Launch of TVE 4 2021!

Fresh Milk (Barbados), in partnership with TEOR/ética (Costa Rica), is pleased to announce the launch of the 2021 edition of Transoceanic Visual Exchange (TVE), an online exhibition showcasing video art, film and new media from across the Caribbean and Central America.

Important Dates:

Opening Reception & Launch of the Online Exhibition: November 24th  2021 at 6pm AST / 5pm EST / 4pm Costa Rica – Live streamed on the TEOR/ética YouTube Channel

Exhibition Dates: November 24th  2021 – January 30th 2022

ABOUT TVE 4:

TVE is a collection of recent films and videos from artists practicing in the Caribbean and Central America. It aims to negotiate the in-between space of our cultural communities outside of traditional geo-political zones of encounter and trade, intending to build relations and open up greater pathways of visibility, discourse and knowledge production between the regional art spaces and their communities.

With the ongoing pandemic and the Central American and Caribbean regions continually needing to navigate with resilience through climate, economic and citizenship challenges, TVE 4 provides a beacon of optimistic possibilities. These artists, divided geographically but interconnected by similar negotiations of space and identity, engage in conversation with each other in the digital realm of the TVE virtual exhibition, and the invitation to participate in these ever-morphing organisms of discussions is extended to all of those who visit our site.

Participating Artists:

Kayla Archer (Barbados), Marilyn Boror Bor (Guatemala), Javier Calvo Sandí (Costa Rica), Claudia Claremi (Cuba), Milko W. Delgado (Panama), Miguel Angel Diaz Rizo (Nicaragua), Miquel Galofre (Trinidad & Tobago), Leonardo Gonzalez (Honduras), Melanie Grant (St. Vincent & the Grenadines/Barbados), David Gumbs (St. Martin/Martinique), Clémence Lollia Hilaire (Guadeloupe), Natalia Lassalle-Morillo (Puerto Rico), Linero Ledezma (Panama), Momo Magallon (Panama), Violeta Mora Acosta (Honduras/Costa Rica/Cuba-based), Raquel Paiewonsky (Dominican Republic), Ada M. Patterson (Barbados), Ever Natán Rodas Santos (Guatemala), Patricia Villalobos Echeverría (Nicaragua)


ABOUT THE PARTNERS:

Fresh Milk

Fresh Milk is an artist-led, non-profit organisation founded in 2011 and based in Barbados. It is a platform which supports excellence in the visual arts through residencies and programmes that provide Caribbean artists with opportunities for development, fostering a thriving art community.

Fresh Milk offers professional support to artists from the Caribbean and further afield and seeks to stimulate critical thinking in contemporary visual art. Its goal is to nurture artists, raise regional awareness about contemporary arts and provide Caribbean artists with opportunities for growth, excellence and success.


TEOR/ética

Located in San José, Costa Rica, TEOR/éTica is a private, independent, non-profit, dedicated to the research and promotion of contemporary artistic practices.

Throughout more than two decades, TEOR/éTica has worked as a platform that promotes the research and dissemination of contemporary art, with an emphasis on Central America and the Caribbean. It aims to create spaces for doubt, debate and the generation of critical thought relevant to its context. It does this through exhibitions, publications, talks, workshops, grants, an archive and a specialized library, understanding art as a common space from where to generate study and find other ways of being together that build collective learning.

Caribbean Linked VI – Live Conversation I

The regional residency Caribbean Linked VI, co-managed by Ateliers ’89 (Aruba), The Fresh Milk Art Platform (Barbados) and ARC Magazine is conducting all of its programming and support virtually this year, with live public conversations between the artists taking place on Wednesday, August 11th and Tuesday, August 31st. As usual, the residency’s programming supports creatives across the French, Spanish, English and Dutch speaking Caribbean.

The first conversation will feature  Taisha Carrington (Barbados), Akley Olton (St. Vincent and the Grenadines), Susana Pilar (Cuba), and Sarabel Santos-Negrón (Puerto Rico).

Watch the conversation on live on YouTube on August 11th from 4:00 pm – 5:00 pm AST/EST at the link above!

For more information, please visit the Caribbean Linked website.

Caribbean Linked VI Launches Virtual Edition

The regional residency Caribbean Linked VI, co-managed by Ateliers ’89 (Aruba), The Fresh Milk Art Platform (Barbados) and ARC Magazine will be changing its focus this year in light of the severe impacts that the COVID-19 pandemic has brought upon the lives of artists regionally. Caribbean Linked VI will be conducting all of its programming and support virtually from July 30th – August 31st, 2021, with live public conversations between the artists taking place on Wednesday, August 11th and Tuesday, August 31st from 4:00 pm – 5:00 pm AST on each day. As usual, the residency’s programming supports creatives across the French, Spanish, English and Dutch speaking Caribbean.

Participating artists for Caribbean Linked VI include Claudio Arnell (Saint Martin), Taisha Carrington (Barbados), Romelinda Maldonado (Aruba), Akley Olton (St. Vincent and the Grenadines), Susana Pilar (Cuba), John Reno Jackson (Cayman Islands), Sarabel Santos-Negrón (Puerto Rico), Samuel Sarmiento (Aruba/Venezuela) and Béliza Troupé (Guadeloupe).

This residency will allow the participants to be exposed to the practices of other emerging Caribbean artists, providing an opportunity to strengthen regional connections and cultural understanding. This edition of Caribbean Linked is being conceptualised as a bridging year, with participating artists still scheduled to meet physically in August 2022 at Ateliers ’89 in Oranjestad, Aruba.

Now more than ever in light of COVID-19, it is critical to mitigate isolation and use available technologies to advance creative production, critical thinking and engagement. This preliminary remote encounter is focused on provisioning artists with dedicated studio time to make new works, while reinforcing the value of Caribbean artists’ practices and enabling their growth and development.

The writer in residence for the virtual edition will be Ethan Knowles, an emerging scholar and writer from The Bahamas currently studying in Rome, Italy. This year’s specially invited curators will be Sofia Olascoaga, an academic curator at MUAC (Museo Universitario de Arte Contemporáneo – UNAM) in Mexico City, where she coordinates Campus Expandido an academic programme of critical theory, and Miguel A. López, former chief curator of TEOR/éTica turned independent curator living and working in Lima, Peru.

The month long residency will be supported by the generous funding provided by BankGiro Loterij Fonds, Mondriaan Fonds and UNOCA.

For more information or to request interviews with any of the participating artists, please contact the Caribbean Linked Team at caribbeanlinked@gmail.com, and visit our website caribbeanlinked.com to learn more about all editions of the Caribbean Linked residency programme.

Open Call: Transoceanic Visual Exchange 2021

Important dates:

Start of reception period: May 4th, 2021
End of reception period: June 30th, 2021
Community of curatorial practice workshops: July – August, 2021
Public announcement of results: September, 2021
TVE 4 2021: November –  December, 2021

Call for Works:

The Fresh Milk Art Platform (Barbados) and TEOR/ética (Costa Rica) are pleased to welcome submissions of recent film and video works – screenings, installations, new media and expanded cinema – by contemporary artists, to be included in the fourth edition of Transoceanic Visual Exchange (TVE), a series of programmes taking place online this year, with accompanying screenings in Barbados and Costa Rica.

Submitted works must have been completed in the last five years and must be made by artists practicing in the Caribbean and Central America.

TVE 4 will be a collection of recent artists’ films and videos from each region. However, the final shape and content of the programme will be informed by a community curatorial process, which aims to involve and promote discussion within the wider creative communities of each participating initiative.

Working between the Caribbean and Central America, TVE 4 aims to negotiate the in-between space of our cultural communities outside of traditional geo-political zones of encounter and trade. TVE intends to build relations and open up greater pathways of visibility, discourse and knowledge production between the regional art spaces and their publics.

Submission Requirements:  

  • Must be work from artists practicing in the Caribbean or Central America;
  • Must be work that has been completed/made in the last five years;
  • Can be films of any length (shorts, experimental, features and video artworks);
  • Can be in any language (films originally produced in regional languages are welcome);
  • Up to 3 submissions per applicant are welcome;
  • Must be accompanied by a description of the work (500 words max), a bio (200 words max) and details of any technical requirements i.e. audio, installation, equipment required, preferred setting etc.;
  • Works must be mp4 files no larger than 100MB, or Vimeo/Youtube links;
  • Works must not have been submitted to the previous edition of TVE;
  • Please specify whether your submitted works have permission to be exhibited on an online space, particularly as the virtual aspect of TVE 4 will be a significant focus of the programme.

Selection Process:

One of the core values of TVE is the model of community curatorial practice as opposed to one of solely contracting curators or hiring a jury to review submissions in isolation. This has taken the shape of open roundtable conversations with interested members of the community in each partner’s country/region, where current trends, concerns and interests in the areas of video art, film and new media are discussed. After these conversations, the partners will convene to select works which align with and reflect the research gathered, including the community’s input in the design of the final programme.

What TVE 4 Offers:

  • Each selected artist will receive a stipend of $200.00 USD for their participation in the programme;
  • Artists’ work will be showcased in a virtual exhibition on the TVE website, facilitated and promoted by the TVE partners;
  • Artists’ work will be exhibited or screened physically in Barbados and Costa Rica (pending safety and with COVID measures and protocols enforced);
  • The artists’ profile will be permanently housed on the TVE website, and their work will be widely promoted throughout Fresh Milk and TEOR/ética’s networks in the Caribbean and Central America;
  • The artists’ will have the opportunity to grow their own networks and knowledge regarding video arts and filmmaking practices across the Caribbean and Central America, deepening understanding between the two regions and opening up greater possibilities of collaboration.

Deadline for submissions: June 30th 2021

Click here for the online form for Caribbean submissions
Click here for the online form for Central American submissions

To view this open call in Spanish, visit TEOR/ética’s website here

For more information on TVE and its first three iterations, visit the website transoceanicvisualexchange.com


About the Partners:

Fresh Milk

Fresh Milk is an artist-led, non-profit organisation founded in 2011 and based in Barbados. It is a platform which supports excellence in the visual arts through residencies and programmes that provide Caribbean artists with opportunities for development, fostering a thriving art community.

Fresh Milk offers professional support to artists from the Caribbean and further afield and seeks to stimulate critical thinking in contemporary visual art. Its goal is to nurture artists, raise regional awareness about contemporary arts and provide Caribbean artists with opportunities for growth, excellence and success.


TEOR/ética

Located in San José, Costa Rica, TEOR/éTica is a private, independent, non-profit, dedicated to the research and promotion of contemporary artistic practices.

Throughout more than two decades, TEOR/éTica has worked as a platform that promotes the research and dissemination of contemporary art, with an emphasis on Central America and the Caribbean. It aims to create spaces for doubt, debate and the generation of critical thought relevant to its context. It does this through exhibitions, publications, talks, workshops, grants, an archive and a specialized library, understanding art as a common space from where to generate study and find other ways of being together that build collective learning.

We are not separate.

In May 2015, Barbadian artist Ronald Williams wrote a review about Frantz Fanon’s ‘The Wretched of the Earth‘ for the Fresh Milk Books platform; a book that addresses the complex role violence, protests and resistance play in decolonisation.

The Wretched of the Earth - Frantz Fanon

“My mind kept drifting across the Caribbean Sea as I read. It drifted and eventually channelled into the relatively recent acts of police barbarism in the U.S.A. It’s not because it’s a current issue that I feel connected, it’s slightly personal. I could just as easily be at the mercy of this brutality had I been born 20 degrees north and west.”

Five years later, Ronald’s words continue to ring true. We are not separate to this fight. Caribbean voices and experiences are a necessary part of the discourse as we not only empathise, but stand in solidarity against what is happening globally, and challenge the ways systemic racism has manifested and damaged our region.