Open Call: TVE 2017 – Deadline Extended

Deadline extended until July 20, 2017

Fresh Milk and Footscray Community Arts Centre are pleased to welcome submissions of recent film and video works – screenings, installations, new media and expanded cinema – by contemporary artists, to be included in the second edition of Transoceanic Visual Exchange (TVE), a series of programmes taking place this year between Barbados and Australia. Submitted works must have been completed in the last five years and must be made by artists practicing in the Caribbean, Oceania and their diasporas.

TVE will be a collection of recent artists’ films and videos from each region. However, the final shape and content of the programme will be informed by a community curatorial process, which aims to involve and promote discussion within the wider arts communities of each participating initiative.

Working between the Caribbean, Oceania (Pacific Islands) and their diasporas, TVE aims to negotiate the in-between space of our cultural communities outside of traditional geo-political zones of encounter and trade. TVE intends to build relations and open up greater pathways of visibility, discourse and knowledge production between the regional art spaces and their communities.

Submission Requirements:  

  • Must be work from artists practicing in the Caribbean, Oceania (Pacific Islands) and their diasporas

  • Must be work that has been completed/made in the last five years.

  • Can be films of any length (shorts, experimental, features and video artworks)

  • Can be in any language (films originally produced in regional languages are welcome)

  • Multiple submissions are welcome

  • Must be accompanied by a description of the work (500 words max), a bio (200 words max) and detail of any technical requirements i.e. audio, installation, equipment required, preferred setting etc.

  • Works must be in the form of mp4 files no larger than 10MB, or private Vimeo / Youtube links

  • Works must not have been submitted to the previous edition of TVE

Deadline for submissions: July 20, 2017

Please send Caribbean submissions to: tveproject.caribbean@gmail.com

Please send Oceania submissions to: tveproject.oceania@gmail.com

For more information on TVE and its first iteration, visit the website transoceanicvisualexchange.com

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About Fresh Milk:

Fresh Milk is an artist-led, non-profit organisation founded in 2011 and based in Barbados. It is a platform which supports excellence in the visual arts through residencies and programmes that provide Caribbean artists with opportunities for development, fostering a thriving art community.

Fresh Milk offers professional support to artists from the Caribbean and further afield and seeks to stimulate critical thinking in contemporary visual art. Its goal is to nurture artists, raise regional awareness about contemporary arts and provide Caribbean artists with opportunities for growth, excellence and success.

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About Footscray Community Arts Centre:

Footscray Community Arts Centre (FCAC) is a community-engaged, contemporary arts centre working with local, regional and international communities.

We collaborate with artists, communities and organisations to build capacity, create opportunities and drive social change. We are the place where important conversations happen: we then action; we cultivate; we deepen.

Digital copies of RA: Representing Artists now housed on the Fresh Milk website

The quarterly Barbadian and Caribbean arts newsletter RA (Representing Artists) was produced in the early nineties, spearheaded by a group of Barbados-based artists who saw the need to create a forum for more critical writing around contemporary arts in the region.

As part of her Tilting Axis Fellowship that has seen her travel to arts spaces throughout the Caribbean, Jamaican writer and curator Nicole Smythe-Johnson has digitized all six editions of this newsletter to make them available for public access on the Fresh Milk website. This inaugural curatorial fellowship is supported by the British Council.

With so many ongoing conversations about the development and future of Caribbean art today, it is important to know the history of spaces and what has laid the foundations for these discussions. Over the last 24 years, how have things changed? What has remained the same? We hope that these texts can be a source of inspiration, evaluation and critique, both for the state of the creative environment then and for encouraging productive discourse moving forward.

Edited by: Annalee Davis
Designed by: Arthur Atkinson (Issues 1-4) and Kristine Dear (Issues 5 & 6)

Contributors: Annalee Davis, Allison Thompson, Ras Akyem, Ras Ishi, Christopher Cozier, Nick Whittle, Alison Greaves, Roger Lipsey, Ken Corsbie, Dominique Brebion, Stan Kuiperi, Marianne de Tolentino, Dennis Tourbin, Petrona Morrison, Gayle Hermick, Geoffrey MacLean, Elizabeth Barnum and Sharen Carmichael

Click here to access the full issues on our Projects Page.

Open Call: Tilting Axis Curatorial Fellowship Programme 2016

As a direct outcome of the Tilting Axis meetings in 2015 at Fresh Milk in Barbados and in 2016 at the Pérez Art Museum Miami, Scotland based cultural partners CCA Glasgow, David Dale Gallery, Hospitalfield and curatorial collective Mother Tongue have come together to offer structural long-term support to an emerging contemporary art practitioner living and working in the Caribbean. This is a new fellowship opportunity that focuses on the development of pragmatic and critical curatorial development hailing from the Caribbean region, and is research and practice-led, and mentor-based. The fellow will receive a maximum of £5,000 towards travel, accommodation, and living costs. The fellowship is co-developed in partnership with British Council.

Tilting Axis logo

Designed as a year-long programme between the Caribbean region and Scotland, the fellowship will have an open-ended outcome. It offers support for critical development of curatorial practice and gives a practical base in the partner institutions, connected with the successful candidate’s proposal.

We seek proposals that engage with the unique visual culture available in the Caribbean and what might be learned from its unexpected and innovative approaches. The successful candidate will be encouraged to travel throughout the Caribbean in search of such approaches and research. As part of this fellowship a trip to Scotland is essential, offering an opportunity to use the experience with the Scottish based partners as a form of mentorship. In collaboration with the partners, a realistic budget will be proposed, maximising the opportunities.

Within the Tilting Axis meetings, complexities of mobility, decolonisation, institutionalism, curatorial knowledge, pragmatics, and social realities have been surfacing as keywords of urgency within Caribbean cultural life. The mentorship element in the fellowship allows for a stable basis from which to draw and use spaces, libraries, individual knowledge, and other infrastructure, both in the Caribbean and Scotland) depending on the nature of the needs in the application.

For whom?

Curators, researchers, artists, or cultural producers based in the Caribbean region who want to make new links within the region as well as in Scotland and have a keen interest in developing their curatorial practice.

Goals

• Develop, stimulate, support, and visualise curatorial and artistic realities coming from the Caribbean region
• Facilitate face-to-face communication in Scotland as well as in the Caribbean region
• Offer a free and open access to knowledge
• Provide a stable platform for professional experiences
• Produce critical knowledge on educational tools as well as visual culture
• Focus on emerging practices
• Cross existing language barriers
• Utilise the existing Tilting Axis network
• Offer practical support and a trip to Scotland

Geography

The Caribbean is an active region. The definition of what is the Caribbean is not uniformed; Wikipedia provides a useful list that includes the islands and the continental countries.

Drawing on the specifics of the region through processes of decolonisation, language barriers, race, mobility, and digitalisation, your proposal might approach actively how people live and work and especially how contemporary art takes a responsibility to reflect and act on it. What are fears as well as potentials in these current times? Within such a complex geography, what are the challenges?

Mentorship and support

The fellowship offers a strong supportive framework and takes the model of a mentorship programme. Depending on the candidate’s interests and skills, several personal mentors are available for support throughout the programme. There is open access to infrastructure, curatorial and artistic ideas, exhibition spaces, archives, and libraries as well as personal stories and experiences within these institutions and individuals. Also online, Skype, and email support will be available from the mentors throughout the fellowship. A contribution to the public blogs of British Council and CCA Glasgow will be required along with a final report on the Fellowship and a presentation at Tilting Axis in April 2017 at the National Gallery of the Cayman Islands.

Application

Applicants for the fellowship are invited to develop an independent proposal outlining a clear interest in the issues highlighted. The proposal should include a realistic travel itinerary, carefully selected within budget restrictions, and content driven. The application can be based on already existing research or offer new projects. No outcome is expected from the outset, but a proposal that shows organisation of collateral events that allow for public access to the issues is appreciated.

Departing from a curatorial ambition, we expect to see strong proposals of maximum 1000 words. Please include a budget proposal (maximum of £5000), a CV and two references. The application should be submitted via e-mail to: jennifer@cca-glasgow.com.

Submission deadline: Monday 11 July 2016.

Emerging art practitioners are particularly encouraged to apply. The successful candidate will be living and working in the Caribbean region.

Remy Jungerman, Spirit Levels, CCA Glasgow 2014, Photography by Alan Dimmick.

Remy Jungerman, Spirit Levels, CCA Glasgow 2014, Photography by Alan Dimmick.

Summary

Aimed at curators, researchers, artists, or cultural producers focused on, or with a clear interest in, curatorial practice from the Caribbean region.

Fellowship period: mid 2016 – mid 2017, to be negotiated depending on proposal and personal/professional situations.

The Fellow will be assigned a mentor from the core partners depending on their needs and wishes. Throughout the year these mentors are accessible online or on location.

A total project budget of £5000 will be allotted for the duration of fellowship. The award shall be used exclusively to cover only the costs of travel, per diems, and other fees and living costs identified in the final budget approved by the selection committee.

The Fellow will be selected on the basis of a project proposal and a succinct motivation elaborating the candidate’s interest in developing a Caribbean curatorial practice. The deadline for submission will be Monday 11 July 2016.

The proposals will be judged by an international jury consisting of curators, academics, and museum professionals, after which shortlisted candidates will be invited for an interview via Skype.

The Curatorial Fellow will be appointed at the end of July 2016. Jurors will be:

Tiffany Boyle and Jessica Carden, Mother Tongue, UK
Holly Bynoe, ARC Magazine, The National Art Gallery of the Bahamas and Tilting Axis co-founder
Mario Caro, board member of Res Artis, Tilting Axis partner
Annalee Davis, British Council Caribbean, Fresh Milk Barbados, Tilting Axis co-founder
Francis McKee, CCA Glasgow, UK
Max Slaven, David Dale Gallery, UK
Laura Simpson, Hospitalfield, Arbroath, UK

Possible partners within the network include:

Alice Yard, Trinidad + Tobago
ARC Magazine
Fresh Milk Art Platform Inc., Barbados
Ateliers ‘89, Aruba
Bermuda National Gallery
Beta-Local, Puerto Rico
British Council Caribbean
espace d’art contemporain 14°N 61°W, Martinique
Ghetto Biennale, Haiti
Johanna Auguaic, Director, BIAC, Martinique
Instituto Buena Bista, Curacao
L’Artocarpe, Guadeloupe
National Art Gallery of The Bahamas
National Gallery of Jamaica
National Gallery of the Cayman Islands
NLS, Jamaica
Tembe Art Studio, Suriname

In partnership with CCA Glasgow, David Dale Gallery and Studios, Hospitalfield, Mother Tongue and Tilting Axis. Supported by British Council Scotland.

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Fresh Talk: Poland takes Haiti to Venice

Fresh Milk and Fresh Art International are collaborating to present Fresh Talk: Caribbean, a series of podcasts about creativity in the 21st century with a Caribbean focus.

This week, we highlight a conversation with artist Joanna Malinowska, who talks about Halka/Haiti, the panoramic film project she and her partner CT Jasper produced for the Polish Pavilion at the 56th Venice Art Bienniale.

Click here to listen to the full podcast.

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About Fresh Art International & Fresh Talk:

Mission: To inform and inspire a world of followers, Fresh Art International’s team shares conversations, commentary, news, and views about contemporary art.

Launched in October 2011, Fresh Art International is an evolving independent media outlet with a global point of view. Our website is the virtual platform for Fresh Talk: Conversations About Creativity in the 21st Century, our signature audio podcast. The site welcomes up to 3,000 monthly visitors. Averaging more than 9,000 feed hits monthly, we welcome new friends and followers every day: Facebook (3,000+ Likes and Friends) and Twitter (5,000+ Followers).

For Fresh Talk, independent curator Cathy Byrd meets with contemporary artists, curators, designers, architects, composers, writers, filmmakers and other cultural producers. Listen to conversations directly on this website, download episodes, or subscribe to the series on iTunes and Stitcher. Fresh Talk is also accessible through Public Radio Exchange at prx.org.