Thais Francis’ Residency – Week 3 Blog Post

Thais Francis, Trinidad-born, Brooklyn-based multidisciplinary writer and performance artist currently undertaking a Fresh Milk residency, shares her third blog post. Although her week was short as she visited another Caribbean island, she reflects on the importance of working hard without putting too much pressure on yourself. She also takes inspiration from the children participating in her theatre workshop at Workmans Primary School when it comes to being flexible and embracing activities without over-thinking or allowing self-doubt to set in. Read more below:

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This week seems like it went by very quickly. I left the island for a bit, so I did some extra work prior to leaving. Finally, I have a skeleton of the screenplay. A beginning, middle and end. I thought I had to spend every second of my day, working on the script. Sometimes I did it after I left the studio – but I think that waiting, breathing and experiencing also helps the writing process. I’m getting used to the idea of not pressuring myself – glad that memo is sinking in, and
I hope it sticks when I return to the States. This upcoming week is about fine-tuning and serious focus to make it stronger. A psychiatrist in San Francisco who specializes in my subject area has agreed to be my script consultant, so I’ll be sending that over soon-ish.

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This week, I introduced costumes to the students. They adapt so well, I throw things at them, and they jump right in. Isn’t that amazing? How children can jump, or run, or laugh without thinking too much about it? Adults seem to second-guess, and seek permission; when did this carefreeness stop? Why did it stop? I personally prefer to have fun most of the time, even as an adult. We played impersonation games, I wrote scenes and broke them up into groups to perform for each other, and we worked on stage presence.

Thais Francis’ Residency – Week 2 Blog Post

Trinidad-born, Brooklyn based multi-disciplinary performance artist and writer, and current artist in the Fresh Milk International Residency Programme, Thais Francis shares her second blog post documenting her activities in Barbados. This week she writes about the joy she experiences when engaging with narratives that address the uncomfortable issues of real life, and her new obsession with Chefette! Read more below:

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I’ve been here for 2 weeks, and already I have a lot of stories. A lot of which are completely unrelated to art, but as an artist, the experience of life inherently affects my perspective, and the things I create.

My script. This story is really heavy (I may have to lighten up a bit). I’ve noticed a trend in the things that I write; they’re all incredibly dramatic. Probably because in real life, I’m the opposite, there is no drama here (mostly). I mean, my biggest issue is the store not carrying my bikini size (like, I can’t possibly flex on the beach in last summer’s swimsuit!) Joking. I’m way deeper than that, but yes, that’s why I enjoy telling stories that deal with real life uncomfortable issues because my personal narrative is so different. I want to use this script to help and inspire people and show they aren’t alone with their secrets. I’m well on my way to finishing, if I focus enough, I’ll be done maybe within the next week-but I don’t want to pressure myself. I’m working on that, because pressure further cements my “quarter life identity crisis”.

It’s interesting, the idea of writing a story, seeing things in your mind and then amassing a group of individuals to support it (which is a whole other process).I’ve been taking tiny steps. This is going to be an awesome movie.

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When I returned to Workman’s primary school, the students rushed to me with arms wide open and choruses of “Ms. Thais!” resounded. It was AMAZING. They even remembered the dance that we made up together- they practiced! I love them so much. One day when I’m large and in charge, I’m gonna Oprah a school or two, and provide the kiddies with so much love, resources and creativity.

Dominique (who was interning here at the studio) and I walked to Chefette (Barbados’ version of KFC/Burger King/ Pizza Hut), which is my new favorite thing. I’M NOT EVEN ASHAMED to say I’ve been eating fast food (ok, a little ashamed). Anyway we cut through the field to get back to the studio. I had to limbo under the electrical wires to get through!

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The Wretched of the Earth – #CCF

The Wretched of the Earth - Frantz Fanon

This week Ronald Williams has written a review about Frantz Fanon’s The Wretched of the Earth; a book that addresses the complex role violence plays in decolonisation. He describes Fanon’s stance on colonisation as being reversible only through extreme force. For him, it feels particularly personal given the recent surge in police brutality aimed at Black youths in the United States of America.

Read this latest addition to the Fresh Milk Books Tumblr – the online space inviting interaction with our collection in the Colleen Lewis Reading Room.

For new Critical. Creative. Fresh reviews, look out for our #CCF responses and see the great material we have available at Fresh Milk!

Thais Francis’ Residency – Week 1 Blog Post

Trinidad-born, Brooklyn based multi-disciplinary performance artist and writer, and current artist in the Fresh Milk International Residency Programme, Thais Francis reflects on the first week in Barbados. She writes about her hesitation to confront her “quarter life identity issues” with a group of eager students from Workmans Primary School. After an eventful time with the children, she focuses on the challenges and rewards of writing her first feature screenplay. Read more below:

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“You look like my auntie!”

“I look like your aunt?”

“I like how you does say Auntie…say it again?”

“Ummm…aunt?”

“Where you from?”

Their names are Nyesha and Ramaya- one is bedecked in her brownie outfit, the other wears her school uniform topped with three plaits and ribbons. Nyesha thinks I look like her aunt, and Ramaya has picked up on my accent. She asks me the question that I dread answering. What do I tell her? Do I go into a spiel about emigrating from Trinidad…or do I just say Maryland? My brain goes into overdrive and my “quarter life identity issues” resurface. More classmates join them, and all stare at me expectantly. Innocently invasive brown eyes filled with questions and excitement. They are reminders of the beauty of being 9 years old.

“I live in America”.

They are satisfied with my response. We then all walk over to the open field.

When I first saw the students at Workman’s Primary school, I was elated. The ribbons, uniforms, brown skin-all images of a past life tucked away in the folds of mind. However, it wasn’t hard to remember and transform with them. With Ms. Bradshaw’s class of 17 students I found myself using theater, music and dance to add more color to the kaleidoscope of their lives. We used our bodies to mime and form shapes that were parts of speech; we became a human orchestra, and created a dance to work on focus and memory. They referred to me as “ma’am”. After the class, I thought about that. “What is a ma’am and how did I become one?”

In other news, here in Barbados, I have learned how to light a stove, with a match. Like, I can strike a match and light a stove. I’ll be sure to show my granny this new skill when I visit- she’ll be impressed.

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However, the main reason I am here is to work on my first feature screenplay. It’s actually weird, and frustrating, but sometimes cool, sometimes I like what I’m saying…most times I don’t. Mostly I’m excited to complete it, and then have people read it and rip it to shreds in a few weeks. I’m still figuring out what I’m saying- but I’m really into it the overarching idea, and the realness of the characters. I’m at page 78, luckily I worked on this A LOT in Trinidad and Abu Dhabi a few months ago-so I’m really happy I’m not starting from scratch. It makes this process less overwhelming.

Walking / Writing for Rebirth – #CCF

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This week I chose to review A Philosophy of Walking by Frederic Gros; a book drawing attention to how walking has been an integral factor in the lives of many great thinkers, and the role it plays in the creativeness of the mind. I specifically concentrated on Chapter 14: Regeneration and Presence. It focuses on the pilgrim’s long journey as he encounters various landscapes and ‘holy places’, shedding his old self and creating anew. My response to this chapter was to write it out multiple times, all the while stripping it of words each time I rewrote it. The last re-write is representative of the rebirth of the pilgrim.

The above description is from Versia Harris’ response to A Philosophy of Walking by Frederic Grosthis week’s addition to the Fresh Milk Books Tumblr – the online space inviting interaction with our collection in the Colleen Lewis Reading Room.

For new Critical. Creative. Fresh reviews, look out for our #CCF responses and see the great material we have available at Fresh Milk!