A Lyrical Response to She Who Tells a Story – #CCF Guest Review

ewsha Tavakolian, Don’t Forget This Is Not You (for Sahar Lotfi), Chromogenic print mounted on aluminum, 2010.

Newsha Tavakolian, Don’t Forget This Is Not You (for Sahar Lotfi), Chromogenic print mounted on aluminum, 2010.

Like mornings when dew drops hang on the tips of tree leaves, the stories of women hang in the air. They are the precipitation of the spirit; the evidence of its metamorphosis through the pressures of love and hate, peace and war and joy and sorrow. They are the condensation of spirit smashing against spirit under the power of patriarchy.  

The above excerpt is from Ria Scott’s lyrical guest review of Kristen Gresh’s She Who Tells a Story: Women Photographers from Iran and the Arab World, this week’s addition to the Fresh Milk Books Tumblr – the online space inviting interaction with our collection in the Colleen Lewis Reading Room.

For new Critical. Creative. Fresh reviews every week, look out for our #CCF Weekly  and see the good reads we have available at Fresh Milk!

About Ria:

Ria Scott is a former student of the University of the West Indies and the University of Leeds. An avid reader, her writing experience has spanned creative, journalistic and academic spheres. She is passionate about travelling the world and experiencing different cultures. To find out more about Ria, check out her blog riathereal.tumblr.com

FRESH MILK XVI: Book Launch and Conversation for ‘See Me Here’

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The Fresh Milk Art Platform is pleased to invite you to our last public event before our summer break, FRESH MILK XVI – the Barbados book launch for Robert & Christopher Publishers’ (R&C) latest title, See Mere Here: A Survey of Contemporary Self-Portraits from the Caribbean, edited by Melanie Archer and Mariel Brown. The event will feature a small exhibition and panel discussion with the Barbadian artists featured in the publication – Ewan Atkinson, Annalee Davis, Joscelyn Gardner and Sheena Rose – and editor Melanie Archer, moderated by Barbadian artist Russell Watson.

See Me Here will be available for purchase at Fresh Milk on the night of the launch at a discounted price of $100 BBD, and thereafter at $110 BBD. The book has also been added to the collection in the on-site Colleen Lewis Reading Room (CLRR). In the spirit of celebrating this ever expanding archive of beautiful and critical publications, there will also be a short presentation on our new initiative Fresh Milk Books, introducing the team and sharing ways in which the public can get involved with this space for the interactive exploration of the CLRR.

FRESH MILK XVI takes place Thursday, June 26, 2014 from 6:30-8:00 pm at the Fresh Milk Studio, St. George (directions can be found here) and is free and open to the public.

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About See Me Here

See Me Here is the second book in R&C’s thematic explorations of contemporary art in the Caribbean – it follows the imprint’s successful first title, Pictures from Paradise (2012), which was picked up for distribution by North America’s most prestigious art book distributor, and is also being made into a major exhibition in Toronto, Canada, in May.

See Me Here calls attention to recent directions in self portraiture throughout the region, by focusing on artists who frequently or significantly use their physical selves, or those to whom they are linked by blood or significant experience, as an avenue for exploration and expression. In so doing, the book asks: How do we really see ourselves? How accurate is the image we present? What formative roles do our cultures and upbringings play? And, what role does the Caribbean as a physical and mental space have in the creation and perception of our own personal, visual identities?

Edited by Melanie Archer and Mariel Brown, See Me Here features a critical essay by Marsha Pearce, and more than 380 images from 25 artists. These works range across a variety of media, from drawing and painting to photography, sculpture, installation and performance. Eleven of these artists – Akuzuru, Ashraph, Susan Dayal, Michelle Isava, Jaime Lee Loy, Che Lovelace, Joshua Lue Chee Kong, Steve Ouditt, Irénée Shaw, Roberta Stoddart and Dave Williams – are from or are based in Trinidad & Tobago. The book’s other artists – Ewan Atkinson, James Cooper, John Cox, Renee Cox, Annalee Davis, Laura Facey, Joscelyn Gardner, Lawrence Graham-Brown, Anna Ruth Henriques, Nadia Huggins, O’Neil Lawrence, Olivia McGilchrist, Sheena Rose, and Stacey Tyrell – are either based in the Caribbean or have ties to the region, which are addressed through their works selected for the book.

About the Presenting Artists

 

Ewan Atkinson:

Ewan Atkinson was born in Barbados in 1975. He received a BFA from the Atlanta College of Art and an MA in Cultural Studies at the University of the West Indies, Cave Hill.  He has exhibited in regional and international exhibitions including the 2010 Liverpool Biennial, “Wrestling with the image: Caribbean Interventions” at the Art Museum of the Americas in Washington DC, and “Infinite Islands” at the Brooklyn Museum in New York.

Atkinson is the coordinator of the BFA in studio art at the Barbados Community College where he co-founded the Punch Creative Arena, an initiative for creative action based in the college gallery. An arts educator for over a decade, he is also on the executive board of Fresh Milk, a Caribbean non-profit, artist-led, creative support organization. Atkinson also works as a freelance illustrator and designer.

Annalee Davis:

Annalee Davis is a Visual Artist living and working in Barbados. She has been exhibiting her work regionally and internationally since 1989. She works part-time as a tutor in the BFA programme at the Barbados Community College.

Her explorations of home, longing and belonging question parameters that define who belong (and who doesn’t) in contemporary Caribbean society, exposing tensions within the larger context of a post-colonial history while observing the nature of post-independent (failing?) Caribbean nation-states.

In 2011, Annalee founded and now directs the artist-led initiative The Fresh Milk Art Platform Inc. An experiment, a cultural lab and an act of resistance, Fresh Milk supports excellence among contemporary creatives in the Caribbean, its diaspora and internationally.

 

Joscelyn Gardner:

Joscelyn Gardner was born in Barbados and lived there until 2000 when she moved to Canada. She now teaches Fine Art at Fanshawe College in London, Ontario, and works as an artist between Canada and the Caribbean. She holds an MFA degree from the University of Western Ontario and her work has been exhibited widely in solo exhibitions in the USA, Canada, Spain, and the Caribbean, and in numerous international exhibitions including the Sao Paulo Biennials and major European and Latin American printmaking biennials.

Recent awards include the Biennial Grand Prize at the 7th International Contemporary Printmaking Biennial in Quebec (2011), awards at the Open Studio National Printmaking Awards (Toronto, 2012) and the 22nd Maximo Ramos International Biennial Award for Graphic Arts (Spain, 2012), and a Canada Council for the Arts grant for a major research project in the UK (2013). Gardner’s work is found in many public and private collections and can be viewed on her website.

Sheena Rose:

Born in 1985, Sheena Rose has a BFA from the Barbados Community College. Rose’s work is comprised of hand drawn animation combined with photographs, mixed media, transfers and comic strips. The animations have a surreal quality and deal with daily life, space and the stereotype of her country.

Rose has exhibited extensively, both regionally and internationally. Her work has been shown at Real Art Ways, Hartford Connecticut, Queens Museum, New York, Uitnodiging Amsterdam, Holland, Havana Biennial, Cuba, ACIA, Madrid, Spain, Art Museum of the Americas, Washington, D.C, Greatmore Art Studios, Cape Town, SA, International Curator Forum, Bristol, England, CMAC, Martinique, Museo de Arte, Contemporaneo de Puerto, Puerto Rico, Kentucky Museum of Art & Craft, Kentucky, US, Aruba Biennial, Aruba, Panama Biennial del Sur, Panama and Alice Yard, Port of Spain, Trinidad.

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About Robert & Christopher Publishers

Robert & Christopher Publishers (R&C) is a Trinidad-based art book imprint. R&C’s primary concern in its art series is to produce quality books that document and elucidate our Caribbean story, as seen through the eyes of Caribbean artists. R&C aims to produce the highest quality of relevant art books that will be accessible to a wide reading and creative audience in Trinidad and Tobago, the Caribbean and internationally.

Robert & Christopher’s mission is to help open up critical dialogue for and amongst Caribbean people, and to explore and record the work of regional artists from a local perspective. By keeping a low price point on all their titles, R&C aims to create go-to texts that are accessible to artists, students of art, art lovers, and critics within the region. And, by maintaining high intellectual and production standards, R&C aims to appeal to international art and publishing markets.

In addition to See Me Here, Robert & Christopher has also published: Pictures from Paradise: A Survey of Contemporary Caribbean Photography, Che Lovelace: Paintings 2004 – 2008, Meiling: Fashion Designer and Barbara Jardine: Goldsmith.

A Kind of Right to be Idle – #CCF Guest Review

idle…A part of me wanted to write a poem in reponse to Karl Watson’s A Kind of Right to be Idle: OLD DOLL Matriarch of Newton Plantation – so I did.  The overall journey varied: from feeling as though the horizons of my perspectives on Plantation Slavery in Barbados had become more nuanced; through amusement at the tribulations and industrial action the female enslaved put the managers through; to suspicion of the real motives behind the apparent forbearance of the absentee owners and managers toward the troublesome family; to a final cynical fulfilment as my suspicions were proven…  Why on earth did the author write the book the way he wrote it?

The above excerpt is from Ayesha Gibson-Gill’s guest review of of Karl Watson’s A Kind of Right to be Idle: OLD DOLL Matriarch of Newton Plantation, which took the form of a poem for this week’s addition to the Fresh Milk Books Tumblr – the online space inviting interaction with our collection in the Colleen Lewis Reading Room.

For new Critical. Creative. Fresh reviews every week, look out for our #CCF Weekly  and see the good reads we have available at Fresh Milk!

About Ayesha:

Ayesha Gibson-Gill is the Cultural Officer of Literary Arts at Barbados’ National Cultural Foundation (NCF), West Terrace, St. James. You may contact Ms. Gibson-Gill at (246) 417-6625.

Academic Digest: Intangible Economies – #CCF

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Fillip Magazine’s Intangible Economies (2012) tackles the abstract nature of economy in relation to cultural production. Set in the world of cultural/artistic production, the works in this anthology build on the provocative premise of its introduction, providing specialised analyses of the concept of economy as an institutionalised value system.  My response offers a brief look at “Intangible Economies”, the introductory chapter of the anthology. It took me three reads to grasp the salient ideas being expressed in the introductory chapter of the journal (the Footnotes were a saviour !). Making reference to Mauss’ theory of ‘the gift’, Derrida’s theory of representation and the ‘symbolic order’ and Marx’s theory of alienation, Hirsch’s articulation of the relationship between affect and economy raises challenging questions about the value of cultural production in a capitalist economic system.

The above excerpt is from Amanda Haynes’ review of Fillip Magazine’s edition Intangible Economies (2012) this week’s addition to the Fresh Milk Books Tumblr – the online space inviting interaction with our collection in the Colleen Lewis Reading Room.

For new Critical. Creative. Fresh reviews every week, look out for our #CCF Tuesdays  and see the good reads we have available at Fresh Milk!

Cherise Ward ‘My Time’ Residency – Puppet Building Workshop

PuppetWrkshp16For my community outreach for the residency, I decided to do a 3 hour Puppet Building Workshop with students from Workmans Primary. The students were from both Class 3 and Class 4.

As part of my preparation, I made a test puppet. I wanted it to be a simple hand puppet that I thought the students would be able to make themselves. I used fabric, felt and construction paper.

On the day of the workshop, I had the assistance of Fresh Milk volunteers Versia and Ronald, and they were a great help.

I started by teaching the students about 3 different types of puppets, and doing a brief demonstration of how they worked using puppets I have made. They took notes, and were interested in trying to operate the puppets themselves. Then we got started making their hand puppets.

The students cut out their templates for the glove part of the puppet, and traced them onto the fabric, and we helped them cut and glue the fabric. They drew the designs for their puppets, and then cut the shapes for the heads and hands, and decorated them using felt, paper, and crayons.

The workshop was really well received. The students were enthusiastic, and excited about the puppets, and we had a great time. Thanks to Versia and Ronald for their help as well as Annalee and the teachers at Workmans Primary.

Follow Cherise on Tumblr for updates on her residency & practice.