The Fresh Milk ArtBoard features Ronald Williams

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We are thrilled to have received the support to have a new image installed on our public gallery space, the Fresh Milk ArtBoard. Sponsored by the David Dale Gallery & Studios, Glasgow, we are now featuring the work of Barbadian artist and member of the Fresh Milk Books team Ronald Williams. Ronald’s work will also be on display in Glasgow this July-August as part of Fresh Milk’s component of the International Artist Initiated project.

As part of The Glasgow 2014 Cultural Programme, the David Dale Gallery will present International Artist Initiated, an ambitious collection of events and exhibitions to coincide with the Commonwealth Games. Working with artist initiated organisations from across the six Commonwealth territories, including Fresh Milk, the programme will consist of a series of projects by the invited organisations which respond to the context of the Commonwealth Games within Glasgow, and is representative or indicative of contemporary culture within their nation through the lens of artist-led organisation.

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Ronald’s Artist Statement

Inspired by the dynamism and power of Shaquille O’Neal’s Dunkman logo; as well as his legacy of being one of the most aggressive, combative and dominant players in the NBA’s history, ‘The Beast’ is my expression of the “black male-brute” stereotype.

Using the original logo as a template, I collaged photographs, various images found in popular media and historical texts via Photoshop to form the final piece. While it was not necessary for the viewer to know which athlete a piece is inspired by, that knowledge of the athlete was critical in my selection of the images to use. For ‘The Beast’, intuitive decisions were made based on my perception of O’Neal and his presence as a cultural icon.

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Conceptually, ‘The Beast’, like many other collages, is deliberately self-contradictory. Slave revolt texts and upraised fists are counterbalanced by shackles still intact, while the iconic black power symbol when placed on the shoes becomes an ironic brand worn by the primate character.

Through these symbols I acknowledge the important role basketball, and by extension sports, has played in bridging social and economic gaps while also criticizing how the system is set up. The image of the black male being less than human—a big, powerful animal—is one we have struggled to erase, yet the narrative of the NBA has constantly reaffirmed this. Blacks are generally praised for their athleticism, strength and physical qualities while the most lucrative deals and sponsorships usually go to the black basketballers who best exhibit these traits.

As the character in ‘The Beast’ is shackled to what is effectively his own image, I fear some part of the “black male-brute” stereotype is ingrained in our psyche. Many black basketballers voluntarily embrace being a beast on the court while the sports and media industries eagerly promote these images. It’s a catch-22 situation; as we have bridged many racial gaps, we have also unintentionally reaffirmed misguided stereotypes.

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Frantz Fanon & the Pursuit of ‘the White Girl’ – #CCF

Photo by Sølve Sundsbø

Photo by Sølve Sundsbø

The objectification of the white woman immediately caught my attention. She was to be used: for sexual gratification, to fulfill a ‘ritual of initiation into “authentic manhood”’ (Fanon 52), to ‘de-racialize’ the black man. Wait…what? De-racialize the black man? Fanon’s socio-economic background meant a white partner would have gone a considerable way in establishing his status in society. As for me, while still an ignorant youngster, I always knew that the fairer a girl’s complexion, the prettier she was. It was a fact, but I didn’t know why—just like how Jeun Veneuse, as Fanon noted, didn’t know why he loved Andreé. However, unlike Veneuse and Fanon, I wasn’t acutely aware that there was a problem with my skin colour that needed correcting.

The above excerpt is from Ronald Williams’ review of the chapter ‘The Man of Colour and the White Woman’ in Frantz Fanon’s Black Skin, White Masks, this week’s addition to the Fresh Milk Books Tumblr – the online space inviting interaction with our collection in the Colleen Lewis Reading Room.

For new Critical. Creative. Fresh reviews every week, look out for our #CCF Tuesdays  and see the good reads we have available at Fresh Milk!

A Review of FRESH MILK XV – The Age of Infobesity

Visual artist Ronald Williams reviews Fresh Milk’s last event, FRESH MILK XV, which took place April 10, 2014 at The Milking Parlour Studio.

Photographs by Dondré Trotman.

McLean Greaves presenting 'The Age of Infobesity'. Photograph by Dondré Trotman.

McLean Greaves presenting ‘The Age of Infobesity’. Photograph by Dondré Trotman.

On Thursday April 10th, McLean Greaves, renowned media industry veteran took centre stage at FRESH MILK XV. He presented a brief, but ironically informative, lecture entitled ‘The Age of Infobesity’. Derived from the medical condition obesity, where there is an unhealthy excess of body fat, infobesity refers to an overabundance of information which can have dire physical and cognitive effects.

According to McLean, when we gain information it triggers a high reward center in our brains—the same area that responds to pleasurable stimuli like food and sex. This combination of high reward value and the availability of social media devices make information extremely addictive. Our information craving is evident in everyday life; from hours spent obsessively playing social media games to the average office worker checking their email 30-40 times an hour.

The fact that the media industry is well aware of our addiction and readily exploits it is perhaps more disturbing. It is now widespread knowledge that many, if not all of our online activities are being observed, but the internet itself is designed to distract us. The time spent on sites, the amount of words most likely to be read on a page, the most click-worthy zones on our screens; it is all monitored. McLean states that as a result, the search engines, pop-ups and pop-unders are tailored to suit our individual internet presence, as if catered by some omnipotent being.

However, he is quick to point out that this godlike entity is one of a sinister nature. Given the statistics he presented, I would have to agree with him. The average attention span of humans has fallen 33% since 2000, from 12 seconds to 8 seconds – To put that into perspective, a goldfish’s attention span is 9 seconds long. McLean continues to say that not only has our ability to focus been affected, but our face to face social interactions have suffered as well. Just 5 hours of internet surfing changes the way the brain works, with the decision making and problem solving areas of the brain showing less activity.

Furthermore, according to McLean, the average American teen owns 6.7 devices (slightly less for the Caribbean) and is almost constantly connected to the information network, making them the most susceptible to the effects of infobesity. Quite understandably, as this is the internet age—the only age many young people have grown up in—the older generation’s attention span is more resilient than that of the youth. Needless to say, this does not bode well for the future as projected productivity levels will decrease while stress levels increase. However, the situation does not need to be tragic, as solutions lie in the problem.

There are various programs which control and monitor the time expended on computer activities, and while still controversial, video games have shown promise in the effort to increase the attention span in children. Like any addiction, or even a medical condition like obesity, it takes time and discipline to correct. As we are well into this age of infobesity, it would seem wise to utilize the technology to solve our problems, rather than fight a seemingly unwinnable war.

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About Ronald Williams:

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Born in Bridgetown, Barbados in 1990, multimedia artist Ronald Williams developed an interest in art from a very young age.  His art education in the Barbados Community College’s Fine Arts program forced him to view art as a powerful cog in society. Currently, Williams’ work focuses on race and sociology, investigating how sports and the black athlete fit into popular culture. Ronald manipulates popular imagery to compose computer generated images, using digital collage to speak about a multiplicity of issues, i.e. society’s perceptions, stereotypes, fantasies and various nuances about the black athlete.

The Fact of Blackness – #CCF

Black Skin, White Masks by Frantz Fanon (1952). Photograph by Dondré Trotman.

Black Skin, White Masks by Frantz Fanon (1952). Photograph by Dondré Trotman.

“Who am I?/ I am a black man, of that I’m sure. / I am a black man…I’m sure. After all, the colour of my skin proves that fact. / So I am a black man, but I’m not sure of much more” states Frantz Fanon, a leading black intellectual of the 20th century. What I liked about Fanon’s essay “The Fact of Blackness” was his autobiographical address of the ‘black identity issue’- a topic that is still a major refrain of popular culture.

The above excerpt is from Ronald Williams’ review of Fanon’s essay ‘The Fact of Blackness’, which is the first piece to be featured on our newly launched Fresh Milk Books Tumblr, the online space inviting interaction with our collection in the Colleen Lewis Reading Room.

For new Critical. Creative. Fresh reviews every week, look out for our #CCF Tuesdays and see the good reads we have available at Fresh Milk!