Fresh Milk featured in the 2015 Business Barbados Publication

An article by Fresh Milk‘s Director Annalee Davis was featured in the 2015 edition of Business Barbados‘ annual publication. The piece is titled ‘Supporting the Visual Arts to Enhance National Development‘, and addressed the work that Fresh Milk is doing on this front.

Click here to read more:

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Article by Annalee Davis

Fresh Milk was also listed as one of the non-profits/charities doing important work in the article ‘Opportunities for Philanthropic Investments in Barbados’ Social Infrastructure‘ by Peter Boos, Chairman Emeritus, Ernst & Young Caribbean.

Click here to read more:

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Article by Peter Boos

The Object Stares Back: On the Nature of Seeing – #CCF

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Looking. We do it all the time, often without considering the fact that we are indeed looking. Just looking. Aside from the obvious inclusion of an adverb, what is the difference, if any? Implicit in both is the idea that the eyes are observing people and objects, and the brain is processing information (however trivial) about these things. James Elkins in his book titled The Object Stares Back posits that there is no substantial difference between looking and just looking. The same action is involved and the intention is often the same in both cases. We look because our interest has been piqued. But perhaps the addition of the word “just” is an indication that our interest has been piqued for a shorter time because the person or object being looked at has not kindled enough interest.

The above description is from Dominique Hunter’s guest review of  The Object Stares Back: On the Nature of Seeing by James Elkinsthis week’s addition to the Fresh Milk Books Tumblr – the online space inviting interaction with our collection in the Colleen Lewis Reading Room.

For new Critical. Creative. Fresh reviews, look out for our #CCF responses and see the great material we have available at Fresh Milk!

Fresh Milk on VOB’s radio show: 630 with David Ellis

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Fresh Milk director, Annalee Davis, and recent resident artist Thais Francis were both interviewed for the June 10th edition of the Voice of Barbados (VOB 92.9) radio show 630 with David Ellis. Their segment became part of a larger programme featuring Annalee’s father and brother, Vere and Paul Davis, who spoke about Walkers Dairy (on which Fresh Milk is located), its history and the work being done.

Listen to Annalee and Thais’ contribution in the excerpt below, and to hear the full podcast, click here for Part 1 here and here for Part 2 here:

Thais Francis’ Residency – Week 4 Blog Post

Thais Francis shares her fourth and final blog post about her recently completed Fresh Milk residency. Looking back on her time in Barbados, Thais is happy with the the focus that having a dedicated, peaceful working environment has afforded her, as well as the work she was able to do with the children at Workmans Primary School, overall leading to a very productive and inspiring residency period. Read more from Thais below:

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“I heard you on the radio, are you here in Barbados?”

When I saw those words, I felt sad – because the answer was no. I am no longer in Barbados, I am back in America, and maybe I missed my opportunity to sit with you and thank you. Thank you for opening my eyes to a world of Caribbean literature, for introducing me to the Orishas and for being a pioneer. Who would have thought my NYU professor from 5 years ago would remember me and even find my email address? Who would’ve known he’d be listening to the radio right at the moment when I came on? He was the person who taught me how to look at words through an Afro-Caribbean point of view, thus shaping the person I am becoming. Kamau Brathwaite great writer and Barbadian, thank you. The next time I’m in Barbados you will not find out through the radio.

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Had it not been for this residency, I would not have known my weaknesses. Have you ever had time to just sit and think? Sit under a tree, and read a book, or write in your journal, without any distractions? Thinking can be quite intense sometimes, but then it can be quite revelatory. You know how Stella went to Jamaica to get her groove back? It felt a little like that – thankfully I’m still young and I have not lost my groove, but I empathize with Stella. I got something in Barbados. I got the ability to fully see and carry on – even in the midst of not knowing. This is beginning to sound like a chapter from Eat Pray Love so I’ll be moving on with my point.

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I have 136 pages of a screenplay. It may be good or it may be bad but I DID IT. I sat down and wrote, even when I was bored I continued, even when I wanted to go to the beach – I did it (sometimes I couldn’t resist the beach though). 136 pages later, I’m ready to continue. Writing a screenplay and seeing that into fruition on a screen seems like a never-ending process, but there is a skeleton, and writing in the studio really helped. Working with the children helped too. I figured I should share my gift. It’s fun to write for your own projects, but even better when you’re able to show kids that art is fun. Playing is fun. Dressing up, saying your name loudly, bowing when your classmates clap, imagining worlds and storytelling is fun. Life should be fun. I hope they learned as much from me as I did from them. I salute teachers. I salute Mrs. Bradshaw and Ms. Gatsby the principal of Workman’s and Annalee and the Fresh Milk team for making the space so aesthetically inviting.

All in all, it was a great experience. My quarter life identity crisis issues have somewhat abated, and now I must proceed. I’ll let you know when the movie comes out. Maybe I’ll have a screening in Barbados. Okay?

Saada Branker & Powys Dewhurst – Week 2 Blog Post

Fresh Milk‘s current residents, writer Saada Branker and filmmaker Powys Dewhurst, share their second blog post about their experiences in Barbados. Despite going all out this week to gather information and stories for their documentary memory project about the effects of Hurricane Janet on the island, Saada takes the time to consider not only the power of individual accounts, but the importance of a broader context and the longer term results of the storm. Read more below:

Saada Branker and Edwin and Angus of Top Car Rentals.

Saada Branker and Edwin and Angus of Top Car Rentals.

It seems like self-inflicted cruelty to be picking up our pace in a place like Barbados. What has become the status quo in tightly-wound Toronto is almost ludicrous in sedate Walkers Terrace, St. George. Funny: I remember a friend once agreeing that navigating in Canada’s largest metropolitan city feels like being in a rat race. “But we’re not rats,” she added. Indeed.

Bad habits die hard, even in Barbados. To get what we need on Hurricane Janet, I’ve been going at a steady pace of chasing interviews, setting them up, helping to coordinate the team, interviewing, researching and writing. Of course, I’m not alone. Joining me is a wonderful team of Fresh Milk blog coordinators and chasers including my editorial assistant Natalie McGuire. ArtsEtc’s co-founder Robert Sandiford provides us advice and links to key people. Filmmaker Powys Dewhurst, assisted by our intern, Charles Phillips, does all the driving, courtesy of Top Car Rentals as and as of week three, Southern Rentals Barbados. The film duo also does the heavy lifting, setting up equipment, filming interviews, capturing additional visuals and packing up.

Truth is, to gather information about Hurricane Janet we need not just memories, but context. What was happening in Barbados in 1955? How were Barbadians living and how did they fare during the months of post-Janet recovery, especially as 20,000 people struggled to replace houses they lost to irreparable damage? What changed because of Janet?

To help us answer these questions and lead to further queries, we secured more extraordinary Barbadians. On Wednesday, Charles and Powys set off for a day of streeters in St. Phillip—essentially newsroom jargon for quick interviews on the road posing one or two questions. In a rum shop filled with friendly, card-playing patrons, they found what they needed. Thursday, Powys and I set out to meet Alvin Cummins, retired microbiologist, award-winning author and treasurer of the Barbados National Union of Fisherfolk Organizations (BARNUFO). Through him we learned of government-imposed changes to the fishing vessels after Hurricane Janet, and the socio-economic challenges families faced years later. Alvin was a wealth of information, just like his colleague Buddy Larrier the week before at Oistins. We learned what a Dry Dock is and that the world’s last remaining structure can be found nearby in Bridgetown & its Garrison area.

The strangest part of that day? A dynamic and loquacious photographer from Antigua named Craig Fernandez rolled up on us. In the course of a conversation, Powys eyed him carefully, thinking he saw a resemblance. It turned out he knew the artist’s father. To our surprise, Craig happily assisted us as 2nd camera for about three hours.

Friday morning was spent at the Nation News headquarters where we met with Harold Hoyte, co-founder of the national newspaper and Editor Emeritus. His interview will shine in our documentary. Complementing Harold’s talk was the Nation’s Editor-in-Chief Roy Morris. It was a seamless film shoot thanks to the staff, in particular, Sonia Marville-Carter. Her coordinating skills ensured our time went smoothly and efficiently.

We’re finding it hard to slow down. There’s something spectacular about learning of a shared moment from people with a comprehensive understanding of impact, whether they’re met on the road or in a newsroom. As each of these keen interview subjects point the team in a particular direction, we can’t help it; our excitement takes over and we find ourselves quickening our pace.