FRESH MILK XVI: Book Launch and Conversation for ‘See Me Here’

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The Fresh Milk Art Platform is pleased to invite you to our last public event before our summer break, FRESH MILK XVI – the Barbados book launch for Robert & Christopher Publishers’ (R&C) latest title, See Mere Here: A Survey of Contemporary Self-Portraits from the Caribbean, edited by Melanie Archer and Mariel Brown. The event will feature a small exhibition and panel discussion with the Barbadian artists featured in the publication – Ewan Atkinson, Annalee Davis, Joscelyn Gardner and Sheena Rose – and editor Melanie Archer, moderated by Barbadian artist Russell Watson.

See Me Here will be available for purchase at Fresh Milk on the night of the launch at a discounted price of $100 BBD, and thereafter at $110 BBD. The book has also been added to the collection in the on-site Colleen Lewis Reading Room (CLRR). In the spirit of celebrating this ever expanding archive of beautiful and critical publications, there will also be a short presentation on our new initiative Fresh Milk Books, introducing the team and sharing ways in which the public can get involved with this space for the interactive exploration of the CLRR.

FRESH MILK XVI takes place Thursday, June 26, 2014 from 6:30-8:00 pm at the Fresh Milk Studio, St. George (directions can be found here) and is free and open to the public.

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About See Me Here

See Me Here is the second book in R&C’s thematic explorations of contemporary art in the Caribbean – it follows the imprint’s successful first title, Pictures from Paradise (2012), which was picked up for distribution by North America’s most prestigious art book distributor, and is also being made into a major exhibition in Toronto, Canada, in May.

See Me Here calls attention to recent directions in self portraiture throughout the region, by focusing on artists who frequently or significantly use their physical selves, or those to whom they are linked by blood or significant experience, as an avenue for exploration and expression. In so doing, the book asks: How do we really see ourselves? How accurate is the image we present? What formative roles do our cultures and upbringings play? And, what role does the Caribbean as a physical and mental space have in the creation and perception of our own personal, visual identities?

Edited by Melanie Archer and Mariel Brown, See Me Here features a critical essay by Marsha Pearce, and more than 380 images from 25 artists. These works range across a variety of media, from drawing and painting to photography, sculpture, installation and performance. Eleven of these artists – Akuzuru, Ashraph, Susan Dayal, Michelle Isava, Jaime Lee Loy, Che Lovelace, Joshua Lue Chee Kong, Steve Ouditt, Irénée Shaw, Roberta Stoddart and Dave Williams – are from or are based in Trinidad & Tobago. The book’s other artists – Ewan Atkinson, James Cooper, John Cox, Renee Cox, Annalee Davis, Laura Facey, Joscelyn Gardner, Lawrence Graham-Brown, Anna Ruth Henriques, Nadia Huggins, O’Neil Lawrence, Olivia McGilchrist, Sheena Rose, and Stacey Tyrell – are either based in the Caribbean or have ties to the region, which are addressed through their works selected for the book.

About the Presenting Artists

 

Ewan Atkinson:

Ewan Atkinson was born in Barbados in 1975. He received a BFA from the Atlanta College of Art and an MA in Cultural Studies at the University of the West Indies, Cave Hill.  He has exhibited in regional and international exhibitions including the 2010 Liverpool Biennial, “Wrestling with the image: Caribbean Interventions” at the Art Museum of the Americas in Washington DC, and “Infinite Islands” at the Brooklyn Museum in New York.

Atkinson is the coordinator of the BFA in studio art at the Barbados Community College where he co-founded the Punch Creative Arena, an initiative for creative action based in the college gallery. An arts educator for over a decade, he is also on the executive board of Fresh Milk, a Caribbean non-profit, artist-led, creative support organization. Atkinson also works as a freelance illustrator and designer.

Annalee Davis:

Annalee Davis is a Visual Artist living and working in Barbados. She has been exhibiting her work regionally and internationally since 1989. She works part-time as a tutor in the BFA programme at the Barbados Community College.

Her explorations of home, longing and belonging question parameters that define who belong (and who doesn’t) in contemporary Caribbean society, exposing tensions within the larger context of a post-colonial history while observing the nature of post-independent (failing?) Caribbean nation-states.

In 2011, Annalee founded and now directs the artist-led initiative The Fresh Milk Art Platform Inc. An experiment, a cultural lab and an act of resistance, Fresh Milk supports excellence among contemporary creatives in the Caribbean, its diaspora and internationally.

 

Joscelyn Gardner:

Joscelyn Gardner was born in Barbados and lived there until 2000 when she moved to Canada. She now teaches Fine Art at Fanshawe College in London, Ontario, and works as an artist between Canada and the Caribbean. She holds an MFA degree from the University of Western Ontario and her work has been exhibited widely in solo exhibitions in the USA, Canada, Spain, and the Caribbean, and in numerous international exhibitions including the Sao Paulo Biennials and major European and Latin American printmaking biennials.

Recent awards include the Biennial Grand Prize at the 7th International Contemporary Printmaking Biennial in Quebec (2011), awards at the Open Studio National Printmaking Awards (Toronto, 2012) and the 22nd Maximo Ramos International Biennial Award for Graphic Arts (Spain, 2012), and a Canada Council for the Arts grant for a major research project in the UK (2013). Gardner’s work is found in many public and private collections and can be viewed on her website.

Sheena Rose:

Born in 1985, Sheena Rose has a BFA from the Barbados Community College. Rose’s work is comprised of hand drawn animation combined with photographs, mixed media, transfers and comic strips. The animations have a surreal quality and deal with daily life, space and the stereotype of her country.

Rose has exhibited extensively, both regionally and internationally. Her work has been shown at Real Art Ways, Hartford Connecticut, Queens Museum, New York, Uitnodiging Amsterdam, Holland, Havana Biennial, Cuba, ACIA, Madrid, Spain, Art Museum of the Americas, Washington, D.C, Greatmore Art Studios, Cape Town, SA, International Curator Forum, Bristol, England, CMAC, Martinique, Museo de Arte, Contemporaneo de Puerto, Puerto Rico, Kentucky Museum of Art & Craft, Kentucky, US, Aruba Biennial, Aruba, Panama Biennial del Sur, Panama and Alice Yard, Port of Spain, Trinidad.

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About Robert & Christopher Publishers

Robert & Christopher Publishers (R&C) is a Trinidad-based art book imprint. R&C’s primary concern in its art series is to produce quality books that document and elucidate our Caribbean story, as seen through the eyes of Caribbean artists. R&C aims to produce the highest quality of relevant art books that will be accessible to a wide reading and creative audience in Trinidad and Tobago, the Caribbean and internationally.

Robert & Christopher’s mission is to help open up critical dialogue for and amongst Caribbean people, and to explore and record the work of regional artists from a local perspective. By keeping a low price point on all their titles, R&C aims to create go-to texts that are accessible to artists, students of art, art lovers, and critics within the region. And, by maintaining high intellectual and production standards, R&C aims to appeal to international art and publishing markets.

In addition to See Me Here, Robert & Christopher has also published: Pictures from Paradise: A Survey of Contemporary Caribbean Photography, Che Lovelace: Paintings 2004 – 2008, Meiling: Fashion Designer and Barbara Jardine: Goldsmith.

A Review of FRESH MILK XV – The Age of Infobesity

Visual artist Ronald Williams reviews Fresh Milk’s last event, FRESH MILK XV, which took place April 10, 2014 at The Milking Parlour Studio.

Photographs by Dondré Trotman.

McLean Greaves presenting 'The Age of Infobesity'. Photograph by Dondré Trotman.

McLean Greaves presenting ‘The Age of Infobesity’. Photograph by Dondré Trotman.

On Thursday April 10th, McLean Greaves, renowned media industry veteran took centre stage at FRESH MILK XV. He presented a brief, but ironically informative, lecture entitled ‘The Age of Infobesity’. Derived from the medical condition obesity, where there is an unhealthy excess of body fat, infobesity refers to an overabundance of information which can have dire physical and cognitive effects.

According to McLean, when we gain information it triggers a high reward center in our brains—the same area that responds to pleasurable stimuli like food and sex. This combination of high reward value and the availability of social media devices make information extremely addictive. Our information craving is evident in everyday life; from hours spent obsessively playing social media games to the average office worker checking their email 30-40 times an hour.

The fact that the media industry is well aware of our addiction and readily exploits it is perhaps more disturbing. It is now widespread knowledge that many, if not all of our online activities are being observed, but the internet itself is designed to distract us. The time spent on sites, the amount of words most likely to be read on a page, the most click-worthy zones on our screens; it is all monitored. McLean states that as a result, the search engines, pop-ups and pop-unders are tailored to suit our individual internet presence, as if catered by some omnipotent being.

However, he is quick to point out that this godlike entity is one of a sinister nature. Given the statistics he presented, I would have to agree with him. The average attention span of humans has fallen 33% since 2000, from 12 seconds to 8 seconds – To put that into perspective, a goldfish’s attention span is 9 seconds long. McLean continues to say that not only has our ability to focus been affected, but our face to face social interactions have suffered as well. Just 5 hours of internet surfing changes the way the brain works, with the decision making and problem solving areas of the brain showing less activity.

Furthermore, according to McLean, the average American teen owns 6.7 devices (slightly less for the Caribbean) and is almost constantly connected to the information network, making them the most susceptible to the effects of infobesity. Quite understandably, as this is the internet age—the only age many young people have grown up in—the older generation’s attention span is more resilient than that of the youth. Needless to say, this does not bode well for the future as projected productivity levels will decrease while stress levels increase. However, the situation does not need to be tragic, as solutions lie in the problem.

There are various programs which control and monitor the time expended on computer activities, and while still controversial, video games have shown promise in the effort to increase the attention span in children. Like any addiction, or even a medical condition like obesity, it takes time and discipline to correct. As we are well into this age of infobesity, it would seem wise to utilize the technology to solve our problems, rather than fight a seemingly unwinnable war.

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About Ronald Williams:

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Born in Bridgetown, Barbados in 1990, multimedia artist Ronald Williams developed an interest in art from a very young age.  His art education in the Barbados Community College’s Fine Arts program forced him to view art as a powerful cog in society. Currently, Williams’ work focuses on race and sociology, investigating how sports and the black athlete fit into popular culture. Ronald manipulates popular imagery to compose computer generated images, using digital collage to speak about a multiplicity of issues, i.e. society’s perceptions, stereotypes, fantasies and various nuances about the black athlete.

FRESH MILK XIV: Versia Harris’ Presentation

Versia Harris giving her presentation. Photo by Dondré Trotman.

Versia Harris giving her presentation. Photo by Dondré Trotman.

Fresh Milk invites you to view this two-part video documentation of a presentation by Versia Harris, who spoke about the value of artist residencies at our public event FRESH MILK XIV, which took place March 20, 2014.

About Versia:

Versia Harris is a Barbadian artist living and working in Weston, St. James. She graduated from the Barbados Community College with a BFA in the Studio Art programme in 2012, with an award from The Leslie’s Legacy Foundation. She participated in her first local residency with Projects and Space in 2011. Within the past year she has completed four residencies, beginning with a local residency at Fresh Milk, followed by her first international residency at the Vermont Studio Center, and two regional residencies at the Instituto Buena Bista, Curacao and Alice Yard, Trinidad in late 2013. In her work, Versia tackles perceptions of fantasy in contrast to the reality of her original character. She uses Adobe Photoshop to manipulate her pen drawings to create the animations.

Take a look at the videos below:

FRESH MILK XIV: Nick Whittle’s Presentation

British-Barbadian artist Nick Whittle delivering his presentation. Photo by Dondré Trotman.

Nick Whittle giving his presentation. Photograph by Dondré Trotman.

Fresh Milk invites you to view this two-part video documentation of a presentation by Nick Whittle, who spoke about the value of artist residencies at our public event FRESH MILK XIV, which took place March 20, 2014.

About Nick:

Nick Whittle is a Barbadian/British artist. His work is that of a diarist: regardless of scale or medium his practice explores geographical and historical encounters. Through a stream of consciousness process, he reveals feelings of alienation and connectedness. Much of his work is inspired by what was once described as “an ongoing interest in the narrow strip of land between high and low water.” His practice is interdisciplinary and encompasses sculpture, poetry, video, installation, painting and printmaking. He has recently concluded a residency program at the Instituto Buena Bista in Curaçao.

Take a look at the videos below:

FRESH MILK XIV: Mark King’s Presentation

Mark King giving his presentation. Photo by Dondré Trotman.

Mark King giving his presentation. Photo by Dondré Trotman.

Fresh Milk invites you to view this two-part video documentation of a presentation by Mark King, who spoke about the value of artist residencies at our public event FRESH MILK XIV, which took place March 20, 2014.

About Mark:

Mark King is a multidisciplinary Barbadian visual artist who explores archetypes and social norms. Interested in notions of topography and megalography, Mark makes coded, often satirical work, that highlight social phenomena. The son of a former diplomat, Mark has called several places home. Growing up in The Bahamas, Barbados, Belgium, and the United States has left Mark with a unique perspective that directly influences his artistic practice.

Mark holds a Masters of Fine Arts degree in Photography from the Academy of Art University in San Francisco, California. In 2011 the Lucie Foundation handpicked Mark for their apprenticeship program. During the same year he participated in a screen-printing residency at the Frans Masereel Centrum in Kasterlee, Belgium. In 2012 he took part in an artist residency at Alice Yard in Port of Spain, Trinidad. In 2013, he participated in two residencies; Fresh Milk in Saint George, Barbados, and most recently Ateliers ’89 in Aruba for the Mondriaan Foundation’s Caribbean Linked ll. Last year he released his first monograph Plastic through MOSSLESS publishing at The Newsstand in New York. Plastic has gone on to The 2013 New York Art Book Fair at MoMA PS1, The 8Ball Zine Fair, the 2013 I Never Read Art Book Fair in Basel, Switzerland, and The 2014 LA Art Book Fair in the Geffen Contemporary at MOCA.

Take a look at the videos below: