TVE 2019 Online Exhibition

Fresh Milk is excited to launch the Transoceanic Visual Exchange 2019 Online Exhibition, which will be available for viewing between November 23rd – December 21st.

Exhibiting artists include:

Wang Chen (China/Australia) – My Little Brother and Secret
Chen Dandizi (China) – Deep Relax
Luk Gama (Guadeloupe) – Tan boudé chiré…
Versia Harris (Barbados) – For Peace
Zhiliang Jin (UK/China) – Shareable Horizons
Kadiejra O’Neal (Barbados) – Gestation Period
Adam Patterson (Barbados) – Buchibushi and Rammelaar
Richard Mark Rawlins (Trinidad & Tobago) SUGAR
Kia Redman (Barbados) – Roots | Routes and Surround Sounds
Sucheng (China) – 一千零一夜 (At This Moment)
Zhao Xu (China) – Stranded Dreams

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Have a Question about TVE?

If you have a question about the TVE programme, or want to engage directly with the Caribbean and Chinese artists about their work, the #askTVE form lets you submit your feedback and questions directly to our team, and we will share the artists’ responses with you in an open forum!

Transoceanic Visual Exchange 2019 Screenings

Fresh Milk (Barbados), in partnership with China Residencies (NYC/China), The Barbados Museum & Historical Society (BMHS), Alice Yard (Trinidad & Tobago) and CACHE Space (Beijing, China), is pleased to present the schedule for the 2019 edition of Transoceanic Visual Exchange (TVE), a series of programmes taking place this year between Barbados, China and Trinidad & Tobago.

TVE is a collection of recent films and videos from artists practicing in the Caribbean, China and their diasporas. TVE aims to negotiate the in-between space of our cultural communities outside of traditional geo-political zones of encounter and trade, intending to build relations and open up greater pathways of visibility, discourse and knowledge production between the regional art spaces and their communities.

The Caribbean screenings will take place in Trinidad & Tobago on Tuesday, November 12th at Alice Yard, 80 Roberts Street, Woodbrook, Port of Spain, and in Barbados on Friday, November 15th at the Barbados Museum & Historical Society, Dalkeith Road, Bridgetown and Sunday, November 17th at the Fresh Milk studio, Walkers Dairy, St. George. The screenings in China will take place Wednesday, November 6th at CACHE, No.11 Liao Ge Zi, Qixing East Street, 798 Art District, Chaoyang, Beijing.

Additionally, the online exhibition of works will be available for viewing from November 23rd – December 21st.

All events are free and open to the public. Visit transoceanicvisualexchange.com for more information.


 

TRINIDAD SCREENING SCHEDULE & PARTICIPATING ARTISTS:

ALICE YARD
Tuesday, November 12th, 2019 (6:30 PM)

Minia Biabiany (Guadeloupe) – Blue spelling, a change of perspective is a change of temporality
Wang Chen (China/Australia) – My Little Brother and Secret
Versia Harris (Barbados) – For Peace
Alvin Luong (Canada) – Turbo
Adam Patterson (Barbados) – Rammelaar
Kia Redman (Barbados) – Surround Sounds


 

BARBADOS SCREENING SCHEDULES & PARTICIPATING ARTISTS:

THE BARBADOS MUSEUM & HISTORICAL SOCIETY
Friday, November 15th (5:00 – 9:00 PM)

PRISON CELL:
Richard Mark Rawlins (Trinidad & Tobago) – SUGAR

WALLED GARDEN THEATRE:
Daphne Xu (China/Canada) – The China Society
Wang Chen (China/Australia) – My Little Brother
Adam Patterson (Barbados) – Buchibushi
Hanwen Zhang (USA/China) – The First Line of China

 

FRESH MILK
Sunday November 17th (6:00 – 9:00 PM)

Minia Biabiany (Guadeloupe) – Blue spelling, a change of perspective is a change of temporality
Chen Dandizi (China) – Deep Relax
Luk Gama (Guadeloupe) – Tan boudé chiré…
Versia Harris (Barbados) – For Peace
Zhiliang Jin (UK/China) – Shareable Horizons
Kadiejra O’Neal (Barbados) – Gestation Period
Adam Patterson (Barbados) – Rammelaar
Kia Redman (Barbados) – Roots | Routes and Surround Sounds
Sucheng (China) – 一千零一夜 (At This Moment)
Zhao Xu (China) – Stranded Dreams
Peng Zuqiang (China) – I Don’t Remember the Name


 

CHINA SCREENING SCHEDULE & PARTICIPATING ARTISTS:

CACHE SPACE
Wednesday November 6th (3:00 PM)

Minia Biabiany (Guadeloupe) – Blue spelling, a change of perspective is a change of temporality
Chen Dandizi (China) – Deep Relax
Versia Harris (Barbados) – For Peace
Nikki Lam (HK/Australia) – Anchor and A Loose Thread
Alvin Luong (Canada) – Turbo
Kadiejra O’Neal (Barbados) – Gestation Period
Adam Patterson (Barbados) – Buchibushi
Richard Mark Rawlins (Trinidad & Tobago) – SUGAR
Kia Redman (Barbados) – Surround Sounds
Daphne Xu (China/Canada)– The China Society
Zhao Xu (China) – Stranded Dreams
Hanwen Zhang (China/US) – The First Line of China
Peng Zuqiang (China) – I Don’t Remember the Name


 

ABOUT THE PARTNERS:

Fresh Milk

Fresh Milk is an artist-led, non-profit organisation founded in 2011 and based in Barbados. It is a platform which supports excellence in the visual arts through residencies and programmes that provide Caribbean artists with opportunities for development, fostering a thriving art community.

Fresh Milk offers professional support to artists from the Caribbean and further afield and seeks to stimulate critical thinking in contemporary visual art. Its goal is to nurture artists, raise regional awareness about contemporary arts and provide Caribbean artists with opportunities for growth, excellence and success.

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China Residencies:

China Residencies is an online and New-York based nonprofit founded in 2013 by Crystal Ruth Bell & Kira Simon-Kennedy. Since then, China Residencies supported over 50 artists and collective projects in mainland China and Hong Kong. China Residencies supports a network of over 40 different residency programs through openly accessible website, and supports the next generation of artists, activists, and arts administrators through fellowships, exchanges, and fiscal sponsorship.

“We believe diplomacy shouldn’t just be left up to politicians. Artists are cultural and social changemakers, and, in a world where people sometimes forget to listen to and learn from one another, we are passionate about creating opportunities for artists to bring a broader cultural understanding into their work and communities.”

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The Barbados Museum & Historical Society

The Barbados Museum & Historical Society (BMHS) is a non-profit, non-governmental organization with a membership of over 1,000 individuals and companies. A fourteen-member Council and the Director are responsible for its policies and operation. Nine council members are elected annually from the membership of the BMHS; the remaining five are appointed by Government.

The mandate of the Barbados Museum and Historical Society is: To collect, document and conserve evidence of Barbados cultural, historical and environmental heritage; and to interpret and present this evidence for all sectors of society.

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CACHE Space:

CACHE Space (缓存空间) is a non-profit art space in Beijing that is dedicated to radical art in China and around the world through screenings, discussions, and online formats.

Wechat: CACHE缓存

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Alice Yard:

Alice Yard is the backyard space of the house at 80 Roberts Street, Woodbrook, Port of Spain. This was once the house of Sean Leonard’s great-grandmother. Four generations of children played and imagined in this yard, and now we continue this tradition. Alice Yard is a space for creative experiment, collaboration, and improvisation.

Alice Yard is administered and curated by architect Sean Leonard, artist Christopher Cozier, and writer and editor Nicholas Laughlin, with the help of a growing network of creative collaborators. Alice Yard is a non-profit organisation incorporated under the laws of Trinidad and Tobago.

Since 2008, Alice Yard has run a residency programme hosting artists, curators, and other creative practitioners.

 

Open Call: CONTESTED DESIRES

CONTESTED DESIRES is a transnational project exploring our shared and contested colonial heritage and its influence on contemporary culture.

Project Duration: 14th Feb 2020 – August 2021
Project Fee:  €4,339.98 (per diems, travel and accommodation are covered separately)
Artist Geographies: Caribbean based (Applicants must have proficiency in English)
Art form: Visual arts (including but not limited to: film, digital, sound art, installation)

From the Greeks, to the Romans, the Ottomans to the Venetians, from the seafaring nations of Northern and Western Europe embarking on crusades and trade missions, Europeans have exploited, imposed and foraged cultures and communities to build their Empires.

This legacy presents a complex shared cultural heritage, too often untold, unknown and contested.  A legacy where individuals, communities and nation states have constructed their identities through a mosaic of cultural choices and desires.

CONTESTED DESIRES is a transnational capacity building programme for artists and producers engaging with communities and heritage spaces. With a focus on exchange and learning, the programme will offer unique opportunities for artists and communities to explore our shared heritage through research, workshops, residencies and exhibitions.  Working in the UK, Portugal, Cyprus, Spain, and Barbados CONTESTED DESIRES will dig deep to explore, and reveal the links between our shared colonial history and our cultural identities today – from the diverse perspectives of those working across Europe and in the Caribbean.

At a time of increasing right wing populism, CONTESTED DESIRES aims to challenge the de-stabilising and divisive impact of political landscapes of Europe both on the continent and in places like the Caribbean. The response to the complexities, diversity and expansion of European communities, continues to be met with the power play of fear-mongering, discrimination and exclusion; where its borders become its protectors and its heritage is used as a tool of inclsuion or exclusion.

Through a new and dynamic partnership, CONTESTED DESIRES connects six innovative arts and cultural organisations across the global north and south. Led by D6: Culture in Transit (UK) they include La Bonne (Spain), LAC (Portugal), Xarkis (Cyprus) and Fresh Milk (Barbados). ECCOM (Italy), cultural experts in the field of interdisciplinary practice, will develop a unique capacity building and evaluation strand to the project, in association with the writer and researcher, François Matarasso.

CONTESTED DESIRES is supported by Creative Europe, and as a legacy of the European Year of Cultural Heritage in 2018, uses the positive forces of co-operation and co-production to address the ‘authenticity’ and values of the heritage we share.

 

ARTIST BRIEF

CONTESTED DESIRES will engage nine exceptional artists (from the UK, Spain, Portugal, Cyprus and the Caribbean) to participate in this ambitious and collaborative project from January 2020 until September 2021. This call is for 1 artist based in the Caribbean (artist can be from any Caribbean country but must be proficient in English).

(For our partners’ calls, please see: D6: Culture in Transit, UK; La Bonne, Spain; LAC, Portugal; and Xarkis, Cyprus)

Please note: CONTESTED DESIRES will also release a future call for a complimentary artist film and video programme, which will be open to artists beyond the geographies of the partners to submit existing works that connect to the themes of CONTESTED DESIRES.

Working closely with producers, cultural experts and communities across a variety of local contexts, the selected Caribbean Artist will have the opportunity to be part of a programme of interrelated activities across several partner countries including research, training, symposia and the production and presentation of new work in site-specific contexts and online.

The selected Caribbean artist will participate in the following activities:

  • X 1 month-long European-based residency in Spain or Portugal (to be decided by the partnership), concluding with an exhibition/ presentation of work in progress. This will be a joint residency alongside two other visiting artists from the partners’ countries.
  • X 3 capacity building workshops in Portugal, Spain and the UK;
  • X 1 digital training lab in the UK;
  • Online presentation including the participation in a digital lab (May 2021, UK);
  • X 1 group residency and final exhibition of work in site-specific settings as part of the Xarkis Festival (Polystipos, Cyprus) in 2021;
  • Evaluation (as directed).

 

TIMELINE of activities for the participating Caribbean artist

Each artist must be available to participate in and commit to all activities listed. The selected Caribbean artist will participate in one joint residency in Portugal and a Micro Residency in Barbados, and a final joint residency with all artists in Cyprus. Please identify at application stage if you are not able to participate in any of these activities.

January 2020 CONTESTED DESIRES Artists announced
February 2020 Capacity building workshop 1 hosted by LAC (Lagos, Portugal).

Theme: Cultural Genealogies

An exploration of the genealogies of cultural heritage and their value in contemporary culture – How do we identify and map these connections from the perspective of those working across Europe and in the Caribbean? Are they valued? Who owns this heritage? How is this impacting societal change and intercultural dialogue on both sides of the Atlantic?

February – March 2020 Joint residency 1 for three artists (including the Caribbean Artist), hosted by LAC (Lagos, Portugal).
March – April 2020 Joint iterative exhibition by three resident artists, hosted by LAC (Lagos, Portugal).
June 2020 Capacity building workshop 2 hosted by D6: Culture in Transit (North East England).

Theme: Statecraft

An exploration of the construct of the nation state the workshop will consider: How do we navigate statecraft? How do we tell our histories and stories that  represent inextricable connections globally? How and why do value systems change?

September 2020 Joint residency 2 for three artists, hosted by D6: Culture in Transit

(North East England).

November 2020 Capacity building workshop 3 hosted by La Bonne (Barcelona, Spain).

Theme: Gender equality in Cultural Heritage

An exploration of gender equality issues considering issues such as access, participation and representation of women in the heritage narratives; the role of women as artists, and women in the cultural labour market.

February 2021 Joint residency 3 for three artists, hosted by La Bonne (Barcelona, Spain
March – April 2021 Joint iterative exhibition by three resident artists, hosted by La Bonne (Barcelona, Spain).
March 2021 Micro residency for Caribbean artist ONLY hosted by Fresh Milk (Barbados).
May – June 2021 Joint iterative exhibition by three resident artists, hosted by D6: Culture in Transit (North East England)
May 2021 Digital training lab for all artists and producers, hosted by D6: Culture in Transit (North East England).
August 2021 Group residency for all artists and final exhibition of work in site-specific settings as part of the Xarkis Festival (Polystipos, Cyprus). And launch of all artists’ digital works online.

 

ARTIST FEE

The total fee for the work described in the brief is €4,339.98 for which the artist is expected to participate fully in the programme. In addition to the artist fee, CONTESTED DESIRES will cover travel, accommodation and a daily per diem/catering for subsistence for international travel. Payment will be made according to an agreed schedule and on receipt of invoices.

The selected Caribbean artist will be provided a contract and will be managed by Fresh Milk. All copyrights for the work produced will remain with the artist. 

Please note:

There is a limited and finite transportation budget for the shipping of artworks. Selected artists will be asked to consider the mobility of their work.

 

HOW TO APPLY

CONTESTED DESIRES will be developed in response to the context of each place. Therefore, we are not looking for artists to submit fixed ideas or resolved project proposals in their application.

To apply, please complete an application form (available to download here) and send to freshmilkbarbados@gmail.com. Your application should be a single PDF or Word Document no larger than 15MB and must include:

  • Contact details
  • An artist statement (250 words maximum)
  • An outline of how you would like to approach the themes of CONTESTED DESIRES (350 words maximum)
  • A brief CV (2 sides of A4 maximum)
  • Up to 3 examples of relevant previous projects that demonstrate the quality of your practice and relevance to the selection criteria (below). For each project, please submit up to 2 images (or a URL for video/sound work) and a maximum 150 word description

Application opens:  WEDNESDAY 16th OCTOBER 2019
Application closes:  MONDAY 18th NOVEMBER 2019, MIDNIGHT AST
Shortlisted applicants will be notified by: WEDNESDAY 27th NOVEMBER 2019
Selected applicants will be notified by: TUESDAY 10th DECEMBER 2019

All selection decisions are final.

 

ABOUT Fresh Milk

Mission:

Fresh Milk supports excellence in the visual arts through residencies and programmes that provide Caribbean artists with opportunities for development and foster a thriving art community

Vision:

To nurture, empower and connect Caribbean artists, raise regional awareness about contemporary arts and provide global opportunities for growth, excellence and success.

The idea for Fresh Milk developed over years of conversations around the need for artistic engagement among artists in Barbados, to strengthen regional and diasporic links and shape new relationships globally. The platform was established in 2011 as a social practice experiment to counter the nearly 100% attrition rate of BFA students at Barbados Community College, the only institution on the island offering a BFA programme.

The Fresh Milk studio is located on a working dairy farm; the name ‘Fresh Milk’ also references the idea of nurturing, as the platform is committed to the healthy growth of contemporary arts & culture in the region. By offering a safe space for people to innovate, gather, and create, Fresh Milk moves against the Caribbean’s traumatic history as a platform of excellence and diversity. Operating out of a former seventeenth-century sugar plantation, Fresh Milk aims to shift the kind of activity that happens in this historically loaded site by fostering an open, critical environment.

Fresh Milk spans creative disciplines, generations, and linguistic territories in the Caribbean by functioning as a “cultural lab,” a dynamic space for artists through local, regional, and international programming including: residencies, lectures, screenings, workshops, conferences, exhibitions, projects, etc. We aspire to be a sustainable organization contributing to a healthy cultural ecosystem.

 

SELECTION CRITERIA

Artists will be selected on the following criteria:

  • Response to the brief;
  • Quality of visual arts practice;
  • Experience/ approach of engaging innovatively with local communities through collaborative/ participatory methods;
  • Interest in the role of contemporary visual arts in heritage contexts, with particular reference to the themes of the programme.

We welcome applications from artists with experience of presenting work both within and outside traditional gallery settings, and who are able to navigate multi-partnered projects in an open and collaborative way.

English is the primary language across the CONTESTED DESIRES programme. However, artists must be able to demonstrate ways of communicating effectively with speakers of other languages as part of the development, production and presentation of CONTESTED DESIRES.

 

FURTHER INFORMATION

Please contact Annalee Davis, Founding Director or Katherine Kennedy, Communications & Operations Manager / freshmilkbarbados@gmail.com

Open Call: Artist Residency at Le Centre d’Art, Haiti

Fresh Milk is pleased to announce an exciting partnership with fellow arts organization Le Centre d’Art, Haiti, who have invited us to be part of a residency exchange programme between Haiti and the wider Caribbean to create opportunities for women arts practitioners, supported by UNESCO’s International Fund for Cultural Diversity (IFDC).

This segment of the programme invites women artists from Barbados or its diaspora to apply for a fully funded, one month residency at Le Centre d’Art in Haiti from October 14th – November 14th, 2019. The deadline for submissions is August 16th, 2019.

A subsequent call for women, Haitian artists to attend a one month residency with us at Fresh Milk, Barbados will be released at a later date.

See the current, full open call below, or download the PDF guidelines and application form here.

About Le Centre d’Art

Le Centre d’Art in Port-au-Prince is an institution that works towards promoting artistic creations by Haitian practitioners on the basis of preserved heritage values. Since its creation in 1944, this atypical space with multiple missions has been at the heart of societal and artistic evolutions. As the major protagonist in the reconfiguration of the fine arts realm in Haiti, Le  Centre d’Art has been paving the way for several schools and artistic movements.

Over the years, well-known Haitian artists have been revealed internationally, including Philomé Obin, Hector Hyppolite, George Liautaud, Antonio Joseph, Rigaud Benoit, Robert St Brice, Jasmin Joseph, and Préfète Duffaut.

Le Centre d’Art was the starting point for a wealth of visual creativity–upholding a considerable legacy that is today part of private and public collections, in Haiti and abroad. The establishment is apolitical, non-profit, and has gained public recognition since 1947. The governance is composed of a board of directors, an international scientific council and an executive team

Despite the destruction of the infrastructure during the earthquake of 2010, Le Centre d’Art managed to save more than 5000 works and 3000 archive files, which are today preserved and valued. Since the reopening in 2014, Le Centre d’Art has once again become an essential part of Haitian culture.

Its mission is to support artists and their creations, and to conserve and disseminate Haitian visual arts. It is a resource space for artists, art students, art lovers, collectors and researchers alike.

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Residencies Scope

Le Centre d’Art is setting up a synergy project for artistic creation and artistic analysis in the Caribbean, thanks in particular to UNESCO’s International Fund for Cultural Diversity (IFDC). Titled Implementation of a Network for the Creation and Dissemination of Caribbean Art, the project aims to create a link between Haiti and Caribbean places of creation, and to promote the practices of Caribbean artists, especially women, to strengthen the Haitian cultural sector. For two years, artistic residencies will be set up, and will end with an exhibition and a widely distributed publication.

Theme

“The ability of humans to participate intelligently in the evolution of their own system is dependent on their ability to perceive the whole” – Immanuel Wallerstein

Toussaint L’Ouverture, Jean Price Mars, Aimé Césaire, Marcus Garvey, Frantz Fanon, Derek Walcott – long is the list of illustrious men who have shaped the Caribbean as we know it today. What about Caribbean women? University theses on the role of women are rising but they are not written for the general public. Art has the power to make accessible fundamental values and principles, which are too often convoluted. This project aims at highlighting the role of women in the construction of the Caribbean.

About the Residency

For this segment of the residency programme, Le Centre d’Art will host one Barbadian artist for one month in Haiti from October 14th to November 14th, 2019.

Le Centre d’Art will fully bear the costs of residency. The artist will be provided with a workspace, tools and supplies and housing. In addition, the artist will receive per diem to cover all food and transportation expenses throughout the residency. The ticket and the visa will also be covered by Le Centre d’Art.

Moreover, the team of Le Centre d’Art will facilitate access to public and private art collections and cultural activities. The artist will visit artists’ studios, and will give a class on a specific art technique at Le Centre d‘Art.

Le Centre d’Art is located in the heart of the Haitian capital, Port-auPrince. The artist will be housed in a neighbourhood close to Le Centre d’Art and will be able to work within the institution.

Terms of Application

Residency in Haiti, October 14th–November 14th, 2019

This call for applications to attend a residency at Le Centre d’Art in Haiti is now opened to any woman artist from Barbados or the diaspora.

The call concerns exclusively the field of visual arts (any medium). The artist may practice multiple forms of artistic production.

The submitted file must include the following documents in a single PDF document:

• The completed application form (download the document here);
• The Artist’s Curriculum Vitae, including elements describing the artist’s training, her professional career, her experiences, the history of her public exhibitions and shows in galleries (2 pages maximum);
• The residency project related to the theme (2 pages maximum)
• A selection of visuals of the artist’s works (10 works visuals maximum). The visuals must be in color and captioned to legibly specify the dimensions, materials and technique used. For videographers, a page with links to videos accompanied by a brief summary for each one.

Electronic files and any other request should be sent by email to contact@lecentredart.org and Cc judithmichel@lecentredart.org before August 16th, 2019 midnight (GMT).

Selection Committee

The decision is to be made by a selection committee composed of a member of the Board of Le Centre d’Art, a member of the executive team and a representative of Fresh Milk.

Criteria

Special attention to be paid to:

• mastery of the techniques used and the quality of execution
• the aesthetic and technical interest of the artist’s practice
• the coherence of the artist’s proposal with the theme as well as the depth of the readings and interpretations of concepts
• the originality of the works

FRESH MILK XXII Photographs

Fresh Milk is pleased to share images from FRESH MILK XXII: Residency Readings, hosted on Friday, July 5th, 2019.

Writers-in-residence – inaugural recipient of the Colleen Lewis Research/Writing Residency, Barbadian artist Kia Redman; participant in our international residency programme, Bahamian writer Ethan Knowles; and the 2019 ‘My Time’ Local Resident, Barbadian writer Ark Ramsay – each shared the outcomes of their residencies, giving readings of their work and engaging with the audience about their experiences over the last few weeks.

All photos by Dondré Trotman.