Event Cancelled – FRESH MILK XXII – A Potlatch of Histories: Lessons on Brazilian Art

Due to unforeseen circumstances related to travel, Paulo Miyada’s trip to Barbados and the event FRESH MILK XXII will no longer take place this week as planned. We apologize for any inconvenience caused, and we hope to make arrangements to reschedule for later in the year.

Thank you for your understanding, and wishing you all the best.
The Fresh Milk Team

The Fresh Milk Art Platform is pleased to invite you to FRESH MILK XXII – A Potlatch of Histories: Lessons on Brazilian Art, taking place on Thursday, June 6th, 2019 from 7:00pm – 9:00pm at Fresh Milk, Walkers Dairy, St. George, Barbados. This event will feature a presentation by São Paulo-based curator Paulo Miyada, chief curator of the Tomie Ohtake Institute and the adjunct curator of the 34th São Paulo Biennial (2020).

Paulo will address a few significant chapters from Brazilian art history and offer the audience an exchange: for every narrative about Barbados’ culture and history that someone can bring to the table, he will also share information about another artist or event from Brazil. Join us for an evening of rich cross-cultural discussion and knowledge transfer!

This event is free and open to the public. Directions to Fresh Milk can be found on the ‘About Page’ of our website.

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About Paulo Miyada:

Photo credit: Patrícia Araujo

Paulo Miyada is a curator and researcher of contemporary art. He holds a Master’s Degree in History of Architecture and Urbanism from FAU – USP. He is the adjunct  curator of the 34th São Paulo Biennial (2020) and the chief curator of the Tomie Ohtake Institute, where he coordinates the Research and Curation Center, as well as co-coordinating the course programme of the Escola Entrópica, where he teaches. He was assistant curator of the 29th São Paulo Biennial (2010), part of the curatorial team at Rumos Artes Visuais do Itaú Cultural (2011-2013) and was adjunct curator of the 34th Panorama of Brazilian Art at MAM-SP (2015). Among other projects, he has curated: É preciso confrontar as imagens vagas com os gestos claros (2012), Paulo Bruscky: Banco de Ideias (2012), Medos Modernos (2014), Estou Cá (2016), Leda Catunda: I love you, baby (2016), Osso – Exposição-apelo ao amplo direito de defesa de Rafael Braga (2017), Miguel Rio Branco: Wishful Thinking (2017) e AI-5 50 Anos – Ainda não terminou de acabar (2018).

Fresh Talk: Cuban Art Awards

Fresh Milk and Fresh Art International are collaborating to present Fresh Talk: Caribbean, a series of podcasts about creativity in the 21st century with a Caribbean focus.

This week, we highlight a conversation with Cuban artist Alexandre Arrechea and American art collectors Patricia and Howard Farber about the first-ever international Cuban Art Awards sponsored by the Farber Foundation. This conversation was recorded at the Wifredo Lam Contemporary Art Center during opening events for the 12th Havana Biennial art exhibition.

Click here to listen to the full podcast.

Alexandre-Arrechea_photo-Ladyrene-Pérez-crop

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About Fresh Art International & Fresh Talk:

Mission: To inform and inspire a world of followers, Fresh Art International’s team shares conversations, commentary, news, and views about contemporary art.

Launched in October 2011, Fresh Art International is an evolving independent media outlet with a global point of view. Our website is the virtual platform for Fresh Talk: Conversations About Creativity in the 21st Century, our signature audio podcast. The site welcomes up to 3,000 monthly visitors. Averaging more than 9,000 feed hits monthly, we welcome new friends and followers every day: Facebook (3,000+ Likes and Friends) and Twitter (5,000+ Followers).

For Fresh Talk, independent curator Cathy Byrd meets with contemporary artists, curators, designers, architects, composers, writers, filmmakers and other cultural producers. Listen to conversations directly on this website, download episodes, or subscribe to the series oniTunesand Stitcher. Fresh Talk is also accessible through Public Radio Exchange at prx.org.

Versia Harris selected for IV Moscow Biennial for Young Art

yes 5.

Visual artist and member of the Fresh Milk Books editorial team, Versia Harris has been invited to show her work in the IV Moscow Biennial for Young Art at The Museum of Moscow in Russia.  The Biennial is titled A TIME FOR DREAMS, is curated by David Elliot and runs from  26 June to 10 August 2014

Versia’s Artist Statement

They say you can dream a thing more than once
Just because you wish for something, doesn’t make it true. Or does it?

I am captivated by the process of viewing fiction and projecting the fictional images into actuality so that it almost seems as if it becomes a part of one’s reality. As such, the narrative in my work generates a comparison between the character’s reality and fantasy, namely Walt Disney animations. It follows the experiences of the character as she continuously imitates or layers what she consumes from Walt Disney films unto her physical self and environment.

At the center of my investigation, stands the theme of self-image. The character is a manifestation of a person both beautiful and flawed aspiring to acquire the perceived superior physical and behavioral attributes of another. I consider the influences on behavior, especially influences through the media, which projects the perfect or acceptable image, and examine the challenges faced when what is desired conflicts with what is. I ultimately question whether one can subconsciously mimic fiction, until what one deems as reality is not as easily distinguishable from fantasy as one would think.

This project revisits two animations ‘A dream is a wish your heart makes when you’re awake’ and ‘They say you can dream a thing more than once’. I am re- presenting these animations concurrently, as a five video installation, to further engross the viewer with content and scale. The installation re-frames the narrative to draw new parallels and associations between the two animations.

versia black and white for arc

About Versia Harris

Versia is a Barbadian artist living and working in Weston, St. James. She graduated from the Barbados Community College with a BFA in the Studio Art programme in 2012 and was awarded The Leslie’s Legacy Foundation Award, an annual prize given to the top graduate. In her work, Versia tackles perceptions of fantasy in contrast to the reality of her original character. She uses Adobe Photoshop to manipulate her pen drawings to create the animations.

She participated in her first local residency with Projects and Space in 2011. Within the past year she has completed four residencies, beginning with a local residency at Fresh Milk, followed by her first international residency at the Vermont Studio Center, and two regional residencies at the Instituto Buena Bista, Curacao and Alice Yard, Trinidad in late 2013.

Aruba Linked/Caribbean Linked

October 12 – 15 2012

BACKGROUND

Ateliers ’89 Foundation and the Fresh Milk Art Platform Inc. collaborated to create an international gathering of art experts which took place between October 12th and 15th 2012 in Aruba. Ateliers ’89 hosted the event which included bringing in the following persons to Aruba to participate in a symposium and a panel:

Rocio Aranda Alvarado – Curator, El Museo del Barrio, New York City, USA

Paco Barragan – Independent curator, Madrid, Spain

Holly Bynoe – Co-founder and editor of ARC magazine, St Vincent & the Grenadines

John Cox – Founder and director, Popop Studios, The Bahamas and co-curator, the National Art Gallery of the Bahamas

Annalee Davis – Founder and director, the Fresh Milk Art Platform Inc., Barbados

THE SCHEDULE OF EVENTS

During the course of the four days a symposium took place, a panel discussion, studio and gallery visits, the launch of ARC magazine and a series of meetings with stakeholders in the public and private sector. The symposium and panel discussion were streamed live via Ustream, allowing a regional and international audience to join the proceedings. Supporting the programme was the Youth Bienal organised by Ateliers ’89 as a way to exhibit the works of young Aruban and Dutch artists and expose those works to the visiting creatives. Two young Barbadian artists were also included in the exhibition.

The symposium gave the visiting creatives an opportunity to share their work as curators, publishers and founders of informal networks with the Aruban art community. It also gave the visiting creatives an opportunity to develop an understanding of the local art space. The launch of the ARC magazine created more awareness in Aruba of it’s art publication and web presence demonstrating how it functions as an integrative tool for the visual arts across the region.

Of critical importance was the series of meetings scheduled by Elvis Lopez, the Director of Ateliers ’89, which allowed us to meet Dr. Dumfries, the Director of Culture in the Ministry of Culture, Mr. Jonathan Viera, the Director of Cas di Cultura, Mrs. Lupita Gil, the Director of UNOCA, Vicki Arens, the Director of FDEC, the Weston Hotel Art Gallery and Insight Foundation.

As a result of these meetings we came to learn of the Ministry of Culture’s pending programme to promote the Rietveld Academy in Aruba and the 2013 launch of their preparatory visual arts programme that is open to art students from around the region and who want to enter a BFA course afterwards. The Ministry is keen to inform the region of this programme and ARC magazine will assist in promoting this programme through their website.

Also coming out of these events was the proposed idea of holding a Barbados Linked / Caribbean Linked programme at FRESH MILK in February 2013. The purpose of this gathering would be to extend the Fresh Milk/Ateliers ’89 conversation which took place at the Ateliers ’89 Foundation in Aruba, and to deepen the links further across the region while circulating ideas about sustainability within the creative economy of the Caribbean.

Stay tuned for more information on this venture!

Visit http://www.ustream.tv/channel/ateliers-89 to watch videos of the panel discussions.