidad & Tobago)
Amanda Coulson – Director, The National Art Gallery of the Bahamas (The Bahamas)
David Bade – Co-founder, Instituto Buena Bista – IBB (Curaçao)
Tirzo Martha – Co-founder, Instituto Buena Bista – IBB (Curaçao)
Elvis Lopez – Director, Ateliers ‘89 (Aruba)
Natalie Urquhart – Director, The National Gallery of the Cayman Islands (Cayman Islands)
Raquel Paiewonsky – Artist and Co-Founder, Quintapata (Dominican Republic)
Kira Simon-Kennedy – Program Manager/Co-founder, China Residencies (New York City)
Maria Elena Ortiz – Associate Curator, Pérez Art Museum Miami (USA)
David Codling – Director Arts, Americas, British Council (Colombia)
Remco de Blaaij – Curator, Centre for Contemporary Arts (Scotland)
Jessica Carden – Curator, Mother Tongue (United Kingdom)
Max Slaven – Co-Director, David Dale Gallery, Glasgow (Scotland)
Ellie Royle – Co-Director, David Dale Gallery, Glasgow (Scotland)
Janice Whittle – Curator, The National Cultural Foundation (Barbados)
Joscelyn Gardner – Visual Artist (Barbados)
Therese Hadchity – Art Historian (Barbados)
Llanor Alleyne – Visual artist (Barbados)
Tonika Sealy – Independent Cultural Producer (Barbados)

Image credit: Mark King, Untitled Grid Fields, paint on concrete, 2015. Photo by Llanor Alleyne