Renelde Headley’s Emerging Director Residency – Week 2 Blog Post

Renelde Headley, who was on the Fresh Milk platform as part of the first Emerging Directors Residency hosted in collaboration with the National Cultural Foundation (NCF), writes about her second week in the studio. This week saw her becoming more accustomed to her surroundings and continuing her interactions with the other creatives sharing the space, as well as the introduction of the two actors she is working with to develop the style of the play ‘Yellowman‘ during her residency. Read more from Renelde below:

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My second and sad to say final week at Fresh Milk brought me outside a lot more. As I got more comfortable in the space I’d walk about and play with the puppies or eat snacks out on the deck as well as talk to Katherine, Anisah and Torika, when I needed to step away from the monotony of thinking. This week’s conversations included my hope that I’d hear a monkey on the roof, just once. At the same time, the studio was a hive of activity this week with presentations to UNESCO representatives being made by Katherine, Torika and Anisah and myself.

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I spent most of my time delving into the script, conceptualising the work and all-round prepping to meet the actors, Shea Best and Teila Williams. When I met with them, we were off to a strong start discussing character development and the over-all themes and concept. We also were able to experiment with movement and investigate how that impacts/ strengthens a theatre piece.

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Over-all the experience, though short, has been extremely rewarding. Having the chance to experience a programme that supports and allows you to investigate your art without the pressure of deadlines or “production” makes me feel like I’ll be a much stronger artist because of it.

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ncf mark rgb2This project is a collaborative initiative, funded by the NCF Barbados

Fresh Talk: Franky Cruz

Fresh Milk and Fresh Art International are collaborating to present Fresh Talk: Caribbean, a series of podcasts about creativity in the 21st century with a Caribbean focus.

This week’s episode features Miami-based, Dominican Republic born artist Franky Cruz speaking about how Miami, and the art space known as Spinello Projects, became the laboratory for the exhibition project he titled Sistema.

Click here to listen to the full podcast.

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About Fresh Art International & Fresh Talk:

Mission: To inform and inspire a world of followers, Fresh Art International’s team shares conversations, commentary, news, and views about contemporary art.

Launched in October 2011, Fresh Art International is an evolving independent media outlet with a global point of view. Our website is the virtual platform for Fresh Talk: Conversations About Creativity in the 21st Century, our signature audio podcast. The site welcomes up to 3,000 monthly visitors. Averaging more than 9,000 feed hits monthly, we welcome new friends and followers every day: Facebook (3,000+ Likes and Friends) and Twitter (5,000+ Followers).

For Fresh Talk, independent curator Cathy Byrd meets with contemporary artists, curators, designers, architects, composers, writers, filmmakers and other cultural producers. Listen to conversations directly on this website, download episodes, or subscribe to the series on iTunes and Stitcher. Fresh Talk is also accessible through Public Radio Exchange at prx.org.

Fresh Milk XIX Photos

Fresh Milk invites you to take a look at some photos from our recent public event FRESH MILK XIX, which took place on Monday, June 27, 2016.

The event featured Fijian-Australian artist Torika Bolatagici and Barbadian artist Anisah Wood, who were in residence at Fresh Milk for the month of June. Torika spoke about both her own work and that of a selection of Pacific artists in a talk titled ‘Seeing the Black Pacific‘. Anisah – the winner of the 2016 ‘My Time’ Local Artist Residency – made a presentation about her practice and residency experience, as well engaging in an open discussion with Torika about her work.

Thanks so much to our photographer Dondré Trotman for these images!

Renelde Headley’s Emerging Director Residency – Week 1 Blog Post

The first resident in the inaugural Emerging Directors Residency – a collaboration between Fresh Milk and the National Cultural Foundation (NCF) – Renelde Headley writes about her first week on the platform. She has begun her stint in this programme by taking in her new surroundings, exploring the material in the Colleen Lewis Reading Room, and enjoying being in the company of creative practitioners from other fields. Read more below:

My first week at Fresh Milk has been a welcomed respite from the hustle and bustle of the everyday. It was extremely encouraging to be in the company of fellow artists doing their art while, most importantly, doing my own. My view this week has been mostly of the Colleen Lewis Reading Room, which I must say is a very “bad” view to have, as I spent most of the week reading and perusing the library!

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As I would sit and read a sampling of the books on culture and race as well as on theatre practice and directing styles, I’d often be able to look up and see Torika reading or tapping away at her computer and Anisah bent over her drawings and spy Katherine through the window working on the deck. Amidst working on our individual projects, the four of us would stop to have little conversations where we’d pick each other’s brains about various topics or just get to know each other a little better. This was very encouraging for me because it allowed me to think outside the confines of my field since they are all visual/fine artists.

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ncf mark rgb2This project is a collaborative initiative, funded by the NCF Barbados

Anisah Wood’s Residency – Week 3 Blog Post

Resident artist in the 2016 ‘My Time’ Local Residency Programme, Anisah Wood, writes about her third week on the Fresh Milk platform. While questioning her future as a working artist and being faced with professional decisions, Anisah was able to gain inspiration from a session of her Quid Pro Quo skills exchange programme led by Akhaji Zakiya about creative business practices, as well as observing the current resident in the collaborative National Cultural Foundation & Fresh Milk Emerging Directors Residency programme, Renelde Headley. Read more below:

Week 3 flew by leaving only fragments for contemplation. Much of these scattered pieces revolved around the possibilities for my next step. It could be that it finally dawned upon me that I have only one week remaining in this residency, or maybe it was the looming deadline to apply for a teaching position. But then again, do I really want to teach within the governmental system? Furthermore, how will I balance a productive artistic career while working any 9-5 job? Or will my young artistic career fall onto the back-burner and be reduced to a thing of the past? Nah, I don’t think so. I’m determined to continue. And if I don’t, I humbly ask you, reader, to kindly remind me of this testimonial.

Moreover Akhaji provided some timely suggestions during her Quid Pro Quo session. She kindly gave us the opportunity to list our concerns and potential challenges and provided ways in which these can be countered. It was definitely the encouragement that I needed to go forth and conquer. I also received further encouragement observing Renelde, a recent addition to the residents, take on the 2 week Emerging Directors Residency. It was so great being able to converse with someone within another aspect of the artistic sector and to observe their process.

Now I’m about to enter my final week. I can already tell its going to be hectic with a public presentation in addition to the final Quid Pro Quo experience back to back. Nevertheless I will savor these last days at Fresh Milk.