Open Call: FRESH MILK International Residency 2015

FM International open call 2015

FRESH MILK is seeking proposals from artists working outside of Barbados to apply for our international residency programme in 2015. Available dates for the residencies to take place are between March 23 – June 12, 2015 and November 2 – 30, 2015.

This residency aims to support visual artists, writers and curators by offering a peaceful working space for a minimum of 4 weeks for creative production, the opportunity to interface with contemporary practitioners living and working in Barbados, access to the on-site Colleen Lewis Reading Room, the chance to broaden understanding of the work being produced locally and regionally in the Caribbean, and to strengthen international networks and relationships. For more information on the residency, application process and associated costs, please visit our International Residency Opportunity page.

The deadline for applications is March 13, 2015.

TVE Open Call

TVE (transoceanic visual exchange) is making an open call in search of recent artists’ films and videos to be included in an exchange between Fresh Milk (Barbados), RM, (Auckland) and VAN Lagos (Nigeria).

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Fresh Milk, RM and VAN Lagos, are pleased to welcome submissions of recent film and video works – screenings, installations and expanded cinema – by contemporary artists, to be included in programmes for exchange between Barbados, Auckland and Lagos. Submitted works must have been completed in the last five years and must be made by artists practicing in the Caribbean, Africa or Polynesia.

The foundation of this transoceanic visual exchange (TVE) will be a collection of recent artist’s film and video from each region. However, the final shape and content of the programme will be informed by an open workshop process, which aims to involve and promote discussion within the wider arts communities of each arts initiative.

Working between the Caribbean, Africa and Polynesia, TVE aims to negotiate the in-between space of our cultural communities outside of traditional geo-political zones of encounter and trade. Fresh Milk, VAN Lagos and RM first met as participants of International Artists Initiated, a programme organized and facilitated by David Dale Gallery, Glasgow, in July 2014. TVE intends to build upon relations established during this initial encounter and open up greater pathways of visibility, discourse and knowledge production between the artist run initiatives and their communities.

Submissions:  

  • Must be work from artists practicing in the Caribbean, Africa or Polynesia.
  • Must be work that has been completed/made in the last five years.
  • Can be films of any length (shorts, experimental, features and video artworks)
  • Can be in any language (films originally produced in regional languages are welcome) with English subtitles.
  • Multiple submissions are welcome
  • Must be accompanied by a description of the work (500 words max), a bio (200 words max) and detail of any technical requirements i.e. audio, installation, equipment required, preferred setting etc.
  • Works must be in the form of mp4 files no larger than 10MB, or private Vimeo / Youtube links

Deadlines for Submission: 16th February 2015

The exchange will occur in June 2015

Please send submissions and enquiries to the region in which you are practicing:

Caribbean: freshmilkbarbados@gmail.com
Polynesia: taarati@rm103.org
Africa: info@vanlagos.org / vanlagos.org@gmail.com

About the Spaces

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The Fresh Milk Art Platform Inc. is a Caribbean non-profit, artist-led, inter-disciplinary organization that supports creatives and promotes wise social, economic, and environmental stewardship through creative engagement with society and by cultivating excellence in the arts. Fresh Milk bridges the divides between creative disciplines, generations of creatives, and all linguistic territories in the region. It functions as a cultural lab, fostering critical, creative practices through local, regional and international programming. The platform transforms into a gathering space for contemporary creatives who are thirsty to debate ideas and share works through residencies, lectures, screenings, workshops, exhibitions, projects etc.

van lagos logo

The Video Art Network, Lagos (VAN, Lagos) is a Lagos based New Media art organization, established by the collaborative efforts of artists Emeka Ogboh, Jude Anogwih and cultural producer Oyindamola Fakeye. The organizations objectives are to develop educational and public programmes that promote and create new media art awareness in Nigeria. This is realized through curated screenings and exhibitions of both established and emerging New Media artists.

RM

RM is an artist-run space, project office and (gradually developing) archive. Based in Auckland, New Zealand, RM is a gallery that places the work of local emerging artists alongside more seasoned practitioners. RM seeks to engage with the practices, discourses and modes of presentation that aren’t well-supported or easily accessible in Auckland. Though we might look like a white cube, we are more interested in the potentials of an empty room – a space to gather, to think, to talk, to make, to share… Established in 1997, RM is the country’s longest running artist-run-space. The co-directors are Eleanor Cooper, Melanie Kung, Ziggy Lever, Fleur Sandbrook, Taarati Taiaroa, and co-founder Nick Spratt. Previous incarnations of the rm project have included rm3, rm212, rm401 and rm103.

OPEN CALL – 19th Contemporary Art Festival Sesc_Videobrasil

Associação Cultural Videobrasil and Sesc São Paulo are calling upon artists interested in taking part in the 19th edition of the Contemporary Art Festival Sesc_Videobrasil, due from October 6 to December 6, 2015 at Sesc Pompeia, in São Paulo, Brazil. Entries will be accepted from September 15 to November 16, 2014.

Open Call

19th Contemporary Art Festival Sesc_Videobrasil OPEN CALL

 The Contemporary Art Festival Sesc_Videobrasil has become established over the years as a diverse, multiple framework designed to spread, foster and reflect on art production from the “global South”, understood as Latin America, the Caribbean, Africa, the Middle East, Oceania, parts of Europe and Asia.Significant geopolitical changes are underway, radically resizing the notions of North and South. Nonetheless, the need persists to work for art and culture in areas that are yet to invent new forms of circulation and visibility.

In its 19th edition, the Festival aligns its curated sections with the South, rather than its competitive show only, as it did in the past. The entire program is therefore oriented towards the South and its myriad issues. These issues – which provide inspiration and parameters for the selection of artworks and projects for the Festival – concern the diasporas, hybrid identities, travel and migration flows, personal narratives, isolation, the social fabric and insularity

For the first time ever, the call for submissions comprises two separate open calls: one for artworks and another for projects, to be developed under the oversight of curators and with backing from the Festival; both the artworks and the projects are to be featured in the upcoming edition of the Festival. Artworks and projects will be accepted in all supports, artistic expressions and techniques, by artists either born or resident in the Festival’s target areas for over five years. Each artist may submit up to three (03) artworks and/or one (01) project, in keeping with the terms set forth in the open calls available on the website as of the opening date for entry.

The Curatorial Committee will select 4 (four) projects for production of artworks. Each project will receive financial support of up to R$ 30,000 (thirty thousand reais) and will be overseen by one of the curators until its presentation at the Festival.

In this edition, the Curatorial Committee is formed by Solange Farkas and by invited curators Bernardo de Souza, Bitu Cassunde, João Laia and Júlia Rebouças.

Based on the Award Jury’s selection (to be announced in 2015), the Festival will grant 1 (one) cash prize of R$ 75,000 (seventy-five thousand reais) and 9 (nine) two-month artist residency prizes  to be undertaken in Videobrasil Residency Network’s partner organizations around the world. Prizes do not apply to the projects produced by the Festival.

As a strategy of publicizing the selected artworks and spreading knowledge about the artists’ creative processes, the Festival will showcase the works via Associação’s online research tool PLATFORM:VB; publications; and documentary films and interviews produced for VB Channel.

Aiming to consolidate an active network of exchange that contributes to the insertion of the selected artists on the contemporary artistic and cultural circuit, the 19th edition of the Festival will also promote Public Programs activities, with meetings between artists, curators, critics, researchers, delegates from different organizations and residency sponsors.

Carefully read both calls for entries prior to your application on Videobrasil’s website

More on the Festival

In addition to exhibiting artworks and projects by shortlisted and guest artists, the Contemporary Art Festival Sesc_Videobrasil offers artist residencies, public programs, educational actions and publication launches.

In a bid to publicize the productions of shortlisted artists, the Festival also conducts actions to make their work available in its digital research platforms, books, websites, social media, as well as documentaries and TV programs produced by the organization. The artists also participate in meetings and debates that bring together curators, critics, researchers and delegates from art institutions and artist residencies to reflect on and discuss pressing issues in contemporary art and culture.

The Festival also awards a cash prize and nine artist residency prizes to be undertaken at Videobrasil Residency Network partner organizations around the world. All of the winners are given trophies designed for each edition by artists such as Tunga, Rosângela Rennó, Erika Verzutti, Carmela Gross, Luiz Zerbini, Raquel Garbelotti, among others.

ARC Magazine announces Katherine Kennedy’s Fellowship at Akademie Schloss Solitude

ARC Magazine shares Katherine Kennedy‘s first report from Akademie Schloss Solitude, Stuttgart. Katherine was selected on behalf of Fresh Milk to participate in the ResSupport Fellowship programme offered by Res Artis. During her 3 month tenure, she will be a resident correspondent, interacting with the personnel and fellows, conducting interviews, and extending the wealth of the Akademie’s programming to our community. Read more below:

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The best way I can describe both the past few and upcoming months would be transitionary. Working in the arts is flexible by nature, but at times it feels even more crucial to be receptive to change when operating in the context of the Caribbean and contributing to platforms such as ARC Magazine and Fresh Milk. The missions of both initiatives overlap and synergize in their commitment to maintaining critical, creative spaces of encounter, acting as ‘cultural labs‘ whose agendas surpass nationalistic thinking with the larger, holistic good of the region in mind. These are ambitious goals that both ARC and Fresh Milk rise and adapt to in a number of ways on an ongoing basis, and goals that can only be achieved through open mindedness to new ideas, new people and new environments.

I applied in the capacity of Assistant to Director at Fresh Milk to the ResSupport Fellowship programme offered by Res Artis, a worldwide network of over 400 residencies of which Fresh Milk is a member. The fellowship is described as an “exchange program of cultural workers at residency centres…[providing] the occasion to increase organisational consciousness, strengthen the bonds, and also generate knowledge and cultural sharing among the members of the Res Artis network.”

These ideas of exchange and knowledge transfer immediately resonated, having always been at the heart of our work, and I was honoured to have been selected to travel to Stuttgart, Germany to be hosted for three months (September 1 – December 1, 2014)  by Akademie Schloss Solitude. In addition to gaining insight into how this prestigious residency centre is run and fostering relationships with the staff and resident artists, I will be acting as a correspondent on behalf of Fresh Milk and ARC, sharing information on the Caribbean contemporary art scene and in turn extending my experiences and information gained at the Akademie with our networks throughout the region. I’m aiming to ensure that this journey is not a drop in a pond, but can lead to future collaboration and be mutually enriching for all involved – large goals seem to come with the territory, but the very existence of opportunities such as this is proof that there is a real desire on both sides for meaningful engagement.

The transition from Barbados to Germany is taking place, and even as I take the time to orient myself here I am eager to absorb as much as I can, having hit the ground running. But while this shift in my location and commitments will be more than a drop in a pond in the greater scheme of things, it has still produced ripples in the daily functioning of both initiatives I am representing.

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While I am abroad, Barbadian artist and regular volunteer at Fresh Milk, Versia Harris, will be stepping in and interning as Assistant to Director in training, exemplifying the importance of investing in the development of emerging artists and equipping them with the necessary skills to confidently enter professional environments. Similarly, ARC has recently inducted three interns into its fold – Katherine Agard, Varala Maraj and Natalie Willis – who have each been applying their talents and doing a fantastic job at working cohesively with ARC’s core team. Witnessing the domino effect of knowledge transfer that is already branching out from all sides feels very special to me, and can only stretch further and further as time passes and each new experience gets added to the mix.

Transition is also a form of evolution. New ideas, new people, new environments; all of these continue to come together to spell progress, growth and fresh prospects in ways that we envision reaching far beyond my tenure in Germany, with the input of so many incredible individuals and institutions working in tandem to create and circulate new possibilities. In this spirit, I’ll finish by sharing Akademie Schloss Solitude’s current call for applications to their next residency cycle below – perhaps it will be the first point of departure from this fellowship for new discoveries and opportunities for others:

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Call for Applications: Akademie Schloss Solitude

For the fifteenth time, Akademie Schloss Solitude is granting approx. 70 residency fellowships of three to twelve months in duration. More than 1.200 artists from more than 100 countries have developed and advanced projects at the Akademie since its opening in 1990, creating a close-knit, global network of Solitude alumni that expands from year to year. The Akademie pursues an intense exchange between artistic and scientific disciplines. With the art, science & business program the transfer of knowledge and experience between these fields can be deepened to create new synergies of creativity, inventiveness and management.

International artists are invited to apply from the following disciplines: Architecture (design, landscape architecture, urban planning), Visual Arts (including performance art), Performing Arts (stage design, dramatic texts, dramaturgy, musical theater, performance, direction, drama, dance), Design (fashion, costume, product and furniture design, visual communication), Literature (essay, criticism, poetry, prose, translation), Music/Sound (interpretation, sound installation, sound performance, composition) and Video/Film/New Media (including video installation, fiction and documentary).

Furthermore, scholars, scientists and professionals from the disciplines of the Humanities, Social Sciences (with a focus on culture and the politics of space), Economy/Economics (with a focus on urban policy), and Culture & Law (with a focus on authorship) are invited to apply.

Persons up to 35 or if older who have completed a university or college degree within the past five years are welcome to apply. Currently enrolled university or college students (at the time of application) will not be considered for selection. Each fellowship recipient is granted Euro 1,100 per month, in addition to free lodging.

For additional information on the residency programme, application process and selection jury members, see the Akademie Schloss Solitude website here, or visit our Opportunities page.

Application deadline is Friday, October 31, 2014 (Postmark/End of Online Application).

​As of July 1, applicants will find all information, be able to register and download the application form or apply online on the Application website.

Colleen Lewis Open Archive Residency

The Colleen Lewis Open Archive Residency

FRESH MILK is pleased to announce the Colleen Lewis Open Archive Residency between September and November 2014. Applications from artists worldwide are welcomed. This residency aims to support visual artists, writers and creatives by offering a peaceful working space for a minimum of 4 weeks, and the opportunity to interface with the Colleen Lewis Reading Room (CLRR) as an archive with which to engage, respond and activate. For more on the archive, view our online bibliography.

The CLRR is continually expanding its collection and has a special focus on the visual arts, with particular interest in archiving material on visual arts in the Caribbean. Resident artists will also be able to meet with the Fresh Milk Books team of young creatives on a weekly basis to converse and collaborate.

Spaces are available between September 1st and November 28th, 2014. For more information on the residency and associated costs please visit our International Residency Opportunity page.

Artists wishing to apply for residencies with projects outside of this targeted call are also welcome to submit proposals.

The deadline for applications is July 4th, 2014.