Saada Branker & Powys Dewhurst – Week 2 Blog Post

Fresh Milk‘s current residents, writer Saada Branker and filmmaker Powys Dewhurst, share their second blog post about their experiences in Barbados. Despite going all out this week to gather information and stories for their documentary memory project about the effects of Hurricane Janet on the island, Saada takes the time to consider not only the power of individual accounts, but the importance of a broader context and the longer term results of the storm. Read more below:

Saada Branker and Edwin and Angus of Top Car Rentals.

Saada Branker and Edwin and Angus of Top Car Rentals.

It seems like self-inflicted cruelty to be picking up our pace in a place like Barbados. What has become the status quo in tightly-wound Toronto is almost ludicrous in sedate Walkers Terrace, St. George. Funny: I remember a friend once agreeing that navigating in Canada’s largest metropolitan city feels like being in a rat race. “But we’re not rats,” she added. Indeed.

Bad habits die hard, even in Barbados. To get what we need on Hurricane Janet, I’ve been going at a steady pace of chasing interviews, setting them up, helping to coordinate the team, interviewing, researching and writing. Of course, I’m not alone. Joining me is a wonderful team of Fresh Milk blog coordinators and chasers including my editorial assistant Natalie McGuire. ArtsEtc’s co-founder Robert Sandiford provides us advice and links to key people. Filmmaker Powys Dewhurst, assisted by our intern, Charles Phillips, does all the driving, courtesy of Top Car Rentals as and as of week three, Southern Rentals Barbados. The film duo also does the heavy lifting, setting up equipment, filming interviews, capturing additional visuals and packing up.

Truth is, to gather information about Hurricane Janet we need not just memories, but context. What was happening in Barbados in 1955? How were Barbadians living and how did they fare during the months of post-Janet recovery, especially as 20,000 people struggled to replace houses they lost to irreparable damage? What changed because of Janet?

To help us answer these questions and lead to further queries, we secured more extraordinary Barbadians. On Wednesday, Charles and Powys set off for a day of streeters in St. Phillip—essentially newsroom jargon for quick interviews on the road posing one or two questions. In a rum shop filled with friendly, card-playing patrons, they found what they needed. Thursday, Powys and I set out to meet Alvin Cummins, retired microbiologist, award-winning author and treasurer of the Barbados National Union of Fisherfolk Organizations (BARNUFO). Through him we learned of government-imposed changes to the fishing vessels after Hurricane Janet, and the socio-economic challenges families faced years later. Alvin was a wealth of information, just like his colleague Buddy Larrier the week before at Oistins. We learned what a Dry Dock is and that the world’s last remaining structure can be found nearby in Bridgetown & its Garrison area.

The strangest part of that day? A dynamic and loquacious photographer from Antigua named Craig Fernandez rolled up on us. In the course of a conversation, Powys eyed him carefully, thinking he saw a resemblance. It turned out he knew the artist’s father. To our surprise, Craig happily assisted us as 2nd camera for about three hours.

Friday morning was spent at the Nation News headquarters where we met with Harold Hoyte, co-founder of the national newspaper and Editor Emeritus. His interview will shine in our documentary. Complementing Harold’s talk was the Nation’s Editor-in-Chief Roy Morris. It was a seamless film shoot thanks to the staff, in particular, Sonia Marville-Carter. Her coordinating skills ensured our time went smoothly and efficiently.

We’re finding it hard to slow down. There’s something spectacular about learning of a shared moment from people with a comprehensive understanding of impact, whether they’re met on the road or in a newsroom. As each of these keen interview subjects point the team in a particular direction, we can’t help it; our excitement takes over and we find ourselves quickening our pace.

Sign-up for a sound workshop with upcoming resident artist Ask Kæreby

Danish composer and sound artist Ask Kæreby will be hosting a series of workshops around experimental ways of working with sound during his upcoming Fresh Milk residency in November, 2015.

Find out more about the programme below and email us at freshmilkbarbados@gmail.com to let us know if you are interested in attending, as space will be limited. More detailed information about the dates & times of the workshops will follow:  

sound flyer final

About the workshop:

What sounds are available for artistic expression and how can we approach them?

As a composer or musician it is very possible to take available instruments and their sounds for granted, as most have a heritage of hundreds of years, and many new are simply variations or emulations of earlier models. But what if we suspend “the usual suspects” for a while, and try to listen in a different way? What if we refrain from identifying a sound by its source, origin or processing, and instead try and describe what we hear by its own merits? If we open ourselves to the soundscape surrounding us, how can we appreciate this in a meaningful way, and can we communicate to others by means of our own soundscapes, composed or fabricated from field recordings?

In a number of workshops, we will focus on sound as a medium of intrinsic value and its own source of information. With inspiration from the World Soundscape Project from the 1970’s, we will begin an aural mapping of the environment, documenting the local soundscape via field recordings and discussing possible signature sounds or soundmarks. Using different types of transducers, we will investigate vibrations in different types of materials such as gasses, liquids and solids – thereby exploring different modes of perception and listening. These recordings will also function as the compositional base for experimental construction of sonic narratives, musical compounds or combinations thereof.

ask kaereby

Ask Kæreby

Artist Statement:

My artistic practice is interdisciplinary and research-based, involving experimental composition, sound design and electroacoustic music. I’m interested in the presentation of narratives by means of sound – not through traditional musical gestures, but using different approaches such as musique concrète or the futurists’ bruitism, thereby giving the listener a more subtle way of experiencing the essence of the work. By placing myself in the intersection between the known formats, I wish to challenge our ways of listening – to music (live as well as recorded), to our surroundings and to (sonic) art.

Since the days of Aristotle, narratives in art have been characterised by a “poetic” organising principle, which is both logically and aesthetically superior to the random historicity of factual events. The incorporation and processing of pieces of reality in the shape of sounds in forming an audible work, contains possibilities for combining and juxtaposing these two principles, which I find extremely interesting.

My projects begin with a longer period of research, where I collect factual and historical information and gather impressions and sounds from the area and/or subject. Particularly interesting ideological or technological methods may appear, and form the basis of my further compositional work.

Bio:

Ask Kæreby is a Danish composer. He studied music production in Copenhagen, earning a MMus degree from The Royal Danish Academy of Music.

Kæreby’s artistic practice is interdisciplinary and research-based, including elements of experimental composition, sound design and electroacoustic music. He is interested in the presentation of narratives by means of sound – not through traditional musical gestures, but using different approaches such as musique concrète or the futurists’ bruitism. Working in the intersection between known formats, Kæreby wishes to challenge our ways of listening – to music (live as well as recorded), to our surroundings and to (sonic) art.

He has been awarded grants in support of his work from The Danish Arts Foundation, Danish Musicians’ Union, Wilhelm Hansen Foundation, Familien Hede Nielsen Foundation, Dansk Artist Association, Ellen & Erik Valdemar Jensen Music Grant, Anders Månsson & wife Memorial Grant and Karen Margrethe Torp-Pedersen & husband Foundation.

Charles Phillips interns with Fresh Milk residents Saada Branker & Powys Dewhurst

Fresh Milk is happy to announce that recent graduate in the Barbados Community College (BCC) BFA programme Charles Phillips is interning with our resident artists, writer Saada Branker and filmmaker Powys Dewhurst, as their assistant director and 2nd camera for their documentary project recording Barbadians’ experiences of Hurricane Janet, which struck the island 60 years ago. Charles will be assisting Saada and Powys between June 1 – 26, 2015. Read more about him below:

Charles Phillips. Photo by the artist, courtesy of Monochrome Media

Charles Phillips. Photo by the artist, courtesy of Monochrome Media

About Charles Phillips:

Charles Phillips is a Barbadian digital artist. He acquired his Associate Degree in Visual Arts in 2012 and has recently completed his BFA in the same field at the Barbados Community College.

Charles has been part of various exhibitions at the Barbados Community College between 2010-2014 and has showcased his digital images at Barbados’ Animekon Expo between 2011-2013.

He employs the techniques of digital painting, photography and video. Most of his work investigates and includes elements from martial arts, psychology and mythology or fiction. Charles’s photography uses photo surrealism to create interesting pieces. His most current work explores fictional archetypes and the visual and thematic links between classical and modern fiction, looking at how these narratives repeat themselves.

Charles lives and works in Barbados where he co-founded Monochrome Media, a local company providing creative photography, videography, graphic design and other related services.

Saada Branker & Powys Dewhurst – Week 1 Blog Post

Canada-based couple Saada Branker and Powys Dewhurst, a writer and filmmaker respectively, share their first blog post about their Fresh Milk residency. Both having strong ties to Barbados, Saada and Powys are in the island embarking on a project very close to their hearts and heritage: a documentary memory project commemorating the 60th anniversary of Hurricane Janet. Read more below about their first week of collecting data and interviews, and how physically being in the space has brought home the reality of Janet’s impact on the island and its people:

It was perhaps not by accident but by divine design that we arrived in Barbados on June 1st, the official start of the 2015 Hurricane season. Quite simply, Powys and I are hunting Hurricane Janet, although she is long gone. We resurrect her memory with each question posed to Bajans as they go about their daily business.

We got straight to it as we exited Grantley Adams International Airport. Our baggage handler told us she was born in 1956, one year after Hurricane Janet hit the island, but she grew up hearing of it from people every hurricane season. Edwin Edey from Top Car Rentals Barbados awaited us with a pristine vehicle, courtesy of this efficient family-run business. After a conscientious explanation of our contract, rules of the road and features of the van, Edwin described his memories of the terrain being levelled by Janet’s violent winds.

At that moment, I was hit by the realness of what Powys and I are setting out to achieve. Why it was sobering, I’m not sure. Barbados is not new to either of us. Powys grew from a precocious child into a curious teen here. I visited my parents’ birthplace for my third birthday, and I returned as an adult a few times. This media project offers us a new discovery of Barbados, guided from our elders’ lips to our ears. As in all oral traditions, there’s no greater honour than to receive such memories and hold them for sharing.  Maybe that moment of truth is what I tapped into.

Driveway to the Fresh Milk residency flat in St. George

Driveway to the Fresh Milk residency flat in St. George

Edwin graciously offered to drive ahead to show us the way to Fresh Milk. Thankful, we followed his car and looked about at our surroundings with new eyes. Where we saw foliage, infrastructure, industry and farmland, we tried to imagine 60 years earlier with bent trees, debris swirling overhead and houses battered by winds travelling upwards of 111mph. I must say, it wasn’t easy.  I was distracted. St. George was my parents’ stomping grounds when they were children.  Because I’m a sit-put condo dweller, I was struck by the steady movement of people by foot and car, the expanse of farmland and just how picturesque the Fresh Milk Art Platform really is. My inspiration to write took over.

On our third day here, with the help of Annalee Davis, Fresh Milk’s director and founder, we met with Charles Phillips, a talented photographer and entrepreneur behind Barbados-based Monochrome Media. He’s now our assistant director and 2nd camera for our film shoots.  The next day, with Charles, we were able to drive to the Barbados Museum & Historical Society located in the area of Bridgetown & its Garrison. Off camera, Assistant Curator Miguel Pena told us about the founding of the Society in 1933 as he led us to their library. There we read about the history of hurricanes in Barbados. Day 5 took us to the island’s south coast for a crucial interview in Oistins. What we learned grounded us. On Sunday, day 6, we travelled with our flatmate Thais Francis to Bathsheba on the eastern side of the country in St. Joseph.  I’m  thrilled because we’re seeing context; spaces in towns and villages where people on the move spill onto roads or simply catch a cool breeze on a corner and smart conversation with friends—many of them waving as we passed. Their gestures confirming, “I’m here and I see you.”

In no other country have I felt so welcomed by people who don’t know me. Indeed, 60 years ago Hurricane Janet killed Barbadians, Grenadians and days later Mexicans, carving a path of extensive environmental devastation. Remarkably, that same disaster speaks volumes about the people who lived through it and how they’re ready and willing to tell us about this defining moment.

Thais Francis’ Residency – Week 3 Blog Post

Thais Francis, Trinidad-born, Brooklyn-based multidisciplinary writer and performance artist currently undertaking a Fresh Milk residency, shares her third blog post. Although her week was short as she visited another Caribbean island, she reflects on the importance of working hard without putting too much pressure on yourself. She also takes inspiration from the children participating in her theatre workshop at Workmans Primary School when it comes to being flexible and embracing activities without over-thinking or allowing self-doubt to set in. Read more below:

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This week seems like it went by very quickly. I left the island for a bit, so I did some extra work prior to leaving. Finally, I have a skeleton of the screenplay. A beginning, middle and end. I thought I had to spend every second of my day, working on the script. Sometimes I did it after I left the studio – but I think that waiting, breathing and experiencing also helps the writing process. I’m getting used to the idea of not pressuring myself – glad that memo is sinking in, and
I hope it sticks when I return to the States. This upcoming week is about fine-tuning and serious focus to make it stronger. A psychiatrist in San Francisco who specializes in my subject area has agreed to be my script consultant, so I’ll be sending that over soon-ish.

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This week, I introduced costumes to the students. They adapt so well, I throw things at them, and they jump right in. Isn’t that amazing? How children can jump, or run, or laugh without thinking too much about it? Adults seem to second-guess, and seek permission; when did this carefreeness stop? Why did it stop? I personally prefer to have fun most of the time, even as an adult. We played impersonation games, I wrote scenes and broke them up into groups to perform for each other, and we worked on stage presence.