Art + Science – A presentation by Pamela Lee

International curator and gallery manager Pamela Lee joined us at Fresh Milk in May 2017 as part of our public event FRESH MILK XX, where she delivered a presentation about the connections and potential for collaborations between the areas of art and science.

Pam has generously shared a copy of her presentation with us, so we can make this fantastic resource publicly available.

Click the image below to access the full PDF!


About Pamela:

Pamela Lee is a skilled arts industry and communications manager with over 5 years of experience working in high profile arts organisations, the not-for-profit sector and corporate companies in Europe and Australia. She has a Master’s of Curating Contemporary Design from Kingston University London in partnership with the Design Museum, London, where she also worked as a curatorial and digital media development assistant. Most recently, Pamela has worked as the gallery manager for the Dominik Mersch Gallery, one of Sydney’s leading international, commercial galleries.

FRESH MILK’s International Residency Opportunity: Marla Botterill and Conan Masterson

Marla and Conan residency flyer

FRESH MILK is very excited to announce our first international residents from our recently launched programme, Canadian artists Marla Botterill and Conan Masterson, who will be on the platform from the 1st-31st of May 2013.

Marla Botterill received her B.F.A from Queen’s University, Ontario, and went on to pursue her M.F.A. at the University of Waterloo, which she obtained in 2003. She has exhibited widely in Ontario, Canada, including the solo show Close to the Skin at the AWOL Gallery in 2007, and most recently in the group exhibition In a Pinch, The Eleanor Pearl Gallery, 2013. She also exhibited in Berlin, Germany during the months of July-September 2011, where she took part in the Takt Artist Residency programme. Her work explores recurring characters through a combination of painting, drawing, collage and puppets that generate interwoven fictional narratives.

Marla Botterill

The role of time also plays a crucial role in my work. Paintings and drawings exist in the past, the process of creation ends once the image is completed; it remains as a record of that labour. A viewer may reinterpret the painting or drawing, its context may change, but the object itself does not change. Contrastingly, a puppet exists in the eternal present, it only serves its function when it is moving; the process of creation does not end once the puppet is built, that is the moment when it begins. – Marla Botterill


Conan Masterson received a B.F.A. from Concordia University Majoring in Studio Arts, and in 2007 earned an M.F.A. from The University of Western Ontario. Her solo exhibitions include Sea Dab Jig at the Full Tilt Creative Centre, McIvers, Newfoundland, and earlier this year she took part in the group exhibition Process and Place at the Maine College of Art in Portland, Maine. Her residency experiences include: the MECA Baie Sainte-Marie Artist Residency in New Edinburgh, Nova Scotia, Harold Arts – Do Do II Session in Chesterhill, Ohio and the Fibres Student Association, St. Charles Borromée, Quebec. Her work aims to perceptually alter the traditional gallery space, manipulating the physical materials of sculptural installation and the audience in a way that is both impulsively humorous and unsettlingly carnivalesque.

Conan Masterson

My practice involves transforming my studio into an unusual workshop. While tinkering within it, I create absurd and abstract forms that are bizarre yet oddly familiar. From the readymade to bits and pieces, I play intuitively with my collection of luscious and mundane materials. These anthropomorphized objects then become curious, slightly freakish, installations… A necessary function of the work is the blurring of boundaries between the spectacle and the spectator. It is in this intriguing terrain I situate my work; a discomforting, beguiling landscape, impossible to resist. – Conan Masterson


Although both artists have worked closely for years, this residency at FRESH MILK will be their first collaborative venture. Botterill and Masterson are keen to explore the extensive grounds around Fresh Milk for inspiration in the development of their project, where they wish to create a series of puppets and a fictional habitat for them to function within the local landscape.  This International Residency Programme will also provide an opportunity to promote an exchange of ideas between the two artists, as well as develop relationships within the Barbadian creative community.

Versia Harris’ Residency: Week One Report

The Fresh Milk Art Platform studio feels a lot like home. Granted, my neighborhood scenery and atmosphere is not nearly as serene, but the quietness and time spent alone in the studio seems very familiar. That and the fact that I have spent a solid amount of time at Fresh Milk for various events and workshops since its launch in 2011 makes me comfortable in the space given to me.  For the first two days I wondered whether this was a blessing or a problem. Because I was so at ease with the space and with Annalee, the Director and Katherine, the Assistant to Director, I could find my groove quickly and be able to focus on executing whatever idea I had. But then, what if I wouldn’t be stimulated to create something outside of my comfort zone because of the familiarity?

I spent four days of the week at Fresh Milk; Monday, Tuesday, Thursday and Friday. On Wednesday I stayed home and realized the comfort I felt at Fresh Milk was because of a lack of pressure. During my daily life, after everyone has left for work and school, I have the quietness and space needed to focus my attention on my animation, one that I have been working on for the past 6 months. But I also feel a slight but constant pressure to produce something, anything of value; to feel like I am ‘doing something’ after leaving Barbados Community College (BCC). This pressure, self-imposed though it may be, keeps me active at home. However, when at Fresh Milk, I do not feel that pressure. The program gives me a specific purpose; there’s the ultimate goal of producing a fresh piece of work from this. It reminds me of having a deadline, like we so often did at BCC, which is comforting in its own way. At home though, there are no deadlines, no ‘projects’; I’m basically working to keep active and current, and therefore end up putting the pressure on myself to have work ready to avoid the feeling of idleness.

This past week I have been experimenting with lino block printing and my pen drawing in animation form. I have been considering the idea of incorporating lino block prints with my animated drawing for some time now, and Fresh Milk affords me the time and mental space to do that. I am stepping away from my animation film for a while to experiment with the printmaking. After a week, my thoughts and ideas are still very unresolved and scattered, but as week two starts I am intrigued by what could happen.

Announcement of FRESH MILK’s Local Resident Artists for 2013

FRESH MILK Local Resdiency Announcement

FRESH MILK is pleased to announce the selection of contemporary creatives taking part in its 2013 Local Residency Programme, sponsored by support received from the Arts and Sport Promotion Fund, Ministry of Finance, Barbados.

The residency programme was first launched in 2012, beginning with a short but successful 5 day local residency in March, and has since included projects with artists who have been based abroad, visiting from overseas and from other Caribbean islands.

The latest call for proposals was once again for local participants, and five artists working in a variety of media were selected for the available residency slots.

The creatives are:

  • Visual artist and animator Versia Harris;
  • Photographer Mark King;
  • Playwright and actor Matthew ‘Kupakwashe’ Murrell;
  • Filmmaker Cabral ‘LARC’ Trotman, who will be collaborating with spoken word artist Adrian Green.

The dates of these four-week long residencies are to be announced. The programme kicks off with Versia Harris, who is in residence from February 25th – March 22nd prior to embarking on her international residency at the Vermont Studio Center, USA in late March.

About the Artists:

Versia Harris

Versia Harris

Versia Harris is a Barbadian artist living and working in Weston, St. James. She graduated from the Barbados Community College BFA in Studio Art programme in 2012, with an award from The Leslie’s Legacy Foundation for the most promising student, and will be taking up a residency at the Vermont Studio Center in March 2013. She created a narrative of an original character to address the perceptions of self, as it compares its image with unrealistic standards. Her primary media includes pen and watercolour on paper. She also uses Adobe Photoshop to manipulate her drawings and create animations.


Mark King

Mark King

Mark King is a Barbados-based photographer. In 2011, he participated in a screenprinting artist in residency at the Frans Masereel Centrum in Kasterlee, Belgium. In the same year he was selected by Lucie Foundation for their E-pprentice program and paired with acclaimed photographer Roger Erickson for a six-month apprenticeship. Mark recently was artist in residence at Alice Yard  in Port of Spain, Trinidad.

Mark has called Barbados, The Bahamas, Brussels, San Francisco, and Washington D.C. home. His international experience directly informs his projects. As a constant outsider, Mark’s work examines the people he encounters during his travels as well as his relationship with an ever-changing environment.


Matthew 'Kupakwashe' Murrell

Matthew ‘Kupakwashe’ Murrell

Matthew ‘Kupakwashe’ Murrell is an actor, playwright, director and poet with special skills in film, photography and singing. He has successfully completed his BA in Fine Arts, with a special in theatre arts and a minor in film. His first national play debut ‘Precious’ came in 2005, written by Sir. Hilary Beckles and directed by C.M. Harclyde Walcott. He has done several plays such as ‘Yellowman’ directed by full bright scholar, Meredith Coleman Tobias, ‘Dutchman’ directed by famed Nigerian director, Dr. Esiaba Irobi, ‘Odale’s Choice’ directed by Sonia Williams, and ‘Looking Back at Sodom’ directed by Winston Farrell, amongst many others.

 In addition to winning several awards regionally and locally, Matthew is also the founder of emerging Barbadian group Yardie Boy Theatre, which is dedicated to showcasing Barbadian/Caribbean stories. Their works are focused on social and political issues, and seek to be the voice of a generation.

Yardie Boy Theatre’s Facebook Page:

Cabral 'LARC' Trotman

Cabral ‘LARC’ Trotman

Born in Toronto Canada to Barbadian parents, LARC as he’s affectionately known to most is a filmmaker, arts educator and community activist. After the year of the gun in Toronto (2005) LARC decided that it was critical to play a small role in creating safe spaces where young people could acquire skills while discovering positive outlets of expression. He started by designing and facilitating filmmaking workshops in low-income, inner-city communities where he began to link many of the current issues faced by youth to a lack of leadership/mentorship in the community. He also noticed a real lack of ancestral/family values and connections with the many gang related black youth he worked with daily. His community work intensified, spreading out to various public housing communities across Toronto from Community Centers to Elementary, Middle School to High Schools.

LARC is developing a feature documentary entitled Hidden Bruises: HIV & Violence in the Caribbean, a documentary and awareness campaign contributing to the national and regional effort to reduce the prevalence of both HIV & violence against women in the Caribbean.

He continues his arts education and filmmaking work in the Caribbean at the Errol Barrow Centre for Creative Imagination, University of the West Indies, Cave Hill Campus, Barbados; coupled with his independent company Skylarc Pictures through the First Light Project Arts Education program.

Adrian Green

Adrian Green

Adrian Green is a Gold Award winner in Barbados’ National Festival of Creative Arts (NIFCA), a three time Barbadian Slam Poetry Champion, and two time winner of the Emancipation Roots Experience Show. Green represented Barbados at CARIFESTA X in Guyana and has performed to audiences in several countries, including the USA, Ghana, Grenada, St. Vincent, Dominica, Nevis, St. Thomas and Tortola. He has released two albums of poetry, “Random Acts of Conscience,” and “Hard Ears.”

As the co-founder of Iron Sharpen Iron, Green has been instrumental in producing the longest running and most successful open-mic show in Barbados.  These open-mic shows were designed to help emerging performing artists develop and have been instrumental in the uncovering and propelling of a number of young artists to the national stage.