Fresh Talk: Glexis Novoa

Fresh Milk and Fresh Art International are collaborating to present Fresh Talk: Caribbean, a series of podcasts about creativity in the 21st century with a Caribbean focus.

This week’s episode features Cuban artist Glexis Novoa, one of fifty artists that curator Juan Delgado invited to participate in the public art exhibition Detras del muro (Behind the wall) during the 12th Havana Biennial.

Click here to listen to the full podcast.

ga_15_el-vacio_ss_gv-10

About Fresh Art International & Fresh Talk:

Mission: To inform and inspire a world of followers, Fresh Art International’s team shares conversations, commentary, news, and views about contemporary art.

Launched in October 2011, Fresh Art International is an evolving independent media outlet with a global point of view. Our website is the virtual platform for Fresh Talk: Conversations About Creativity in the 21st Century, our signature audio podcast. The site welcomes up to 3,000 monthly visitors. Averaging more than 9,000 feed hits monthly, we welcome new friends and followers every day: Facebook (3,000+ Likes and Friends) and Twitter (5,000+ Followers).

For Fresh Talk, independent curator Cathy Byrd meets with contemporary artists, curators, designers, architects, composers, writers, filmmakers and other cultural producers. Listen to conversations directly on this website, download episodes, or subscribe to the series on iTunes and Stitcher. Fresh Talk is also accessible through Public Radio Exchange at prx.org.

Fresh Talk: Franky Cruz

Fresh Milk and Fresh Art International are collaborating to present Fresh Talk: Caribbean, a series of podcasts about creativity in the 21st century with a Caribbean focus.

This week’s episode features Miami-based, Dominican Republic born artist Franky Cruz speaking about how Miami, and the art space known as Spinello Projects, became the laboratory for the exhibition project he titled Sistema.

Click here to listen to the full podcast.

Franky-Cruz-Sistema-No.3-2016-crop

_________________

About Fresh Art International & Fresh Talk:

Mission: To inform and inspire a world of followers, Fresh Art International’s team shares conversations, commentary, news, and views about contemporary art.

Launched in October 2011, Fresh Art International is an evolving independent media outlet with a global point of view. Our website is the virtual platform for Fresh Talk: Conversations About Creativity in the 21st Century, our signature audio podcast. The site welcomes up to 3,000 monthly visitors. Averaging more than 9,000 feed hits monthly, we welcome new friends and followers every day: Facebook (3,000+ Likes and Friends) and Twitter (5,000+ Followers).

For Fresh Talk, independent curator Cathy Byrd meets with contemporary artists, curators, designers, architects, composers, writers, filmmakers and other cultural producers. Listen to conversations directly on this website, download episodes, or subscribe to the series on iTunes and Stitcher. Fresh Talk is also accessible through Public Radio Exchange at prx.org.

Torika Bolatagici’s Residency – Week 3 Blog Post

Fijian-Australian artist Torika Bolatagici writes about the third week of her Fresh Milk residency. Things become increasingly busy as her time in Barbados goes on, with a number of studio visits, presentations and general research of the island’s history and environment providing her with a wealth of information – but leaving her with the feeling there will be much more to discover beyond the residency period! Read more below:

The pace really started to intensify last week and I started to feel the pressure of being half way through the residency as I juggled writing, presentation preparation meetings with artists and other appointments around the island.. I am really feeling like I will be leaving with unfinished business…

Monday was a full day that started with a press launch for the ‘Emerging Directors Programme’ which is an initiative between the National Cultural Foundation Barbados and Fresh Milk. It was wonderful to see all Barbadian print and TV media covering the launch and to hear the inaugural recipients, Matthew Murrell and Renelde Headley discussing their projects. I also loved meeting Andrea Wells (Chief Cultural Officer, NCF) and Amanda Cumberbatch (Cultural Officer, Theatre Arts, NCF). I have loved getting to know Renelde this week and look forward to seeing her project unfold.

Following the NCF launch, I met with Barbadian curator and scholar Natalie McGuire to discuss a forthcoming collaborative project and to visit the Barbados Museum. At the museum I was interested to discover more about Barbados history and botany and was surprised to see that Fiji was mentioned in the section about Sea Island cotton. This visit sparked my interest in visiting the last remaining sugar factory here, but I hear that visiting hours can be a bit haphazard, so we’ll see how we go.

Monday afternoon was perhaps one of the most surreal experiences I have had so far, as we were lucky enough to visit Frank Rickwood’s collection of Papua New Guinean artifacts at his Colleton Estate. I am still processing the breadth and significance of his collection and what it means to find such culturally important items so hidden away and so far from Papua New Guinea. The impact of visiting the Colleton Great House has not yet left me, especially having learned of John Colleton’s role in the movement of African slaves from Barbados to Carolina in the 17th Century.

The remainder of week 3 was filled with inspiring meetings with Barbadian artists and scholars Versia Harris, Katherine Kennedy, Llanor Alleyne, Mark King and Therese Hadchity – each of them giving me an insight into their research, practice and artistic journey and the broader creative culture of Barbados. An enriching way to finish my third week here.

_______________________

AusCo

This project has been assisted by the Australian Government through the Australia Council, its arts funding and advisory body.

Fresh Talk: Papo Colo

Fresh Milk and Fresh Art International are collaborating to present Fresh Talk: Caribbean, a series of podcasts about creativity in the 21st century with a Caribbean focus.

This week’s episode features Papo Colo, a Puerto Rican born artist who founded Exit Art, a dynamic nonprofit contemporary art center, with his partner, the late Jeanette Ingberman. Their work as artists and activists has made a tremendous impact on the art scene in New York City since 1982.

Click here to listen to the full podcast.

papo-colo_crop_lr1

_________________

About Fresh Art International & Fresh Talk:

Mission: To inform and inspire a world of followers, Fresh Art International’s team shares conversations, commentary, news, and views about contemporary art.

Launched in October 2011, Fresh Art International is an evolving independent media outlet with a global point of view. Our website is the virtual platform for Fresh Talk: Conversations About Creativity in the 21st Century, our signature audio podcast. The site welcomes up to 3,000 monthly visitors. Averaging more than 9,000 feed hits monthly, we welcome new friends and followers every day: Facebook (3,000+ Likes and Friends) and Twitter (5,000+ Followers).

For Fresh Talk, independent curator Cathy Byrd meets with contemporary artists, curators, designers, architects, composers, writers, filmmakers and other cultural producers. Listen to conversations directly on this website, download episodes, or subscribe to the series on iTunes and Stitcher. Fresh Talk is also accessible through Public Radio Exchange at prx.org.

FRESH MILK XIX

The Fresh Milk Art Platform is pleased to present FRESH MILK XIX, taking place on Monday, June 27, 2016 from 6-8 pm. The event will feature Fijian-Australian artist Torika Bolatagici and Barbadian artist Anisah Wood, who are in residence at Fresh Milk for the month of June.

Torika will be speaking about both her own work and that of a selection of Pacific artists in a talk titled ‘Seeing the Black Pacific’. Anisah – the winner of the 2016 ‘My Time’ Local Artist Residency – will make a presentation about her practice and residency experience so far, as well as have an open discussion with Torika about her work.

This event is free and open to the public. Directions to Fresh Milk can be found on the About Page of our website here.

FM XIX flyer final

Seeing the Black Pacific

During her residency in Barbados, Fijian-Australian artist Torika Bolatagici has been exploring the historical, cultural and biotic similarities of the island cultures of Fiji and Barbados. With shared histories of British colonization, cannibal mythology, indentured labour, tourism and a declining sugar industry, there are as many parallels between the two countries as there are differences. Torika is interested in how contemporary artists from these respective regions respond to, reflect and represent the island cultures of Melanesia and the Caribbean.

In this presentation, Torika will give an overview of the diverse practices emerging from Australian-based artists of Melanesian and Indian-Fijian heritage.

Cultural Heritage, Revival and Redress
Julia Mage’au Gray (Papua New Guinea)
Lisa Hilli (Papua New Guinea)
Dulcie Stewart (Fiji)

Performing Contemporary Oceanic Identities
Salote Tawale (Fiji)
Eric Bridgeman (Papua New Guinea)

Positioning the (Geo)political Pacific
Taloi Havini (Autonomous Region of Bougainville);
Mohini Chandra (Fiji)
Torika Bolatagici (Fiji)

___________________

About the featured speakers:

Torika-Bolatagici-Profile

Torika Bolatagici

Torika Bolatagici was born in Tasmania and spent the early years of her life living between Hobart, Sydney and her father’s village – Suvavou, Fiji.

Torika works across a range of media, including photography, video and mixed media site-specific installation.  Her interdisciplinary practice investigates the relationship between visual culture, human ecology, postcolonial counter narrative and visual historiography of the Black Pacific. She is interested in exploring the tensions and intersections between gender, embodied knowledge, commodification, migration and globalization.

Torika’s work has been exhibited in New York, San Francisco, Mexico City, Yogyakarta and throughout Aotearoa, New Zealand and Australia. She has published in peer-reviewed journals and presented at local and international conferences and symposia about the representation of mixed-race identity; Pacific arts practice in Australia and Fiji; representations of teachers and teaching in cinema; and gender and militarism in the Pacific.

In her role as Symposium coordinator for the Contemporary Pacific Arts Festival in 2013 and 2014, Torika curated multiple panels to extend the discourse around contemporary Pacific arts practice in Australia and invited speakers to reflect on themes such as art and activism, museums, collecting and curating, cultural appropriation and contemporary practice. She also produced the symposium publication Mana Motu.

As well as 11 years experience teaching at tertiary level, Torika also has experience facilitating youth arts workshops for the local Pacific community, most recently the Pacific Photobook Project in Melbourne and Sydney.

Torika also presents the Community Reading Room – a pop-up destination for research, community discussion and engagement around international visual arts and culture, with a particular focus on contemporary art and theory from Oceania, Africa and the Americas. The Community Reading Room has appeared at Colour Box Studio (2013) and the Footscray Community Arts Centre (2014).

Torika is a photography lecturer in the School of Communication and Creative Arts at Deakin University, Melbourne where she teaches contemporary theory and practice. She is currently undertaking a PhD at the School of Art and Design, University of New South Wales.

DSC_0012

Anisah Wood

Anisah Wood is a visual artist based in Barbados. She is in the process of completing a Bachelor of Fine Arts from the Barbados Community College with a major in Studio Art. Her practice involves video art, digital photography, and installation. She has had the privilege of exhibiting the results of her practice at the Punch Creative Arena, The National Arts Council Barbados and at various national arts competitions.

_______________________

AusCo

Torika Bolatagici’s project has been assisted by the Australian Government through the Australia Council, its arts funding and advisory body.