FRESH MILK’s Current Artist in Residence: Alberta Whittle

FRESH MILK is pleased to introduce our current artist in residence, Alberta Whittle. She has been joining us at the Milking Parlour Studio from October 1st, participating in an eight to ten week residency titled ‘Second Armour.’

Alberta is a Barbadian artist, currently based in Glasgow. She has undertaken residencies at CESTA (Czech Republic), Market Gallery (Scotland), Collective Gallery (Scotland), Thupelo Wellington Artists’ Workshop (South Africa) and looks forward to taking part in a residency with the Visiting Artists’ Programme at The Bag Factory in Johannesburg next year.

She choreographs interactive installations, interventions and performances as site‐specific artworks in public and private spaces, including at the Royal Scottish Academy (Scotland) and has exhibited in various solo and group shows in Europe, the Caribbean and South Africa, with an upcoming show at the CAS Gallery, University of Cape Town in March 2013. Her practice is concerned with the construction of stereotypes of race, nationality and gender, considering the motivation behind the perpetuation and the different forms in which they are manifested.

Her time at FRESH MILK will include a series of performances, open forum discussions about anxieties surrounding race, workshops with the Fine Art students at BCC, and an exhibition/intervention stemming from her experiences and research done during her stay with us.

Alberta will be doing a performance piece titled ‘Hustle de Money – a Performance by Bertie aka Big Red aka General outta Glitter Zone’ at our next public event, FRESH MILK IX. Stay tuned for more information!

FRESH MILK’s First Off-Site Performance Artist in Residence – Shanika Grimes

FRESH MILK is happy to be supporting our first off-site performance artist in residence, Shanika Grimes. Shanika is a 2012 graduate of the Barbados Community College’s BFA Fine Art Programme. She is keen to develop her work as a Performance Artist, and because there is little happening here in that field, we would like to offer her a critical space to support her continued development in this area.

Shanika is working to produce one performance every month over a six month period, and will be receiving feedback from an esteemed review panel, using their guidance to further her practice and build a solid body of work. The panel consists of Barbadian artist Ewan Atkinson, curator and art history professor from Rutgers University Tatiana Flores, Trinidadian artist Michelle Isava, and Venezuelan artist Sandra Vivas, all of whom have extensive experience either critically or practically with performance art.

Below are some still shots from the first two performances of her residency.

Shanika Grimes’ Artist Statement:

The stories of other women have become a part of my understanding of the
world; they fuse with my experience, creating a hybrid that seeks to outline the
struggles of womanhood physically and emotionally. For a long time my work
was best articulated in any two dimensional format (printmaking, drawing and
painting); however as of late, it has evolved into the use of my own body and
personality as tools of expression, documented through photography, video and
at times poetry. Through the act of performing, I am able to use personal
inflection as a lens for pieces on gender relations. I enjoy questioning the
categorisation of women from a social standpoint through portraits of women with
animal characteristics. I splice the complex personality of a woman, with the
physical and behavioral characteristics of an instinctive animal. This is done to
outline the absurdity of the unrealistic expectations patriarchal society places on
women. I believe that religion and the law have been manipulated through male
dominance to suppress and ultimately control women. I have begun my
exploration using the multilayered personality of a cat. A black cat symbolizes
both good and evil, both god and demon. It is this duality that outlines the power
and powerlessness and mystery of womanhood.

Residency Testimonials from Katherine Kennedy and Simone Padmore

KATHERINE KENNEDY:

From the first time I learnt about artist residencies, I became keen to participate in them one day. This desire increased the more I heard other artists share their experiences, and talk about how inspirational and unique each one was, causing their practices to grow and adapt to different surroundings.  A visiting artist who came to speak to my class at Lancaster University said that after your first residency, you can’t wait to do another, and my involvement in Fresh Milk’s inaugural residency has definitely confirmed that for me.

            After graduating and returning to Barbados, I confess that my art practice came to more of a standstill than I would have liked. Although I was happy to be home, I was caught up in wondering what my next step should be, and the uncertainty led to a mental block where my creativity was concerned. I was struggling to familiarize myself with the art scene locally and regionally, while coming to terms with how to move forward without the studio environment that had become such a huge part of my life while studying. When I learned about Fresh Milk, and that it was offering a residency, it sparked my interest and in a way reawakened my drive to make art again, giving me a platform for the ideas that had been playing in the back of my mind to manifest.

            One of my favourite aspects was the ambiance, inside the studio and out. Although it was local, the countryside setting was still so different from where I live, and I found the scenic, peaceful atmosphere to be very stimulating. The studio was spacious and set out with lots of adequate work surfaces, as well as access to resources such as tools, materials, and a small but comprehensive library of art books, journals, biographies, magazines etc. for our perusal. Having this access and a place to call a work environment was instrumental in getting myself back into gear.

            It was also great to not only have the studio setting again, but to share it with someone as talented and fun as Simone. We did not know each other prior to the residency, which I think worked to our benefit because it added another level of freshness to the experience as we got to discover each other’s aims and styles, and gain new perspectives on our work. I loved having that back and forth of ideas and information from another artist again, and I feel that our coexisting in the same space improved our work ethic and motivated us to be more productive than either of us thought possible at the beginning of the week. The thought of creating resolved pieces in just five days intimidated both of us, but we surprised ourselves, Simone finishing not one, but two full pieces, and the scale of my work became much larger than I had anticipated. I think we found a balance of enjoying ourselves and getting along really well, while still maintaining our focus, and it was a pleasure to work alongside her; I hope to do so again in the future.

            Overall, I could not be happier with my introduction to artist residencies, and I would like to thank Annalee for everything she has done and the support she has given. She was more than accommodating, and willing to provide us with or help us source anything we needed – art related or otherwise. She gave us helpful advice, including telling me about the value of promoting work through exhibiting as well as in a virtual realm in this technological age, which she also did for us by working hard to give our work exposure in many ways, and hosting our exhibition at the end of the week. I feel a renewed sense of purpose, spurred on to keep this momentum going, and I am extremely grateful for being given this opportunity to reconnect with my artistic side. 

 

 

 

 

SIMONE PADMORE:

The Fresh Milk Platform hosted a five day residency called ‘Five days of Playing’, which was held from the 5th to the 9th of March, 2012. Along with myself-Simone Padmore, another young artist- Katherine Kennedy, a sculptor, participated in the residency. During those five days we had to produce work to be showcased on the 10th, March, 2012.

The experience was great and I found it so exciting that I was oblivious with whom I was participating.  Katherine expresses her work in sculpture and installation, while I express mine by drawing. The studio at Fresh Milk was spacious, the necessary facilities were provided – such as a library with a lot of artistic material to choose from and access to the internet from where we could gather inspiration.

Katherine and I gelled well. Our media contrasted well and together with Annalee Davis we had great artistic conversations.  The energy between us was very productive; we inspired each other and respected each other’s space and practice.

The residency was beneficial because it helped me break the habit of solely working at night. I refer to myself as a ‘nocturnal artist’ and I usually have a lot if difficulty producing art during the daytime.  I also noted that my production speed increased and the direction of my work shifted in a great way and made me realized I can apply this variation to my current work.

I think the Fresh Milk platform is providing great opportunities for young artists in Barbados.  I say this because after leaving school, we have difficulty continuing to produce our personal work. There is a lack of motivation to produce work because we are outside of the school studio and we no longer experience the same creative flow or energy generated amongst our colleagues.  The sense of loneliness also plays in connection to this, because having someone who is in the same field to accompany you makes it easier to produce. Space is another factor because some or most of us do not have the adequate space for our art. In Barbados, there is a stigma that revolves around art, where art is not taken as a serious practice. The country focuses more on the commercial art, which results in the lack of exhibition spaces for contemporary or non commercial art. That creates the lack of motivation because if we do not have somewhere to look forward to showcasing our work, we may not feel the need to do work.

The experience at Fresh Milk provides all of these things to help young artists to continue their practices.  It is a space we can be involved in and gives us a sense of hope. I think the platform should continue providing opportunities like the five day residency because it is a positive step to help upcoming artists and recent graduates to continue or get back in to the groove of producing work.

FRESH MILK IV

FRESH MILK IV

Join us on March 10th for the fourth Fresh Milk platform! This event is split into two parts: It is the host space in Barbados for the screening of Ebony G. Patterson’s ‘Cheap and Clean’ project looking at masculinity in Jamaica and how it relates to Dancehall culture. The second part is a platform showcasing the work of the two local residency participants Simone Padmore and Katherine Kennedy. See you all there!

 

Call for Artists to Participate in a Local Residency

FRESH MILK is providing a unique opportunity for Barbadian artists to participate in a local residency at the Milking Parlour in March 2012. The format will be a daytime residency, for a week long, two artists residing simultaneously, with an open evening at the completion to present the work created during the artists’ time here. It is open to contemporary creatives across all areas of the arts, and is a great chance to expand your networks and the range of work you produce!

To be eligible, please submit an application (maximum 2 pages) outlining a little bit about yourselves, why you would like to participate in a FRESH MILK residency, and what type of work you would like to produce at the residency. Attach up to five images of recent work. FRESH MILK is particularly keen to support young artists resident in Barbados who are interested in making work in dialogue or in collaboration with another contemporary practitioner. Applications can be sent to annaleedavis@gmail.com, no later that February 3rd 2012.

To learn more about residencies and the benefits they provide, you can refer to this article by Natalie McGuire: https://freshmilkbarbados.com/2011/10/12/artist-residencies-and-barbados/