Category: Contemporary Art

FRESH MILK X

Leave a comment

FM X flyer

FRESH MILK X will be held on Sunday, February 3rd 2013, 5:30-7:00pm at the Milking Parlour Studio, St. George (see our About page for directions).

Malaika Brooks-Smith-Lowe: Final Talk and Screening

Still shots from Malaika Brooks-Smith-Lowe's filming

Taking the platform at FRESH MILK X is Grenadian artist Malaika Brooks-Smith-Lowe, Fresh Milk’s current artist in residence. She will be screening her new short film featuring Barbadian actor and Managing Director of Mustardseed Productions Varia Williams (above).

Malaika’s Concept:

This short film will paint a portrait of a woman in her late twenties/thirties and her navigation, not so much through her life, but through her thoughts about her life.  It will be an intimate meandering through the disjointed waters of her daily internal dialogue. As Stuart Hall has written, the past “…is always constructed through memory, fantasy, narrative and myth.” The site of this interpretation of our past experiences, and those of the people around us, is always located in the present. So, our moments of “now” are constantly occupied with reinterpretations and reshuffling of our past in relation to what we are encountering anew. This film seeks to explore the complex and ever fluctuating relationships that we have with our experiences and the sense of being/ego that is built around these experiences. What snippets of society/family/relationships run through our daily thoughts? What perceptions of our past, and potential future, blur our experiencing of our present moments? How do we find a balance between a blur and a necessary reflection/planning? Can we clear space and opt for neither, for just a moment of experience without constant interpretation?

Yardie Boy Theatre Presents: Prisoner

yardie prisoner

FRESH MILK X will also feature a reading of an excerpt from the play ‘PRISONER’, written by Kupakwashe, Barbadian actor and founder of Yardie Boy Theatre, and performed by Kupakwashe and Barbadian actor/director Russell Watson.

 About Prisoner:

Set in prison, John a convicted murderer is on death row being guarded by his older and unforgiving brother Winslow. A 25 minute play full of intensity, graphic in nature and volatile in words. Prisoner is a socio-political play that rides on the themes of ‘big brother is watching’ and ‘being a brother’s keeper’.

About Yardie Boy Theatre:

Yardie Boy Theatre is a young emerging theatre group dedicating to showcasing Barbadian/Caribbean stories through the medium of theatre. Their works are very social and political and seeks to be the voice of a generation.

NB: This performance contains content of an adult nature and is not suitable for children.

There will be a talk held after the performance and screening with all the participants, where they will engage in conversation about the work and take questions from the audience. Event is free and open to the public.

Reflection on Week 2 of the Fresh Milk residency by Malaika Brooks-Smith-Lowe

Leave a comment

One of the most incredible aspects of this Fresh Milk residency is the solidarity. This past week not only have  I been able to engage with Annalee Davis, the Director, and Katherine Kennedy, Assistant-extraordiniare but also Holly Byone, Founder and Editor-In-Chief of ARC Magazine, was here collaborating on a grant proposal. The internet offers endless opportunities to build connections but there is something invaluable about sharing physical space with these dynamic women, who are each wells of knowledge and experience. In the midst of all the work that each of us was engaged in, we were able to find moments of pause (and venting and laughter) together. In a world that is focused on productivity, but also requires so much time out of us in order to manifest sustainable change, it can be so easy to downplay the value of taking the time to enjoy the company of the people who help to keep us going.

It has also been a blessing to collaborate with Varia Williams, a brilliant actor and Managing Director of Mustardseed Productions, as the character in the film that I’ve been creating while here in Barbados. I am not sure that I can even begin to articulate what the process of working with Varia has been like. We fell into a really natural rhythm, connecting to the film’s concept in unique ways that often overlapped. I started with an idea and went into a way more experimental direction, which only an actor with her ability to work in a more subtle and bodily way, could have carried. It has truly been a collaboration, her experience as an actor and her vibrant energy brought elements to the process that I couldn’t have conceived.

At some point before arriving here, I was considering what type of project to work on during this residency and set my sights on a narrative short film. As anyone who has ever proposed a project of any kind knows… things rarely go as planned. The more people responded to my initial concept the more I wanted to create a piece that was open and allowed people to interpret it in a way that spoke directly to their experience and so, started to feel myself drawn away from the narrative I had begun to create. Of course, openness is possible within the plot of a narrative. In fact this was recently demonstrated in the Fresh Milk space at Saturday night’s screening of A Hand Full of Dirt. Director, Russell Watson, and Producer, Lisa Harewood, engaged questions after the film and spoke about the ways that plot has connected with people across the globe in diverse audiences. As I watched the film for the first time that evening, I was struck by the nuanced way that they were able to weave together an engaging story that touched on so many things that were both unique to a Caribbean experience but also experienced in similar ways by other people as well: migration, corruption, tourism, masculinity, property ownership and cycles of violence, just to name a few. It was wonderful that an audience of people, who were mostly at Fresh Milk for the first time, were able to talk with the filmmakers afterwards about their own experiences of the film.

As for my piece, I’ve jumped head first into the pool of the experimental. Shooting is complete and the quality is incredible thanks to the equipment I rented through Andrew Jemmott at Caribbean Webcast. Now it is all about editing.

Follow Malaika on Instagram @malaikabsl

Photographs from the Artist Talk with Anna Christina Lorenzen and Alberta Whittle

Leave a comment

On Saturday December 15th, 2012 our resident artists Anna Christina Lorenzen and Alberta Whittle gave a presentation on both of their individual practices, in addition to their emerging collaborative projects. These new works in progress have seen them playing with the intersections they have found in their own work, as well as responding organically to new environments and surroundings.

Alberta Whittle is a Barbadian artist who returned home to take up a residency at Fresh Milk. Whittle’s work has undertaken some shifts to concentrate with greater intensity her research on hypersexuality in the Barbadian context. Focusing on the fete posters imagery of aspirational life styles and of men and women, she is interested in how these posters become a form of self-portraiture.

Anna Christina Lorenzen is a visual artist from Norway/Germany, who was a founding member of the studio collective, Bergen Atelier Gruppe (BAG). Through the historically and culturally universal medium of drawing, Lorenzen explores the seemingly never-ending cycle of visual representation of the body and the physical representation of the visual image of the body.

Lorenzen and Whittle met in Cape Town earlier in 2012 during a residency program at Greatmore Studios. They uncovered many parallels and meeting points in their individual practices. Whilst in South Africa, they began collaborating in generating performative situations and documenting these actions through photographic stills and video footage.

Thanks to Anna and Alberta for a very engaging talk, and we look forward to seeing how your work continues to evolve!

FRESH MILK at the IBB: Blog Post IV

Leave a comment

It’s been a week since I returned to Barbados – sorry this is late, but it just shows how busy and productive things have been at Fresh Milk, while we got everything in order for the arrival of the IBB team to Barbados, and preparations for FRESH MILK IX, which will be held Thursday, November 29th at 7pm. Never a dull moment!

Overall, the interactive Ustream project Creatives in Conversation which rounded off my set of interviews in Curacao was definitely a success. There were a few technical difficulties, but all the quirks such as jokes, impromptu karaoke sessions, IT technician Omar Kuwas having to usurp me as the interviewer when he possessed the sole laptop with an internet connection, and general good natured fun made it endearing, alongside the serious and very pertinent issues David Bade and Tirzo Martha brought up about the contemporary arts in Curacao and around the region. And of course, what I found to be the greatest aspect of the project was the response we got from our viewers. NLS in Jamaica hosted an event in a local bar to screen the interview, Ateliers ’89 in Aruba also tuned in, Fresh Milk was represented, and artists and interested persons from around the region and beyond (including responses from St. Vincent, the Netherlands etc.) all took part and sent in their questions.

The interest in the project, and David and Tirzo’s passionate answers show that there is a need for this inter-regional and international communication in the arts, and that the time is ripe for this interaction to take place. As Tirzo said, stop the circular conferences and stagnant symposiums – this is our chance to take collective action and find ways to really focus on and tackle the issues we have in the Caribbean together, as the ones actually affected by legislation passed from people who do not understand the situation. Creatives in Conversation showed that despite the difficulties in inter-regional travel, we can find alternate methods to at least make a start, and I think it could be a good idea for the informal art institutions (Fresh Milk, IBB, NLS, Ateliers ’89, Alice Yard, Popopstudios, Tembe Art Studio etc.) to schedule these streamed events on a regular basis, held in a different country each time, so we remain informed about what we do and circulate our own ideas on how we can strengthen the Caribbean art scene.

If you missed the interview live, you can still view it online at http://www.ustream.tv/channel/ibb-live

That weekend, we took some down time and Holly, Erik, Marijn, David, Willy and I visited a turtle watching point, had lunch in a local restaurant and visited a couple of beaches on the Saturday. On Sunday we went adventuring to the East of the island, eventually settling on Caracas Bay, a rock and pebble beach with stunningly clear water. This was also next to Fort Beekenberg, which you could climb to the top of for gorgeous views over the island.

I already miss the students and staff at the IBB, my housemates Holly Bynoe, Erik and Marijn Habets, and our dogs Bruno and Tequila. I am very grateful to everyone who contributed to my time in Curacao. I have high hopes and expectations for the outcome of this residency, with the interviews which will be released in the coming weeks introducing a wider public to the Curacao arts, and the interactive platform that we would love to continue building to set the stage for an enhanced level of understanding and collaboration. We’re already well on our way, as Fresh Milk welcomed Tirzo, David, Erik and IBB students Dominic Schmetz, Kristel Rigaud and Rashid Pieter to Barbados this past Sunday. Looking forward to this week with them, and everything our partnership with the IBB will accomplish!

Katherine Kennedy